38:
778:, Eugène Tarbé, judged the piece excessively long, with too much music and too much dialogue. He thought the plot predictable and the action held up by too much padding. Tarbé found much to praise among the musical numbers: "a string of happy inspirations, melodies, sometimes joyful and sometimes tender". He thought Edwige's "Conduisez-moi vers celui que j'adore" rather too reminiscent of earlier waltz songs by Offenbach, but thought "Ne le voyez-vous pas?" "a delicious quartet, written in a melodic style, simple and severe at the same time", and singled out among other numbers "Debout, c'est aujourd'hui dimanche", the "Chanson du pot-au-feu" and the overture and entr'actes.
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by the cannibals, has become their cook. He cheerfully informs
Suzanne and Toby that they will be the cannibals' dinner that evening. At sunset, Edwige is brought in by natives, who believe that she is a white goddess. She is to be sacrificed to their god, Saranha. Vendredi spies all this, and is smitten with Edwige. When the fire is lit, he fires Robinson's pistol, the natives flee, and he rescues Edwige, Suzanne, Toby and Jim Cocks.
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pirates with a story of treasure buried in the jungle and they go off to find it, but are caught by the cannibals. Robinson wields the pirates' guns and the pirates plead to be saved. Robinson agrees, and all set sail for
Bristol once again, with the pirate chief, as ship's captain, marrying Robinson and Edwige at sea.
789:
there is a basic flaw: Offenbach clearly could not decide whether he was writing opéra comique, which aims at genuine, if stylized, sentiment and character, or operetta, which makes no such claim. The heroine is a straight romantic figure, and so to some extent is the hero. The second pair of lovers
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In another part of the island, Edwige, Suzanne and Toby have arrived to look for
Robinson. They too have been attacked by and escaped from pirates. Toby and Suzanne are captured by the cannibals, and meet their old Bristol neighbour Jim Cocks. He had run away to sea ten years earlier, and, captured
431:
Six years later, Robinson is on a desert island at the mouth of the
Orinoco, having escaped from pirates who attacked his ship. He has only one companion, Vendredi, whom he earlier rescued from being sacrificed to the gods by the cannibal tribe on the island. Robinson dreams of Edwige, and tries to
444:
The next day
Robinson discovers Edwige sleeping in his hut and they are blissfully reunited. Vendredi explains that the pirates have left their ship, allowing the English group the chance to seize it and to return to England while the pirates feast and dance. Robinson, feigning insanity, fools the
422:
from his Bible. Robinson finally arrives disgracefully late, but, a cherished only child, he easily persuades his parents to forgive him. Taking Toby aside, he explains that he has booked passages to South
America for them both that very night on the schooner in the harbour. Edwige, realising that
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seven years earlier. The music is on a grander scale than that of most of the composer's earlier works. The opera was well received but ran for only 32 performances. In the 20th century it was not revived until the 1970s (in London) and was not seen again at the Opéra-Comique until 1986.
423:
she is in love with
Robinson, begs him to stay. He is tempted to remain, but she realises she will lose him if he forgoes his dream for her sake. Toby withdraws from the venture – at Suzanne's insistence – but Robinson knows he has to go alone to seek his fortune.
816:
Lamb comments that the action "owes as much to the
British pantomime version of Defoe as to the novel". Lamb singles out Friday’s song "Tamayo, mon frère" and Edwige’s waltz song "Conduisez-moi vers celui que j'adore" as musical highlights. In 1982,
846:(at 2019) lists no recordings of the complete opera in French made at any time. A live recording of the 1973 Camden Festival production was published as an LP set by the Unique Opera Records Corporation with a limited release.
190:, the first act opened with a reassuringly bourgeois scene: Crusoé senior reading the Bible while his wife busies herself at the spinning wheel. Later in the piece came the expected can-can and the equally required waltz-song.
810:"a rewarding score ... the work displays the composer's ability for more ambitious orchestral and vocal writing than usual, and passages of typically racy and tuneful writing alternate with moments of genuine pathos." In
1331:
709:. There were two casts: Robinson – Gérard Garino, Christian Papis; Sir William Crusoé – Fernand Dumont, Jean-Louis Soumagnas; Toby – Antoine Normand, Christian Papis; Jim Cocks – Jean-Philippe Marlière,
87:) for company. His fiancée and two family servants come to the island in search of him, and after narrow escapes from cannibals and pirates they seize the pirates' ship and set sail for home.
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relish for their food. Man Friday ... is, if not original, a convincing character in whom comedy, pathos and native good sense are happily blended. He has the two best airs in the score.
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960:
The character appears to have been called "Jin Cocks" or "Jins Cocks" originally, and is so referred to in French and foreign newspaper reviews of the premiere. The
English journal
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as puerile. Since then
Offenbach had hoped for a triumphant return to the Opéra-Comique, which commissioned a new work from him for the 1867 season. The piece was described as an
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and Jim Cocks, a pre-Crusoe emigrant to the Orinoco who preferred to be the cannibals' chef (in two senses) rather than their dinner, are pure operetta. The pirates are of the
951:
revolved around the appointment of a dog as governor of an Indian province, and was dismissed by Parisians as "chiennerie" – approximately translated as "a bitch of a piece".
154:– regarded by the musical establishment as a superior genre to Offenbach's more usual opéra bouffe. Audiences at the Opéra-Comique were more straight-laced than those at the
37:
2026:
717:, Sylvie Sullé; Edwige – Danielle Borst, Lucia Scappaticci; Suzanne – Eliane Lublin, Marie-Christine Porta; Deborah – Anna Ringart, Hélia T'Hézan. The conductors were
687:(who "lavished as much care on the score as if it had been by the real Mozart") conducted, and the cast included Neil Jenkins (Robinson); Gerwyn Morgan (Sir William);
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2018:
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1868:
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speculated that the name derived from "gin cocktails". The name is printed as "Jim-Cocks" in the 1867 vocal score published by Brandus and Dufour, Paris.
83:
than to the book itself. Crusoé leaves his family in England and runs away to sea. He is marooned on an island with only his friend and helper Vendredi (
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1835:
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and other Parisian theatres where Offenbach's works were usually seen, and Offenbach, determined not to alienate them, chose a familiar subject,
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136:(1867) and many others. These were box-office successes in commercial theatres, but the composer's only work for the prestigious state-owned
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418:, Lady Crusoé, her niece Edwige and Suzanne, the maid, prepare for Sunday tea, while Sir William pointedly reads aloud the parable of the
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1900:
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655:, London. It was given in an English adaptation by Don White. The cast was: Sir William Crusoe – Wyndham Parfitt; Lady Deborah Crusoe –
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put paid to that. The piece was given in the US by a children's company; a heavily adapted version was presented in Germany as
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675:(Friday), Anna Bernadin (Suzanne), Michael Scott (Toby) and Clive Harré (Jim Cocks). The LOC revived the production in 1976.
1762:
2941:
2607:
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663:; Suzanne – Sandra Dugdale; Will Atkins – Wyndham Parfitt; Robinson Crusoe – Ian Caley; Toby – Noel Drennan; Man Friday –
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667:; Jim Cocks – Peter Lyon. The Camden production was licensed to the London Opera Centre in 1974, and presented at
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671:, with two different casts. Among the first cast were David Bartleet (Robinson Crusoe), Angela Bostock (Edwige),
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1959:
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1991:
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produced the work in 1996. In London there have been productions by the students of two conservatoires: the
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as a considerable success, with many numbers being encored, but the piece ran for only 32 performances.
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Edwige's waltz song, "Conduisez-moi vers celui que j'adore", has been recorded by sopranos including
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1983:
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has published a studio recording of the Don White edition made in London in 1980, conducted by
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By the mid-1860s Offenbach had established himself both in Paris and internationally with his
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874:(Lady Deborah Crusoe), Marilyn Hill Smith (Suzanne), Roderick Kennedy (Sir William Crusoe),
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broadcast an abbreviated version of the opera on several occasions in the 1930s and 1940s.
17:
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1494:
Alexandre Matoussevitch. Report from Moscow. Opear, September 2022, Vol.73 No.9, p1126-27.
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71:
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presented the work in a production by Adrian Slack using the Don White English version;
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166:. It was well known to Parisian audiences from stage adaptations, particularly one by
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27:
1867 opéra comique by Jacques Offenbach, Eugène Cormon, and Hector-Jonathan Crémieux
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1967:
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The first professional stage revival in the 20th century was in 1973, at the
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In January 1868 Offenbach travelled to Vienna to oversee a production at the
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879:
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was revived at the Opéra-Comique in 1986–1987, in a production directed by
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in Paris, his second work for that theatre, following the unsuccessful
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Grand air de Robinson – "Au seul bruit de mes pas … Salut, chaumière"
205:
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in Brussels the following month. A German version for production in
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1191:, Operetta Research Center, 19 March, 2018. Retrieved 14 March 2019
973:
Shown in the score as "Trial", a character tenor style named after
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765:
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341:
258:
219:
36:
1704:
Shaman, William; Collins, William J.; Goodwin, Calvin M. (1999).
935:; the other three are given the more usual label of "opéra bouffe
731:
in 2004. The work was again presented at Sadler's Wells in 1995:
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as "a happy amalgam of Shakespeare and Daniel de Foë" [
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The first production in Russia took place in March 2022 by the
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wrote that although the piece has some very attractive music:
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Act 2: Suzanne, Jim Cocks and Toby, in the original production
645:
200:), on 23 November 1867. Among the cast, playing Vendredi, was
178:
727:'s 1994 production of the work toured and was revived at the
835:
keeps breaking in. Offenbach's invention is in full flood."
758:
directed by Alexander Titel and conducted by Arif Dadashev.
453:
146:(1860), had been a failure, hampered by a plot described by
1072:(November 2010). "Paris, 1866: In Search of French Music".
691:(Edwige); Eirian James (Friday); Eileen Hulse (Suzanne);
1706:
More EJS: discography of the Edward J. Smith recordings
1274:, Oxford University Press. Retrieved 23 December 2018
555:
Valse chantée – "Conduisez-moi vers celui que j'adore"
549:
Choeur dansé – "Allons, guerriers des plages désertes"
3007:
521:
Duo – "Mon âme à ses regrets ne veut plus se rouvrir"
467:
Introduction – "Et la maison était calme et prospère"
1157:
White, Don (1980). Notes to Opera Rara CD set OR228
540:
Chanson du pot-au-feu – "Je prends un vase de terre"
470:
Air de Robinson – "Voir, c'est avoir; allons courir"
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2010:
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1429:, Opéra National de Paris. Retrieved 19 March 2019.
756:
Stanislavsky and Nemirovich-Danchenko Music Theatre
534:
Entr'acte – Marche des sauvages and Lever de rideau
1041:; Langham Smith, Richard (2001). "Opéra comique".
524:Scène et rêve – "Le soleil fuit, l'ombre s'avance"
182:]. In the version by Offenbach's librettists,
2027:Adventures of Robinson Crusoe, a Sailor from York
224:Célestine Galli-Marié as Vendredi; caricature by
774:Reviewing the original production the critic of
573:Ariette – "Oui, c'est un brun, mais c'en est un"
1388:; Kent Opera at the Orchard Theatre, Dartford.
882:(Jim Cocks) and Wyndham Parfitt (Will Atkins).
497:Prière – "Seigneur, que ses jours soient bénis"
69:The writers took the theme from the 1719 novel
2932:Le barbier de Séville ou La précaution inutile
1236:"Shaver Silver on Robinson Offenbach Crusoe",
2269:Tromb-al-ca-zar, ou Les criminels dramatiques
2146:
1783:
1485:, August 1988, Vol. 39, No. 8, pp. 1012-1013.
1350:
781:After the first revival, in 1973, the critic
636:was planned for 1870 but the outbreak of the
66:. It premiered in Paris on 23 November 1867.
8:
518:La chanson de Vendredi – "Tamayo, mon frère"
476:Ronde – "Debout, c'est aujourd'hui dimanche"
3055:Opera world premieres at the Opéra-Comique
2974:
2960:
2246:
2153:
2139:
2131:
1790:
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1768:
1708:. Westport, Connecticut: Greenwood Press.
1394:, January 1984, Vol. 35, No. 1, pp. 90–91.
1338:, BBC Genome, BBC. Retrieved 19 March 2019
90:The opera was written for the prestigious
2942:La folle journée, ou Le mariage de Figaro
1836:The Farther Adventures of Robinson Crusoe
1758:International Music Score Library Project
1590:10.1093/gmo/9781561592630.article.O007686
1346:
1344:
1240:, 14 December 1867, p. 854; and "Music",
813:Grove's Dictionary of Music and Musicians
552:Scène – "Femmes, amenez la belle fiancée"
1566:
1564:
1539:(June 1974). "Music in London – Opera –
1117:
1115:
1113:
1033:
1021:
1009:
585:Couplets – "Maître avait dit à Vendredi"
582:Romance – "Je veux partir, bénissez-moi"
479:Ariette – "Tom était un danseur ingambe"
473:Ensemble – "A table donc, on fait grâce"
231:
3014:
1507:(May 1973). "Music in London – Opera –
1479:; Guildhall School of Music and Drama.
1403:Russell, Clifford. "Neglected Crusoe",
1053:10.1093/gmo/9781561592630.article.43715
990:
919:
713:; Atkins – Michel Philippe; Vendredi –
601:Choeur de matelots – "Buvons, chantons"
570:Berceuse – "Beauté qui viens des cieux"
485:Romance – "S'il fallait qu'aujourd'hui"
79:, though the work owes more to British
1843:Serious Reflections of Robinson Crusoe
1666:"Conduisez-moi vers celui que j'adore"
1176:
1174:
1172:
1170:
831:, but the more hectic cheerfulness of
2468:Croquefer, ou Le dernier des paladins
1201:
1199:
1197:
1153:
1151:
1149:
1147:
1145:
1136:
997:
929:is described on its title page as an
204:, later to achieve fame as the first
7:
494:Rondo – "Mon bon ami, j'ai réfléchi"
208:. The opening night was reported by
168:René-Charles Guilbert de Pixérécourt
2508:M. Choufleuri restera chez lui le …
1668:, WorldCat. Retrieved 19 March 2019
1656:, WorldCat. Retrieved 19 March 2019
878:(Edwige), Alexander Oliver (Toby),
741:Guildhall School of Music and Drama
579:Sextuor – "Terrible homme des bois"
2425:Vent du soir, ou L'horrible festin
1121:Tarbé, Eugène. "Robinson Crusoé",
628:, and the opera was staged at the
432:explain his feelings to Vendredi.
25:
2019:The Adventures of Robinson Crusoe
1869:The Adventures of Robinson Crusoe
679:conducted both revivals. In 1983
588:Quatuor – "Veux-tu, mon bonhomme"
482:Quatuor – "Ne le voyez-vous pas?"
234:Roles, voice types, premiere cast
3017:
2990:
2989:
2973:
2959:
2898:(conversation alsacienne) (1863)
2568:La Grande-Duchesse de Gérolstein
2332:La chatte métamorphosée en femme
2194:
543:Duo – "O mon Toby, mon doux ami"
248:Premiere cast, 23 November 1867,
133:La Grande-Duchesse de Gérolstein
32:Robinson Crusoe (disambiguation)
735:was conducted by Timothy Dean.
105:Background and first production
1763:Ohio Light Opera's Crusoe page
1728:Operetta: A Theatrical History
794:variety; the cannibals have a
604:Scène – "Le chant des Tamayos"
337:a neighbour then cannibal chef
1:
2888:(chinoiserie musicale) (1855)
1689:. London: Faber & Faber.
1221:"Robinson Crusoe as an Opera"
909:Notes, references and sources
414:At the Crusoé family home in
250:Conductor: Jacques Offenbach
196:opened at the Opéra-Comique (
2062:Friday, or, The Other Island
856:Royal Philharmonic Orchestra
491:Duo – "Apprenez, mon cousin"
3045:Operas by Jacques Offenbach
2721:La permission de dix heures
2405:Le financier et le savetier
1584:. Oxford University Press.
1047:. Oxford University Press.
630:Théâtre Royal de la Monnaie
488:Ensemble – "Le voilà pris!"
18:Robinson Crusoé (Offenbach)
3096:
2608:La princesse de Trébizonde
2120:Robinson Crusoes of Warsaw
1463:, 28 September 1995, p. 15
1182:"Offenbach and Opera Rara"
372:Antoinette-Jeanne Révilly
29:
2953:
2878:(légende bretonne) (1855)
2801:La fille du tambour-major
2445:Apothicaire et perruquier
2312:Une demoiselle en loterie
1409:, 10 November 1983, p. 16
1257:, 7 December 1867, p. 166
1211:. Retrieved 19 March 2019
387:
330:Charles-Auguste Ponchard
41:Poster for premiere, 1867
2701:Monsieur et Madame Denis
2322:Le mariage aux lanternes
1960:Lt. Robin Crusoe, U.S.N.
1475:. Student Performance –
1384:. British Opera Diary –
1303:, 21 February 1868, p. 5
1244:, 3 December 1867, p. 10
1127:, 25 November 1867, p. 1
347:Charles-Louis Sainte-Foy
64:Hector-Jonathan Crémieux
3080:Fiction about castaways
2115:Robinson Crusoe economy
1952:Robinson Crusoe on Mars
1595:(subscription required)
1372:, 12 August 1976, p. 12
1290:, 26 January 1868, p. 3
1276:(subscription required)
1058:(subscription required)
860:Geoffrey Mitchell Choir
607:Final – "Partons, amis"
576:Trio – "Âme de mon âme"
500:Final – "Edwige, adieu"
3070:Operas based on novels
3050:French-language operas
2844:Le voyage dans la lune
2691:La chanson de Fortunio
2292:La rose de Saint-Flour
2098:Robinson Crusoe Island
800:
771:
749:Royal College of Music
669:Sadler's Wells Theatre
644:in the 1930s; and the
406:
405:1867 vocal score cover
270:Vendredi (Man Friday)
229:
42:
2250:Bouffonnerie musicale
2190:The Tales of Hoffmann
1730:. London: Routledge.
1609:(May 1982). "Review:
1322:, 23 April 1937, p. 8
1242:The Pall Mall Gazette
1225:Daily Alta California
862:. The cast comprised
787:
769:
512:Entr'acte symphonique
404:
389:Sailors, natives, etc
279:Célestine Galli-Marié
223:
202:Célestine Galli-Marié
40:
2965:List of compositions
2922:Le malade imaginaire
2895:Lischen et Fritzchen
2488:Geneviève de Brabant
2435:Mesdames de la Halle
2382:Pierrette et Jacquot
1444:, 9 June 1994, p. 10
366:Lady Deborah Crusoé
30:For other uses, see
2761:La jolie parfumeuse
2518:Le pont des soupirs
1936:Mr. Robinson Crusoe
1075:Music & Letters
1000:, pp. 240–244.
866:(Robinson Crusoe),
827:is described as an
747:as Edwige, and the
733:British Youth Opera
729:Iford Arts Festival
721:and John Burdekin.
638:Franco-Prussian War
626:Theater an der Wien
353:Sir William Crusoé
236:
2588:L'île de Tulipatan
2342:Un mari à la porte
1581:Grove Music Online
1453:"Sadler's Wells –
1362:"Sadler's Wells –
1351:Shaman et al. 1999
1272:Grove Music Online
1266:Cotte, Roger J.V.
1187:2018-06-13 at the
1044:Grove Music Online
1039:Bartlet, Elizabeth
772:
762:Critical reception
695:(Will Atkins) and
407:
292:coloratura soprano
287:Robinson's fiancée
232:
230:
43:
3005:
3004:
2979:List of operettas
2906:
2905:
2628:Madame l'archiduc
2578:Le château à Toto
2558:La vie parisienne
2528:Bavard et bavarde
2478:Orphée aux enfers
2415:La bonne d'enfant
2362:Il signor Fagotto
2259:Les deux aveugles
2243:Other stage works
2162:Jacques Offenbach
2128:
2127:
2093:Alexander Selkirk
1944:Miss Robin Crusoe
1737:978-1-138-13892-6
1724:Traubner, Richard
1715:978-0-313-29835-6
1696:978-0-571-11147-3
1687:Jacques Offenbach
1616:The Musical Times
1546:The Musical Times
1514:The Musical Times
1473:Forbes, Elizabeth
1238:The Musical World
1227:, 19 January 1868
1088:10.1093/ml/gcq090
1036:, p. 8; and
927:Orphée aux enfers
820:The Musical Times
616:
615:
394:
393:
383:François Bernard
156:Bouffes-Parisiens
127:La vie parisienne
115:Orphée aux enfers
56:Jacques Offenbach
16:(Redirected from
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2912:Incidental music
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2648:Maître Péronilla
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2232:Manuel Rosenthal
2227:Gaîté Parisienne
2221:
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2069:Canadian Crusoes
1792:
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1756:: Scores at the
1741:
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1683:Faris, Alexander
1669:
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1438:"Theatre Week",
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1379:
1373:
1360:
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1339:
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1312:Sterne, Ashley.
1310:
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1301:The Morning Post
1297:
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1288:The Sunday Times
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895:Elizabeth Futral
737:Ohio Light Opera
725:Opera della Luna
719:Michel Tabachnik
685:Roger Norrington
454:
255:Robinson Crusoé
237:
235:
47:Robinson Crusoé
21:
3095:
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3075:Robinson Crusoe
3060:Opéras comiques
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2538:La belle Hélène
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2081:
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2006:
1928:Film variations
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1917:Robinson Crusoe
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1648:
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1613:, Opera Rara".
1611:Robinson Crusoe
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1207:Robinson Crusoé
1204:
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1189:Wayback Machine
1180:Clarke, Kevin.
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891:Amelia Farrugia
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808:Robinson Crusoé
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711:Michel Trempont
703:Robinson Crusoé
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653:Camden Festival
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188:Hector Crémieux
164:Robinson Crusoe
121:La belle Hélène
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72:Robinson Crusoe
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2014:
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1746:External links
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1382:Milnes, Rodney
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1314:"Defoe Defied"
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1268:"Trial family"
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1141:
1139:, p. 152.
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870:(Man Friday),
864:John Brecknock
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715:Cynthia Clarey
689:Vivian Tierney
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593:Act 3, scene 2
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111:opéras bouffes
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54:with music by
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2661:Opéra comique
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2015:
2013:
2009:
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2000:The Wild Life
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1034:Traubner 2016
1030:
1027:
1024:, p. 55.
1023:
1022:Traubner 2016
1018:
1015:
1012:, p. 39.
1011:
1010:Traubner 2016
1006:
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975:Antoine Trial
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932:opéra bouffon
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868:Sandra Browne
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829:opéra comique
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743:(1988), with
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274:mezzo-soprano
272:
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227:
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216:Original cast
215:
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189:
185:
184:Eugène Cormon
181:
180:
175:
174:
170:described by
169:
165:
161:
157:
153:
152:opéra comique
149:
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139:
138:Opéra-Comique
135:
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117:
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104:
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99:
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92:Opéra-Comique
88:
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78:
74:
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67:
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61:
60:Eugène Cormon
58:and words by
57:
53:
52:opéra comique
49:
48:
39:
33:
19:
2995:Compositions
2988:
2972:
2958:
2940:
2930:
2920:
2893:
2883:
2875:Le violoneux
2873:
2852:
2842:
2832:
2824:Opéra féerie
2809:
2799:
2789:
2779:
2769:
2759:
2749:
2739:
2730:
2729:
2719:
2709:
2699:
2689:
2679:
2669:
2646:
2636:
2626:
2618:Les brigands
2616:
2606:
2598:La Périchole
2596:
2586:
2576:
2566:
2561:(1866, 1873)
2556:
2546:
2536:
2526:
2516:
2506:
2496:
2486:
2476:
2466:
2458:Opéra bouffe
2443:
2433:
2423:
2413:
2403:
2380:
2370:
2360:
2350:
2340:
2330:
2320:
2310:
2300:
2290:
2267:
2257:
2225:
2216:
2188:
2178:
2108:
2107:
2074:
2067:
2060:
2041:
2033:
2025:
2017:
1998:
1990:
1984:Mr. Robinson
1982:
1974:
1966:
1958:
1950:
1942:
1934:
1915:
1907:
1899:
1891:
1883:
1875:
1867:
1859:
1841:
1834:
1802:
1799:Daniel Defoe
1752:
1727:
1705:
1686:
1661:
1654:, Offenbach"
1651:
1645:
1620:
1614:
1610:
1601:
1579:
1575:
1572:Lamb, Andrew
1544:
1540:
1537:Lamb, Andrew
1531:
1512:
1508:
1505:Dean, Winton
1499:
1490:
1480:
1476:
1468:
1458:
1454:
1449:
1439:
1434:
1426:
1420:
1414:
1404:
1399:
1389:
1385:
1377:
1367:
1363:
1358:
1353:, p. 68
1333:
1332:"Offenbach:
1327:
1317:
1308:
1300:
1295:
1287:
1282:
1271:
1262:
1254:
1249:
1241:
1237:
1232:
1224:
1216:
1206:
1132:
1122:
1079:
1073:
1064:
1042:
1029:
1017:
1005:
993:
969:
961:
956:
948:
947:The plot of
943:
936:
930:
926:
922:
884:
876:Yvonne Kenny
852:Alun Francis
842:
833:opéra-bouffe
832:
828:
824:
823:commented, "
818:
811:
807:
801:
788:
780:
775:
773:
753:
723:
707:Robert Dhéry
702:
701:
693:Andrew Shore
650:
641:
623:
610:
443:
434:
430:
420:Prodigal Son
413:
388:
377:Will Atkins
336:
322:
304:
286:
209:
198:Salle Favart
193:
192:
177:
171:
141:
131:
125:
119:
113:
108:
95:
89:
77:Daniel Defoe
70:
68:
46:
45:
44:
3040:1867 operas
2866:Other types
2854:Whittington
2711:Les bergers
2548:Barbe-bleue
2372:Pomme d'api
2218:Le papillon
2103:Robinsonade
1992:Shipwrecked
1517:: 508–509.
1319:Radio Times
1209:vocal score
872:Enid Hartle
804:Andrew Lamb
783:Winton Dean
677:Marcus Dods
661:Janet Price
659:; Edwige –
657:Enid Hartle
642:Robinsonade
335:Jim Cocks,
130:(1866) and
3034:Categories
2885:Ba-ta-clan
2230:(arranged
2054:Literature
2011:Television
1976:Man Friday
1812:Characters
1253:"France",
1137:Faris 1980
1082:(4): 547.
998:Faris 1980
985:References
848:Opera Rara
839:Recordings
796:Gilbertian
681:Kent Opera
673:Ann Murray
297:Marie Cico
244:Voice type
226:André Gill
85:Man Friday
2781:La créole
2771:Bagatelle
2741:Vert-Vert
1574:(2002). "
1460:The Stage
1441:The Stage
1406:The Stage
1369:The Stage
1299:"Music",
1286:"Music",
1163:945449445
1124:Le Figaro
1104:194037397
880:Alan Opie
854:with the
776:Le Figaro
634:Darmstadt
598:Mélodrame
567:Entr'acte
546:Mélodrame
537:Mélodrame
323:a servant
305:a servant
303:Suzanne,
264:Montaubry
210:Le Figaro
173:Le Figaro
81:pantomime
2925:(1851/2)
2751:Fantasio
2671:L'alcôve
2282:Opérette
1726:(2016).
1685:(1980).
1427:MémOpéra
1185:Archived
1096:40983270
858:and the
844:WorldCat
802:In 1974
792:Penzance
751:(2019).
620:Revivals
464:Overture
397:Synopsis
285:Edwige,
160:Variétés
124:(1864),
118:(1858),
2498:Barkouf
2208:Ballets
2193:(1881)
1676:Sources
1623:: 340.
1549:: 495.
949:Barkouf
899:Sumi Jo
449:Numbers
416:Bristol
361:Crosti
310:soprano
143:Barkouf
97:Barkouf
3065:Operas
3010:Portal
2945:(1852)
2935:(1852)
2857:(1874)
2847:(1875)
2837:(1872)
2814:(1880)
2804:(1879)
2794:(1878)
2784:(1875)
2774:(1874)
2764:(1873)
2754:(1872)
2744:(1869)
2734:(1867)
2724:(1867)
2714:(1865)
2704:(1862)
2694:(1861)
2684:(1853)
2681:Pépito
2674:(1847)
2651:(1878)
2641:(1877)
2631:(1874)
2621:(1869)
2611:(1869)
2601:(1868)
2591:(1868)
2581:(1868)
2571:(1867)
2551:(1866)
2541:(1864)
2531:(1862)
2521:(1861)
2511:(1861)
2501:(1860)
2491:(1859)
2481:(1858)
2471:(1857)
2448:(1861)
2438:(1858)
2428:(1861)
2418:(1856)
2408:(1856)
2385:(1876)
2375:(1873)
2365:(1863)
2355:(1860)
2345:(1859)
2335:(1858)
2325:(1857)
2315:(1857)
2305:(1856)
2295:(1856)
2272:(1856)
2262:(1855)
2183:(1864)
2170:Operas
2046:(2008)
2043:Crusoe
2038:(1994)
2030:(1982)
2022:(1964)
2003:(2016)
1995:(1990)
1987:(1976)
1979:(1975)
1971:(1968)
1963:(1966)
1955:(1964)
1947:(1954)
1939:(1932)
1920:(1997)
1912:(1988)
1909:Crusoe
1904:(1974)
1896:(1954)
1888:(1947)
1880:(1927)
1872:(1922)
1864:(1902)
1819:Friday
1734:
1712:
1693:
1637:962655
1635:
1555:957989
1553:
1523:957345
1521:
1161:
1102:
1094:
825:Crusoe
806:rated
611:
327:tenor
321:Toby,
228:(1867)
206:Carmen
50:is an
3024:Opera
2302:Le 66
2086:Other
1968:Robby
1853:Films
1633:JSTOR
1551:JSTOR
1519:JSTOR
1482:Opera
1391:Opera
1100:S2CID
1092:JSTOR
914:Notes
459:Act 1
440:Act 3
427:Act 2
410:Act 1
380:bass
342:tenor
259:tenor
240:Role
1732:ISBN
1710:ISBN
1691:ISBN
1159:OCLC
901:and
357:bass
186:and
62:and
2076:Foe
1801:'s
1625:doi
1621:123
1586:doi
1578:".
1543:".
1511:".
1457:",
1366:",
1084:doi
1049:doi
646:BBC
179:sic
75:by
3036::
1631:.
1619:.
1563:^
1425:,
1343:^
1316:,
1270:,
1223:,
1196:^
1169:^
1144:^
1112:^
1098:.
1090:.
1080:91
1078:.
905:.
897:,
893:,
889:,
158:,
140:,
3012::
2234:)
2154:e
2147:t
2140:v
1791:e
1784:t
1777:v
1740:.
1718:.
1699:.
1650:"
1639:.
1627::
1592:.
1588::
1557:.
1525:.
1423:"
1419:"
1336:"
1106:.
1086::
1055:.
1051::
977:.
937:.
34:.
20:)
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