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Roger Brown (artist)

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375:(SAIC). His first experience at SAIC was brief, and in 1963 he returned to the American Academy of Art, where he completed a commercial design program in 1964. He then returned to SAIC as a full-time student from 1965 to 1970, where he committed to a fine art focus that would lead to his prolific career over the next three decades. In 1968 Brown received his Bachelor of Fine Art and in 1970 he was awarded his Master of Fine Art, both from SAIC. With his MFA Brown also received Edward L. Ryerson Traveling Fellowship, which supported travels throughout Europe and Egypt, where he collected objects, images, and inspiration. 415:(Chicago, 1971) began his 26-year representation at PKG in Chicago (beginning in 1970) and New York (beginning in 1975). Although affiliated with the Chicago Imagist school throughout his career, Brown's work evolved beyond the indeterminate definition of that "school." In the early 1970s he received acclaim for his paintings of stylized landscapes and cityscapes as stark backdrops for aspects of contemporary life as well as the "Disasters" series (1972), paintings of exploding buildings, followed by a procession of iconic, flat-patterned landscapes. 680:
everything from formal paintings to African objects to everyday objects. However the La Conchita collection can be seen to reflect his California environment, featuring an extensive array of nearly 500 ceramic objects featuring objects by amateurs, regional factory-made wares, and Mexican wares by families or studios. The contents and direction of this collection was guided both by Brown's own exploration of the environment and by the network of friends and colleagues he established in California, namely his friend Lisa Cathcart, director of
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almost every aspect of 20th century American culture. Despite experiencing painful side effects from medications and periods of hospitalization, the final years of Brown's life were some of his most productive. Between 1993 and 1997, Brown completed more than eighty paintings, and planned and executed home, studio, and garden designs. One of Brown's final large scale projects was a mosaic for the Howard Brown Health Center, a Chicago organization that provides healthcare to LGBTQ individuals.
695:(along with a collection of similar mobile residences). In addition to Brown's original furnishings and decor, the Spartan now also showcases a series of models depicting different views of the trailer made by artist, SAIC Associate Professor and RBSC Curator Nicholas Lowe. Surrounding the trailer in its new location is a reconstruction of part of Brown's La Conchita garden. Portions of Brown's La Conchita garden are also replicated at Casa Dolores. 707:, with the vision of "coming full circle" and have his Alabama home. This house, known as the Rock House, was only 15 miles from his parents' home in Alabama. Brown first documented the Rock House on super-8 film as a child. Upon purchasing the Rock House as an adult, Brown sent all the furnishings––the beginnings of another collection––of rugs, quilts, and examples of his own work to his brother Greg Brown, for installation into the house. 668:, was completed. Though he originally planned to live in the trailer and build a studio alongside it, in the final plans the trailer served as a guest house. The architecture for the main home studio structure, which he referred to as the "Temple of Painting," was conceived as part barn, part basilica, with a Romanesque clerestory, corrugated roof, and stucco painted a deep salmon-pink, inspired by the color of the 492:, in 1993. Still addressing a broad range of subjects in his works, Brown created condensed, serial works that focused on California experiences, including a series of ominous cloud-scapes, paintings of rose trees and shrubs; a series of Virtual Still Life object paintings (27 paintings with projecting shelves holding ceramic objects); and metaphorical explorations of Bonsai, his final sequence. 593:, at the time of his death. The School of the Art Institute Chicago became the primary repository for Brown's personal, professional, and artistic effects. SAIC operates his New Buffalo, MI retreat as a residency facility for SAIC faculty and staff. His Chicago collection was formalized into the Roger Brown Study Collection, a house museum, archive, and special collection in 1997. 397: 503:
of America, at 120 North LaSalle St., Chicago. His second large scale mural was the "City of the Big Shoulders" commissioned by The Equitable for the NBC building at Cityfront Center, Chicago and located in the west lobby of the 455 North Columbus Building. His third (untitled) mosaic mural is a tribute to the African burial ground, discovered during the excavation for the
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events, social, religious, and popular culture, autobiographical, personal, and sexual issues, the art world in many guises, cosmology, mortality, history, mythology, transformation, transportation, and the weather. He used the weather as an allegorical backdrop for the larger physical and metaphysical forces that dwarf the human endeavor.
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Brown became known as an astute and intuitive collector, a practice he began during childhood. His collections inspired much of his work throughout his thirty-odd year career. His Chicago collection is preserved, as he left it, at the Roger Brown Study Collection of the School of the Art Institute of
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Roger Brown died on November 22, 1997, and was survived by his parents, James and Mary Elizabeth Brown and his brother Greg Brown. Brown was honored posthumously by the Chicago Commission on Human Relations' Advisory Council on Lesbian, Gay, Bisexual, and Transgender Issues and was inducted into the
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Brown commissioned his partner, architect George Veronda, to design a home and studio for a Lake Michigan dunes property he purchased in New Buffalo, Michigan. The Veronda Pavilion, a residence, and the Roger Brown Studio and Guest House were completed in 1979. Throughout the 1980s Brown divided his
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The display of these objects was influenced by Chicago Imagist artist Ray Yoshida's display technique, utilizing simple white shelves densely populated with wide-ranging objects. It is notable that Brown displayed all of the objects in his collection as holding equal value no matter their background
239:, both professors at SAIC, also greatly influenced Brown's practice. Both included folk, popular, and self-taught art within the scope of their teaching, genres which Brown sustained enthusiastic interest in throughout his life. Other influences stemming from Brown's SAIC days include the legendary 176:
During childhood Brown was close with his grandparents, especially his great-grandmother, Mammy. This experience instilled an early interest in his family's origins, later inspiring extensive research into his family's genealogy. This research was expressed artistically in a number of paintings that
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In 1995 Brown gave his New Buffalo property to SAIC with the intention that it serve as a retreat for SAIC faculty and staff. The Studio, Pavilion and Guest House have been used since 1996 by SAIC faculty and full-time staff, who may apply for two-week residencies through the faculty enrichment and
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entitled "Arts and Sciences of the Ancient World: The Flight of Daedalus" and "Icarus and Arts and Sciences of the Modern World: La Salle Corridor with Holding Pattern". These were installed on the façade and in the lobby of the Ahmanson Commercial Development Company, a subsidiary of Home Savings
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Collected art and objects functioned as important source materials for Brown's work and were an integral part of his practice and discipline. Collecting was a pursuit shared by many of his Chicago colleagues, and reflected a collecting sensibility in Chicago. Brown didn't claim to be a curator, but
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Brown's Michigan home and studio provided him with a new source of inspiration not previously available to him in the city: nature and a continually changing landscape. Here is where Brown first began experimenting with landscape design, surrounding the buildings with a swath of native grasses and
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In 1974 Brown purchased a storefront in Chicago at 1926 North Halsted Street, which became his first home, studio, and collection environment. This home is owned by the School of the Art Institute Chicago and is maintained as the Roger Brown Study Collection, a house museum and special collection,
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Roger Brown was a gay man. In 1972 he met architect George Veronda (1941–1984) and the two formed a strong artistic and romantic relationship. Veronda was diagnosed with lung cancer in 1983 and died in 1984. Brown frequented venues like The Gold Coast, one of Chicago's first gay leather bars, and
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Brown was diagnosed as HIV positive in 1988 and by 1993 was living with AIDS. Themes related to the HIV/AIDS pandemic appeared in Brown's work in the 1980s and continued throughout the rest of his career although he never wished to be a "one note artist" and continued to draw subject matter from
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As with his other homes, Brown filled this house and garden with collected objects—well over 1,500 in total by the time he bequeathed the estate to SAIC—referred to in scholarly material as his La Conchita Collection. The breadth of objects included was comparable to his other collections, with
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Brown developed a mature visual vocabulary in the late 1960s, with visual themes including silhouetted figures, nocturnal cityscapes, and theatre facades and interiors. Encouraged by Yoshida and Halsted, Brown and his colleagues began to look to the work of self-taught artists, visiting Joseph
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Brown's critical acclaim grew in the 1970s and 1980s. He became known for responding to 20th-century life through works that addressed a range of subjects and issues: natural, architectural and urban landscapes, the dichotomy of nature and culture, disasters of all types, current and political
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Brown died on November 22, 1997. The project was completed by his parents and brother, and opened as the Roger Brown Rock House Museum in 1999. The family added to Brown's collection of objects for the Alabama house after his death, contributing personal artifacts and family memorabilia.
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Brown's exhibition history is extensive. He was represented by the Phyllis Kind Gallery in Chicago and New York, and his work was shown in numerous solo and group exhibitions in museums and galleries around the country and abroad. Major retrospectives of his work were mounted at the
472:(1972). They did not form a group, adopt the name, or have a shared ideology, but they did work independently of New York contemporary art trends and incorporated imagery from popular culture into their works, although less cerebrally than New York Pop artists. 629:, 1950). The Pavilion and Guest House contain furnishings designed by Veronda, as well as Brown's collection, including works by contemporary artists, tribal sculpture and textiles, works by folk and self-taught artists, and examples of Brown's own work. 160:. He was described in his formative years as a creative child, an inclination his parents are said to have encouraged. Brown took art classes from second to ninth grade, and won first prize in a statewide poster competition in tenth grade. 633:
flowers, and later planting several hundred rose shrubs. He also installed sculptures including a large sheet metal cross, reproduction Roman busts, sundry architectural ornaments, sculptures by "Joe the Welder", and other objects.
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at 290 Broadway, New York City, dedicated in 1995. In September 1997 the mosaic mural "Hull House, Cook County, Howard Brown: A Tradition of Helping", designed by Brown, was dedicated at the Howard Brown Health Center in Chicago.
388:, and others. Brown became an ardent champion for the validity of such works as equal or superior to works from the mainstream. Exploring and documenting art environments and the vernacular landscape became an ongoing pursuit. 163:
After high school Brown left the South. Although he lived much of his adult life elsewhere, he maintained his connection to the region both in his artwork and research, and later with his plan to purchase the "Rock House" in
1427:"California Dreamer : Long noted for his street-smart, urban works and as a major proponent of the Chicago Imagist school, Roger Brown now finds the Left Coast to his liking--maybe it's those mouse-eared clouds" 644:, undertook a project to research the landscape history of New Buffalo property, and create a preservation plan. The New Buffalo facility is used by SAIC faculty and staff year-round and is not open to the public. 676:. An important feature of the La Conchita house—and one that was specifically stipulated by Brown in all of his homes—was the presence of a large expanse of white walls on which he could display his collection. 433:
In addition to painting and printmaking, Brown's mediums eventually included sculpture of found, assembled, and painted objects, theatre and opera sets, and mosaic murals. In 1979 he designed sets for the
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felt that objects would gravitate towards like objects, establishing visual and associative dialogues along the way. Brown's collection includes the work of many of his friends and colleagues including
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Brown bequeathed the La Conchita home and collection to SAIC in 1997. The house has since been sold, and much of the collection has been archived. Brown's Spartan trailer now resides at the
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LGBT Hall of Fame in 2004. Brown's work was featured in the exhibitions Roger Brown: This Boy's Own Story, curated by Kate Pollasch, and a project of the Roger Brown Study Collection and
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from 1966 to 1971. Brown's work was shown there in the group exhibition "False Image" (1968, 69). From these early HPAC exhibitions, a loosely associated group of artists became known as
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Travel was also a source for inspiration and subject matter throughout Brown's artistic career; experiences throughout the U.S.—where he took frequent road trips—and in
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in 1987. In 2019, as a part of the Alabama 200 Celebration, The Jule Collins Smith Museum of Fine Art presented a survey of work by him and his brother, Greg Brown, in
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groups, he was internationally known for his distinctive painting style and shrewd social commentaries on politics, religion, and art.
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from 1962 to 1970, Brown was introduced to a range of art historical periods and genres, gravitating to Pre-Renaissance Italian art,
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or provenance. Today this democratic treatment of objects is continued at the RBSC, with each object treated as a museum artifact.
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In Spring 2007 SAIC's Historic Landscape Studio class (offered through SAIC's Historic Preservation graduate program), taught by
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The pavilion and studio/guest house are steel and glass modernist structures tucked into a secluded dunes landscape between the
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time between Chicago and New Buffalo, where he assembled a second collection of art and objects, and developed a garden.
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In 1997 Brown was in the process of developing a fourth home/studio/collection environment in an 1870s stone house in
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and machine-age design. Additionally, the influence of his religious upbringing in the independent, fundamentalist
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and hand made, functional objects. From his adolescent and teen years he took influences from the aesthetics of
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In the late 1980s Brown searched for a place to live on the west coast. He found property in the beach town of
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and a beachfront road. Parallels can be drawn between Veronda's design these buildings and
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Chicago. The RBSC archive contains materials from Brown's collections from homes in
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Ann & Robert H. Lurie Children's Hospital of Chicago Gender Development Program
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serving SAIC as an academic resource, and is open to the public by appointment.
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also led to a deep interest in the material culture of the South, especially in
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Early on, Brown, along with many of his colleagues, was recognized by curator
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Collected from artwork sites by Roger Brown Study Collection staff (2014).
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In the late 1980s Brown adapted his work and collecting disciplines to
364: 157: 81: 2817: 920:. Museum of Contemporary Art, Chicago: self published by Roger Brown. 673: 499: 496: 439: 343:, and many other objects from very diverse locations and traditions. 259: 255: 251: 247: 197: 1745: 589:. He was in the process of developing his final home and studio in 529:. He is represented in many major museum collections including the 3163: 2839: 1895: 421: 395: 328: 1236:
Roger Brown's Artists' Museums: Objects, Collections, Environment
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Roger Brown's Artists' Museum: Objects, Collections, Environments
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included elements of cruising culture in some of his paintings.
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found expression in both his paintings and in his collections.
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Jule Collins Smith Museum of Fine Art at Auburn University
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After graduating from high school in 1960 Brown attended
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Roger Brown was born on December 10, 1941, and raised in
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Roger Brown Study Collection, 1926 N. Halstead, Chicago
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Roger Brown's Gifts and Bequests to SAIC - a chronology
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Autobiography in the Shape of Alabama II: Transcription
684:, Center for the Study of the Popular Arts of Mexico. 372: 200:, theatre, architecture and interiors and streamlined 1296: 1294: 179:
Autobiography in the Shape of Alabama (MammyĘĽs Door)
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Tuscaloosa: The University of Alabama Press. 937: 935: 933: 931: 929: 927: 4558:Illinois Holocaust Museum and Education Center 4708:School of the Art Institute of Chicago alumni 1977: 1595:"Steel Frame Construction with Skeleton Crew" 1229: 1227: 893: 484:, moving into a home and studio (designed by 8: 1109: 1107: 1105: 1043: 1041: 1039: 1023: 1021: 1019: 1017: 911: 909: 891: 889: 887: 885: 883: 881: 879: 877: 875: 873: 853:, Smithsonian Institution, Washington, D.C. 577:Brown owned homes, studios, and gardens in 4310: 4299: 3615: 3604: 2807: 2796: 2011: 2000: 1984: 1970: 1962: 1329:"Press Release: Roger Brown: Calif U.S.A." 1175:: CS1 maint: location missing publisher ( 1032:. Alabama: Montgomery Museum of Fine Arts. 740:In 2004 Roger Brown was inducted into the 213:School of the Art Institute Chicago (SAIC) 177:track family relationships, most notably " 36: 25: 1524:The Indianapolis Museum of Art Collection 990: 988: 1357:. School of the Art Institute of Chicago 1279:. School of the Art Institute of Chicago 1277:"Roger Brown in La Conchita, California" 1247: 1245: 495:In 1991 Brown created two Italian glass 19:For other people named Roger Brown, see 2332:Chicago House and Social Service Agency 869: 567:Scottish National Gallery of Modern Art 384:Yoakum, Aldo Piacenza, William Dawson, 3909:Lambda Legal - Midwest Regional Office 1469:"Chicago Gay and Lesbian Hall of Fame" 1425:McKenna, Kristine (19 December 1993). 1254:"Roger Brown in New Buffalo, Michigan" 1216:Stone, Lisa and Kate Pollasch (2012). 1168: 373:School of the Art Institute of Chicago 106:School of the Art Institute of Chicago 1549:Jule Collins Smith Museum of Fine Art 1256:. School of the Art Institute Chicago 1142:. School of the Art Institute Chicago 773:Jule Collins Smith Museum of Fine Art 761:Hirshhorn Museum and Sculpture Garden 523:Hirshhorn Museum and Sculpture Garden 7: 4615:Terence Alan Smith (Joan Jett-Blakk) 4383:Women & Children First Bookstore 742:Chicago Gay and Lesbian Hall of Fame 535:Museum of Contemporary Art (Chicago) 2824:Association of Latin Men for Action 1951:The Roger Brown Memorial Rock House 1190:Smith, Roberta (26 November 1997). 971:. New York: George Braziller, Inc. 4718:20th-century American male artists 4072:Lesbian and Gay Police Association 3352:American Veterans for Equal Rights 2488:Bailiwick Repertory's Pride Series 1929:Madison Museum of Contemporary Art 1624:Madison Museum of Contemporary Art 791:Madison Museum of Contemporary Art 14: 4713:20th-century American LGBT people 2416:Frontrunners Frontwalkers Chicago 1301:Huebner, Jeff (3 November 2003). 4451:Wayne Johnson (graphic designer) 2754:Lesbian Community Cancer Project 2498:Gerber/Hart Library and Archives 1048:Kahan, Mitchell Douglas (1980). 785:Los Angeles County Museum of Art 3066:Chicago Black Lesbians and Gays 2986:Jim Gates (Chicago businessman) 2160:Metropolitan Sports Association 1875:Smithsonian American Art Museum 1800:The Nelson-Atkins Museum of Art 1094:Lowe, Nicholas (30 June 2010). 851:Smithsonian American Art Museum 662:Spartan "Royal Mansion" trailer 405:Smithsonian American Art Museum 367:, where he took classes at the 4688:20th-century American painters 4366:National Museum of Mexican Art 3804:Chicago Black Gay Men's Caucus 3763:Lakeside Pride Music Ensembles 3631:American Civil Liberties Union 1900:Whitney Museum of American Art 1850:National Galleries of Scotland 1674:The Metropolitan Museum of Art 1457:. Chicago: Private Arts Press. 944:Roger Brown: Southern Exposure 547:Whitney Museum of American Art 519:Montgomery Museum of Fine Arts 468:, a term coined by art critic 411:Brown's first solo exhibit at 1: 4678:People from Hamilton, Alabama 3046:AIDS Legal Council of Chicago 2362:Lionheart Gay Theatre Company 1724:Museum Boijmans Van Beuningen 815:Museum Boijmans Van Beuningen 689:Museum of Jurassic Technology 319:, hand painted text works by 4683:People from Opelika, Alabama 4267:Leather Archives and Museums 1934:Roger Brown Study Collection 1825:North Carolina Museum of Art 1649:Memphis Brooks Museum of Art 1498:The Art Institute of Chicago 995:Huebner, Jeff (6 Nov 2003). 839:North Carolina Museum of Art 797:Memphis Brooks Museum of Art 185:, who was a distant cousin. 21:Roger Brown (disambiguation) 3261:Test Positive Aware Network 3051:Buddies' Restaurant and Bar 2971:Affinity Community Services 2457:James Monroe Smith (lawyer) 2246:Mountain Moving Coffeehouse 2145:Horizons Community Services 1645:"Clouds Over Alabama, 1994" 1574:Kalamazoo Institute of Arts 833:Nelson-Atkins Museum of Art 779:Kalamazoo Institute of Arts 208:was formative and lasting. 16:American artist and painter 4734: 4077:Gay Officers Action League 4016:Out & Proud in Chicago 3527:AIDS Foundation of Chicago 2829:Lorrainne Sade Baskerville 2049:Howard Brown Health Center 803:Metropolitan Museum of Art 767:Indianapolis Museum of Art 543:Metropolitan Museum of Art 505:Ted Weiss Federal Building 456:, who organized spirited " 315:, birdhouse cathedrals by 18: 4563:Season of Concern Chicago 4538:Windy City Performer Arts 4309: 4298: 3663:International Mr. Leather 3614: 3603: 2806: 2795: 2010: 1999: 1993:Chicago LGBT Hall of Fame 1520:"Couple in Sumac Thicket" 1303:"Roger Brown's Last Wish" 1163:Roger Brown Public Murals 997:"Roger Brown's Last Wish" 967:Lawrence, Sidney (1987). 942:Lawrence, Sidney (2007). 845:Scottish National Gallery 35: 4703:LGBT people from Alabama 4272:People Like Us Bookstore 4151:John Marshall Law School 3196:Alexandra Scott Billings 3007:Charles Edward Nelson II 2906:Chicago Gay Men's Chorus 1116:Roger Brown: Calif U.S.A 1096:Roger Brown: Calif U.S.A 827:National Gallery of Art 817:, Rotterdam, Netherlands 755:Art Institute of Chicago 730:Art AIDS America Chicago 531:Art Institute of Chicago 401:World's Tallest Disaster 371:before enrolling at the 4361:Brenetta Howell Barrett 3286:Congregation Or Chadash 2645:Jeannette Howard Foster 1775:National Gallery of Art 1114:Lowe, Nicholas (2010). 1074:"Roger Brown Biography" 693:Culver City, California 587:La Conchita, California 555:Corcoran Gallery of Art 436:Chicago Opera Theatre's 369:American Academy of Art 272:La Conchita, California 181:" and in references to 4693:American male painters 4508:Zahara Monique Bassett 4446:Thomas Hunt (activist) 4250:Timothy Stewart-Winter 3643:Chicago History Museum 3153:Lincoln Park Lagooners 1334:. Hyde Park Art Center 900:Roger Brown: Biography 430: 408: 357:David Lipscomb College 190:southern United States 188:His upbringing in the 4006:Ross A. Slotten, M.D. 3809:St. Sukie de la Croix 3477:Katherine (Kit) Duffy 2935:Antonio David Jimenez 2875:Rene A. Van Hulle Jr. 2226:Jeff Graubart-Cervone 1821:"Artist: Roger Brown" 1796:"Works – Roger Brown" 1453:Brown, Roger (1994). 1140:"Roger Brown, Artist" 916:Brown, Roger (1997). 847:, Edinburgh, Scotland 637:sabbatical programs. 583:New Buffalo, Michigan 460:" exhibitions at the 425: 399: 268:New Buffalo, Michigan 241:Maxwell Street market 4698:American gay artists 4403:John Ademola Adewoye 4377:The Windy City Times 4277:Alphawood Foundation 3637:Asians & Friends 3572:Jane M. Hussein Saks 3311:Charles R. Middleton 3277:Margaret C. 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Bates 3792: 3791: 3789: 3785: 3779: 3776: 3774: 3771: 3769: 3766: 3764: 3761: 3758: 3755: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3720: 3717: 3715: 3712: 3711: 3709: 3705: 3699: 3696: 3694: 3691: 3689: 3686: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3638: 3635: 3632: 3629: 3627: 3626:Claudia Allen 3624: 3623: 3621: 3617: 3613: 3606: 3602: 3588: 3585: 3583: 3580: 3578: 3577:Zaida Sanabia 3575: 3573: 3570: 3568: 3565: 3563: 3560: 3558: 3557:Joey McDonald 3555: 3553: 3550: 3548: 3545: 3543: 3540: 3538: 3535: 3533: 3530: 3528: 3525: 3524: 3522: 3518: 3512: 3509: 3507: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3485: 3483: 3480: 3478: 3475: 3473: 3470: 3468: 3465: 3463: 3460: 3458: 3455: 3453: 3450: 3448: 3445: 3443: 3440: 3439: 3437: 3433: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3401:Chilli Pepper 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3381:Tarrina Dikes 3379: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3358: 3355: 3353: 3350: 3349: 3347: 3343: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3316:Edward Negron 3314: 3312: 3309: 3307: 3304: 3302: 3301:Marigold Bowl 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3278: 3275: 3274: 3272: 3268: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3211:John D'Emilio 3209: 3207: 3206:Aldo Castillo 3204: 3202: 3199: 3197: 3194: 3193: 3191: 3187: 3181: 3178: 3176: 3173: 3171: 3168: 3165: 3162: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3139: 3136: 3133: 3131: 3128: 3126: 3123: 3122: 3120: 3116: 3110: 3107: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3079: 3077: 3074: 3072: 3069: 3067: 3064: 3062: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3039: 3037: 3034: 3033: 3031: 3027: 3020: 3018: 3015: 3013: 3010: 3008: 3005: 3002: 3001:NAMES Project 2999: 2997: 2994: 2992: 2991:Louis I. Lang 2989: 2987: 2984: 2982: 2979: 2977: 2974: 2972: 2969: 2968: 2966: 2962: 2956: 2953: 2951: 2948: 2946: 2943: 2941: 2938: 2936: 2933: 2931: 2928: 2926: 2925:Robert Maddox 2922: 2919: 2917: 2914: 2912: 2911:Keith Elliott 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2893: 2891: 2887: 2881: 2880:Israel Wright 2878: 2876: 2873: 2871: 2870:Helen Shiller 2868: 2866: 2863: 2861: 2858: 2856: 2855:Nancy J. Katz 2853: 2851: 2848: 2846: 2843: 2841: 2837: 2835: 2832: 2830: 2827: 2825: 2822: 2819: 2816: 2815: 2813: 2809: 2805: 2798: 2794: 2780: 2777: 2775: 2772: 2770: 2769:Gregg Shapiro 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2737: 2734: 2732: 2729: 2727: 2724: 2722: 2719: 2717: 2714: 2713: 2711: 2707: 2701: 2698: 2696: 2693: 2691: 2688: 2686: 2683: 2681: 2678: 2676: 2673: 2671: 2668: 2666: 2663: 2661: 2658: 2656: 2653: 2651: 2650:Jorjet Harper 2648: 2646: 2643: 2641: 2638: 2636: 2635:Thomas Chiola 2633: 2631: 2628: 2627: 2625: 2621: 2615: 2612: 2610: 2607: 2605: 2602: 2600: 2597: 2595: 2592: 2590: 2587: 2585: 2582: 2580: 2577: 2575: 2572: 2570: 2569:Roger Chaffin 2567: 2565: 2562: 2560: 2557: 2556: 2554: 2550: 2544: 2541: 2539: 2536: 2534: 2531: 2529: 2526: 2524: 2521: 2519: 2516: 2514: 2511: 2509: 2506: 2504: 2501: 2499: 2496: 2494: 2491: 2489: 2486: 2484: 2481: 2480: 2478: 2474: 2468: 2467:Yvonne Zipter 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2442: 2439: 2437: 2434: 2432: 2429: 2427: 2424: 2422: 2419: 2417: 2414: 2412: 2409: 2407: 2404: 2402: 2399: 2397: 2394: 2393: 2391: 2387: 2381: 2378: 2375: 2373: 2370: 2368: 2365: 2363: 2360: 2358: 2355: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2325: 2323: 2320: 2318: 2315: 2313: 2310: 2308: 2305: 2303: 2300: 2299: 2297: 2293: 2287: 2284: 2282: 2279: 2277: 2274: 2272: 2269: 2267: 2264: 2262: 2259: 2257: 2254: 2252: 2249: 2247: 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2227: 2224: 2222: 2219: 2217: 2214: 2212: 2211:Jerrold Cohen 2209: 2207: 2204: 2202: 2199: 2197: 2194: 2193: 2191: 2187: 2181: 2178: 2176: 2173: 2171: 2168: 2166: 2163: 2161: 2158: 2156: 2153: 2151: 2148: 2146: 2143: 2141: 2140:Pearl M. Hart 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2108: 2106: 2103: 2102: 2100: 2096: 2090: 2087: 2085: 2082: 2080: 2077: 2075: 2074:Chuck Renslow 2072: 2070: 2069:Marie J. Kuda 2067: 2065: 2062: 2060: 2057: 2055: 2052: 2050: 2047: 2045: 2042: 2040: 2039: 2035: 2033: 2030: 2028: 2025: 2023: 2020: 2019: 2017: 2013: 2009: 2002: 1998: 1994: 1987: 1982: 1980: 1975: 1973: 1968: 1967: 1964: 1957: 1954: 1952: 1949: 1947: 1943: 1940: 1937: 1935: 1932: 1930: 1927: 1925: 1922: 1921: 1917: 1901: 1897: 1896:"Roger Brown" 1891: 1888: 1876: 1872: 1871:"Roger Brown" 1866: 1863: 1851: 1847: 1846:"Roger Brown" 1841: 1838: 1826: 1822: 1816: 1813: 1801: 1797: 1791: 1788: 1776: 1772: 1771:"Roger Brown" 1766: 1763: 1751: 1747: 1746:"Roger Brown" 1741: 1738: 1725: 1721: 1720:"Roger Brown" 1715: 1712: 1700: 1696: 1695:"Exhibitions" 1690: 1687: 1675: 1671: 1665: 1662: 1650: 1646: 1640: 1637: 1625: 1621: 1620:"Roger Brown" 1615: 1612: 1600: 1596: 1590: 1587: 1575: 1571: 1565: 1562: 1550: 1546: 1540: 1537: 1525: 1521: 1515: 1512: 1499: 1495: 1494:"Roger Brown" 1489: 1486: 1475:on 2015-10-17 1474: 1470: 1464: 1461: 1456: 1449: 1446: 1434: 1433: 1428: 1421: 1418: 1405: 1401: 1398:Stone, Lisa. 1394: 1391: 1378: 1377:"Roger Brown" 1372: 1369: 1356: 1349: 1346: 1330: 1323: 1320: 1308: 1304: 1297: 1295: 1291: 1278: 1275:Stone, Lisa. 1271: 1268: 1255: 1252:Stone, Lisa. 1248: 1246: 1242: 1237: 1230: 1228: 1224: 1219: 1212: 1209: 1197: 1193: 1186: 1183: 1178: 1172: 1164: 1157: 1154: 1141: 1135: 1132: 1127: 1121: 1117: 1110: 1108: 1106: 1102: 1097: 1090: 1087: 1075: 1069: 1066: 1061: 1059:0-89280-042-9 1055: 1051: 1044: 1042: 1040: 1036: 1031: 1024: 1022: 1020: 1018: 1014: 1002: 998: 991: 989: 985: 980: 978:0-8076-1178-6 974: 970: 963: 960: 955: 949: 945: 938: 936: 934: 932: 930: 928: 924: 919: 912: 910: 906: 901: 894: 892: 890: 888: 886: 884: 882: 880: 878: 876: 874: 870: 863: 858: 855: 852: 849: 846: 843: 841:, Raleigh, NC 840: 837: 834: 831: 828: 825: 822: 819: 816: 813: 810: 807: 804: 801: 799:, Memphis, TN 798: 795: 793:, Madison, WI 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 759: 757:, Chicago, IL 756: 752: 751: 747: 745: 743: 735: 733: 731: 725: 721: 715:Personal life 714: 712: 708: 706: 698: 696: 694: 690: 685: 683: 677: 675: 671: 667: 663: 659: 655: 647: 645: 643: 638: 634: 630: 628: 624: 621: 617: 612: 605: 603: 596: 594: 592: 588: 584: 580: 572: 570: 568: 564: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 520: 511: 509: 506: 501: 498: 493: 491: 487: 483: 475: 473: 471: 467: 463: 459: 455: 447: 445: 444: 441: 437: 428: 424: 420: 416: 414: 406: 402: 398: 391: 389: 387: 378: 376: 374: 370: 366: 362: 358: 350: 348: 344: 342: 338: 334: 330: 326: 322: 318: 317:Aldo Piacenza 314: 310: 309:Joseph Yoakum 306: 302: 298: 294: 293:Barbara Rossi 290: 286: 277: 275: 273: 269: 263: 261: 257: 253: 249: 244: 242: 238: 234: 230: 226: 222: 221:Edward Hopper 218: 214: 209: 207: 203: 199: 195: 191: 186: 184: 183:Elvis Presley 180: 171: 169: 167: 161: 159: 155: 151: 143: 141: 139: 135: 127: 124: 120: 117: 114: 110: 107: 104: 100: 96: 92: 87: 83: 73: 69: 64: 47: 43: 39: 34: 27: 22: 4625:Anna DeShawn 4595:Andrew Davis 4528:Joey Soloway 4461:PrideChicago 4375: 4331:Dalila Fridi 4282:Ralla Klepak 4259: 4225:Ketty Teanga 4216:Keith Butler 4191:Tom Bachtell 4146:Thomas Klein 4131:Martxa Vidal 3991:Edward Mogul 3894:Jorge Cestou 3839:Proud to Run 3752:Tony Jackson 3718:Greg Cameron 3688:Jose R. Rios 3587:Marilyn Urso 3562:Mike Quigley 3462:Michal Brody 3306:Jill M. Metz 3201:Megan Carney 3180:Terri Worman 3175:Nan Schaffer 3138:Frank Galati 3124: 3036:Angel Abcede 3012:Mona Noriega 2981:C. C. Carter 2955:Studs Terkel 2779:Phill Wilson 2759:Adrene Perom 2731:Randy Duncan 2660:Ira H. Jones 2604:Larry McKeon 2589:John Hammell 2564:Miguel Ayala 2518:Tony Midnite 2503:Arlene Halko 2493:Jack Delaney 2441:Queer Nation 2396:Caryn Berman 2327:John Chester 2276:Marge Summit 2236:Nancy Lanoue 2165:Dom Orejudos 2130:Vernita Gray 2120:Henry Gerber 2084:Max C. Smith 2036: 1903:. Retrieved 1899: 1890: 1878:. Retrieved 1874: 1865: 1853:. Retrieved 1849: 1840: 1828:. Retrieved 1824: 1815: 1803:. Retrieved 1799: 1790: 1778:. Retrieved 1774: 1765: 1753:. Retrieved 1749: 1740: 1728:. Retrieved 1723: 1714: 1702:. Retrieved 1698: 1689: 1677:. Retrieved 1673: 1664: 1652:. Retrieved 1648: 1639: 1627:. Retrieved 1623: 1614: 1602:. Retrieved 1598: 1589: 1577:. Retrieved 1573: 1564: 1552:. 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Hunt 4001:Debra Shore 3948:Brenda Webb 3829:Mark Ishaug 3778:Jon Simmons 3747:Marcia Hill 3678:Achy Obejas 3633:of Illinois 3532:Paula Basta 3482:Eddie Dugan 3442:Jane Addams 3406:A Real Read 3371:Robbin Burr 3361:David Moore 3357:David Blatt 3241:Carol Ronen 3231:Jim Pickett 3226:Mike McHale 3125:Roger Brown 2921:Frank Goley 2896:Lora Branch 2774:Jesse White 2735:Rick Garcia 2594:Rick Karlin 2523:Mary Morten 2508:Greg Harris 2411:Sarah Craig 2401:Samson Chan 2322:Lori Cannon 2241:Sid L. Mohn 2038:Gay Chicago 1924:AbsolutArts 1570:"Americana" 1410:25 February 1383:25 February 1361:25 February 1338:25 February 1312:25 February 1283:25 February 1260:25 February 1201:25 February 1146:25 February 1050:Roger Brown 1006:25 February 969:Roger Brown 656:, north of 654:La Conchita 512:Exhibitions 490:La Conchita 289:Karl Wirsum 285:Ray Yoshida 233:Ray Yoshida 168:, Alabama. 134:Roger Brown 94:Nationality 30:Roger Brown 4662:Categories 4503:Maya Green 4326:Denise Foy 4235:Mark Nagel 4186:Big Chicks 4087:Gail Morse 3865:Honey West 3714:Paul Adams 3693:Stan Sloan 3658:Bob Gammie 3648:Dan Di Leo 3552:Amy Maggio 3511:Guy Warner 3497:Joe La Pat 3492:Wanda Lust 3221:Merry Mary 3076:Bon Foster 2930:Chuck Hyde 2700:Luule Vess 2538:Norm Sloan 2528:Ifti Nasim 2462:Tom Tunney 2426:Nick Kelly 2352:Bruce Koff 2307:Tracy Baim 2286:Al Wardell 1905:3 November 1880:3 November 1855:3 November 1830:3 November 1805:3 November 1780:3 November 1755:3 November 1730:3 November 1726:(in Dutch) 1704:3 November 1679:3 November 1654:3 November 1629:3 November 1604:3 November 1554:3 November 1529:3 November 1504:3 November 1479:2015-06-28 1455:For George 1080:2014-02-25 672:in nearby 648:California 565:, and the 392:Mid-career 278:Collecting 225:Grant Wood 217:Surrealism 172:Influences 144:Early life 55:1941-12-10 4543:Outspoken 4456:Otis Mack 4304:2020–2029 3952:David Zak 3841:, Chicago 3834:David Orr 3742:Ted Grady 3653:Scot Free 3639:– Chicago 3609:2010–2019 3537:Lou Conte 3506:Art Smith 3467:Sam Coady 3331:Star Gaze 3326:Sidetrack 3281:Jane Heap 3236:Juan Reed 2801:2000–2009 2716:Ava Allen 2436:JosĂ© Pena 2266:Ron Sable 2231:Joel Hall 2005:1990–1999 1171:cite book 660:, with a 627:Plano, IL 386:Lee Godie 351:Education 339:katsina, 102:Education 4533:Dan Wolf 3845:Bill Pry 3166:/Chicago 2820:/Chicago 2135:Peg Grey 1942:Archived 1438:13 April 606:Michigan 454:Don Baum 440:Mozart's 333:Guerrero 301:Don Baum 297:Jim Nutt 202:Art Deco 194:folk art 150:Hamilton 122:Movement 116:Painting 97:American 4605:Jan Dee 3929:POW-WOW 2443:Chicago 699:Alabama 658:Ventura 597:Chicago 407:in 2023 365:Chicago 335:masks, 331:masks, 158:Alabama 154:Opelika 86:Georgia 82:Atlanta 2818:ACT UP 1500:. 1941 1122:  1056:  975:  950:  674:Lompoc 585:; and 500:murals 497:mosaic 429:(1978) 303:, and 270:, and 260:Africa 258:, and 256:Russia 252:Europe 248:Mexico 227:, and 198:comics 166:Beulah 88:, U.S. 65:, U.S. 4575:2023 4493:2022 4421:2021 3164:PFLAG 2840:GLSEN 1579:6 May 1332:(PDF) 864:Notes 736:Other 573:Homes 488:) in 341:molas 329:Baule 4314:2020 4210:2017 4119:2016 4045:2015 3961:2014 3919:PatĂ© 3874:2013 3787:2012 3707:2011 3619:2010 3520:2009 3504:and 3435:2008 3359:and 3345:2007 3279:and 3270:2006 3189:2005 3118:2004 3029:2003 2964:2002 2923:and 2889:2001 2811:2000 2709:1999 2623:1998 2552:1997 2476:1996 2389:1995 2295:1994 2189:1993 2098:1992 2015:1991 1907:2023 1882:2023 1857:2023 1832:2023 1807:2023 1782:2023 1757:2023 1732:2023 1706:2023 1681:2023 1656:2023 1631:2023 1606:2023 1581:2020 1556:2023 1531:2023 1506:2023 1440:2016 1412:2014 1385:2014 1363:2014 1340:2014 1314:2014 1285:2014 1262:2014 1203:2014 1177:link 1148:2014 1120:ISBN 1054:ISBN 1008:2014 973:ISBN 948:ISBN 753:The 337:Hopi 152:and 71:Died 45:Born 3759:LLP 691:in 359:in 4664:: 1898:. 1873:. 1848:. 1823:. 1798:. 1773:. 1748:. 1722:. 1697:. 1672:. 1647:. 1622:. 1597:. 1572:. 1547:. 1522:. 1496:. 1429:. 1305:. 1293:^ 1244:^ 1226:^ 1194:. 1173:}} 1169:{{ 1104:^ 1038:^ 1016:^ 999:. 987:^ 926:^ 908:^ 872:^ 744:. 581:; 569:. 561:, 557:, 553:, 549:, 545:, 541:, 537:, 533:, 327:, 299:, 295:, 291:, 287:, 274:. 254:, 250:, 223:, 156:, 84:, 1985:e 1978:t 1971:v 1909:. 1884:. 1859:. 1834:. 1809:. 1784:. 1759:. 1734:. 1708:. 1683:. 1658:. 1633:. 1608:. 1583:. 1558:. 1533:. 1508:. 1482:. 1442:. 1414:. 1387:. 1365:. 1342:. 1316:. 1287:. 1264:. 1205:. 1179:) 1150:. 1128:. 1083:. 1062:. 1010:. 981:. 956:. 625:( 57:) 53:( 23:.

Index

Roger Brown (disambiguation)

Hamilton, Alabama
Atlanta
Georgia
School of the Art Institute of Chicago
Painting
Chicago Imagists
Chicago Imagist
Hamilton
Opelika
Alabama
Beulah
Autobiography in the Shape of Alabama (MammyĘĽs Door)
Elvis Presley
southern United States
folk art
comics
Art Deco
Church of Christ
School of the Art Institute Chicago (SAIC)
Surrealism
Edward Hopper
Grant Wood
Georgia O'Keeffe
Ray Yoshida
Whitney Halstead
Maxwell Street market
Mexico
Europe

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