Patterson–Gimlin film

769:

would be—what a scientific breakthrough—if he could obtain unshakable evidence that these tracks were not the work of a prankster, but the actual mark of a hitherto unknown creature! If he succeeded, he would be famous! And rich! Alas, fame and fortune were not gained that year, nor the next, nor the next. Patterson invested thousands of hours and dollars combing Bigfoot and Sasquatch territory. He fought constant ridicule and a shortage of funds. ... he founded ... the Northwest Research Foundation. Through it he solicited funds . ... The response was encouraging and enabled him to lead several expeditions. ... In 1966 he published a paperback book at his own expense. ... He added the income from its sales and his lectures to the search fund. As each wilderness jaunt failed to see or capture the monster, one by one the thrill-seekers dropped out. But Patterson never gave up.

1655:. He has 25 years of experience with great apes in the wild. He writes, "I did find some inconsistencies in appearance and behavior that might suggest a fake ... but nothing that conclusively shows that this is the case." His most original criticism is this: "The plantar surface of the feet is decidedly pale, but the palm of the hand seems to be dark. There is no mammal I know of in which the plantar sole differs so drastically in color from the palm." His most controversial statements are these: "The gluteals, although large, fail to show a humanlike cleft (or crack)." "Body proportions: ... In all of the above relative values, bigfoot is well within the human range and differs markedly from any living ape and from the 'australopithecine' fossils." (E.g., the IM index is in the normal human range.) And: "I estimate bigfoot's weight to be between 190 and 240 lbs 1811:, who, after viewing the Patterson film, asserted "that their technicians would not be able to duplicate the film". Krantz argues that if Disney personnel were unable to duplicate the film, there is little likelihood that Patterson could have done so. Greg Long writes, "Byrne cited his trip to Walt Disney studios in 1972, where Disney's chief of animation and four assistants viewed Patterson's footage and praised it as a beautiful piece of work although, they said, it must have been shot in a studio. When Byrne told them it had been shot in the woods of Northern California, 'They shook their heads and walked away. 2119:, he went public, via a January 30 press release by his lawyer, Barry Woodard, in a Yakima newspaper story. He stated, "I'm telling the truth. I'm tired after thirty-seven years." Five days later, a second newspaper story reported that his "lawyer's office has been inundated with calls from media outlets. ... 'We're just sort of waiting for the dust to settle,' he said, explaining he and his client are evaluating offers." He also said, "We anticipate that we will be telling the full story to somebody rather quickly." 1494:, a primatologist, claimed that "if the movie was filmed at 24 frame/s then the creature's walk cannot be distinguished from a normal human walk. If it was filmed at 16 or 18 frame/s, there are a number of important respects in which it is quite unlike man's gait." Napier, who published before Dahinden and Krantz, contended it was "likely that Patterson would have used 24 frame/s" because it "is best suited to TV transmission," while conceding that "this is entirely speculative." 921:

from a saddlebag before he could run toward the figure while operating his camera. He yelled "Cover me" to Gimlin, "meaning to get the gun out". Gimlin crossed the creek on horseback after Patterson had run well beyond it, riding on a path somewhat to the left of Patterson's and somewhat beyond his position. Patterson estimates he came within 60–90 feet (18–27 m) of "Patty". Then, rifle in hand, he dismounted, but did not point his rifle at the creature.

1037:. The drive home from their campsite covered about 580 miles (930 km), the initial 28.8 miles (46.3 km) on a low-speed logging road, and then about 110 miles (180 km) on twisty Route 96. Driving a truck with three horses, and allowing for occasional stops, it would have taken 13 hours to get home Saturday evening, at an average speed of 45 mph (72 km/h); it would have taken 14.5 hours at a 40 mph (64 km/h) average speed. 1700:. They conducted a high-tech human-replication attempt of "Patty's" gait, in cooperation with Jeff Meldrum. Rose was certain their subject had matched Patty's gait, while Gamble was not quite as sure. Meldrum was impressed and acknowledged that "some aspects" of the creature's walk had been replicated, but not all. The narrator said, "even the experts can see the gait test could not replicate all parameters of the gait." It was shown in an episode of the 1071: 47: 2186:

describes a three-piece suit—head, torso, and legs, omitting separate hands and feet)—i.e., without adjusting their location to his dimensions. And Heironimus never described being measured beforehand. Heironimus has altered several details around the boots several times over the years, stating that the boots as "hip boots that go up to your waist", but later stated they were "irrigation boots that go up to the knees".

1719:

the suit's zip-fastener. Zooming in on four magnified frames of the 16 mm footage video exposed what appeared to be tracings of a bell-shaped fastener on the creature's waist area, presumably used to hold a person's suit together. Since both Crook and Murphy were previously staunch supporters of the video's authenticity, Associated Press journalist John W. Humbell noted "Longtime enthusiasts smell a deserter."

1944:) concluded the film's subject looked real to him. When asked if he thought the film was faked, Prohaska replied, "I don't think so ... to me it looks very, very real." If the film was hoaxed, Prohaska thought, it was remarkably realistic and sophisticated, and the best costume he had ever seen, and the only plausible explanation was that someone might have glued false hair "directly to the actor's skin". 1967:. Academy Award-winning film special effects supervisor and makeup artist Stan Winston, after viewing the PGF, said "it's a guy in a bad hair suit, sorry!" He also added that "if one of my colleagues created this for a movie, he would be out of business." He went on to comment that the suit in the film could have been made today for "a couple hundred dollars" or "under a thousand, in that day". 954:

reacted upon seeing the creature. Patterson in particular increased his estimates of the creature's size in subsequent retellings of the encounter. In a different context, Long argues, these discrepancies would probably be considered minor, but given the extraordinary claims made by Patterson and Gimlin, any apparent disagreements in perception or memory are worth noting.

2072:

of the globe, being altered by a sorcerer or scientist into a gorilla or otherwise apelike monster.) After the initial sale, Morris said that Patterson telephoned him asking how to make the "shoulders more massive" and the "arms longer". Morris says he suggested that whoever wore the suit should wear football shoulder pads and hold sticks in his hands within the suit.

2016:

filmed recreation attempts of his own that failed. Daniel Perez, writing in 1992, asserted "If the film is in fact a fake, a costumed man or a machine, surely science could duplicate the film with ease. Twenty-five years later, no one has come close." He later asserted, "It has never been convincingly replicated. To any thinking person, that should speak volumes."

2058:-based company offering costumes, props and stage products) claimed that he made a gorilla costume that was used in the Patterson film. Morris says he discussed his role in the hoax "at costume conventions, lectures, magician conventions" in the 1980s, but first addressed the public at large on August 16, 2002, on Charlotte, North Carolina, radio station 1894:& Frances) wrote of him, "I also spoke to Ellis Burman of Burman Studios in Hollywood, creators of all kinds of strange creatures, including a fake Bigfoot for a traveling 'pickled punk' carnival exhibit. Burman denied his company created the Patterson Bigfoot, but did say he could duplicate it—but for more than $ 10,000 in total costs." 933:

after glancing over its shoulder on film, the creature disappeared behind a grove of trees for 14 seconds, then reappeared in the film's final 15 seconds after Patterson moved 10 feet (3 m) to a better vantage point, fading into the trees again and being lost to view at a distance of 265 feet (81 m) as the reel of film ran out.

2025:

reasoning is sound: In seeking something elusive, he went to where it had been reported. Bluff Creek had also been the site of well-known Bigfoot hoaxer Ray Wallace's activities in 1958. In Patterson's book, he mentions meeting with Wallace once. Later, Daegling cites certain features in the film and the storyline as suspicious.

867:. They drove in Gimlin's truck, carrying his provisions and three horses, positioned sideways. Patterson chose the area because of intermittent reports of the creatures in the past, and of their enormous footprints since 1958. (His familiarity with the area and its residents from prior visits may also have been a factor.) 1556:

Davis) to counter the effect of camera shake has improved viewers' ability to analyze it. Regarding "graininess," Bill Munns writes, "Based on transparencies taken off the camera original, ... the PGF original is as fine grain as any color 16mm film can achieve." He adds that graininess increases as images are magnified.

659: 1672:

subject and camera positions, camera movement, poor image quality, and artifacts of the subject. They concluded: "Based on our analysis of gait and problems inherent in estimating subject dimensions, it is our opinion that it is not possible to evaluate the identity of the film subject with any confidence."

2080:

only turn your head maybe a quarter of the way. And to look behind you, you've got to turn your head and your shoulders and your hips. Plus, the shoulder pads in the suit are in the way of the jaw. That's why the Bigfoot turns and looks the way he does in the film. He has to twist his entire upper body.

2245:

Loren Coleman has written that Patterson was an early Bigfoot investigator, and that it was only natural that he sought out and interviewed older Bigfoot-event principals, which included Wallace, because of the 1958 Bluff Creek track incidents. Coleman has asserted that Wallace had nothing to do with

2084:

Morris' wife and business partner Amy had vouched for her husband and claims to have helped frame the suit. Morris offered no evidence apart from his own testimony to support his account, the most conspicuous shortcoming being the absence of a gorilla suit or documentation that would match the detail

1915:

Some time before 1976 the Guenettes reported that, in answer to their questions, "He concluded that if the creature is a man in a suit, then it is no ordinary gorilla suit. It is not something they bought or rented in a store; it would have to be something tailor made. He also felt like it might have

1718:

A computerized visual analysis of the video conducted by Cliff Crook, who once devoted rooms to sasquatch memorabilia in his home in Bothell, Washington, and Chris Murphy, a Canadian Bigfoot buff from Vancouver, British Columbia, was released in January 1999 and exposed an object which appeared to be

1671:

and Daniel O. Schmitt examined the film, they concluded it was impossible to conclusively determine whether the subject in the film is nonhuman, and additionally argued that flaws in the studies by Krantz and others invalidated their claims. Daegling and Schmitt noted problems of uncertainties in the

1040:

US Forest Service "Timber Management Assistant" Lyle Laverty said, "I passed the site on either Thursday the 19th or Friday the 20th" and noticed no tracks. After reading the news of Patterson's encounter on their weekend break, Laverty and his team returned to the site on Monday, the 23rd, and made

1028:

When he returned to the camp he and Patterson aborted their plan to remain looking for more evidence and departed for home, fearing the rain would wash out their exit. After attempting to go out along "the low road"—Bluff Creek Road—and finding it blocked by a mudslide, they went instead up the steep

1010:

described as "the only scientist of any stature to have demonstrated any serious interest in the subject," hoping he would help them search for the creature by bringing a tracking dog. Hodgson called, but Abbott declined. Krantz argued that this call the same day of the encounter is evidence against

920:

Patterson estimated he was about 25 feet (7.6 m) away from the creature at his closest. Patterson said that his horse reared upon sensing the figure, and he spent about 20 seconds extricating himself from the saddle, controlling his horse, getting around to its other side, and getting his camera

901:

When they rounded it, "there was a logjam—a 'crow's nest'—left over from the flood of '64," and then they spotted the figure behind it nearly simultaneously. It was either "crouching beside the creek to their left" or "standing" there, on the opposite bank. Gimlin later described himself as in a mild

768:

In 1962 he visited Bluff Creek and talked with a whole host of Bigfoot-believers. In 1964 he returned and met a timber-cruiser named Pat Graves, who drove him to Laird Meadows. There Patterson saw fresh tracks—for him an almost unbearably exciting, spine-chilling experience. What a tremendous feat it

5350:

His only comments are in items 7 and 12 of "Q & A – The Making of Bigfoot," by Greg Long, April 6, 2004, where he wrote, "We know Roger Patterson owned a tool shed and worked in leather, clay, and wood. Modifying the suit parts—such as gluing or riveting the hands to the cuffs of the suit,

2237:

magazine, promoted Wallace's claim that he tipped off Patterson exactly where to look for a Bigfoot. Chorvinsky wrote, "'Roger Patterson came dozens of times pumping me on this Bigfoot,' Ray Wallace explained to researcher Dennis Pilchis in 1982. 'I felt sorry for Roger Patterson. He told me he had

2136:

Bernard Hammermeister, another longtime friend, said he was shown an ape suit in Heironimus' car. No date was given by Long for Hammermeister's observation, but it apparently came well after the relatives' observation, as implied by the word "still" in the justification Heironimus gave Hammermeister

2079:

The Bigfoot researchers say that no human can walk that way in the film. Oh, yes they can! When you're wearing long clown's feet, you can't place the ball of your foot down first. You have to put your foot down flat. Otherwise, you'll stumble. Another thing, when you put on the gorilla head, you can

2071:

Morris said that he sold an ape suit to Patterson via mail order in 1967, thinking it was going to be used in what Patterson described as a "prank". (Ordinarily the gorilla suits he sold were used for a popular sideshow routine that depicted an attractive woman, supposedly from some far-flung corner

2028:

Krantz thought Patterson might have perpetrated such a hoax, given the opportunity and resources. (Roger was an accomplished 2-D artist whose drawings and painting of horses and other wildlife showed a detailed understanding of musculature and anatomy.) But he also argued that Patterson had "nowhere

1886:

show (in 1992) that "it looked like cheap, fake fur," after seeing the subject in Patterson's filmstrip. Baker said that John Chambers had "a crappy walkaround suit," that he sold as "a gag to be played on the guy that shot it ". Later on, Baker's studio stated in a fax, "He no longer believes this

1291:

Daegling wrote, "Bigfoot advocates emphasize that Patterson remained an active Bigfoot hunter up until his death." For instance, in 1969, he hired a pair of brothers to travel around in a truck chasing down leads to Bigfoot witnesses and interviewing them. Later, in December of that year, he was one

1287:

While Patterson sought publicity, Gimlin was conspicuous by his absence. He only briefly helped to promote the film and avoided discussing his Bigfoot encounter publicly for many subsequent years; he turned down requests for interviews. He later reported that he had avoided publicity after Patterson

1231:

After Patterson's death, Michael McLeod wrote, "With the consent of Al DeAtley and Patricia Patterson, the film distributor Ron Olson took over the operation of Northwest Research ... and changed its name to the North American Wildlife Research Association. ... He worked full-time compiling reports,

965:

Critics claim that too much happened between the filming (at 1:15 at the earliest) and the filmmakers' arrival in Willow Creek (at 6:30 at the latest). Daegling wrote, "All of the problems with the timeline disappear if the film is shot a few days or hours beforehand. If that is the case, one has to

932:

Shortly after this point the steady, middle portion of the film begins, containing the famous look-back frame 352. Patterson said, "it turned a total of I think three times," the other times therefore being before the filming began and/or while he was running with his finger off the trigger. Shortly

781:

in 1966. The book has been characterized as "little more than a collection of newspaper clippings laced together with Patterson's circus-poster style prose". The book, however, contains 20 pages of previously unpublished interviews and letters, 17 drawings by Patterson of the encounters described in

1507:

stated that "the footage of the horses prior to the Bigfoot film looks jerky and unnatural when projected at 24 frame/s." And Dahinden experimented at the film site by having people walk rapidly over the creature's path and reported: "None of us ... could walk that distance in 40 seconds , ... so I

1500:

argued, on the basis of an analysis by Igor Bourtsev, that since Patterson's height is known (5 ft 2 in or 5 ft 3 in ), a reasonable calculation can be made of his pace. This running pace can be synchronized with the regular bounces in the initial jumpy portions of the film

953:

According to Patterson and Gimlin, they were the only witnesses to their brief encounter with what they claimed was a sasquatch. Their statements agree in general, but author Greg Long notes a number of inconsistencies. They offered somewhat different sequences in describing how they and the horses

2205:

tests regarding their claims have been passed by both Heironimus and Patterson. It should also be noted that the Heironimus had previously failed the test three times, only passing on his fourth attempt. Additionally, Edward Gelb, the man who administered Heironimus's successful polygraph attempt,

2185:

But Morris made a suit whose hands and feet were separate pieces. Long speculates that Patterson riveted or glued these parts to the suit, but offers no evidence to support this idea. If Patterson had done so, he must have done it before Heironimus did his test fitting and walk (because Heironimus

2111:

Bob Heironimus claims to have been the figure depicted in the Patterson film. Heironimus says he had not previously publicly discussed his role in the hoax because he hoped to be paid eventually and was afraid of being convicted of fraud had he confessed. After speaking with his lawyer he was told

2015:

The film's proponents' position is that what is seen in the film is unfakable—especially not by a costume beginner like Patterson. For instance, most of Bill Munns' book makes detailed examinations of film features that he argues could not have been created with 1967 special effects technology. He

1608:

that are commonly raised, but apparently his main reasons are original with him. First, the length of "the footprints are totally at variance with its calculated height". Second, the footprints are of the "hourglass" type, which he is suspicious of. (In response, Barbara Wasson criticized Napier's

1603:

Napier conceded the likelihood of Bigfoot as a real creature, stating, "I am convinced that Sasquatch exists." But he argued against the film being genuine: "There is little doubt that the scientific evidence taken collectively points to a hoax of some kind. The creature shown in the film does not

1024:

newspaper in Eureka and related his story. They arrived back at their campsite at about midnight. At either 5 or 5:30 the next morning, after it started to rain heavily, Gimlin returned to the filmsite from the camp and covered the other prints with bark to protect them. The cardboard boxes he had

940:

Next, Gimlin and Patterson rounded up Patterson's horses, which had run off in the opposite direction, downstream, before the filming began. Patterson got his second roll of film from his saddlebag and filmed the tracks. Then the men tracked "Patty" for either one mile (1.6 km) or three miles

2044:

Peter Byrne, who interviewed Patterson and Gimlin many times, wrote, "both men lacked, primarily, the intellectual capacity essential to the production of a hoax ... termed a masterpiece." Similarly, Daegling writes that "Most acquaintances of Patterson volunteered that neither he nor Gimlin were

1612:

He adds, "I could not see the zipper; and I still can't. There I think we must leave the matter. Perhaps it was a man dressed up in a monkey-skin; if so it was a brilliantly executed hoax and the unknown perpetrator will take his place with the great hoaxers of the world. Perhaps it was the first

957:

The film's defenders have responded by saying that commercially motivated hoaxers would have "got their stories straight" beforehand so they would not have disagreed immediately upon being interviewed, and on so many points, and so they wouldn't have created a suit and a creature with foreseeably

936:

Gimlin remounted and followed it on horseback, keeping his distance, until it disappeared around a bend in the road three hundred yards (270 m) away. Patterson called him back at that point, feeling vulnerable on foot without a rifle, because he feared the creature's mate might approach. The

924:

The figure had walked away from them to a distance of about 120 feet (37 m) before Patterson began to run after it. The resulting film (about 59.5 seconds long at 16 fps) is initially quite shaky until Patterson got about 80 feet (24 m) from the figure. At that point, the figure glanced

733:

The filmmakers were Roger Patterson (1933–1972) and Robert "Bob" Gimlin (born 1931). Patterson died of cancer in 1972 and "maintained right to the end that the creature on the film was real". Patterson's friend, Gimlin, has always denied being involved in any part of a hoax with Patterson. Gimlin

2197:

But Heironimus said that he wore football shoulder pads, which might explain why the shoulders and arms appear to be out of proportion to the rest of the body. However, Heironimus disclaimed the use of arm-extending sticks in his costume and said that he wore "gloves, a little bit longer than my

2024:

David Daegling, anthropologist, writes that the "more cynical skeptics" see Patterson's luck as "more than a little suspicious: He sets out to make a Bigfoot documentary, then almost literally stumbles across a Bigfoot." Daegling, however, offers the benefit of the doubt, noting that Patterson's

1580:"—thought the creature in the Patterson film was a suited human. He objected to the film subject's hair-flow pattern as being too uniform; to the hair on the breasts as not being like a primate; to its buttocks as being insufficiently separated; and to its too-calm retreat from the pursuing men. 1555:

Regarding the quality of the film, second-generation copies or copies from TV and DVD productions are inferior to first-generation copies. Many early frames are blurry due to camera shake, and the quality of subsequent frames varies for the same reason. Stabilization of the film (e.g., by M. K.

805:

incident) and others as they tracked the beast on horseback. For actors and cameraman, Patterson used at least nine volunteer acquaintances, including Gimlin and Bob Heironimus, for three days of shooting, perhaps over the Memorial Day weekend. Patterson would have needed a costume to represent

1768:

and Owen Caddy, employs digital enhancement and observes facial movements, such as moving eyelids, lips that compress like an upset chimp's, and a mouth that is lower than it appears, due to a false-lip anomaly like that of a chimp's. The episode concludes, "the new findings are intriguing but

1412:

Patterson had ceded ownership of the original to American National Enterprises, which went bankrupt a few years after his death in 1972. Thereafter, Greg Long writes, "Peregrine Entertainment bought the company. Then Peregrine was bought by Century Group of Los Angeles. When Century Group went

3299:

concluded similarly. (McLeod, 112: "A lot of money was coming in (DeAtley has admitted to personally making several hundred thousand dollars from the film), but people close to the action agree that an awful lot was also going out. Whatever money filtered down to Roger Patterson wasn't near

1683:

were primitive compared to the more sophisticated effects in later decades, and allows that if the Patterson film depicts a man in a suit that "it is not unreasonable to suggest that it is better than some of the tackier monster outfits that got thrown together for television at that time."

1381:

Greg Long reports that a 1978 legal "settlement gave Dahinden controlling rights—51 percent of the film footage, 51 percent of video cassette rights, and 100 percent of all 952 frames of the footage. Patty Patterson had 100 percent of all TV rights and 49 percent rights in the film footage.

961:

A more serious objection concerns the film's "timeline". This is important because Kodachrome II movie film, as far as is known, could be developed only by a lab containing a $ 60,000+ machine, and the few West Coast labs known to possess one did not do developing over weekends. Patterson's

1341:

In 1995, almost three decades after the Patterson–Gimlin filming, Greg Long, a technical writer for a technology firm who had a hobby of investigating and writing about Northwest mysteries, started years of interviewing people who knew Patterson, some of whom described him as a liar and a

2168:

Another contrast is that Howard reported that the horsehide was a "real dark brown" and Long writes that Morris "was using brown Dynel in 1967". But Morris wouldn't have wanted a "real dark" brown color, as he chose brown to contrast against the black background of the girl-to-gorilla

1547:

writes, "he skeptics have not felt compelled to offer much of a detailed argument against the film; the burden of proof, rightly enough, should lie with the advocates." Yet, without a detailed argument against authenticity, Daegling notes that "the film has not gone away." Similarly,

2088:

A re-creation of the PGF was undertaken on October 6, 2004, at "Cow Camp," near Rimrock Lake, a location 41 miles (66 km) west of Yakima. This was six months after the publication of Long's book and 11 months after Long had first contacted Morris. Bigfooter Daniel Perez wrote,

2174:

Suit: Top-and-Trousers vs. a Back-Zipped Onesie. Heironimus described the suit as having no metal pieces and an upper "torso part" that he donned "like putting on a T-shirt". At Bluff Creek he put on "the top". Asked about the "bottom portion," he guessed it was cinched with a

1123:

traveled to Europe in 1971. He visited England, Finland, Sweden, Switzerland and Russia. Although scientists in these countries were somewhat more open-minded than those in North America, their findings were basically the same . ... A real glimmer of hope, however, emerged ."

2238:

cancer of the lymph glands and he was desperately broke and he wanted to try to get something where he could have a little income. Well, he went down there exactly where I told him. I told him, 'You go down there and hang around on that bank. Stay up there and watch that spot.

2033:, he (Patterson) showed the familiar blank look of a student who had lost the drift of the explanation, but was still trying hard to pay attention. Yet he must have known all these details to create a hoax. For instance, he could see the anterior position of the front of the 1451:

The second reel, showing Patterson and Gimlin making and displaying plaster casts of some footprints, was not shown in conjunction with the first reel at Al DeAtley's house, according to those who were there. Chris Murphy wrote, "I believe the screening of this roll at the

1488:"Dr. D.W. Grieve, an anatomist with expertise in human biomechanics ... evaluated the various possibilities" regarding film speed and did not come to a conclusion between them. He "confessed to being perplexed and unsettled" by "the tangible possibility that it was real". 730:. For decades, the exact location of the site was lost, primarily because of re-growth of foliage in the streambed after the flood of 1964. It was rediscovered in 2011. It is just south of a north-running segment of the creek informally known as "the bowling alley". 3294:

But Glen Koelling said, "It was my understanding that his brother-in-law made quite a bit of money off that movie. And Roger didn't get his share of it. ... Roger told me, and several other people too, you know, that I trust." (Long, 206) And Bigfoot-book author

969:

Chris Murphy wrote, "I have confirmed with Bob Gimlin that Patterson definitely rode a small quarter horse (which he owned), not his Welsh pony 'Peanuts'. Also, that Patterson had arranged to borrow a horse by the name of 'Chico' from Bob Heironimus for Gimlin to

1792:... Their conclusion was: 'We could try (faking it), but we would have to create a completely new system of artificial muscles and find an actor who could be trained to walk like that. It might be done, but we would have to say that it would be almost impossible. 1501:

that were caused by each fast step Patterson took to approach the creature. On the basis of this analysis, Krantz argued that a speed of 24 frames per second can be quickly dismissed and that " may safely rule out 16 frames per second and accept the speed of 18."

917:, apelike figure with short, "silvery brown" or "dark reddish-brown" or "black" hair covering most of its body, including its prominent breasts. The figure in the film generally matches the descriptions of Bigfoot offered by others who claim to have seen one. 2145:

Long argues that the suit Morris says he sold to Patterson was the same suit Heironimus claims to have worn in the Patterson film. However, Long quotes Heironimus and Morris describing different ape suits in many respects. Among the notable differences are:

1970:"Barry Keith" (pen name), "an experienced make-up and costume artist," accused "the Hollywood costume industry" of making "bravado claims of how easy such an event would be to fake". He said that their "cheats and shortcuts" are not detectable in "Patty". 1424:

In 2008, Chris Murphy thought a Florida lawyer might have the film, not realizing until later that the lawyer had contacted the Los Angeles storage company that held it, and that it had responded that the film was not in the location the lawyer's records

1853:

He argues the film depicts a non-human animal, not a man in a fur suit. He proposes a new diagnostic test of authenticity, at the armpit: natural concave skin fold vs. artificial vertical crease. Munns' analysis has been featured in an episode of the

1515:

technician that stated the K-100 cameras were tweaked so even when the dial is set to 16 fps, the camera actually runs at 18 fps. ... I have nine K-100 cameras now. ... I tried it on one camera, and got 18 fps, but the rest still need testing

1240:. e devised a storyline involving members of a Bigfoot research party. Olson spent several years exhibiting the film around the country. He planned to make millions with the film, but says it lost money." Olson is profiled in Barbara Wasson's 851:

In the summer of 1967, apparently after getting $ 700 from the Radfords and shooting some of his documentary, they tried unsuccessfully to attract investors to help further fund his Bigfoot movie. They copyrighted or trademarked the term

5405:

author Greg Long: "Bob told me about two nights ago there were no sticks in the arms." Speech to the Int'l. Bigfoot Society in Portland, OR, March 27, 2004, at the 1:45 mark; videotaped by IBS official Patti Reinhold and available from

663: 667: 665: 662: 660: 2006:

Author Greg Long uncovered circumstantial evidence, of varying strength, of footprint hoaxing, and possibly even sighting and photo hoaxing, in the Yakima vicinity by Patterson. Long argues that this means that he faked the film,

1267:

released "Bigfoot: The Mysterious Monster" aka "The Mysterious Monsters", which remixed parts of "Monsters! Mystery or Myth" another documentary called "Land Of The Yeti", and also included footage from the Patterson–Gimlin film.

666: 6245:

Tate Hieronymus (2018). Interview with Bob Gimlin in front of the big tree, visible in frame 352 of the Patterson - Gimlin Film. The full interview can only be see at Cliff Barakman’s “North American Bigfoot Center” in Boring,

2246:

Patterson's footage in 1967, and has argued in an analysis of the media treatment of the death of Wallace that the international media inappropriately confused the Wallace films of the 1970s with the Patterson–Gimlin 1967 film.

905:

Patterson initially estimated its height at 6 feet 6 inches (1.98 m) to 7 feet (2.1 m), and later raised his estimate to about 7 feet 6 inches (2.29 m). Some later analysts, anthropologist

782:

the text, 5 hand-drawn maps (rare in subsequent Bigfoot books), and almost 20 photos and illustrations from others. It was first reprinted in 1996 by Chris Murphy, and then again re-issued by Murphy in 2005 under the title

2228:

reporter Bob Young to investigate, the family of Wallace went public with claims that he had started the Bigfoot phenomenon with fake footprints (made from a wooden foot-shaped cutout) left in Californian sites in 1958.

1596:'s Primate Biology Program) was one of the few mainstream scientists not only to critique the Patterson–Gimlin film but also to study then-available Bigfoot evidence in a generally sympathetic manner, in his 1973 book, 1471:

One factor that complicates discussion of the Patterson film is that Patterson said he normally filmed at 24 frames per second, but in his haste to capture the Bigfoot on film, he did not note the camera's setting. His

893:

As their stories went, in the early afternoon of Friday, October 20, 1967, Patterson and Gimlin were riding generally northeast (upstream) on horseback along the east bank of Bluff Creek. At sometime between 1:15 and

1675:

Daegling has asserted that the creature's odd walk could be replicated: "Supposed peculiarities of subject speed, stride length, and posture are all reproducible by a human being employing this type of locomotion ."

1135:

made in return for letting him tour with their docudrama, into which he melded material from his own documentary and additional material he and Al DeAtley filmed. This film was shown in local movie houses around the

1386:

had ... bought out Gimlin, who himself had received nothing from Patterson; and Mason and Radford, promised part of the profits by Patterson, had nothing to show for their investment or efforts." The film is in the

941:(4.8 km), but "lost it in the heavy undergrowth". They went to their campsite three miles (4.8 km) south, picked up plaster, returned to the initial site, measured the creature's step-length, and made two 2012:(One possible motive for the Yakima fakery would have been to make Bigfoot seem more real to local millionaire Floyd Paxton, with whom he was acquainted and from whom he hoped to obtain funding for an expedition.) 929:, Patterson would later characterize the creature's expression as one of "contempt and disgust ... you know how it is when the umpire tells you 'one more word and you're out of the game.' That's the way it felt." 664: 1910:(1968). In a 1997 interview in a nursing home with Bigfooter Bobbie Short in her nurse's uniform, he denied rumors that he had created a costume for the Patterson subject, saying "I'm good, but not that good." 1525:

The Patterson–Gimlin film has seen relatively little interest from mainstream scientists. Statements of scientists who viewed the film at a screening, or who conducted a study, are reprinted in Chris Murphy's

737:

The film is 23.85 feet (7.27 m) long (preceded by 76.15 feet or 23.21 meters of "horseback" footage), has 954 frames, and runs for 59.5 seconds at 16 frames per second. If the film was shot at 18 fps, as

1152:" was employed, involving heavy local advertising, mostly on TV, of a few days of showings. It was a modest financial success. Al DeAtley estimated that his 50% of the film's profits amounted to $ 75,000. 1783:

Dale Sheets and Universal Studios. Patterson, Gimlin, and DeAtley screened the film for Dale Sheets, head of the Documentary Film Department, and unnamed technicians "in the special effects department at

1961:-winning "makeup artist Chris in the BigfootForums (in 2004) presented a theory that the arching hip line represents the overlap line between a fur costume leggings section and the torso section. ... " 1824:

Bill Munns, retired, was a special effects and make-up artist, cameraman, and film editor. He argues that Universal and Disney were not the most knowledgeable studios to consult with. He says that Fox,

6681: 1315:

To obtain money to travel to Thailand, "Patterson called Ron, who had returned to ANE, and sold the company the theatrical rights to the clip for what Olson described as a pretty good sum of money."

2154:. When Long asked how heavy the suit was, Bob replied, "It weighed maybe twenty, twenty-five pounds . ... Horsehide would be heavy." Bob added, "It stunk. Roger skinned out a dead, red horse." 2193:

Some film proponents say that Heironimus' arms are too short to match that of a Bigfoot and that he was a few inches shorter than the creature on the film (up to 14 inches or 36 cm shorter).

734:

mostly avoided publicly discussing the subject from at least the early 1970s until about 2005 (except for three appearances), when he began giving interviews and appearing at Bigfoot conferences.

1350:"Marvin" (pseudonym), Jerry Lee Merritt, Pat Mason, Glen Koelling, and Bob Swanson suffered financially from their dealings with him, as well as 21 small local creditors who sued Patterson via a 994:, approximately 54.3 miles (87.4 km) south by road, about 28.8 miles (46.3 km) by Bluff Creek Road from their camp to the 1967 roadhead by Bluff Creek, and 25.5 miles (41 km) down 1308:. Patterson spent most of his remaining money preparing an expedition to retrieve this creature" only to learn it was a hoax. He learned this only after having sent Dennis Jenson fruitlessly to 1842:

Munns started posting his online analysis of the film in 2009 and summarizing it in the online Munns Report. In 2013 he and Jeff Meldrum co-authored three papers in Meldrum's online magazine,

1540:] females". Critics have argued these features are evidence against authenticity. Krantz countered the latter point, saying "a sagittal crest ... is a consequence of absolute size alone." 1476:

K-100 camera had markings on its continuously variable dial at 16, 24, 32, 48, and 64 frames per second, but no click-stops, and was capable of filming at any frame speed within this range.

1284:

had been issued for him on October 17; he was arrested within weeks of his return from Bluff Creek. After Patterson returned the camera in working order, this charge was dismissed, in 1969.

1014:

After shipping the film, they headed back toward their camp, where they had left their horses. On their way they "stopped at the Lower Trinity Ranger Station, as planned, arriving about 9:00

374: 6603: 2163:, a lighter-weight synthetic material with little or no odor. Morris said that it was his "standard suit that we sold to all our customers" that cost $ 435 (cheaper than the competition). 2242:" David Daegling summarized Chorvinsky's argument and concluded that Wallace "had a degree of involvement" with the Patterson–Gimlin film, and that this gave grounds for suspicion of it. 2510:

However, Cliff Barackman's site notes that the year carved in the casts while they were drying is 1963. Cliff contends that the 1964 date in Patterson's book is likely an error. See

764:

a worldwide survey of accounts of Bigfoot-type creatures, including recent track finds, etc. in the Bluff Creek area, which heightened his interest. Thereafter, Marian Place wrote:

4688: 2068:. Morris claims he was reluctant to expose the hoax earlier for fear of harming his business: giving away a performer's secrets, he said, would be widely regarded as disreputable. 2003:

convinced no one could fool me. And of course I'm an older man now ... and I think there could have been the possibility . But it would have to be really well planned by Roger ."

2130:

Heironimus's relatives (his mother Opal and nephew John Miller) claim to have seen an ape suit in Heironimus' car. Opal said she saw the suit two days after the film was shot.

4131:

Regal, 120, writes: "Krantz also found a copy of the camera's manual. It states, 'For normal screen action, when using a silent projector, use the 16 frames per second speed.

1288:

and promoter Al DeAtley had broken their agreement to pay him a one-third share of any profits generated by the film. Another factor was that his wife objected to publicity.

801:

on a hunt for Bigfoot. The storyline called for Patterson, his Indian guide (Gimlin in a wig), and the cowboys to recall in flashbacks the stories of Fred Beck (of the 1924

369: 5493: 1280:

camera had been rented on May 13 from photographer Harold Mattson at Sheppard's Camera Shop in Yakima, but he had kept it longer than the contract had stipulated, and an

878:, and archaeologist Don Abbott on and after August 28, 1967. This find was reported to Patterson (via his wife) soon thereafter by Al Hodgson, owner of the Willow Creek 1552:

argues that of the many opinions offered about the Patterson film, "nly a few of these opinions are based on technical expertise and careful study of the film itself."

1372:'s financial assistance, sued DeAtley and Patterson's widow, Patricia, claiming he had not received his one-third share of the film's proceeds. He won his case in 1976. 4760:

Mark Chorvinsky (summer 1996), "The Makeup Man and the Monster: John Chambers and the Patterson Bigfoot Suit," under the heading, "Howard Berger: An Earlier Account" (

2383: 1312:(where he concluded that the airman was "mentally unbalanced") and then, after receiving a second untrue letter from the man, going himself to Thailand with Jenson. 6691: 6686: 2352: 661: 1236:

Olson and his crew built still survives. ... Olson ... continued to lobby the company to produce a Bigfoot film. ... In 1974 ... ANE finally agreed. ... titled

3111:

Green (1978), 119–23, writes, quoting Titmus: "Aline was a skeptic and Harry a hard-headed non-believer. Both of them left there believing. ... Harry has hunted

1636:

The skeptical views of Grieve and Napier are summarized favorably by Kenneth Wylie (and those of Bayanov and Donskoy negatively) in Appendix A of his 1980 book,

1484:

that he found, after the filming, that the camera was set on 18 frames per second (fps). ... " It has been suggested that Patterson simply misread "16" as "18".

429: 364: 1949:

However, film critic David Daegling speculates that the same effect could be had by gluing the hair to a set of tight but expandable, waffle-design long johns.

1463:

A ten-foot strip from that reel, or from a copy of that reel, from which still images were taken by Chris Murphy, still exists, but it, too, has gone missing.

2249:

Meldrum has written extensively about Wallace, his allegations (continued by his family after his death), and the significant problems with them in his book,

974:

Gimlin did not have a horse that was suitable (old enough) for the expedition." Heironimus stated that Chico (a middle-aged gelding) "wouldn't jump or buck".

2717:

105, quoting Hodgson in an interview. Later, Hodgson said, he "branched out" into selling, e.g., clothing (and the "variety store" designation was dropped).

1006:

area, he called Al DeAtley (his brother-in-law in Yakima) and told him to expect the film he was shipping. He requested Hodgson to call Donald Abbott, whom

856:

Both Patterson and Gimlin had been rodeo riders and amateur boxers—and local champions in their weight classes. Patterson had played high school football.

2190:

Long speculates that Patterson modified the costume, but only by attaching Morris's loose hands and feet to the costume, and by replacing Morris's mask.

1752:

focuses on the Bigfoot phenomenon. One pair of scientists, Jurgen Konczak (Director, Human Sensorimotor Control Laboratory, University of Minnesota) and

6558: 885:

Though Gimlin says he doubted the existence of Sasquatch-like creatures, he agreed to Patterson's insistence that they should not attempt to shoot one.

4607:

Daegling, 150, n.25, wrote: "Peter Byrne, in an e-mail to the author September 8, 2002, indicates that he personally talked to the Disney people. ... "

1088:'s existence and really expected the scientists to accept it. But only a few scientists were willing to even look at the film," usually at showings at 742:

believed, the event lasted 53 seconds. The date was October 20, 1967, according to the filmmakers, although some critics believe it was shot earlier.

6580: 5954:. The Prologue contains an interview of Bob Gimlin and a transcript of a talk by him at a 2010 Ohio Bigfoot Conference. CreateSpace. pp. 4–24. 4703: 2514: 1357:

Vilma Radford claimed Patterson never repaid a loan made to him for a Bigfoot movie Roger was planning. Radford had corroborative evidence: a $ 700

5184: 4780:

Mark Chorvinsky (summer 1996), "The Makeup Man and the Monster: John Chambers and the Patterson Bigfoot Suit," under the heading, "Back to Baker" (

5660: 1042: 1338:, years later, Patterson and Gimlin both agreed they should have tried to shoot the creature, both for financial gain and to silence naysayers. 5451:

Murphy (2009), 103: it was conducted under the auspices of National Wildlife magazine and described briefly in its October/November 1970 issue.

2413: 4673: 6421: 6380: 6327: 6150: 6131: 6039: 5748: 5673: 5436: 3477: 2029:

near the knowledge or facilities to do so—nor for that matter, did anyone else ... When I talked about some of the more technical details of

4496: 3507: 1530:. Typical objections include: Neither humans nor chimpanzees have hairy breasts as does the figure in the film, and Napier has noted that a 6666: 2180:

Hands and Feet: Suit-Attached vs. Separate. Heironimus described the suit as having hands and feet that were attached to the arms and legs.

2150:

Suit Material: Horsehide vs. Dynel. Heironimus says he was told by his brother Howard that Patterson claimed he manufactured the suit from

1796:" A more moderate version of their opinion was, "if it is , it's a very good one—a job that would take a lot of time and money to produce." 1228:

Patterson subsequently sold overlapping distribution rights for the film to several parties, which resulted in costly legal entanglements.

1225:

Patterson also appeared on broadcast interviews on local stations near where his film would be shown during his four-walling tour in 1968.

645: 379: 5528: 3956:

still owns his copy. Munns, 378, implies the copy in Green's archives now is the one he copied from the original at Canawest in Vancouver.

1304:

reports that " few years after the film was made, Patterson received a letter from a man who assured him a Sasquatch was being held in a

910:

among them, have suggested Patterson's later estimate was about 1 foot (0.30 m) too tall. Gimlin's estimate was 6 feet (1.8 m).

5428:

Long, 210, 356: conducted by Jim McCormick, an examiner who did contract work for the Yakima police department; and a second test on the

5033: 4685: 966:

wonder what other details of this story are wrong." The film's defenders retort that although the time window was tight, it was do-able.

3722: 2103:, the re-creation's sponsor, claiming he had not had adequate time to prepare and that the month was in the middle of his busy season. 6112: 5959: 5867: 5597: 2308: 1652: 1388: 419: 6571: 6676: 6467: 6399: 6375:. Moscow: Crypto-Logos (pp. 140–41 contain a reward-offer for disproving the authenticity of the PGF). pp. 112–41 (Section 5). 6354: 6277: 6236: 6217: 6192: 6173: 6093: 6061: 6017: 5992: 5940: 5893: 5836: 5800: 5774: 5726: 5707: 2206:

was later revealed to have faked his credentials, including his diploma and PhD, causing him to be widely considered to be a fraud.

2122:

Heironimus's name was first publicly revealed, and his allegations first publicly detailed, five years later, in Greg Long's book,

925:

over its right shoulder at the men and Patterson fell to his knees; on Krantz's map this corresponds to frame 264. To researcher

1850:, a 488-page book incorporating material from those articles that analyses the film and film subject from various perspectives. 5503: 5339: 5126: 1127:

Though there was little scientific interest in the film, Patterson was still able to capitalize on it. He made a deal with the

404: 5547: 2879:

Sanderson (1969), 68; Sanderson might have mixed up this with the three-mile (4.8 km) they traveled back to the campsite.

1985:

Patterson and Gimlin both denied that they had perpetrated a hoax, but in a 1999 telephone interview with television producer

1116:. Of those who were quoted, most expressed various reservations, although some were willing to say they were intrigued by it. 3626:

Regal, 129, writes: "For all his personal flaws and dubious behavior, Patterson seems to have genuinely believed in Bigfoot."

2408: 1897: 1453: 2380: 1057:

of ten successive prints of the creature and plotted Patterson's and the creature's movements on a map as well as he could.

5217: 6696: 2096:

Noel Dockster ... noted the suit used in the re-creation ... was in no way similar to what was depicted in the P–G film."

832:

Merritt soon moved back to Yakima and became Patterson's neighbor, and later his collaborator on his Bigfoot documentary.

2349: 1835: 715: 4784: 4764: 1417:, where an accountant was auctioning off the company's assets to pay creditors. The company's films were in storage in 6661: 6656: 4913: 3981:

A copy was made for American National Enterprises (ANE), for use in making its commercialized documentary: Munns, 395.

1491: 1330:

that in retrospect, ... he would have shot the thing and brought out a body instead of a reel of film." According to

1263:, which cancelled their contract with the producer the next year). The show attracted fifty million viewers. In 1975, 317: 197: 6496: 4665:(1) "Surface Anatomy and Subcutaneous Adipose Tissue Features in the Analysis of the Patterson-Gimlin Film Hominid," 2556:(under his publishing company, Pyramid Productions) in a very limited number (approximately 200, according to Murphy) 1395:; between 1964 and 1977 all works in the United States required such a notice or they would enter the public domain. 870:

The most recent of these reports was the nearby Blue Creek Mountain track find, which was investigated by journalist

3727: 3329: 1873: 1629: 1196: 898:

p.m., they "came to an overturned tree with a large root system at a turn in the creek, almost as high as a room".

860: 719: 4968:

Bob Heironimus & Greg Long; Internet Interview on Seth Shostak's "Skeptical Sunday" Radio Show; August 1, 2004

3972:(now deceased) offered his copy for sale for $ 1 million; it is not known if it was sold or what has become of it. 1084:

writes that "Patterson had the film developed as soon as possible. At first he thought he had brought in proof of

962:

brother-in-law Al DeAtley claims not to remember where he took the film for development or where he picked it up.

6701: 5885: 4545: 1855: 1025:

been given by Al Hodgson for this purpose and had left outside were so soggy they were useless, so he left them.

995: 31: 1878: 1414: 1408:

The whereabouts of the original is unknown, although there are several speculations as to what happened to it.

1075: 1053:

and outdoorsman Robert Titmus went to the site with his sister and brother-in-law nine days later. Titmus made

991: 638: 287: 5194: 2566: 1436:

images from it. Sometime between then and 1996, the film went missing from its numbered location in the vault.

6537: 5736: 4846: 3984:

Mrs. Patterson also has a copy in a bank vault, to which she granted access to Munns for his analytical work.

3296: 2614:

Long, 176–77; Al Hodgson remembers that this was his mission on "the first time I met him " on his way south.

1613:

film of a new type of hominid, quite unknown to science, in which case Roger Patterson deserves to rank with

1323: 5829:

Bigfoot Sasquatch Evidence (originally "Big Footprints: A Scientific Inquiry Into the Reality of Sasquatch")

3963: 1804: 1736:

shoes, who he says "made some rather useful observations about some rather unhuman movements he could see".

1260: 1089: 527: 469: 207: 4700: 6671: 6522: 6513: 5189: 5038: 2064: 1789: 1149: 818: 552: 494: 322: 192: 157: 2511: 2019:

Greg Long's response was, "The film they have just isn't going to do it. I'm sorry. That's not evidence."

6411:

Sasquatch/Bigfoot and the Mystery of the Wild Man: Cryptozoology and Mythology in the Pacific Northwest

5115:

Korff, Kal K.; Kocis, Michaela (July–August 2004). "Exposing Roger Patterson's 1967 Bigfoot Film Hoax".

1934: 1668: 1605: 1432:

and Bruce Bonney in 1980, when René convinced the film vault holding it to release it to him". He made

1264: 532: 464: 444: 262: 1443:

Bill Munns listed four other missing reels of derivative works that would be helpful to film analysts.

1319: 845: 836:

Later in 1966 he and Merritt drove down there for several purposes. Patterson visited cowboy film star

6266:

The Skeptic's Dictionary: A Collection of Strange Beliefs, Amusing Deceptions, and Dangerous Delusions

4686:

http://www.isu.edu/rhi/pdf/ANALYSIS%20INTEGRITY%20OF%20THE%20PATTERSON-GIMLIN%20FILM%20IMAGE_final.pdf

3081:

Bob Gimlin's talk at the Lake Chautauqua (NY) conference, April 28, 2013; transcribed by Todd Prescott

6269: 4350:"Conclusions Reached by Dr. Esteban Sarmiento ... (affiliations follow)," in Murphy (2009), pp. 94–99 4243: 2447:

Munns, 29 – he located two additional frames at the beginning that should be part of the "count"

1293: 547: 542: 489: 227: 4695:(3) "Surface anatomy and subcutaneous adipose tissue features in the Patterson-Gimlin film hominid" 3950:

possessed one of the copies up until his death. The film now is in possession of Dahinden's family.

6651: 6562: 6261: 6049: 5877: 4016: 3953: 3606: 3361: 2133:

Russ Bohannon, a longtime friend, says that Heironimus revealed the hoax privately in 1968 or 1969.

2112:

that since he had not been paid for his involvement in the hoax, he could not be held accountable.

2091: 2059: 1925: 1800: 1697: 1481: 1457: 1335: 1214: 926: 871: 864: 707: 696: 631: 597: 439: 100: 6124:

Bigfoot Film Journal: A Detailed Account & Analysis of the Patterson/Gimlin Film Circumstances

4670: 5543:"Some Thoughts About the Patterson Bigfoot Film on its 30th Anniversary," by Mark Chorvinsky, at 5117: 4500: 4022:

A complete copy of the PGF theatrical documentary shown in movie houses by Patterson and DeAtley.

3521: 3517: 3481: 2215: 1906: 1569: 1305: 1003: 999: 822: 798: 794: 307: 257: 5699: 5665: 4906: 1202: 6346: 6319: 6313: 6009: 6003: 5525: 4406: 1155:

The film generated a fair amount of national publicity. Patterson appeared on a few popular TV

6507: 6463: 6417: 6395: 6376: 6350: 6323: 6293: 6273: 6232: 6213: 6209: 6203: 6188: 6169: 6146: 6127: 6108: 6089: 6057: 6035: 6013: 5988: 5955: 5936: 5932: 5926: 5889: 5863: 5832: 5796: 5770: 5744: 5722: 5703: 5669: 5593: 5498: 5130: 5043: 4902: 4473: 3370: 3365: 2224: 1785: 1753: 1701: 1648: 1351: 1256: 1190: 1137: 1113: 1070: 751: 750:

Patterson said he became interested in Bigfoot after reading an article about the creature by

602: 312: 177: 132: 122: 5984: 5974: 1456:

on October 26, 1967, was the first and last major screening." It has subsequently been lost.

1018:

p.m. Here they met with Syl McCoy and Al Hodgson." At this point Patterson called the daily

6438:(The 1955 1st edition's title ended in "Camera," because the turret model was not included.) 6081: 5340:

https://www.pdf-archive.com/2012/01/12/heironimus-vs-heironimus/heironimus-vs-heironimus.pdf

3947: 3904: 3732: 3512: 3112: 2318: 1614: 1504: 1429: 1392: 1383: 1369: 1159:

to promote the film and belief in Bigfoot by showing excerpts from it: for instance, on the

1120: 1105: 1034: 875: 537: 434: 424: 6030:(2007). "Bigfoot's Bogus Burial: The Media and Other Wallace Myths". In Greg Taylor (ed.). 6584: 6566: 6309: 5581: 5551: 5532: 5440: 5218:"Bigfoot Unzipped – Yakima Valley man who says he wore suit passes lie-detector test" 4917: 4788: 4768: 4707: 4692: 4677: 2518: 2387: 2356: 1995: 1891: 1830: 1358: 1030: 828:

In 1966 he visited Merritt again while he was still trying to sell his hoop-toy invention.

756: 479: 282: 217: 152: 46: 2381:

http://bigfootbooksblog.blogspot.com/2015/06/corrections-and-clarifications-to-peter.html

1904:–winning monster-maker John Chambers is most famous for his innovative flexible masks in 187: 5524:

See, for instance, "New $ 10k Bigfoot Photo Investigation 1993," by Mark Chorvinsky, at

1604:

stand up well to functional analysis." Napier gives several reasons for his and others'

1365:" Patterson had agreed to repay her $ 850, plus 5 percent of any profits from the movie. 6339: 5980: 5922: 5903: 5758: 5695: 5688: 5683: 5467: 3975: 2313: 2289: 2055: 1958: 1929: 1921: 1765: 1680: 1589: 1544: 1531: 1327: 1281: 1093: 1046: 1020: 778: 688: 567: 562: 499: 457: 302: 297: 162: 1534:

is "only very occasionally seen, to an insignificant extent, in chimpanzees [

825:

native who was living in Hollywood then. He was trying to sell his hoop-toy invention.

6645: 6431: 6305: 6027: 5824: 4467: 3969: 3959: 2350:

http://bigfootbooksblog.blogspot.com/2013/01/gps-coordinates-for-bluff-creek-pgf.html

2219: 1986: 1940: 1901: 1706: 1577: 1549: 1497: 1477: 1473: 1331: 1301: 1218: 1179: 1171: 1081: 1054: 1033:

their truck slipped; extracting it required the (unauthorized) borrowing of a nearby

1007: 987: 907: 879: 739: 727: 703: 592: 504: 347: 292: 272: 222: 172: 88: 75: 5432:

PAX Cable TV show, May 17, 2005, administered by high-profile examiner Ed Gelb, at

2587:

This is the only stretch in that period that all the men would have had 3 free days.

2529:

Murphy (2009) 51, 120, 146, 170; It is mistakenly spelt "Leard" in a couple of books

1232:

soliciting volunteers to join the hunt, and organizing several small expeditions. A

5970: 5855: 5811: 5766: 5544: 4734: 4539: 4535: 4247: 2030: 1964: 1860: 1808: 1748: 1627:

of Johannesburg, the man who introduced the world to its immediate human ancestor,

1624: 1361:"for expenses in connection with filming of 'Bigfoot: America's Abominable Snowman. 1233: 1184: 1167: 1092:. These were usually arranged at the behest of zoologist, author, and media figure 942: 617: 607: 587: 582: 522: 399: 332: 267: 247: 147: 1692:

Jessica Rose and James Gamble are authors of "the definitive text on human gait",

6538:

Transcript of Bobbie Short's taped interview with John Chambers, October 27, 1997

5589: 5225: 1954: 1593: 1418: 1297: 1175: 1145: 1050: 810: 612: 337: 3978:

is still alive; if he sold or donated his copy, there has been no news of that.

1803:(who owned a first-generation copy of the original Patterson film) interviewed 17: 6591:"Some Reasons for Caution about the Bigfoot Film Exposé," by Michael Dennett, 6590: 5433: 4012: 1733: 1433: 1277: 914: 841: 837: 802: 711: 699:, and has since been subjected to many attempts to authenticate or debunk it. 572: 392: 327: 232: 182: 137: 108: 6619: 6605: 6297: 5134: 821:

in 1964 and visited rockabilly songwriter and guitarist Jerry Lee Merritt, a

4781: 4761: 4497:"What? Bigfoot's a big fake? | Amarillo.com | Amarillo Globe-News" 2202: 2151: 1511:

Bill Munns wrote, "One researcher, Bill Miller, found technical data from a

1210: 1156: 1132: 1101: 1097: 790: 342: 167: 127: 4910: 53:

Frame 352 of the Patterson-Gimlin film, alleged to depict a female Bigfoot.

6315:

Abominable Science: Origins of the Yeti, Nessie, and Other Famous Cryptids

4847:

https://web.archive.org/web/20021208083704/http://www.n2.net/prey/bigfoot/

4710:

Those three papers contain images that are the same as those in his book,

3478:"The Mysterious Monster Mash of the Mid 1970s: Bigfoot hits prime time TV" 1096:, a supporter of Patterson's film. Seven showings occurred, in Vancouver, 5173:, January 2005, at www.bigfootencounters.com/articles/forteantimes05.htm. 2407:

In Toronto for Dahinden's book launch in 1973 (McLeod, 173); at the 1978

1619: 1309: 1161: 577: 484: 409: 212: 202: 6501: 5247:

Wasson, David (February 4, 1999). "Bigfoot believers say film no fake".

4701:

http://www.isu.edu/rhi/pdf/Munns%20&%20Meldrum%20Commentary_2013.pdf

4248:"Some Thoughts About the Patterson Bigfoot Film on its 30th Anniversary" 1002:

to ship his film. Either at that time, or when he arrived in the Eureka/

760:

magazine in December 1959. In 1961 Sanderson published his encyclopedic

1573: 1141: 1112:, and Washington, D.C. again (all by the end of 1968); then, later, in 1109: 1085: 692: 557: 352: 277: 237: 62: 4897:"The Patterson–Gimlin Film: What Makes a 'Hoax' Absolutely Genuine?", 2512:

http://cliffbarackman.com/bigfoot-prints/cast-index/1963-laird-meadow/

6517: 6086:

Sasquatch/Bigfoot: The Search for North America's Incredible Creature

5690:

Bigfoot Exposed: An Anthropologist Examines America's Enduring Legend

3905:"LibGuides: Copyright Services: Copyright Term and the Public Domain" 3028: 3026: 2138: 2115:

A month after watching the December 28, 1998, Fox-television special

1833:

in England, "who had just completed his groundbreaking ape suits for

1343: 1326:, Greg Long, and Bill Munns, "A few days before Roger died, he told 913:

The film shows what Patterson and Gimlin claimed was a large, hairy,

723: 474: 242: 142: 6392:

Bigfoot Casebook Updated: Sightings and Encounters from 1818 to 2004

6284:

Michael Dennett (November–December 2008). "Science and Footprints".

5351:

as well as the feet to the leg cuffs—was well within his skill set."

3467:

Buhs, 157, describes two prior, less ambitious Bigfoot movies by ANE

1764:

on his joints to mimic the Patterson Bigfoot's gait. A second pair,

6229:

Sasquatch Apparitions: A Critique on the Pacific Northwest Hominoid

6143:

Know the Sasquatch/Bigfoot: Sequel and Update to Meet the Sasquatch

6492: 6105:

When Roger Met Patty: 1 Minute of Film ... 47 Years of Controversy

2160: 2038: 2034: 1512: 1166:

in Los Angeles, in 1967, which covered most of the western US; on

1069: 657: 252: 4909:, a university-hosted online magazine edited by Jeff Meldrum, at 2126:, which includes testimony that corroborates Heironimus' claims: 859:

In October 1967, Patterson and his friend Gimlin set out for the

702:

The footage was filmed alongside Bluff Creek, a tributary of the

6450:(Primate Origins Series No. 1), chapter 3, "Patterson's Bigfoot" 6034:. Brisbane, Australia: Daily Grail Publishing. pp. 95–109. 4644: 1757: 1732:

Krantz also showed the film to Gordon Valient, a researcher for

1041:

six photos of the tracks. (Laverty later served as an Assistant

809:

Prior to the October 1967 filming, Patterson apparently visited

414: 4671:

http://www.isu.edu/rhi/pdf/Munns-%20Meldrum%20Final%20draft.pdf

691:

of an unidentified subject that the filmmakers have said was a

6561:(Brief; quotes from Heironimus and counter-quotes by Goodall, 5741:

Anatomy of a Beast: Obsession and Myth on the Trail of Bigfoot

4026: 2686:

Long, 90. (This citation does not cover this entire sentence.)

2309:"DNA tests to help crack mystery of Bigfoot or Yeti existence" 2137:

for requesting his silence: "There was still supposed to be a

1990: 1826: 1761: 1536: 1248: 1128: 4680:(2) "Analysis Integrity of the Patterson-Gimlin Film Image." 2262:

The major hoax allegations are summarized and criticized in:

1213:-based Jack Webster in November 1967, was partly recorded by 5819:. North American Science Institute / PHOTEK. pp. 10–22. 5526:

http://www.bigfootencounters.com/articles/10K-photograph.htm

5169:

Daniel Perez, "The Patterson–Gimlin Film: A Discussion," in

4955:

Daniel Perez, "The Patterson–Gimlin Film: A Discussion," in

4109: 4107: 2085:

evidenced in the film and could have been produced in 1967.

1799:

Disney executive Ken Peterson. Krantz reports that in 1969,

45: 6479:

Big Footage: A History of Claims for the Sasquatch on Film

5147:"Bigfoot Hoax Goes in Halls of Hooey," by Leah Beth Ward, 1932:(noted for his work in the late-1960s television programs 806:

Bigfoot, if the time came to shoot such climactic scenes.

797:

about cowboys being led by an old miner and a wise Indian

722:. The film site is roughly 38 miles (60 km) south of 6559:"Sasquatch Speaks: The Truth Is Out There" by Richard Lei 5110: 5108: 5106: 2715:

Notes from the Field: Tracking North America's Sasquatch,

986:

p.m., Patterson and Gimlin met up with Al Hodgson at his

4405:

Daegling, David J.; Schmitt, Daniel O. (May–June 1999).

2411:

Museum of Anthropology (McLeod, 140) Conference; and on

1428:

Bill Munns writes that it was "last seen by researchers

1421:, but a search failed to turn up the Patterson footage." 706:, about 25 logging-road miles (40 km) northwest of 6577:

at countdownlibrary.com (begins 80% of the way through)

5850:. Calgary: Western Publishers. pp. 174–85, 218–35. 5494:"Lovable trickster created a monster with Bigfoot hoax" 2045:

clever enough to put something that detailed together."

30:"Roger Patterson" redirects here. For the bassist, see 4741:. Season 3. Episode 19. July 8, 2009. History Channel. 2906:

For instance, see "How Not to Plan a Hoaxed Filming,"

1440:

At least seven copies were made of the original film.

945:, one each of the best-quality right and left prints. 6682:

Mass media-related controversies in the United States

3695: 3693: 3691: 3689: 2985:

McLeod, 79, quoting Hodgson in an interview with him

2054:

In 2002, Philip Morris, owner of Morris Costumes (a

1876:. Famed Hollywood creator of Harry (from the movie, 5763:

Bigfoot: The Sasquatch and Yeti in Myth and Reality

5743:. University of California Press. pp. 79–141. 5419:

radio interview with Rob McConnell, August 23, 2007

1696:. They operate the Motion and Gait Analysis Lab at 1598:

Bigfoot: The Sasquatch and Yeti in Myth and Reality

998:to Willow Creek. Patterson intended to drive on to 937:entire encounter had lasted less than two minutes. 840:for help. He tried to sell his ponies-and-wagon to 84: 68: 58: 6518:"Skeptoid #375: The Patterson-Gimlin Bigfoot Film" 6338: 5687: 3707: 3705: 2117:World's Greatest Hoaxes: Secrets Finally Revealed? 1679:Daegling notes that in 1967, movie and television 6168:. Illustrated by Roger Patterson. Hancock House. 4799: 4797: 4443: 4441: 3454: 3452: 2099:Morris would not consent to release the video to 5545:http://www.strangemag.com/pattersonfilm30th.html 4238: 4236: 1651:is a specialist in physical anthropology at the 786:with 81 pages of additional material by Murphy. 6166:Do Abominable Snowmen of America Really Exist?) 5846:Vladimir Markotic; Grover Krantz, eds. (1984). 3679: 3677: 1924:. After viewing the Patterson–Gimlin film with 766: 5928:The Search for Big Foot: Monster, Myth or Man? 4520: 4518: 4288: 4286: 1667:When anthropologists David J. Daegling of the 902:state of shock after first seeing the figure. 775:Do Abominable Snowmen of America Really Exist? 6572:Interview of Bob Heironimus, March 22, 2004, 6341:Bigfoot: A Personal Inquiry into a Phenomenon 6292:(6). Committee for Skeptical Inquiry: 47–51. 5882:Where Bigfoot Walks: Crossing the Dark Divide 5848:The Sasquatch and Other Unknown Hominids (OP) 5813:Toward a Resolution of the Bigfoot Phenomenon 5308: 5306: 5287: 5285: 5096: 5094: 5084: 5082: 5072: 5070: 4491: 4489: 4487: 4485: 4483: 4339:Bigfoot: A Personal Inquiry into a Phenomenon 4154: 4152: 4150: 3763: 3761: 3759: 2761: 2759: 2159:But Morris reports that the suit was made of 1638:Bigfoot: A Personal Inquiry into a Phenomenon 639: 8: 6160:Roger Patterson & Chris Murphy (2005) . 2839: 2837: 2818: 2816: 2434: 2432: 39: 5434:https://www.youtube.com/watch?v=yoU_flRFCbc 2271:Bigfoot!: The True Story of Apes in America 789:In May/June 1967 Patterson began filming a 6088:. Firefly Books. pp. 114–25, 172–78. 6005:Bigfoot! The True Story of Apes in America 5831:. Hancock House. pp. 87–124, 300–14. 5185:"A look at Bigfoot film: What do you see?" 4544:. Season 1. Episode 5. November 28, 2007. 646: 632: 95: 6581:"Response to Critics," by Greg Long, 2005 4782:http://www.strangemag.com/chambers17.html 4762:http://www.strangemag.com/chambers17.html 3137:, pp. 225–26, and in Coleman and Clark's 2075:As for the creature's walk, Morris said: 1999:, Gimlin said that for some time, "I was 6416:. Hancock House. pp. 53–61, 66–73. 5664:. University of Chicago Press. pp. 4911:http://www.isu.edu/rhi/pdf/Keith_rev.pdf 3893:Long, 327; for fuller detail, see 318–29 1259:and Bigfoot. (It was co-produced by the 762:Abominable Snowmen: Legend Come to Life, 6540:(Original print copy of the interview: 5719:The Making of Bigfoot: The Inside Story 5661:Bigfoot: The Life and Times of a Legend 3653:Hunter & Dahinden, 152, 154–55, 158 2641:Long, 99; see also Long, 100–33 and 312 2348:"BIGFOOT'S bLOG," January 21, 2013, at 2300: 1663:David J. Daegling and Daniel O. Schmitt 1131:, allowing the use of his footage in a 107: 6692:Culture of Humboldt County, California 6687:History of Humboldt County, California 6318:. Columbia University Press. pp. 6071:Robert & Frances Guenette (1975). 3502: 3500: 2141:on this thing, and he didn't have it." 1778:Movie production companies' executives 1769:inconclusive, until a body is found." 1174:offering his analysis of the film; on 1011:a hoax, at least on Patterson's part. 958:objectionable features and behaviors. 726:and 18 miles (30 km) east of the 38: 6394:. Pine Winds Press. pp. 90–102. 3133:Titmus is profiled in Chris Murphy's 1928:, costume designer and ape-suit mime 1882:), Rick Baker, told Geraldo Rivera's 1209:One radio interview, with Gimlin, by 430:Prizes for evidence of the paranormal 7: 6373:Bigfoot Research: The Russian Vision 5793:America's Bigfoot: Fact, Not Fiction 3999:, Appendix 2, pp. 31–32, 387–99 3520:. September 26, 2008. Archived from 6448:The Yeti, Bigfoot, and True Giants 6390:Janet and Colin Bord, ed. (2006) . 5952:Sasquatch: The Search for a New Man 5183:Sandsberry, Scott (July 10, 2012). 4714:, but they are larger and in color. 3721:Darling, Dylan (October 20, 2007). 3508:"Greg Long – The Making of Bigfoot" 2414:Arthur C. Clarke's Mysterious World 1188:. Articles on the film appeared in 6595:Volume 29.1, January/February 2005 6565:, and a lawyer, March 7, 2004) at 6231:. self-published. pp. 65–85. 6145:. Hancock House. pp. 42–103. 6056:. Hancock House. pp. 113–31. 6008:. Paraview Pocket Books. pp. 5216:Wasson, David (January 30, 1999). 4647:. TheMunnsReport.com. May 15, 2009 4029:documentary that included the PGF. 3812:Long, 105, 116, 120, 125, 127, 132 2266:Two of Christopher Murphy's books. 1916:been made out of real animal fur." 1653:American Museum of Natural History 1413:bankrupt in 1996, Byrne rushed to 1389:public domain in the United States 695:. The footage was shot in 1967 in 420:James Randi Educational Foundation 25: 6462:. Hancock House. pp. 40–89. 6453:. Self-published. pp. 33–50. 5387:Daegling, 143, paraphrasing Green 1460:suspects that Al DeAtley has it. 6481:. Self-published. pp. 5–19. 6164:(contains Patterson's 1966 book, 6075:. Sun Classics. pp. 113–25. 5910:. Pyramid Books. pp. 65–79. 5862:. Forge Books. pp. 137–78. 4888:, which aired from 1994 to 1997. 3617:Long, 269–70, quoting Al DeAtley 2218:in 2002, following a request by 2062:. His story was also printed in 1846:. In 2014, Munns self-published 1391:, as it was published without a 1144:. A technique commonly used for 6583:at northwestmysteries.com (via 6441:. Eastman Kodak. pp. 1–28. 5860:Sasquatch: Legend Meets Science 5586:Sasquatch: Legend Meets Science 5492:Young, Bob (December 5, 2002). 5127:Committee for Skeptical Inquiry 5032:Jameson, Tonya (May 11, 2004). 3723:"Big day for Bigfoot believers" 3115:all of his life. ... " (p. 123) 2251:Sasquatch: Legend Meets Science 2037:, but how that related to foot 1839:", would have been preferable. 1480:wrote, "Patterson clearly told 1399:Ownership of the physical films 1029:Onion Mountain Road, off whose 405:Committee for Skeptical Inquiry 6574:Countdown with Keith Olbermann 5739:(2009). "Part II, Obsession". 4015:master Canawest Labs made for 3480:. July 6, 2019. Archived from 3360:January 1969; (reprinted from 2409:University of British Columbia 1756:, attempts and fails to get a 1728:Nike researcher Gordon Valient 1454:University of British Columbia 1276:Patterson's expensive ($ 369) 1: 6544:, January 1998. Reprinted in 6162:The Bigfoot Film Controversy 4986:Patterson & Murphy, 73–74 3168:Hunter & Dahinden, 117–25 2578:Long, 39, 109–10, 115, 228–29 1890:Ellis Burman. The Guenettes ( 1868:Other special effects artists 1829:, and special effects artist 1688:Jessica Rose and James Gamble 1576:and the so-called "father of 784:The Bigfoot Film Controversy, 359:Reportedly haunted locations: 6054:Sasquatch: The Apes Among Us 5931:. Acropolis Books. pp. 5769:. pp. 89–96, 126, 203. 4836:newsletter, November 1, 1998 4699:2:125–30 (2013), online at: 3102:newsletter, Sept. 2006, p. 1 1714:Cliff Crook and Chris Murphy 6667:American silent short films 6458:Christopher Murphy (2004). 6409:Jean-Paul Debenet (2009) . 6122:Christopher Murphy (2008). 5531:September 23, 2015, at the 4684:2:41–80 (2013), online at 4669:2:1–21 (2013), online at: 4456:publisher's blurb on Amazon 4176:Murphy (2008), 59–66, 72–82 2774:Patterson & Murphy, 195 2233:Mark Chorvinsky, editor of 1119:Christopher Murphy wrote, " 198:Electronic voice phenomenon 6718: 5034:"Bigfoot just a big hoax?" 4280:Napier, 205 – 2nd printing 3966:when he died".: Munns, 394 3909:guides.library.cornell.edu 3728:Redding Record Searchlight 3330:National Wildlife magazine 2744:Gimlin, quoted in Perez, 9 1746:A first-season episode of 1630:Australopithecus africanus 1592:(one-time director of the 1368:In 1974, Bob Gimlin, with 1296:, in the aftermath of the 1255:, a documentary about the 1197:National Wildlife Magazine 1178:'s talk show, and also on 861:Six Rivers National Forest 720:Six Rivers National Forest 29: 6597:at csicop.org (paywalled) 6436:Cine-Kodak K-100 Cameras 6413:(translation from French) 5151:, October 7, 2004, p. 1-A 4787:October 31, 2022, at the 4691:February 8, 2016, at the 2783:Patterson and Murphy, 195 2465:Long, 373–74, 401, 420–21 2198:actual hands were . ... " 1777: 1588:Prominent primate expert 1253:Monsters! Mystery or Myth 1043:Secretary of the Interior 996:California State Route 96 44: 32:Roger Patterson (bassist) 6677:Films shot in California 6497:The Skeptic's Dictionary 5795:. Moscow: Crypto-Logos. 5658:Joshua Blu Buhs (2009). 5640:Daegling, 116–18, 140–41 4676:August 24, 2016, at the 4580:Magazine, April–May 1968 4567:Hunter and Dahinden, 119 4074:Murphy (2008), 46–47, 91 2605:Patterson and Murphy, 15 2547:Hunter and Dahinden, 113 1879:Harry and the Hendersons 1415:Deerfield Beach, Florida 1090:scientific organizations 1076:Willow Creek, California 1074:The "Bigfoot Museum" in 470:Apparitional experiences 6371:Dmitri Bayanov (2007). 6227:Barbara Wasson (1979). 6208:. Dodd, Mead. pp. 6205:On the Track of Bigfoot 6141:—— (2009). 6073:The Mysterious Monsters 6002:—— (2003). 5916:Other by non-scientists 5791:Dmitri Bayanov (1997). 5439:April 21, 2020, at the 4899:Relict Hominoid Inquiry 4697:Relict Hominoid Inquiry 4682:Relict Hominoid Inquiry 4667:Relict Hominoid Inquiry 4407:"Bigfoot's screen test" 3964:Smithsonian Institution 3830:Long, 198–202, 205, 215 2370:newsletter, August 2012 1980:Patterson and/or Gimlin 1844:Relict Hominoid Inquiry 1773:Film industry personnel 1620:Pithecanthropus erectus 1508:eliminated 24 frame/s." 1261:Smithsonian Institution 687:) is an American short 528:Argument from ignorance 495:Out-of-body experiences 208:Extrasensory perception 27:Alleged film of Bigfoot 6620:41.44028°N 123.70194°W 6446:Mark A. Hall (2005) . 6337:Kenneth Wylie (1980). 6185:Bigfoot at Bluff Creek 6183:Daniel Perez (2003) . 6103:William Munns (2014). 5950:Thom Cantrall (2013). 5810:Jeff Glickman (1999). 5550:April 9, 2004, at the 5249:Yakima Herald-Republic 5222:Yakima Herald-Republic 5190:Yakima Herald-Republic 5039:The Charlotte Observer 4916:July 23, 2015, at the 4845:Transcript, 10/27/97: 4812:Coleman (2003), 99–100 4767:July 14, 2015, at the 4706:March 4, 2016, at the 4034:Bigfoot: Man or Beast? 3249:Long, 111, 248, 261–62 2888:Coleman and Clark, 198 2668:Long, 110–11, 114, 130 2517:June 21, 2015, at the 2386:July 14, 2015, at the 2355:July 14, 2015, at the 2082: 2065:The Charlotte Observer 2041:was quite beyond him." 1322:in 1972. According to 1247:On November 25, 1974, 1078: 771: 672: 553:Communal reinforcement 50: 6631:Patterson–Gimlin film 6503:Patterson–Gimlin film 6349:–14, 175–87, 237–42. 6270:John Wiley & Sons 6202:Marian Place (1974). 5622:Murphy (2009), 100–03 5613:Murphy (2005), 240–52 5369:Murphy (2005), 242–43 5228:on September 24, 2015 3962:'s copy "went to the 3937:Munns, 306; also, 3–4 3857:Long, 299–313, 317–18 2379:"BIGFOOT'S bLOG," at 2124:The Making of Bigfoot 2077: 1836:2001: A Space Odyssey 1669:University of Florida 1265:Sunn Classic Pictures 1242:Sasquatch Apparitions 1238:Bigfoot: Man or Beast 1073: 982:At approximately 6:30 677:Patterson–Gimlin film 670: 533:Argumentum ad populum 465:Anomalous experiences 445:Scientific skepticism 263:Paranormal television 49: 40:Patterson–Gimlin film 6697:1960s American films 6625:41.44028; -123.70194 6493:The entry on Bigfoot 5976:Cryptozoology A to Z 5721:. Prometheus Books. 5468:"Polygraph Operator" 5396:Murphy (2009), 90–91 4937:Long, 219–20, 389–94 4712:When Roger Met Patty 4645:"TheMunnsReport.com" 4395:Murphy (2009), 98–99 4328:Wasson, 72–76, 78–79 3997:When Roger Met Patty 3213:Murphy (2008), 80–81 3186:Murphy (2009), 53–54 3139:Cryptozoology A to Z 3034:Bigfoot Film Journal 3009:Bigfoot Film Journal 2996:Bigfoot Film Journal 2801:Sanderson (1969), 66 2538:Marian Place, 135–36 2258:Books on the subject 1848:When Roger Met Patty 1617:, the discoverer of 1528:Bigfoot Film Journal 1300:tracks found there. 1294:Bossburg, Washington 1292:of those present in 813:on these occasions: 548:Cognitive dissonance 543:Begging the question 490:Ideomotor phenomenon 6615: / 6548:, November 1, 1998) 6516:(August 13, 2013). 6477:Mike Quast (2001). 6345:. Viking. pp. 6262:Robert Todd Carroll 5888:. pp. 207–11. 5878:Robert Michael Pyle 5785:Other by scientists 4901:, 1:93–114 (2012), 4503:on October 17, 2017 4185:Cited in Wasson, 74 3662:Coleman (2003), 125 3605:Long, 182, quoting 3231:Perez (1992), 15–16 3177:Perez (1992), 15–19 2456:Krantz, 89, caption 2398:McLeod, 128–29, 140 2214:After the death of 2101:National Geographic 2092:National Geographic 1698:Stanford University 1061:Long-term aftermath 978:Immediate aftermath 865:Northern California 817:Patterson drove to 697:Northern California 679:(also known as the 598:Scientific evidence 440:Scientific literacy 41: 6662:Amateur filmmaking 6657:1967 in California 6593:Skeptical Inquirer 6567:washingtonpost.com 6553:Heironimus-related 6460:Meet the Sasquatch 6286:Skeptical Inquirer 6107:. self-published. 5717:Greg Long (2004). 5118:Skeptical Inquirer 4576:Dick Kirkpatrick, 4411:Skeptical Inquirer 3518:Center for Inquiry 3135:Know the Sasquatch 2943:Anatomy of a Beast 1907:Planet of the Apes 1884:Now It Can Be Told 1609:logic at length.) 1570:Bernard Heuvelmans 1565:Bernard Heuvelmans 1560:Scientific studies 1543:As anthropologist 1320:Hodgkin's lymphoma 1318:Patterson died of 1306:Buddhist monastery 1079: 846:Knott's Berry Farm 795:pseudo-documentary 773:Patterson's book, 673: 308:Spirit photography 258:Paranormal fiction 178:Demonic possession 51: 6423:978-0-88839-685-3 6382:978-5-900229-36-2 6329:978-0-231-15320-1 6280:. pp. 55–57. 6187:. Bigfoot Times. 6152:978-0-88839-689-1 6133:978-0-88839-658-7 6126:. Hancock House. 6080:Don Hunter, with 6041:978-0-9757200-1-1 6032:Darklore Volume 1 5750:978-0-520-25571-5 5675:978-0-226-07979-0 5499:The Seattle Times 5472:AntiPolygraph.org 5378:Murphy (2008), 93 5197:on April 28, 2015 4946:Long, 220–21, 223 4834:The Track Record 4822:NASI newsletter, 4735:Critical Evidence 4578:National Wildlife 4558:Murphy (2008), 73 4474:Discovery Channel 4386:Murphy (2009), 97 4377:Murphy (2009), 96 4368:Murphy (2009), 95 4359:Murphy (2009), 94 4092:Green (1978), 126 4056:Murphy (2008), 46 4047:Murphy (2008), 36 4036:documentary film. 3928:Murphy (2008), 91 3848:Long, 308, 315–17 3699:Green (1978), 129 3410:Murphy (2008), 56 3401:Long, 308, 325–26 3371:Los Angeles Times 3366:Sunday supplement 3124:Murphy (2008), 33 3063:Murphy (2008), 35 3045:Murphy (2008), 40 2967:Murphy (2008), 39 2650:Long, 73, 91, 230 2426:Murphy (2008), 57 2339:Murphy (2008), 32 2276:David Daegling's 2225:The Seattle Times 1786:Universal Studios 1754:Esteban Sarmiento 1702:Discovery Channel 1649:Esteban Sarmiento 1644:Esteban Sarmiento 1352:collection agency 1272:Filmmaker-related 1257:Loch Ness Monster 1217:and reprinted in 1170:'s program, with 1138:Pacific Northwest 1114:Beaverton, Oregon 874:, Bigfoot hunter 752:Ivan T. Sanderson 668: 656: 655: 603:Scientific method 313:Spirit possession 123:Astral projection 94: 93: 16:(Redirected from 6709: 6702:1967 short films 6639: 6638: 6636: 6635: 6634: 6632: 6627: 6626: 6621: 6616: 6613: 6612: 6611: 6608: 6546:The Track Record 6527: 6482: 6473: 6454: 6442: 6427: 6405: 6386: 6360: 6344: 6333: 6301: 6242: 6223: 6198: 6179: 6156: 6137: 6118: 6099: 6076: 6067: 6045: 6023: 5998: 5965: 5946: 5911: 5899: 5886:Houghton Mifflin 5873: 5851: 5842: 5820: 5818: 5806: 5780: 5754: 5732: 5713: 5693: 5679: 5641: 5638: 5632: 5629: 5623: 5620: 5614: 5611: 5605: 5603: 5578: 5572: 5569: 5563: 5562:Daegling, 117–18 5560: 5554: 5541: 5535: 5522: 5516: 5515: 5513: 5511: 5506:on July 11, 2015 5502:. Archived from 5489: 5483: 5482: 5480: 5478: 5464: 5458: 5452: 5449: 5443: 5426: 5420: 5413: 5407: 5403: 5397: 5394: 5388: 5385: 5379: 5376: 5370: 5367: 5361: 5358: 5352: 5348: 5342: 5337: 5331: 5328: 5322: 5319: 5313: 5310: 5301: 5298: 5292: 5289: 5280: 5277: 5271: 5268: 5262: 5259: 5253: 5252: 5244: 5238: 5237: 5235: 5233: 5224:. Archived from 5213: 5207: 5206: 5204: 5202: 5193:. Archived from 5180: 5174: 5167: 5161: 5158: 5152: 5145: 5139: 5138: 5112: 5101: 5098: 5089: 5086: 5077: 5074: 5065: 5062: 5056: 5055: 5053: 5051: 5042:. Archived from 5029: 5023: 5020: 5014: 5011: 5005: 5002: 4996: 4995:Daegling, 143–49 4993: 4987: 4984: 4978: 4975: 4969: 4966: 4960: 4953: 4947: 4944: 4938: 4935: 4929: 4926: 4920: 4895: 4889: 4882: 4876: 4873: 4867: 4866:Daegling, 146–47 4864: 4858: 4855: 4849: 4843: 4837: 4831: 4825: 4819: 4813: 4810: 4804: 4801: 4792: 4778: 4772: 4758: 4752: 4749: 4743: 4742: 4730: 4724: 4721: 4715: 4663: 4657: 4656: 4654: 4652: 4641: 4635: 4632: 4626: 4623: 4617: 4614: 4608: 4605: 4599: 4598:Daegling, 112–13 4596: 4590: 4587: 4581: 4574: 4568: 4565: 4559: 4556: 4550: 4549: 4531: 4525: 4522: 4513: 4512: 4510: 4508: 4499:. Archived from 4493: 4478: 4477: 4463: 4457: 4454: 4448: 4445: 4436: 4433: 4427: 4426: 4424: 4422: 4402: 4396: 4393: 4387: 4384: 4378: 4375: 4369: 4366: 4360: 4357: 4351: 4348: 4342: 4335: 4329: 4326: 4320: 4317: 4311: 4308: 4302: 4299: 4293: 4290: 4281: 4278: 4272: 4269: 4263: 4262: 4260: 4258: 4252:Strange Magazine 4246:(October 1997). 4244:Chorvinsky, Mark 4240: 4231: 4230:Sanderson, 78–79 4228: 4222: 4219: 4213: 4210: 4204: 4201: 4195: 4192: 4186: 4183: 4177: 4174: 4168: 4165: 4159: 4156: 4145: 4142: 4136: 4134: 4129: 4123: 4120: 4114: 4111: 4102: 4101:Daegling, 109–11 4099: 4093: 4090: 4084: 4081: 4075: 4072: 4066: 4063: 4057: 4054: 4048: 4045: 4039: 4006: 4000: 3993: 3987: 3944: 3938: 3935: 3929: 3926: 3920: 3919: 3917: 3915: 3903:Kopel, Matthew. 3900: 3894: 3891: 3885: 3882: 3876: 3873: 3867: 3864: 3858: 3855: 3849: 3846: 3840: 3837: 3831: 3828: 3822: 3819: 3813: 3810: 3804: 3801: 3795: 3792: 3786: 3783: 3777: 3774: 3768: 3765: 3754: 3751: 3745: 3744: 3742: 3740: 3731:. Archived from 3718: 3712: 3709: 3700: 3697: 3684: 3681: 3672: 3669: 3663: 3660: 3654: 3651: 3645: 3642: 3636: 3633: 3627: 3624: 3618: 3615: 3609: 3603: 3597: 3594: 3588: 3585: 3579: 3576: 3570: 3567: 3561: 3558: 3552: 3549: 3543: 3540: 3534: 3533: 3531: 3529: 3524:on April 2, 2015 3513:Point of Inquiry 3504: 3495: 3492: 3486: 3485: 3484:on July 6, 2019. 3474: 3468: 3465: 3459: 3456: 3447: 3444: 3438: 3435: 3429: 3426: 3420: 3417: 3411: 3408: 3402: 3399: 3393: 3390: 3384: 3381: 3375: 3358: 3352: 3349: 3343: 3340: 3334: 3333:, April–May 1968 3325: 3319: 3316: 3310: 3307: 3301: 3292: 3286: 3283: 3277: 3274: 3268: 3265: 3259: 3256: 3250: 3247: 3241: 3238: 3232: 3229: 3223: 3220: 3214: 3211: 3205: 3204:Daegling, 107–08 3202: 3196: 3193: 3187: 3184: 3178: 3175: 3169: 3166: 3160: 3157: 3151: 3148: 3142: 3131: 3125: 3122: 3116: 3109: 3103: 3097: 3091: 3088: 3082: 3079: 3073: 3070: 3064: 3061: 3055: 3052: 3046: 3043: 3037: 3030: 3021: 3018: 3012: 3005: 2999: 2992: 2986: 2983: 2977: 2974: 2968: 2965: 2959: 2952: 2946: 2939: 2933: 2926: 2920: 2917: 2911: 2904: 2898: 2895: 2889: 2886: 2880: 2877: 2871: 2868: 2862: 2859: 2853: 2850: 2844: 2841: 2832: 2829: 2823: 2820: 2811: 2808: 2802: 2799: 2793: 2790: 2784: 2781: 2775: 2772: 2766: 2763: 2754: 2751: 2745: 2742: 2736: 2733: 2727: 2724: 2718: 2711: 2705: 2702: 2696: 2693: 2687: 2684: 2678: 2675: 2669: 2666: 2660: 2657: 2651: 2648: 2642: 2639: 2633: 2630: 2624: 2621: 2615: 2612: 2606: 2603: 2597: 2594: 2588: 2585: 2579: 2576: 2570: 2563: 2557: 2554: 2548: 2545: 2539: 2536: 2530: 2527: 2521: 2508: 2502: 2499: 2493: 2490: 2484: 2481: 2475: 2474:Daegling, 147–49 2472: 2466: 2463: 2457: 2454: 2448: 2445: 2439: 2436: 2427: 2424: 2418: 2405: 2399: 2396: 2390: 2377: 2371: 2365: 2359: 2346: 2340: 2337: 2331: 2330: 2328: 2326: 2319:Associated Press 2305: 2278:Bigfoot Exposed. 2269:Loren Coleman's 2241: 1975:Hoax allegations 1814: 1795: 1658: 1393:copyright notice 1364: 1106:Washington, D.C. 1035:front-end loader 1017: 985: 973: 897: 716:Del Norte County 669: 648: 641: 634: 538:Bandwagon effect 435:Pseudoskepticism 425:Magical thinking 96: 42: 21: 6717: 6716: 6712: 6711: 6710: 6708: 6707: 6706: 6642: 6641: 6630: 6628: 6624: 6622: 6618: 6617: 6614: 6609: 6606: 6604: 6602: 6601: 6585:Wayback Machine 6555: 6542:NASI Newsletter 6534: 6512: 6489: 6476: 6470: 6457: 6445: 6430: 6424: 6408: 6402: 6389: 6383: 6370: 6367: 6357: 6336: 6330: 6310:Donald Prothero 6304: 6283: 6258: 6253: 6251:Further reading 6239: 6226: 6220: 6201: 6195: 6182: 6176: 6159: 6153: 6140: 6134: 6121: 6115: 6102: 6096: 6079: 6070: 6064: 6048: 6042: 6026: 6020: 6001: 5995: 5969:Loren Coleman; 5968: 5962: 5949: 5943: 5921: 5918: 5902: 5896: 5876: 5870: 5854: 5845: 5839: 5823: 5816: 5809: 5803: 5790: 5787: 5777: 5757: 5751: 5735: 5729: 5716: 5710: 5682: 5676: 5657: 5654: 5649: 5644: 5639: 5635: 5631:Coleman, 97–110 5630: 5626: 5621: 5617: 5612: 5608: 5600: 5580: 5579: 5575: 5570: 5566: 5561: 5557: 5552:Wayback Machine 5542: 5538: 5533:Wayback Machine 5523: 5519: 5509: 5507: 5491: 5490: 5486: 5476: 5474: 5466: 5465: 5461: 5455: 5450: 5446: 5441:Wayback Machine 5427: 5423: 5414: 5410: 5404: 5400: 5395: 5391: 5386: 5382: 5377: 5373: 5368: 5364: 5359: 5355: 5349: 5345: 5338: 5334: 5329: 5325: 5320: 5316: 5311: 5304: 5299: 5295: 5290: 5283: 5278: 5274: 5269: 5265: 5260: 5256: 5246: 5245: 5241: 5231: 5229: 5215: 5214: 5210: 5200: 5198: 5182: 5181: 5177: 5168: 5164: 5159: 5155: 5146: 5142: 5114: 5113: 5104: 5099: 5092: 5087: 5080: 5075: 5068: 5063: 5059: 5049: 5047: 5046:on May 26, 2004 5031: 5030: 5026: 5021: 5017: 5012: 5008: 5003: 4999: 4994: 4990: 4985: 4981: 4976: 4972: 4967: 4963: 4959:, January 2005. 4954: 4950: 4945: 4941: 4936: 4932: 4927: 4923: 4918:Wayback Machine 4896: 4892: 4883: 4879: 4874: 4870: 4865: 4861: 4857:Meldrum, 157–58 4856: 4852: 4844: 4840: 4832: 4828: 4820: 4816: 4811: 4807: 4802: 4795: 4789:Wayback Machine 4779: 4775: 4769:Wayback Machine 4759: 4755: 4751:Perez(1992), 21 4750: 4746: 4732: 4731: 4727: 4722: 4718: 4708:Wayback Machine 4693:Wayback Machine 4678:Wayback Machine 4664: 4660: 4650: 4648: 4643: 4642: 4638: 4633: 4629: 4624: 4620: 4615: 4611: 4606: 4602: 4597: 4593: 4589:Munns, 371, 378 4588: 4584: 4575: 4571: 4566: 4562: 4557: 4553: 4546:History Channel 4533: 4532: 4528: 4523: 4516: 4506: 4504: 4495: 4494: 4481: 4465: 4464: 4460: 4455: 4451: 4446: 4439: 4434: 4430: 4420: 4418: 4404: 4403: 4399: 4394: 4390: 4385: 4381: 4376: 4372: 4367: 4363: 4358: 4354: 4349: 4345: 4336: 4332: 4327: 4323: 4318: 4314: 4309: 4305: 4300: 4296: 4291: 4284: 4279: 4275: 4270: 4266: 4256: 4254: 4242: 4241: 4234: 4229: 4225: 4220: 4216: 4211: 4207: 4202: 4198: 4193: 4189: 4184: 4180: 4175: 4171: 4166: 4162: 4157: 4148: 4143: 4139: 4132: 4130: 4126: 4121: 4117: 4112: 4105: 4100: 4096: 4091: 4087: 4082: 4078: 4073: 4069: 4064: 4060: 4055: 4051: 4046: 4042: 4008:Munns, 306–10: 4007: 4003: 3994: 3990: 3945: 3941: 3936: 3932: 3927: 3923: 3913: 3911: 3902: 3901: 3897: 3892: 3888: 3883: 3879: 3874: 3870: 3865: 3861: 3856: 3852: 3847: 3843: 3838: 3834: 3829: 3825: 3820: 3816: 3811: 3807: 3802: 3798: 3793: 3789: 3784: 3780: 3775: 3771: 3766: 3757: 3752: 3748: 3738: 3736: 3735:on May 21, 2015 3720: 3719: 3715: 3710: 3703: 3698: 3687: 3682: 3675: 3670: 3666: 3661: 3657: 3652: 3648: 3643: 3639: 3634: 3630: 3625: 3621: 3616: 3612: 3604: 3600: 3595: 3591: 3586: 3582: 3577: 3573: 3568: 3564: 3559: 3555: 3550: 3546: 3541: 3537: 3527: 3525: 3506: 3505: 3498: 3493: 3489: 3476: 3475: 3471: 3466: 3462: 3457: 3450: 3445: 3441: 3436: 3432: 3427: 3423: 3418: 3414: 3409: 3405: 3400: 3396: 3391: 3387: 3382: 3378: 3359: 3355: 3351:August 15, 1968 3350: 3346: 3341: 3337: 3327:M. Place, 139; 3326: 3322: 3317: 3313: 3308: 3304: 3293: 3289: 3284: 3280: 3275: 3271: 3266: 3262: 3257: 3253: 3248: 3244: 3239: 3235: 3230: 3226: 3221: 3217: 3212: 3208: 3203: 3199: 3194: 3190: 3185: 3181: 3176: 3172: 3167: 3163: 3158: 3154: 3149: 3145: 3132: 3128: 3123: 3119: 3110: 3106: 3098: 3094: 3089: 3085: 3080: 3076: 3071: 3067: 3062: 3058: 3053: 3049: 3044: 3040: 3031: 3024: 3019: 3015: 3006: 3002: 2993: 2989: 2984: 2980: 2975: 2971: 2966: 2962: 2953: 2949: 2940: 2936: 2930:Bigfoot Exposed 2927: 2923: 2918: 2914: 2905: 2901: 2896: 2892: 2887: 2883: 2878: 2874: 2869: 2865: 2860: 2856: 2851: 2847: 2842: 2835: 2830: 2826: 2821: 2814: 2809: 2805: 2800: 2796: 2791: 2787: 2782: 2778: 2773: 2769: 2764: 2757: 2752: 2748: 2743: 2739: 2734: 2730: 2725: 2721: 2712: 2708: 2703: 2699: 2694: 2690: 2685: 2681: 2676: 2672: 2667: 2663: 2658: 2654: 2649: 2645: 2640: 2636: 2631: 2627: 2622: 2618: 2613: 2609: 2604: 2600: 2595: 2591: 2586: 2582: 2577: 2573: 2564: 2560: 2555: 2551: 2546: 2542: 2537: 2533: 2528: 2524: 2519:Wayback Machine 2509: 2505: 2500: 2496: 2491: 2487: 2482: 2478: 2473: 2469: 2464: 2460: 2455: 2451: 2446: 2442: 2437: 2430: 2425: 2421: 2406: 2402: 2397: 2393: 2388:Wayback Machine 2378: 2374: 2366: 2362: 2357:Wayback Machine 2347: 2343: 2338: 2334: 2324: 2322: 2307: 2306: 2302: 2298: 2286: 2260: 2239: 2212: 2109: 2052: 1996:The X Creatures 1982: 1977: 1870: 1856:History Channel 1831:Stuart Freeborn 1822: 1812: 1793: 1780: 1775: 1760:outfitted with 1744: 1730: 1725: 1716: 1690: 1681:special effects 1665: 1656: 1646: 1586: 1567: 1562: 1523: 1469: 1449: 1406: 1401: 1379: 1362: 1359:promissory note 1274: 1203:Reader's Digest 1068: 1063: 1015: 983: 980: 971: 951: 895: 891: 748: 658: 652: 623: 622: 518: 510: 509: 480:False awakening 460: 450: 449: 395: 385: 384: 283:Psychic reading 218:Fortune-telling 153:Close encounter 118: 80: 54: 35: 28: 23: 22: 18:Roger Patterson 15: 12: 11: 5: 6715: 6713: 6705: 6704: 6699: 6694: 6689: 6684: 6679: 6674: 6669: 6664: 6659: 6654: 6644: 6643: 6599: 6598: 6588: 6578: 6569: 6554: 6551: 6550: 6549: 6533: 6530: 6529: 6528: 6514:Dunning, Brian 6510: 6499: 6488: 6487:External links 6485: 6484: 6483: 6474: 6468: 6455: 6443: 6428: 6422: 6406: 6400: 6387: 6381: 6366: 6363: 6362: 6361: 6355: 6334: 6328: 6302: 6281: 6257: 6254: 6252: 6249: 6248: 6247: 6243: 6237: 6224: 6218: 6199: 6193: 6180: 6174: 6157: 6151: 6138: 6132: 6119: 6114:978-1500534028 6113: 6100: 6094: 6077: 6068: 6062: 6046: 6040: 6024: 6018: 5999: 5993: 5985:55–56, 197–200 5981:Fireside Books 5966: 5961:978-1490567846 5960: 5947: 5941: 5917: 5914: 5913: 5912: 5904:Ivan Sanderson 5900: 5894: 5874: 5869:978-0765312174 5868: 5852: 5843: 5837: 5821: 5807: 5801: 5786: 5783: 5782: 5781: 5775: 5755: 5749: 5737:Michael McLeod 5733: 5727: 5714: 5708: 5696:Altamira Press 5684:David Daegling 5680: 5674: 5666:131–56, 187–92 5653: 5650: 5648: 5645: 5643: 5642: 5633: 5624: 5615: 5606: 5599:978-0765312174 5598: 5573: 5564: 5555: 5536: 5517: 5484: 5459: 5453: 5444: 5421: 5408: 5398: 5389: 5380: 5371: 5362: 5353: 5343: 5332: 5323: 5314: 5302: 5293: 5281: 5272: 5263: 5254: 5239: 5208: 5175: 5162: 5153: 5140: 5102: 5090: 5078: 5066: 5057: 5024: 5015: 5006: 4997: 4988: 4979: 4970: 4961: 4948: 4939: 4930: 4921: 4890: 4877: 4868: 4859: 4850: 4838: 4826: 4814: 4805: 4793: 4773: 4753: 4744: 4725: 4716: 4658: 4636: 4627: 4618: 4609: 4600: 4591: 4582: 4569: 4560: 4551: 4526: 4514: 4479: 4458: 4449: 4437: 4428: 4397: 4388: 4379: 4370: 4361: 4352: 4343: 4330: 4321: 4312: 4303: 4294: 4282: 4273: 4271:Krantz, 301–04 4264: 4232: 4223: 4214: 4205: 4196: 4187: 4178: 4169: 4160: 4146: 4137: 4124: 4115: 4103: 4094: 4085: 4076: 4067: 4058: 4049: 4040: 4038: 4037: 4030: 4023: 4020: 4001: 3988: 3986: 3985: 3982: 3979: 3973: 3967: 3957: 3939: 3930: 3921: 3895: 3886: 3884:McLeod, 136–37 3877: 3868: 3859: 3850: 3841: 3832: 3823: 3814: 3805: 3796: 3787: 3778: 3769: 3755: 3746: 3713: 3711:McLeod, 121–22 3701: 3685: 3673: 3664: 3655: 3646: 3644:McLeod, 119–21 3637: 3628: 3619: 3610: 3598: 3589: 3580: 3571: 3562: 3560:Long, 167, 169 3553: 3544: 3535: 3496: 3487: 3469: 3460: 3448: 3439: 3437:McLeod, 138–40 3430: 3421: 3412: 3403: 3394: 3385: 3383:Coleman, 83–95 3376: 3353: 3344: 3335: 3320: 3311: 3302: 3297:Michael McLeod 3287: 3285:Long, 265, 424 3278: 3269: 3260: 3251: 3242: 3240:Bayanov, 27–40 3233: 3224: 3222:McLeod, 134–35 3215: 3206: 3197: 3188: 3179: 3170: 3161: 3152: 3143: 3126: 3117: 3104: 3092: 3083: 3074: 3065: 3056: 3047: 3038: 3022: 3013: 3000: 2987: 2978: 2969: 2960: 2947: 2934: 2921: 2912: 2899: 2890: 2881: 2872: 2863: 2854: 2845: 2833: 2824: 2812: 2803: 2794: 2785: 2776: 2767: 2755: 2746: 2737: 2728: 2719: 2706: 2697: 2688: 2679: 2677:Long, 127, 140 2670: 2661: 2652: 2643: 2634: 2632:Long, 107, 126 2625: 2616: 2607: 2598: 2589: 2580: 2571: 2558: 2549: 2540: 2531: 2522: 2503: 2494: 2485: 2476: 2467: 2458: 2449: 2440: 2428: 2419: 2400: 2391: 2372: 2360: 2341: 2332: 2321:. May 24, 2012 2314:The Australian 2299: 2297: 2294: 2293: 2292: 2290:Peter C. Byrne 2285: 2282: 2281: 2280: 2274: 2267: 2259: 2256: 2255: 2254: 2247: 2243: 2211: 2208: 2200: 2199: 2188: 2187: 2182: 2181: 2177: 2176: 2171: 2170: 2165: 2164: 2156: 2155: 2143: 2142: 2134: 2131: 2108: 2107:Bob Heironimus 2105: 2056:North Carolina 2051: 2048: 2047: 2046: 2042: 2026: 2021: 2020: 2017: 2013: 2009: 2008: 2004: 1981: 1978: 1976: 1973: 1972: 1971: 1968: 1962: 1951: 1950: 1946: 1945: 1930:Janos Prohaska 1922:Janos Prohaska 1918: 1917: 1912: 1911: 1895: 1888: 1869: 1866: 1821: 1818: 1817: 1816: 1797: 1779: 1776: 1774: 1771: 1766:Daris Swindler 1743: 1738: 1729: 1726: 1724: 1723:Other analysts 1721: 1715: 1712: 1689: 1686: 1664: 1661: 1645: 1642: 1585: 1582: 1566: 1563: 1561: 1558: 1545:David Daegling 1532:sagittal crest 1522: 1519: 1518: 1517: 1509: 1502: 1495: 1489: 1468: 1465: 1448: 1445: 1438: 1437: 1426: 1422: 1405: 1402: 1400: 1397: 1378: 1375: 1374: 1373: 1366: 1355: 1324:Michael McLeod 1282:arrest warrant 1273: 1270: 1094:Ivan Sanderson 1067: 1064: 1062: 1059: 1047:George W. Bush 1021:Times-Standard 979: 976: 950: 947: 890: 887: 854: 853: 849: 830: 829: 826: 779:self-published 747: 744: 689:motion picture 681:Patterson film 654: 653: 651: 650: 643: 636: 628: 625: 624: 621: 620: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 568:Fringe science 565: 563:Falsifiability 560: 555: 550: 545: 540: 535: 530: 525: 519: 516: 515: 512: 511: 508: 507: 502: 500:Parapsychology 497: 492: 487: 482: 477: 472: 467: 461: 458:Parapsychology 456: 455: 452: 451: 448: 447: 442: 437: 432: 427: 422: 417: 412: 407: 402: 396: 391: 390: 387: 386: 383: 382: 377: 372: 370:United Kingdom 367: 356: 355: 350: 345: 340: 335: 330: 325: 320: 315: 310: 305: 303:Retrocognition 300: 298:Remote viewing 295: 290: 285: 280: 275: 270: 265: 260: 255: 250: 245: 240: 235: 230: 225: 220: 215: 210: 205: 200: 195: 190: 185: 180: 175: 170: 165: 163:Crystal gazing 160: 155: 150: 145: 143:Breatharianism 140: 135: 130: 125: 119: 116: 115: 112: 111: 105: 104: 92: 91: 86: 82: 81: 79: 78: 72: 70: 66: 65: 60: 56: 55: 52: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6714: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6675: 6673: 6672:Bigfoot films 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6649: 6647: 6640: 6637: 6596: 6594: 6589: 6586: 6582: 6579: 6576: 6575: 6570: 6568: 6564: 6560: 6557: 6556: 6552: 6547: 6543: 6539: 6536: 6535: 6531: 6525: 6524: 6519: 6515: 6511: 6509: 6505: 6504: 6500: 6498: 6494: 6491: 6490: 6486: 6480: 6475: 6471: 6469:0-88839-573-6 6465: 6461: 6456: 6452: 6449: 6444: 6440: 6437: 6433: 6432:Eastman Kodak 6429: 6425: 6419: 6415: 6412: 6407: 6403: 6401:0-937663-10-7 6397: 6393: 6388: 6384: 6378: 6374: 6369: 6368: 6364: 6358: 6356:0-9614105-0-7 6352: 6348: 6343: 6342: 6335: 6331: 6325: 6321: 6320:44–50, 302–03 6317: 6316: 6311: 6307: 6306:Daniel Loxton 6303: 6299: 6295: 6291: 6287: 6282: 6279: 6278:0-471-27242-6 6275: 6271: 6267: 6263: 6260: 6259: 6255: 6250: 6244: 6240: 6238:0-9614105-0-7 6234: 6230: 6225: 6221: 6219:0-396-06883-9 6215: 6211: 6207: 6206: 6200: 6196: 6194:99948-943-2-3 6190: 6186: 6181: 6177: 6175:0-88839-581-7 6171: 6167: 6163: 6158: 6154: 6148: 6144: 6139: 6135: 6129: 6125: 6120: 6116: 6110: 6106: 6101: 6097: 6095:1-895565-28-6 6091: 6087: 6083: 6082:René Dahinden 6078: 6074: 6069: 6065: 6063:0-88839-018-1 6059: 6055: 6051: 6047: 6043: 6037: 6033: 6029: 6028:Loren Coleman 6025: 6021: 6019:0-7434-6975-5 6015: 6011: 6007: 6006: 6000: 5996: 5994:0-684-85602-6 5990: 5986: 5982: 5978: 5977: 5972: 5967: 5963: 5957: 5953: 5948: 5944: 5942:0-87491-159-1 5938: 5934: 5930: 5929: 5924: 5920: 5919: 5915: 5909: 5908:More "Things" 5905: 5901: 5897: 5895:0-395-44114-5 5891: 5887: 5883: 5879: 5875: 5871: 5865: 5861: 5857: 5853: 5849: 5844: 5840: 5838:0-88839-447-0 5834: 5830: 5826: 5825:Grover Krantz 5822: 5815: 5814: 5808: 5804: 5802:5-900229-22-X 5798: 5794: 5789: 5788: 5784: 5778: 5776:0-525-06658-6 5772: 5768: 5764: 5760: 5756: 5752: 5746: 5742: 5738: 5734: 5730: 5728:1-59102-139-1 5724: 5720: 5715: 5711: 5709:0-7591-0539-1 5705: 5701: 5697: 5692: 5691: 5685: 5681: 5677: 5671: 5667: 5663: 5662: 5656: 5655: 5651: 5646: 5637: 5634: 5628: 5625: 5619: 5616: 5610: 5607: 5601: 5595: 5591: 5587: 5583: 5582:Meldrum, Jeff 5577: 5574: 5571:Coleman, 2007 5568: 5565: 5559: 5556: 5553: 5549: 5546: 5540: 5537: 5534: 5530: 5527: 5521: 5518: 5505: 5501: 5500: 5495: 5488: 5485: 5473: 5469: 5463: 5460: 5457: 5454: 5448: 5445: 5442: 5438: 5435: 5431: 5425: 5422: 5418: 5412: 5409: 5402: 5399: 5393: 5390: 5384: 5381: 5375: 5372: 5366: 5363: 5357: 5354: 5347: 5344: 5341: 5336: 5333: 5327: 5324: 5318: 5315: 5309: 5307: 5303: 5297: 5294: 5288: 5286: 5282: 5276: 5273: 5267: 5264: 5258: 5255: 5250: 5243: 5240: 5227: 5223: 5219: 5212: 5209: 5196: 5192: 5191: 5186: 5179: 5176: 5172: 5171:Fortean Times 5166: 5163: 5157: 5154: 5150: 5149:Yakima Herald 5144: 5141: 5136: 5132: 5128: 5124: 5120: 5119: 5111: 5109: 5107: 5103: 5097: 5095: 5091: 5085: 5083: 5079: 5073: 5071: 5067: 5061: 5058: 5045: 5041: 5040: 5035: 5028: 5025: 5019: 5016: 5010: 5007: 5001: 4998: 4992: 4989: 4983: 4980: 4974: 4971: 4965: 4962: 4958: 4957:Fortean Times 4952: 4949: 4943: 4940: 4934: 4931: 4925: 4922: 4919: 4915: 4912: 4908: 4904: 4900: 4894: 4891: 4887: 4881: 4878: 4872: 4869: 4863: 4860: 4854: 4851: 4848: 4842: 4839: 4835: 4830: 4827: 4823: 4818: 4815: 4809: 4806: 4803:Guenette, 117 4800: 4798: 4794: 4790: 4786: 4783: 4777: 4774: 4770: 4766: 4763: 4757: 4754: 4748: 4745: 4740: 4736: 4729: 4726: 4723:Munns, 229–37 4720: 4717: 4713: 4709: 4705: 4702: 4698: 4694: 4690: 4687: 4683: 4679: 4675: 4672: 4668: 4662: 4659: 4646: 4640: 4637: 4631: 4628: 4622: 4619: 4616:Munns, passim 4613: 4610: 4604: 4601: 4595: 4592: 4586: 4583: 4579: 4573: 4570: 4564: 4561: 4555: 4552: 4547: 4543: 4542: 4537: 4530: 4527: 4521: 4519: 4515: 4502: 4498: 4492: 4490: 4488: 4486: 4484: 4480: 4475: 4472:. Episode 2. 4471: 4470: 4469:Best Evidence 4462: 4459: 4453: 4450: 4447:Daegling, 112 4444: 4442: 4438: 4435:Daegling, 127 4432: 4429: 4416: 4412: 4408: 4401: 4398: 4392: 4389: 4383: 4380: 4374: 4371: 4365: 4362: 4356: 4353: 4347: 4344: 4340: 4334: 4331: 4325: 4322: 4316: 4313: 4307: 4304: 4301:Napier, 90–94 4298: 4295: 4289: 4287: 4283: 4277: 4274: 4268: 4265: 4253: 4249: 4245: 4239: 4237: 4233: 4227: 4224: 4221:Munns, 366–70 4218: 4215: 4209: 4206: 4203:Daegling, 119 4200: 4197: 4191: 4188: 4182: 4179: 4173: 4170: 4167:Munns, 326–27 4164: 4161: 4155: 4153: 4151: 4147: 4141: 4138: 4128: 4125: 4119: 4116: 4110: 4108: 4104: 4098: 4095: 4089: 4086: 4080: 4077: 4071: 4068: 4062: 4059: 4053: 4050: 4044: 4041: 4035: 4031: 4028: 4024: 4021: 4018: 4014: 4010: 4009: 4005: 4002: 3998: 3992: 3989: 3983: 3980: 3977: 3974: 3971: 3970:Erik Beckjord 3968: 3965: 3961: 3960:Grover Krantz 3958: 3955: 3952: 3951: 3949: 3948:René Dahinden 3943: 3940: 3934: 3931: 3925: 3922: 3910: 3906: 3899: 3896: 3890: 3887: 3881: 3878: 3872: 3869: 3863: 3860: 3854: 3851: 3845: 3842: 3836: 3833: 3827: 3824: 3818: 3815: 3809: 3806: 3800: 3797: 3791: 3788: 3782: 3779: 3773: 3770: 3764: 3762: 3760: 3756: 3750: 3747: 3734: 3730: 3729: 3724: 3717: 3714: 3708: 3706: 3702: 3696: 3694: 3692: 3690: 3686: 3680: 3678: 3674: 3668: 3665: 3659: 3656: 3650: 3647: 3641: 3638: 3632: 3629: 3623: 3620: 3614: 3611: 3608: 3602: 3599: 3596:Daegling, 114 3593: 3590: 3587:Long, 159–160 3584: 3581: 3575: 3572: 3566: 3563: 3557: 3554: 3548: 3545: 3539: 3536: 3523: 3519: 3515: 3514: 3509: 3503: 3501: 3497: 3491: 3488: 3483: 3479: 3473: 3470: 3464: 3461: 3458:Wasson, 51–53 3455: 3453: 3449: 3443: 3440: 3434: 3431: 3425: 3422: 3416: 3413: 3407: 3404: 3398: 3395: 3389: 3386: 3380: 3377: 3373: 3372: 3367: 3363: 3362:West magazine 3357: 3354: 3348: 3345: 3342:February 1968 3339: 3336: 3332: 3331: 3324: 3321: 3315: 3312: 3306: 3303: 3298: 3291: 3288: 3282: 3279: 3273: 3270: 3264: 3261: 3255: 3252: 3246: 3243: 3237: 3234: 3228: 3225: 3219: 3216: 3210: 3207: 3201: 3198: 3192: 3189: 3183: 3180: 3174: 3171: 3165: 3162: 3159:Regal, 105–06 3156: 3153: 3147: 3144: 3141:, pp. 239–40. 3140: 3136: 3130: 3127: 3121: 3118: 3114: 3108: 3105: 3101: 3100:Bigfoot Times 3096: 3093: 3087: 3084: 3078: 3075: 3069: 3066: 3060: 3057: 3051: 3048: 3042: 3039: 3035: 3029: 3027: 3023: 3017: 3014: 3010: 3004: 3001: 2997: 2991: 2988: 2982: 2979: 2973: 2970: 2964: 2961: 2957: 2956:Bigfoot Times 2951: 2948: 2944: 2938: 2935: 2931: 2925: 2922: 2916: 2913: 2910:, March 2004. 2909: 2908:Bigfoot Times 2903: 2900: 2894: 2891: 2885: 2882: 2876: 2873: 2867: 2864: 2861:Krantz, 89–90 2858: 2855: 2849: 2846: 2840: 2838: 2834: 2828: 2825: 2819: 2817: 2813: 2807: 2804: 2798: 2795: 2789: 2786: 2780: 2777: 2771: 2768: 2762: 2760: 2756: 2750: 2747: 2741: 2738: 2732: 2729: 2726:Daegling, 115 2723: 2720: 2716: 2710: 2707: 2701: 2698: 2692: 2689: 2683: 2680: 2674: 2671: 2665: 2662: 2656: 2653: 2647: 2644: 2638: 2635: 2629: 2626: 2620: 2617: 2611: 2608: 2602: 2599: 2593: 2590: 2584: 2581: 2575: 2572: 2568: 2567:Hancock House 2562: 2559: 2553: 2550: 2544: 2541: 2535: 2532: 2526: 2523: 2520: 2516: 2513: 2507: 2504: 2498: 2495: 2489: 2486: 2483:McLeod, 81–82 2480: 2477: 2471: 2468: 2462: 2459: 2453: 2450: 2444: 2441: 2435: 2433: 2429: 2423: 2420: 2416: 2415: 2410: 2404: 2401: 2395: 2392: 2389: 2385: 2382: 2376: 2373: 2369: 2368:Bigfoot Times 2364: 2361: 2358: 2354: 2351: 2345: 2342: 2336: 2333: 2320: 2316: 2315: 2310: 2304: 2301: 2295: 2291: 2288: 2287: 2283: 2279: 2275: 2272: 2268: 2265: 2264: 2263: 2257: 2252: 2248: 2244: 2236: 2232: 2231: 2230: 2227: 2226: 2221: 2220:Loren Coleman 2217: 2209: 2207: 2204: 2196: 2195: 2194: 2191: 2184: 2183: 2179: 2178: 2173: 2172: 2167: 2166: 2162: 2158: 2157: 2153: 2149: 2148: 2147: 2140: 2135: 2132: 2129: 2128: 2127: 2125: 2120: 2118: 2113: 2106: 2104: 2102: 2097: 2095: 2093: 2086: 2081: 2076: 2073: 2069: 2067: 2066: 2061: 2057: 2050:Philip Morris 2049: 2043: 2040: 2036: 2032: 2027: 2023: 2022: 2018: 2014: 2011: 2010: 2005: 2002: 1998: 1997: 1992: 1988: 1987:Chris Packham 1984: 1983: 1979: 1974: 1969: 1966: 1963: 1960: 1959:Academy Award 1956: 1953: 1952: 1948: 1947: 1943: 1942: 1941:Lost in Space 1937: 1936: 1931: 1927: 1923: 1920: 1919: 1914: 1913: 1909: 1908: 1903: 1902:Academy Award 1899: 1898:John Chambers 1896: 1893: 1889: 1885: 1881: 1880: 1875: 1872: 1871: 1867: 1865: 1863: 1862: 1857: 1851: 1849: 1845: 1840: 1838: 1837: 1832: 1828: 1819: 1810: 1806: 1802: 1798: 1791: 1787: 1782: 1781: 1772: 1770: 1767: 1763: 1759: 1755: 1751: 1750: 1742: 1739: 1737: 1735: 1727: 1722: 1720: 1713: 1711: 1709: 1708: 1707:Best Evidence 1703: 1699: 1695: 1694:Human Walking 1687: 1685: 1682: 1677: 1673: 1670: 1662: 1660: 1654: 1650: 1643: 1641: 1639: 1634: 1632: 1631: 1626: 1622: 1621: 1616: 1610: 1607: 1601: 1599: 1595: 1591: 1583: 1581: 1579: 1578:cryptozoology 1575: 1571: 1564: 1559: 1557: 1553: 1551: 1546: 1541: 1539: 1538: 1533: 1529: 1520: 1514: 1510: 1506: 1505:René Dahinden 1503: 1499: 1496: 1493: 1490: 1487: 1486: 1485: 1483: 1479: 1478:Grover Krantz 1475: 1467:Filming speed 1466: 1464: 1461: 1459: 1455: 1446: 1444: 1441: 1435: 1431: 1430:René Dahinden 1427: 1423: 1420: 1416: 1411: 1410: 1409: 1403: 1398: 1396: 1394: 1390: 1385: 1376: 1371: 1370:René Dahinden 1367: 1360: 1356: 1353: 1349: 1348: 1347: 1345: 1339: 1337: 1333: 1332:Grover Krantz 1329: 1325: 1321: 1316: 1313: 1311: 1307: 1303: 1299: 1295: 1289: 1285: 1283: 1279: 1271: 1269: 1266: 1262: 1258: 1254: 1250: 1245: 1243: 1239: 1235: 1229: 1226: 1224: 1220: 1219:Loren Coleman 1216: 1212: 1207: 1205: 1204: 1199: 1198: 1193: 1192: 1187: 1186: 1181: 1180:Johnny Carson 1177: 1173: 1169: 1165: 1163: 1158: 1153: 1151: 1147: 1143: 1139: 1134: 1130: 1125: 1122: 1117: 1115: 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1082:Grover Krantz 1077: 1072: 1065: 1060: 1058: 1056: 1055:plaster casts 1052: 1048: 1044: 1038: 1036: 1032: 1026: 1023: 1022: 1012: 1009: 1008:Grover Krantz 1005: 1001: 997: 993: 989: 988:variety store 977: 975: 967: 963: 959: 955: 948: 946: 944: 943:plaster casts 938: 934: 930: 928: 922: 918: 916: 911: 909: 908:Grover Krantz 903: 899: 888: 886: 883: 881: 880:Variety Store 877: 876:René Dahinden 873: 868: 866: 862: 857: 850: 847: 843: 839: 835: 834: 833: 827: 824: 820: 816: 815: 814: 812: 807: 804: 800: 796: 792: 787: 785: 780: 776: 770: 765: 763: 759: 758: 753: 745: 743: 741: 740:Grover Krantz 735: 731: 729: 728:Pacific Ocean 725: 721: 717: 713: 709: 705: 704:Klamath River 700: 698: 694: 690: 686: 682: 678: 649: 644: 642: 637: 635: 630: 629: 627: 626: 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 594: 593:Pseudoscience 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 549: 546: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 520: 514: 513: 506: 505:Synchronicity 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 462: 459: 454: 453: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 406: 403: 401: 398: 397: 394: 389: 388: 381: 378: 376: 375:United States 373: 371: 368: 366: 363: 362: 361: 360: 354: 351: 349: 348:Table-turning 346: 344: 341: 339: 336: 334: 331: 329: 326: 324: 321: 319: 316: 314: 311: 309: 306: 304: 301: 299: 296: 294: 293:Reincarnation 291: 289: 286: 284: 281: 279: 276: 274: 273:Preternatural 271: 269: 266: 264: 261: 259: 256: 254: 251: 249: 246: 244: 241: 239: 236: 234: 231: 229: 226: 224: 223:Ghost hunting 221: 219: 216: 214: 211: 209: 206: 204: 201: 199: 196: 194: 191: 189: 186: 184: 181: 179: 176: 174: 173:Cryptozoology 171: 169: 166: 164: 161: 159: 156: 154: 151: 149: 146: 144: 141: 139: 136: 134: 131: 129: 126: 124: 121: 120: 117:Main articles 114: 113: 110: 106: 102: 98: 97: 90: 89:North America 87: 83: 77: 76:United States 74: 73: 71: 67: 64: 61: 57: 48: 43: 37: 33: 19: 6600: 6592: 6573: 6545: 6541: 6532:Suit-related 6521: 6502: 6478: 6459: 6451: 6447: 6439: 6435: 6414: 6410: 6391: 6372: 6340: 6314: 6289: 6285: 6265: 6228: 6204: 6184: 6165: 6161: 6142: 6123: 6104: 6085: 6072: 6053: 6031: 6004: 5975: 5971:Jerome Clark 5951: 5927: 5907: 5881: 5859: 5856:Jeff Meldrum 5847: 5828: 5812: 5792: 5767:E. P. Dutton 5762: 5740: 5718: 5689: 5659: 5647:Bibliography 5636: 5627: 5618: 5609: 5588:. New York: 5585: 5576: 5567: 5558: 5539: 5520: 5508:. Retrieved 5504:the original 5497: 5487: 5475:. Retrieved 5471: 5462: 5456: 5447: 5430:Lie Detector 5429: 5424: 5416: 5411: 5401: 5392: 5383: 5374: 5365: 5356: 5346: 5335: 5326: 5321:Long, 344–45 5317: 5296: 5275: 5266: 5261:Long, 363–64 5257: 5248: 5242: 5230:. Retrieved 5226:the original 5221: 5211: 5199:. Retrieved 5195:the original 5188: 5178: 5170: 5165: 5156: 5148: 5143: 5122: 5116: 5060: 5048:. Retrieved 5044:the original 5037: 5027: 5018: 5009: 5000: 4991: 4982: 4977:Daegling, 78 4973: 4964: 4956: 4951: 4942: 4933: 4924: 4898: 4893: 4885: 4880: 4871: 4862: 4853: 4841: 4833: 4829: 4824:January 1998 4821: 4817: 4808: 4776: 4756: 4747: 4739:MonsterQuest 4738: 4728: 4719: 4711: 4696: 4681: 4666: 4661: 4649:. Retrieved 4639: 4634:Munns, 16–20 4630: 4625:Munns, 54–55 4621: 4612: 4603: 4594: 4585: 4577: 4572: 4563: 4554: 4541:MonsterQuest 4540: 4529: 4505:. Retrieved 4501:the original 4468: 4461: 4452: 4431: 4419:. Retrieved 4414: 4410: 4400: 4391: 4382: 4373: 4364: 4355: 4346: 4338: 4333: 4324: 4315: 4306: 4297: 4276: 4267: 4255:. Retrieved 4251: 4226: 4217: 4208: 4199: 4190: 4181: 4172: 4163: 4140: 4127: 4118: 4097: 4088: 4079: 4070: 4061: 4052: 4043: 4033: 4004: 3996: 3991: 3942: 3933: 3924: 3912:. Retrieved 3908: 3898: 3889: 3880: 3875:Long, 318–21 3871: 3862: 3853: 3844: 3839:Long, 221–24 3835: 3826: 3821:Long, 139–44 3817: 3808: 3799: 3790: 3781: 3772: 3749: 3737:. Retrieved 3733:the original 3726: 3716: 3667: 3658: 3649: 3640: 3631: 3622: 3613: 3601: 3592: 3583: 3574: 3565: 3556: 3547: 3538: 3526:. Retrieved 3522:the original 3511: 3490: 3482:the original 3472: 3463: 3442: 3433: 3424: 3415: 3406: 3397: 3388: 3379: 3369: 3356: 3347: 3338: 3328: 3323: 3314: 3305: 3290: 3281: 3272: 3263: 3258:Long, 263–64 3254: 3245: 3236: 3227: 3218: 3209: 3200: 3195:Buhs, 140–43 3191: 3182: 3173: 3164: 3155: 3146: 3138: 3134: 3129: 3120: 3107: 3099: 3095: 3086: 3077: 3072:Meldrum, 145 3068: 3059: 3050: 3041: 3033: 3016: 3008: 3003: 2995: 2990: 2981: 2972: 2963: 2955: 2950: 2942: 2937: 2929: 2924: 2919:Long, 252–54 2915: 2907: 2902: 2897:Long, 162–65 2893: 2884: 2875: 2866: 2857: 2848: 2831:Meldrum, 140 2827: 2806: 2797: 2788: 2779: 2770: 2753:Meldrum, 139 2749: 2740: 2735:Perez, 9, 20 2731: 2722: 2714: 2709: 2700: 2691: 2682: 2673: 2664: 2655: 2646: 2637: 2628: 2619: 2610: 2601: 2592: 2583: 2574: 2561: 2552: 2543: 2534: 2525: 2506: 2497: 2488: 2479: 2470: 2461: 2452: 2443: 2422: 2412: 2403: 2394: 2375: 2367: 2363: 2344: 2335: 2323:. Retrieved 2312: 2303: 2277: 2270: 2261: 2250: 2234: 2223: 2213: 2201: 2192: 2189: 2144: 2123: 2121: 2116: 2114: 2110: 2100: 2098: 2090: 2087: 2083: 2078: 2074: 2070: 2063: 2053: 2031:biomechanics 2000: 1994: 1965:Stan Winston 1939: 1933: 1905: 1883: 1877: 1861:MonsterQuest 1859: 1852: 1847: 1843: 1841: 1834: 1823: 1809:Ken Peterson 1749:MonsterQuest 1747: 1745: 1741:MonsterQuest 1740: 1731: 1717: 1705: 1693: 1691: 1678: 1674: 1666: 1647: 1637: 1635: 1628: 1625:Raymond Dart 1618: 1611: 1602: 1597: 1587: 1568: 1554: 1542: 1535: 1527: 1524: 1470: 1462: 1450: 1442: 1439: 1407: 1380: 1377:Legal status 1340: 1317: 1314: 1290: 1286: 1275: 1252: 1246: 1241: 1237: 1234:Bigfoot trap 1230: 1227: 1222: 1208: 1201: 1195: 1189: 1185:Tonight Show 1183: 1168:Merv Griffin 1160: 1154: 1150:four-walling 1146:nature films 1126: 1118: 1080: 1066:Film-related 1039: 1027: 1019: 1013: 992:Willow Creek 981: 968: 964: 960: 956: 952: 939: 935: 931: 923: 919: 912: 904: 900: 892: 884: 869: 858: 855: 831: 808: 788: 783: 774: 772: 767: 761: 755: 749: 736: 732: 701: 684: 680: 676: 674: 618:Urban legend 608:Superstition 588:Protoscience 583:Junk science 523:Anomalistics 400:Cold reading 358: 357: 333:Supernatural 323:Spiritualism 318:Spirit world 268:Precognition 188:Doppelgänger 148:Clairvoyance 36: 6623: / 5983:. pp. 5923:Peter Byrne 5759:John Napier 5698:. pp. 5590:Forge Books 5013:Long, p 453 4886:Movie Magic 4651:November 6, 4507:October 16, 4466:"Bigfoot". 4319:Napier, 126 4194:Krantz, 304 4122:Bayanov, 70 4113:Napier, 94 4083:Krantz, 306 3995:Bill Munns 3976:Peter Byrne 3803:Long, 96–97 3753:McLeod, 128 3683:Krantz, 120 3671:McLeod, 121 3578:Coleman, 83 3551:McLeod, 112 3267:McLeod, 118 3020:Krantz, 122 2216:Ray Wallace 2210:Ray Wallace 2175:drawstring. 1955:Chris Walas 1594:Smithsonian 1590:John Napier 1584:John Napier 1492:John Napier 1447:Second reel 1419:Los Angeles 1336:Robert Pyle 1298:cripplefoot 1176:Joey Bishop 1051:Taxidermist 811:Los Angeles 613:Uncertainty 338:Telekinesis 288:Psychometry 168:Conjuration 6652:1967 films 6646:Categories 6629: ( 6610:123°42′7″W 6607:41°26′25″N 6050:John Green 5477:August 10, 5004:Byrne, 144 4884:TV series 4875:Munns, 252 4524:Krantz, 93 4310:Napier, 94 4292:Napier, 95 4212:Krantz, 92 4144:Krantz, 96 4017:John Green 4013:Ektachrome 3954:John Green 3607:John Green 3494:Murphy, 63 3428:Regal, 121 3150:Krantz, 91 2928:Daegling, 2852:Wasson, 69 2792:Napier, 90 2765:Krantz, 87 2704:Byrne, 138 2623:McLeod, 79 2569:Publishing 2438:Regal, 129 2296:References 1926:John Green 1874:Rick Baker 1820:Bill Munns 1807:executive 1801:John Green 1606:skepticism 1482:John Green 1474:Cine-Kodak 1458:John Green 1434:Cibachrome 1425:indicated. 1404:First reel 1251:broadcast 1215:John Green 1157:talk shows 927:John Green 872:John Green 852:"Bigfoot". 842:Disneyland 838:Roy Rogers 803:Ape Canyon 746:Background 712:California 573:Groupthink 393:Skepticism 328:Stone Tape 233:Mediumship 183:Demonology 138:Bilocation 109:Paranormal 6434:(1958) . 6298:0194-6730 6256:Skeptical 6084:(1993) . 6052:(2006) . 5827:(1999) . 5652:Skeptical 5510:April 27, 5360:Long, 459 5330:Long, 349 5312:Long, 449 5300:Long, 445 5291:Long, 345 5279:Long, 398 5270:Long, 414 5201:April 28, 5160:Long, 443 5135:0194-6730 5129:: 35–40. 5100:Long, 447 5088:Long, 448 5076:Long, 446 5064:Long, 453 5050:April 27, 5022:Long, 444 4928:Long, 166 4907:2165-770X 4341:, 237–42. 4158:Perez, 21 4065:Long, 181 3914:August 6, 3866:Long, 300 3785:Pyle, 269 3776:Munns, 19 3767:Long, 188 3635:Long, 406 3569:Long, 265 3542:Long, 167 3528:March 17, 3446:Buhs, 230 3419:Buhs, 191 3392:Long, 266 3318:Long, 258 3309:Long, 203 3300:enough.") 3276:Long, 263 3090:Perez, 22 3054:Perez, 14 2976:Long, 347 2932:, 147–49. 2870:Wylie, 12 2843:Perez, 12 2822:Perez, 10 2713:Jevning, 2659:Long, 230 2596:Long, 132 2203:Polygraph 2169:illusion. 2152:horsehide 1935:Star Trek 1887:is true." 1790:Hollywood 1574:zoologist 1211:Vancouver 1133:docudrama 1102:The Bronx 1098:Manhattan 889:Encounter 819:Hollywood 791:docudrama 410:Debunking 343:Telepathy 193:Ectoplasm 158:Cold spot 128:Astrology 6523:Skeptoid 6312:(2013). 6264:(2003). 5973:(1999). 5925:(1975). 5906:(1969). 5880:(1995). 5858:(2007). 5761:(1973). 5686:(2004). 5584:(2007). 5548:Archived 5529:Archived 5437:Archived 4914:Archived 4785:Archived 4765:Archived 4704:Archived 4689:Archived 4674:Archived 4421:June 20, 3794:Long, 29 3113:big game 3032:Murphy, 3011:, 34, 39 3007:Murphy, 2994:Murphy, 2945:, 79–82. 2941:McLeod, 2810:Perez, 9 2695:Perez, 8 2515:Archived 2501:Perez, 6 2492:Munns, 5 2384:Archived 2353:Archived 2284:See also 2039:leverage 1989:for the 1710:series. 1521:Analysis 1384:Dahinden 1310:Thailand 1223:Bigfoot! 1162:Joe Pyne 1148:called " 1121:Dahinden 1031:shoulder 671:The film 578:Hypnosis 485:Hypnosis 213:Forteana 203:Exorcism 101:a series 99:Part of 59:Folklore 5604:, 55–71 5232:July 3, 4536:Bigfoot 4417:(3): 20 4337:Wylie, 4257:May 20, 3739:May 20, 3368:of the 2998:, 34–35 2954:Perez, 2417:in 1980 2325:May 21, 2235:Strange 2001:totally 1858:series 1142:Midwest 1110:Atlanta 1086:Bigfoot 949:Details 915:bipedal 863:in far 799:tracker 718:on the 708:Orleans 693:Bigfoot 683:or the 558:Fallacy 517:Related 353:Ufology 278:Psychic 238:Miracle 69:Country 63:Cryptid 6466: 6420: 6398: 6379: 6353: 6326: 6296: 6276: 6235: 6216: 6210:134–44 6191: 6172: 6149: 6130: 6111: 6092: 6060: 6038: 6016: 6010:81–110 5991: 5958: 5939: 5933:133–66 5892: 5866: 5835: 5799: 5773: 5747: 5725: 5706: 5672: 5596: 5133: 4905: 4032:ANE's 3036:, p 35 2565:under 2139:payola 1892:Robert 1805:Disney 1657: 1615:Dubois 1550:Krantz 1498:Krantz 1344:conman 1302:Krantz 1200:, and 1191:Argosy 1172:Krantz 1045:under 1016: 1004:Arcata 1000:Eureka 984: 972: 896: 823:Yakima 777:, was 724:Oregon 475:Empath 243:Occult 103:on the 85:Region 6563:Green 6365:Other 5817:(PDF) 5702:–55. 5417:XZone 5125:(4). 2161:Dynel 1623:, or 1513:Kodak 1328:Byrne 1278:16 mm 714:, in 380:World 365:India 253:Ouija 228:Magic 6508:IMDb 6464:ISBN 6418:ISBN 6396:ISBN 6377:ISBN 6351:ISBN 6324:ISBN 6308:and 6294:ISSN 6274:ISBN 6233:ISBN 6214:ISBN 6189:ISBN 6170:ISBN 6147:ISBN 6128:ISBN 6109:ISBN 6090:ISBN 6058:ISBN 6036:ISBN 6014:ISBN 5989:ISBN 5956:ISBN 5937:ISBN 5890:ISBN 5864:ISBN 5833:ISBN 5797:ISBN 5771:ISBN 5745:ISBN 5723:ISBN 5704:ISBN 5670:ISBN 5594:ISBN 5512:2015 5479:2024 5415:3rd 5406:her. 5234:2015 5203:2015 5131:ISSN 5052:2015 4903:ISSN 4653:2012 4509:2017 4423:2015 4259:2015 4025:The 4011:The 3916:2023 3741:2015 3530:2015 3364:, a 2327:2014 2035:shin 2007:too. 1938:and 1762:LEDs 1758:mime 1734:Nike 1334:and 1164:Show 1140:and 894:1:40 757:True 675:The 415:Hoax 133:Aura 6506:at 6495:at 6246:OR. 5700:105 4737:". 4538:". 4027:BBC 2222:to 2060:WBT 1993:'s 1991:BBC 1827:MGM 1788:in 1704:'s 1659:." 1633:." 1572:—a 1537:sic 1249:CBS 1221:'s 1182:'s 1129:BBC 1049:.) 990:in 970:use 844:or 793:or 754:in 685:PGF 248:Orb 6648:: 6520:. 6347:10 6322:. 6290:32 6288:. 6272:. 6268:. 6212:. 6012:. 5987:. 5979:. 5935:. 5884:. 5765:. 5694:. 5668:. 5592:. 5496:. 5470:. 5305:^ 5284:^ 5220:. 5187:. 5123:28 5121:. 5105:^ 5093:^ 5081:^ 5069:^ 5036:. 4796:^ 4517:^ 4482:^ 4440:^ 4415:23 4413:. 4409:. 4285:^ 4250:. 4235:^ 4149:^ 4106:^ 3907:. 3758:^ 3725:. 3704:^ 3688:^ 3676:^ 3516:. 3510:. 3499:^ 3451:^ 3025:^ 2836:^ 2815:^ 2758:^ 2431:^ 2317:. 2311:. 2094:'s 1957:. 1900:. 1864:. 1640:. 1600:. 1516:." 1346:. 1244:. 1206:. 1194:, 1108:, 1104:, 1100:, 882:. 710:, 6633:) 6587:) 6526:. 6472:. 6426:. 6404:. 6385:. 6359:. 6332:. 6300:. 6241:. 6222:. 6197:. 6178:. 6155:. 6136:. 6117:. 6098:. 6066:. 6044:. 6022:. 5997:. 5964:. 5945:. 5898:. 5872:. 5841:. 5805:. 5779:. 5753:. 5731:. 5712:. 5678:. 5602:. 5514:. 5481:. 5251:. 5236:. 5205:. 5137:. 5054:. 4791:) 4771:) 4733:" 4655:. 4548:. 4534:" 4511:. 4476:. 4425:. 4261:. 4135:" 4133:' 4019:. 3946:* 3918:. 3743:. 3532:. 3374:) 2958:, 2329:. 2273:. 2253:. 2240:' 2089:" 1815:" 1813:' 1794:' 1363:' 1354:. 848:. 647:e 640:t 633:v 34:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Patterson–Gimlin film

Index