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noted "None of the interpretations will appeal to jazz or rock listeners at a guess. They are sometimes disturbingly aggressive decon/reconstructions of the source material, their version of "Mood Indigo" the most respectful . . . for a while. ... Perhaps that's why you're better to undertake this
410:
called it "a notable record" observing that "his key associates are Don Byron and
Anthony Coleman and the repertory covers Hendrix and George Harrison as well as two songs – "I Should Care" and "Mood Indigo" – that are known not least for brooding interpretations by Monk.
423:
review by Brian
Olewnick stated: "There is a decent amount of enjoyable music here, but it's hit and miss, very much a grab-bag affair. All of the musicians involved went on to do finer work later in their careers, though, so what value
415:
offers mostly originals that shriek and rumble and clatter with unexpected amiability, but in the pause-and-conquer strategy of those two songs, especially the 77-second "i Should Care", Ribot suggested a new potential in his playing."
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was the first record I had real control over. It’s a walking tour through all these different styles that had meant something to me emotionally as a side musician".
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identified Ribot's version of "While My Guitar Gently Weeps" as "A Choice Cut" – a good song on an album that isn't worth your time or money.
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The album was recorded in New York City at Sound on Sound
Recording except "I Should Care", which was recorded at Harold Desau, and "
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commented that "much of the record is given over to pseudo-rock productions that wouldn't pass as demos in
Chartsville".
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post-modern stuff without reference to the titles and just listen to the wit, ingenuity and challenge the album offers."
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264:(1985). Ribot worked with Waits on subsequent albums and tours and contributed to recordings by
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From 1979 Ribot was gaining recognition as a sideman working with pick-up bands for
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Elsewhere: Marc Ribot
Considered (2015): Cosmopolitan guitarist without portfolio
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Richie
Schwarz (2, 3, 4, 5, 7, 8, 10, 11, 12) – drums, sampled percussion
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Sound On Sound
Recording and Harold Dessau, New York and Port-A-Studio
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All About Jazz: Marc Ribot: That's The Way I View It From New York
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719:(2, 4, 6, 7, 10, 11, 12) – bass clarinet, clarinet, turkey calls
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991:
834:
ABC Radio
National: Marc Ribot on a Lifetime of Collaboration
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725:(2, 3, 4, 7, 10, 11, 12) – keyboards, piano, organ, sampler
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Brad Jones (4, 5, 7, 8, 10, 11, 12) – bass, guitar on (11)
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All tracks are written by Marc Ribot except where noted
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Marc Ribot Plays Solo Guitar Works of Frantz
Casseus
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Weather Bird: Jazz at the Dawn of Its Second
Century
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902:The Penguin Guide to Jazz on CD, LP & Cassette
946:, The Village Voice, May 14, 1996, reprinted in
957:. New York: Oxford University Press. pp.
206:is the debut solo album by American guitarist
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749:Michael Blair (3, 5) – drums, backwards vocal
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688:Track 12 does not appear on the original LP.
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822:The Village Voice: In Praise of Marc Ribot
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254:and shortly after contributed strongly to
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25:
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288:", recorded by Ribot on a cassette-tape
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428:retains tends toward the historical."
584:"A Mind Is a Terrible Thing to Waste"
309:
7:
788:, archive accessed November 25, 2019
775:, archive accessed November 25, 2019
800:, archive accessed December 8, 2019
23:1990 studio album by Marc Ribot
931:Consumer Guide Reviews: Marc Ribot
276:before recording his first album.
14:
1215:Asmodeus: Book of Angels Volume 7
559:Brad Jones, Ribot, Richie Schwarz
368:
330:
868:"Rootless Cosmopolitans: Review"
632:"Nature Abhors a Vacuum Cleaner"
382:
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372:
367:
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246:. In 1984 he became a member of
773:Marc Ribot website: discography
461:
16:For the Soviet euphemism, see
1:
1126:Live at the Village Vanguard
985:, accessed November 25, 2019
933:, accessed November 25, 2019
853:, accessed November 25, 2019
614:While My Guitar Gently Weeps
286:While My Guitar Gently Weeps
1046:Requiem for What's His Name
836:, accessed December 8, 2019
824:, accessed December 8, 2019
812:, accessed December 8, 2019
701:– guitars, harmonica, vocal
187:Requiem for What's His Name
1314:
713:(5, 8, 10, 12) – saxophone
15:
786:Discography of Marc Ribot
734:David Sardi (10) – guitar
670:
642:
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443:The Penguin Guide to Jazz
361:The Penguin Guide to Jazz
317:
314:
169:
33:
1234:Shoe String Symphonettes
743:(2, 3, 6) – bass, guitar
1298:Antilles Records albums
508:"Shortly After Takeoff"
1038:Rootless Cosmopolitans
598:"Beak Lunch Manifesto"
426:Rootless Cosmopolitans
413:Rootless Cosmopolitans
294:Rootless Cosmopolitans
203:Rootless Cosmopolitans
178:Rootless Cosmopolitans
29:Rootless Cosmopolitans
1293:Island Records albums
1145:The Prosthetic Cubans
1110:Exercises in Futility
1078:Yo! I Killed Your God
810:Marc Ribot: Biography
18:Rootless cosmopolitan
1242:Soundtracks Volume 2
1137:Los Cubanos Postizos
847:Marc Ribot Interview
556:"The Cocktail Party"
305:Professional ratings
1172:Party Intellectuals
524:The Wind Cries Mary
306:
270:the Jazz Passengers
228:Brother Jack McDuff
707:(5, 10) – trombone
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1288:Marc Ribot albums
1283:1990 debut albums
1270:
1269:
916:978-0-14-015364-4
866:Olewnick, Brian.
684:
683:
674:"Have a Nice Day"
542:"Friendly Ghosts"
403:The Village Voice
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1188:YRU Still Here?
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1153:¡Muy Divertido!
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1102:Spiritual Unity
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944:Monk with Frets
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909:. p. 907.
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731:(3, 8) – guitar
723:Anthony Coleman
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1199:with John Zorn
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266:Elvis Costello
252:Lounge Lizards
232:Wilson Pickett
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210:, released by
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968:0-19-515607-2
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949:Giddins, Gary
945:
942:Giddins, G.,
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492:Axel Stordahl
489:
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483:
482:I Should Care
479:
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450:Track listing
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310:Review scores
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299:
297:
295:
291:
290:Port-A-Studio
287:
279:
277:
275:
271:
267:
263:
262:
257:
253:
249:
245:
241:
237:
233:
229:
226:artists like
225:
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872:. Retrieved
845:Krasnow, D.
841:
829:
817:
805:
793:
780:
768:
753:Ralph Carney
741:Melvin Gibbs
729:Arto Lindsay
662:Irving Mills
601:Jones, Ribot
530:Jimi Hendrix
454:
441:
429:
425:
418:
412:
408:Gary Giddins
401:
399:
392:
359:
293:
283:
259:
240:Rufus Thomas
221:
202:
201:
200:
185:
177:
176:
86:Experimental
44:Studio album
1261:Discography
1226:Soundtracks
1164:Ceramic Dog
874:25 November
784:Roussel P.
648:Mood Indigo
496:Paul Weston
437:Graham Reid
244:Chuck Berry
94:avant garde
90:alternative
1277:Categories
1023:Marc Ribot
870:. Allmusic
760:References
755:(3) – sona
699:Marc Ribot
488:Sammy Cahn
248:John Lurie
218:Background
208:Marc Ribot
165:chronology
163:Marc Ribot
98:electronic
49:Marc Ribot
1180:Your Turn
981:Reid, G.
717:Don Byron
693:Personnel
570:"New Sad"
469:Writer(s)
430:Elsewhere
300:Reception
280:Recording
274:John Zorn
261:Rain Dogs
256:Tom Waits
214:in 1990.
114:free jazz
110:classical
951:(2004).
899:(1992).
421:AllMusic
324:AllMusic
212:Antilles
153:Producer
142:Antilles
64:Recorded
56:Released
46: by
1253:Related
907:Penguin
393:Critic
224:R&B
191:(1992)
182:(1990)
146:AN 8749
106:no wave
1245:(2003)
1237:(1997)
1218:(2007)
1210:(2003)
1191:(2018)
1183:(2013)
1175:(2008)
1156:(2000)
1148:(1998)
1129:(2014)
1121:(2010)
1113:(2008)
1105:(2005)
1097:(2003)
1089:(2001)
1086:Saints
1081:(1999)
1073:(1995)
1065:(1994)
1057:(1993)
1049:(1992)
1041:(1990)
1030:Albums
965:
913:
677:
635:
587:
573:
545:
511:
472:Length
318:Rating
315:Source
120:Length
72:Studio
1062:Shrek
466:Title
433:'
236:Carla
137:Label
81:Genre
963:ISBN
911:ISBN
876:2019
851:Bomb
680:3:43
666:4:40
638:4:31
624:1:57
604:6:31
590:1:13
576:3:01
562:4:59
548:5:20
534:5:01
514:4:14
500:1:17
419:The
272:and
268:and
242:and
238:and
67:1990
59:1990
959:144
671:12.
643:11.
629:10.
462:No.
400:In
258:'s
250:'s
1279::
961:.
895:;
884:^
858:^
849:,
660:,
656:,
609:9.
595:8.
581:7.
567:6.
553:5.
539:4.
519:3.
505:2.
494:,
490:,
477:1.
435:s
406:,
234:,
230:,
129:27
125:46
112:,
108:,
104:,
100:,
96:,
92:,
88:,
1015:e
1008:t
1001:v
971:.
919:.
878:.
650:"
646:"
616:"
612:"
526:"
522:"
484:"
480:"
127::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
