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In the background there is a yellowish wall calcined by the sun, seen in transversal perspective, which schematically cuts the horizon and highlights the vastness of the space. The wall, characterized by a perfect geometry, presents a great volumetric tension and being suddenly interrupted, it
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From a technical point of view, the characters, described in light and uniform tones, are volumetrically highlighted by the relationship between the drawing and the brushstrokes. The scene is shown on a very intense light and the sensation that derives from it, motionless and sad, is that of
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Made during his stay in Rome in 1873, the canvas depicts a roadside scene in which there are four exhausted horses on a summer day. One is sitting on the ground, another has a saddle and the last two are still pulling the
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21 cm × 31 cm (8.3 in × 12 in)
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345:Paintings in the Gallery of Modern Art (Florence)
180:Roman Carta, Catalogo Beni Culturali (Italian)
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146:suspending life during a sultry summer day.
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241:The Italian Camp at the Battle of Magenta
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142:restores the idea of a blocked time.
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102:, painted during a stay in Rome,
273:Cowboys and Herds in the Maremma
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169:(in Italian). Geometrie fluide.
98:painting by the Italian artist
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355:Paintings by Giovanni Fattori
291:Museo Civico Giovanni Fattori
106:1872–1873. It is now in the
16:Painting by Giovanni Fattori
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265:The Rest (The Red Cart)
257:Quadrato di Villafranca
108:Galleria d'Arte Moderna
74:Galleria d'Arte Moderna
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313:Giuseppe Bezzuoli
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307:Giuseppe Baldini
218:Giovanni Fattori
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167:"Barocci romani"
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57:oil on panel
49:c. 1872–1873
319:Macchiaioli
260:(1876–1880)
249:Roman Carts
132: [
122:Description
90:(Italian -
87:Roman Carts
22:Roman Carts
339:Categories
150:References
62:Dimensions
225:Paintings
129:barroccio
110:, in the
315:(master)
309:(master)
116:Florence
94:) is an
78:Florence
70:Location
324:Realism
300:Related
284:Museums
276:(1893)
268:(1887)
244:(1862)
236:(1861)
54:Medium
36:Artist
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114:, in
46:Year
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157:^
134:it
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104:c.
76:,
210:e
203:t
196:v
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