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250:, so he decided to return to Mexico. However, Orol unexpectedly received a call from Enrique Brion, his agent in Cuba. Brion had come by invitation to the graduation celebration of Juanita Riverón, Rosa's sister, where he heard Rosa Carmina sing. Brion told Orol about his discovery. Upon meeting Rosa the next day, Orol claimed to have felt a great emotion, and thought to himself:
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644:, which wove the songs of her films with Cuban poetry and dance. One thousand performances were held at the Teatro Esperanza Iris of Mexico City, coinciding with the 45th anniversary of Rosa Carmina's career, under the sponsorship of the National Council for Culture and the Arts, the Secretariat of Public Education and Leon Alazraki Riverón.
303:, the object of the conflict between the male characters in the story, a situation that contributes to elevate to star as one of the most representative sex symbols of the Mexican cinema of the time. In some Orol films the actress played herself. To close the 1940s, Rosa Carmina filmed two more films with Orol:
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In the late 1950s and during the 1960s, Rosa
Carmina ventured into other film genres. Carmina's career stands out because of her versatility in working in different genres while keeping the same success with the public. Few actresses in the Mexican cinema were able to do this. She was part of the era
598:
Carmina also performed in arenas, stadiums, cabaret, public theaters and nightclubs around
Central and South America, which achieved significant success in an era when the television was not yet considered a mass medium. Her foray into the theater in Mexico occurred shortly after her arrival to the
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Orol fell for Rosa and offered her a contract to star in three films in Mexico. She initially rejected the offer, but was eventually convinced by Orol. Rosa decided to travel with him to Mexico accompanied by her family. Juan Orol taught her his best dance moves. Later, he sent for choreographers
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Despite being virtually exclusive star of Orol films and his production company (España Sono Films), he gave her the opportunity to film with other producers. After her filmic collaborations with
Producciones Rosas Priego and CLASA Films Mundiales, Rosa Carmina rejoined the Orol film team with
540:. Rosa was considered for the role of Chuchupe. Mario Vargas Llosa himself claimed to have inspired her for the character in the novel. However, they realized that Rosa was too physically attractive to play an obese and decadent woman. The character was then performed by
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on
November 19, 1929. Daughter of Juán Bruno Riverón and Encarnacion Jimenez and the youngest of four siblings. From an early age she showed interest in dancing, and studied at the School of Dance in Cuba. In 1946 the famous Spanish producer, director and film actor
603:. Juan Orol organized a tour throughout the country for Rosa Carmina, where he presented her live to the public. Eventually, Rosa entered in a musical revue presented at the Tivoli Theatre in Mexico City, where she shared scenes with figures like
148:
in 1946. She quickly achieved great popularity in the Mexico thanks to her talent, demeanor, and unconventional stature (being very tall for an actresses of the time). For several years, she was part of the film crew of Juan Orol in his best
367:(1955). In total, between 1946 and 1955, the legendary Orol directed her in sixteen films. Despite the peculiar style of cinema Juan Orol, these films help to enrich the myth of Rosa Carmina and gave her the undisputed title of
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Rosa
Carmina has had a very selective presence on Mexican television. She was one of the first figures to present a musical show on Mexican television. At the end of her film career, Rosa made her debut in the Mexican
454:. The film was a great success in the Spanish market, making Carmina one of the few Mexican stars to achieve success in Spain. From this point on, Rosa Carmina performed musical numbers only sporadically in her films.
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In the mid 1950s, the
Rumberas film experienced a decline. Like other exponents of the genre, Rosa Carmina made fewer productions in this genre. In 1956 she filmed the Spanish-Mexican co-production
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In 1950, Rosa shot with the production company
Producciones Rosas Priego. At this studio, Rosa Carmina had the opportunity to make dramatic films with very different plots: she filmed movies like
355:(1954). The movie was one of the most important and memorable blockbusters films by Rosa Carmina and Orol. Rosa Carmina continued her filmic collaborations next to Juan Orol in three more films:
714:. After, she married Juan Orol. Her third husband was Ramon de Florez. In her fourth and fifth marriage, she married businessmen of Spanish and Lebanese origin, respectively. She resides in
242:. Orol then traveled to Cuba to search for a new star for his films. He launched a competition in Havana where about five hundred girls attended (among the contestants were the future stars
201:(1954), among others. In her versatile career, Rosa Carmina has worked in various film genres, as well as theater and television. In the 1980s and 1990s she appeared in some Mexican
586:. However, her physical attractiveness was again an impediment to the realization of the character she was intended to play, so she was replaced by the Mexican actress and rumbera
689:. She played a minor character and got her role due to her friendship with the soap opera's writer Carlos Romero. This is, to date, her last professional work as an actress.
339:. This trilogy was based on a popular original comic of José G. Cruz. The success of the comic magazine in the audience was overcome by the film version.
710:
Rosa
Carmina has been married several times. Her first husband, Francisco Morales Llanes, was a military and head of the "intelligence" in Cuba during
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675:(1986), where she played special characters written especially for her by the writer Ricardo Renteria. In 1992 she participated in the telenovela
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In her live music shows, Rosa
Carmina was not limited to the interpretation of Caribbean dances, as dhe experimented with other music genres like
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Such was the impact of her musical numbers from films caused among the public, the audience whistled and clapped to repeat the roll in theaters.
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genre, and have an important place in several film libraries around the world. In both films Rosa
Carmina plays the
275:(1946), directed by Juan Orol. Rosa had signed a contract to film two more films with Orol. Her second project was
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Las Reinas del Tropico: María Antonieta Pons, Meche Barba, Amalia Aguilar, Ninón Sevilla & Rosa Carmina
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and Mary Esquivel). He was unable to find an actress to play the character of a Japanese spy in the film
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in several film clubs around the world. Additionally, Rosa Carmina was one of the principal stars of the
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and the serie of characters created by Orol to his classic films. In 1975, Rosa appeared in the film
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from Africa. Rosa Carmina also took acting classes at the workshop of master Seki Sano.
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In the biographical film about Juan Orol made by the filmmaker Sebastián del Amo,
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Rosa Carmina was initially considered to be part of the cast of the telenovela
681:(1992), the first of the successful television soap opera trilogy known as the
505:(1963). In 1974, Rosa Carmina met for the last time with Juan Orol in the film
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Rosa Carmina began her artistic career in the Mexican Cinema starring the film
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In 1956, Rosa Carmina received an offer to make a film in France with actress
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663:(1984). Probably her most memorable works in this medium are the telenovelas
313:, who spoke about a love conflict between a young man and his own uncle) and
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has stated numerous times in the press and on television that he named the
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that flourished between the 1970s and 1980s in the Mexican Cinema.
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Rosa Carmina, Juan Orol (right) and Gilberto Gonzalez, circa 1950s
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159:(1948), considered one of the best Mexican films and considered a
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129:(born November 19, 1929) is a Cuban-Mexican actress and dancer.
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205:. Thanks to her film collaboration with Orol, she was known as
171:
in the 1940s and 1950s. Among her principal Rumberas films are
698:. However, Carmina rejected the project and was replaced by
640:
In the early 1990s, Rosa Carmina starred in a show called
349:(1953). In 1954, Juan Orol produced and directed in Cuba
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Decubanos.com - Cuban Rumberas in Mexico: Rosa Carmina
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Decubanos.com - Cuban Rumberas in Mexico: Rosa Carmina
739:(2012), Rosa Carmina is played by the Mexican actress
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Bellezas del cine mexicano/Beauties of Mexican Cinema
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In 1992, Rosa was considered for a role in the film
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of Mexican cinema. She is also known under the name
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1297:Zona Rosa: Barrio mágico de la Ciudad de México
309:(1949) (controversial film based on a story by
293:(1948), are now considered cult films in the
8:
1230:, México, 1993, ed.Grupo Azabache, p.211-212
622:, Broadway dancer and former member of the
599:country and after the success of the film
281:(1947). Her third film made with Orol was
29:
18:
1274:, México, 1993, ed. Grupo Azabache, p.126
528:In 1976, the Peruvian Nobel Prize winner
238:, ending their film collaboration in the
221:Rosa Carmina Riverón Jimenez was born in
1287:, México, 1993, ed.Grupo Azabache, p.126
1243:, México, 1993, ed.Grupo Azabache, p.212
1217:, México, 1993, ed.Grupo Azabache, p.210
1006:Captain Pantoja and the Special Services
534:Captain Pantoja and the Special Services
509:, where they made their last appearance
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1026:This and the Other with a Single Ticket
287:(1947). Both this film and its sequel,
1134:) (1999). In SOMOS. México: Editorial
7:
1189:CONACULTA: The Queens of the Tropic
970:The Goose that lays the Golden Eggs
485:(1964). She also ventured into the
1132:The Rumberas of the Mexican Cinema
477:for her involvement in films like
419:(1952), again with Fernandez, and
327:, which consisted of three films:
132:She was discovered in Cuba by the
14:
1142:Agrasánchez Jr., Rogelio (2001).
1109:Muñoz Castillo, Fernando (1993).
724:The Mexican painter and sculptor
737:El fantástico mundo de Juan Orol
465:, with the American-Cuban actor
16:Cuban-Mexican actress and dancer
1308:Apantallan con historia de Orol
1146:. Archivo Fílmico Agrasánchez.
1418:20th-century Mexican actresses
1128:Las Rumberas del Cine Mexicano
761:Tania, the Beautiful Wild Girl
559:In 1981, Rosa appeared in the
278:Tania, the Beautiful Wild Girl
252:She is the Woman from the East
174:Tania, the Beautiful Wild Girl
153:. Among these are the classic
1:
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1413:20th-century Cuban actresses
1403:Golden Age of Mexican cinema
1373:Mexican telenovela actresses
1368:Mexican television actresses
431:, directed by the filmmaker
169:Golden Age of Mexican cinema
127:Rosa Carmina Riverón Jiménez
52:Rosa Carmina Riverón Jiménez
928:Story of a Cheating Husband
657:in 1984, in the telenovela
548:. The film was produced by
387:Films with other filmmakers
234:divorced the Cuban rumbera
97:Actress, dancer and singer
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1383:Cuban television actresses
1283:Muñóz Castillo, Fernando.
1270:Muñóz Castillo, Fernando.
1239:Muñóz Castillo, Fernando.
1226:Muñóz Castillo, Fernando.
1213:Muñóz Castillo, Fernando.
207:The Queen of the Gangsters
1393:Cuban emigrants to Mexico
897:Sandra, the Woman of Fire
429:un extraño en la escalera
405:(1951), with Rubén Rojo;
352:Sandra, the Woman of Fire
198:Sandra, the Woman of Fire
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916:Under the Fear Influence
818:What Idiots are the Men!
777:Gangsters Versus Cowboys
624:Katherine Dunham Company
361:Under the Fear Influence
290:Gangsters Versus Cowboys
156:Gangsters Versus Cowboys
140:, and made her debut in
113:Francisco Morales Llanes
964:My Wife needs a Husband
601:Tania, la bella salvaje
519:, which introduced the
1363:Mexican film actresses
1285:Las Reinas del Trópico
1272:Las Reinas del Trópico
1252:SOMOS (1999), p. 79-80
1241:Las Reinas del Trópico
1228:Las Reinas del Trópico
1215:Las Reinas del Trópico
952:My Private Secretaries
940:Unforgettable Melodies
730:Zona Rosa, Mexico City
685:, starring the singer
642:Rumba, poetry and song
633:and the Cuban rumbera
538:novel of the same name
463:My Private Secretaries
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369:Queen of the Gangsters
988:The Macabre Footprint
976:How Much is Your Son?
889:The Goddess of Tahiti
784:The Downtown's Cowboy
741:Ximena Gonzalez Rubio
683:Trilogy of the Marias
493:genres in films like
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346:The Goddess of Tahiti
248:A Woman from the East
211:Her Majesty The Rumba
146:A Woman from the East
1398:Cuban film actresses
1046:La pasión de Isabela
660:La pasión de Isabela
607:, Rosita Fornés and
567:. Her last film was
450:(1956), directed by
267:Films with Juan Orol
236:María Antonieta Pons
1261:SOMOS (1999), p. 90
922:Dangerous Secretary
365:Dangerous Secretary
1113:. Grupo Azabache.
1087:Mi pequeña Soledad
934:Love me with Music
876:Star without Light
850:Night of Perdition
769:Gangster's Kingdom
631:Adalberto Martínez
594:Stage performances
584:The Years of Greta
554:Dominican Republic
550:Paramount Pictures
530:Mario Vargas Llosa
522:Mexican sex comedy
448:Love Me with Music
397:Fernando fernández
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870:Ladies Specialist
754:A Woman from East
700:Ana Luisa Peluffo
605:Libertad Lamarque
516:Beauties by Night
503:Macabre Footprint
495:The Cobra Mystery
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407:Ladies Specialist
273:A Woman from East
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64:(age 94)
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1343:(in Spanish)
1338:site of the
1332:Rosa Carmina
1323:Rosa Carmina
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23:Rosa Carmina
1358:1929 births
812:Treacherous
747:Filmography
669:(1985) and
655:telenovelas
609:Los Panchos
588:Meche Barba
542:Katy Jurado
501:(1963) and
491:horror film
481:(1959) and
393:Treacherous
363:(1955) and
203:telenovelas
195:(1952) and
118:(1949-1954)
80:Nationality
40: 1950
1352:Categories
1162:References
1058:Muchachita
1052:Juana Iris
790:The Bandit
672:Muchachita
666:Juana Iris
648:Television
435:, next to
217:Early life
136:filmmaker
58:1929-11-19
797:Wild Love
577:Tongolele
546:La Cubana
373:Film noir
306:Wild Love
232:Juan Orol
180:Wild Love
161:cult film
138:Juan Orol
116:Juan Orol
110:Spouse(s)
69:La Habana
1136:Televisa
497:(1959),
359:(1954),
189:(1951),
183:(1949),
177:(1947),
1334:at the
863:Voyager
695:Marimar
487:fantasy
473:of the
416:Voyager
321:vedette
192:Voyager
167:of the
134:Spanish
88:Mexican
1150:
1117:
1098:(1992)
1090:(1990)
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1074:(1988)
1066:(1986)
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1028:(1983)
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772:(1948)
764:(1947)
756:(1946)
687:Thalía
511:Sandra
325:Percal
262:Career
223:Havana
1340:ITESM
716:Spain
563:film
84:Cuban
1327:IMDb
1148:ISBN
1115:ISBN
575:and
489:and
335:and
227:Cuba
73:Cuba
48:Born
1325:at
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1040:TV
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42:s
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