268:. The 24-minute film premiered on PBS station KQED-TV in San Francisco and is described as a celebration of music, art, and the creative choices we all make. It won a national Silver Telly award, was an Emmy nominee, and a Columbus International Film Festival honoree. It was produced by Luanne Bole-Becker who met Salley at a 1993 Chris Isaak concert. In the months that followed, they explored through correspondence why Salley chose to be a musician and painter. In this documentary based on their letters, Bole-Becker and Salley collaborate with film and video artists, merging original music and visuals into a human interest story honoring the creative spirit.
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one sunny Friday afternoon in the springtime . There was death and destruction and though I wasn't consciously trying to flee the place or the characters of my town... there was a lot that I wanted to try in my lifetime... I ought to set about it before another "tornado" came along." His first move
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Of the songwriting process, Salley has written, "the part I like best about writing is the second you realize that you've just written a song." He markets reproductions of his art through his website and has contributed his art to three of Maria
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from New York told me in 1981 while we were in a band together that I should learn this song by his friend, Roly Salley. Just when you think there's no new way to say anything, you hear a song like this and think, that's as good as anything before or since."
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in 2004. The album is a mix of new and old material, dating as far back as 1977 (the title song). After Shawn Colvin recorded "Killing the Blues" in 1994 she wrote, "
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In 1998, Salley co-directed a short documentary film about himself called
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s list of the 100 Best Songs of 2007. It later earned a
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