Roy Lichtenstein - Knowledge

460: 895: 789:, executive director of the Lichtenstein Foundation, contests the notion that Lichtenstein was a copyist, saying: "Roy's work was a wonderment of the graphic formulae and the codification of sentiment that had been worked out by others. The panels were changed in scale, color, treatment, and in their implications. There is no exact copy." However, some have been critical of Lichtenstein's use of comic-book imagery and art pieces, especially insofar as that use has been seen as endorsement of a patronizing view of comics by the art mainstream; cartoonist 2808:

collection of the New York insurance broker Leon Kraushar. Most of the works date from the 1960s and represent the American Pop Art and Minimalist currents. They include workgroups by such artists as Carl Andre, Francis Bacon, Walter De Maria, Jim Dine, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Cy Twombly or Andy Warhol, as well as German artists of the period, among them Blinky Palermo, Gerhard Richter, Reiner Ruthenbeck and Franz Erhard Walther.

1834:(1962) was returned to Leo Castelli's widow Barbara Bertozzi Castelli, after having been missing for 42 years. Castelli had sent the painting to an art restorer for cleaning in January 1970, and never got it back. He died in 1999. In 2006, the Roy Lichtenstein Foundation published an image of the painting on its holiday greeting card and asked the art community to help find it. The painting was found in a New York warehouse, after having been displayed in Bogota, Colombia. 1149: 3252:, p. 37: "Lichtenstein staked out art as a theme in 1962 in terms of reproductions of masterpieces by Cézanne, Mondrian, and Picasso. The theme reappears in another form in the Brushstrokes of 1965–66: no specific artist is identifiable with them, but at the time the paintings were usually interpreted as a putdown of gestural Abstract Expressionism (the disparity between Lichtenstein's neat technique and the hefty swipes of impasted paint is marked)." 560:, who was also a teacher at the university. This environment helped reignite Lichtenstein's interest in Proto-pop imagery. In 1961, he began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. Lichtenstein's first work to feature the large-scale use of hard-edged figures and 676:

and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument." He discussed experiencing this heavy criticism in an interview with April Bernard and Mimi Thompson in 1986. Suggesting that it was at times difficult to be criticized, Lichtenstein said, "I don't doubt when I'm actually painting, it's the criticism that makes you wonder, it does."

4945: 4929: 4913: 4897: 4158:. This painting refers to the popular conception of Abstract Expressionist works: their large size broad brushstrokes, drips. But Lichtenstein's painting is all neat and clean. Since the simplification refers to printed color reproductions, Lichtenstein paints in the benday dots of the mechanical process. The affective content of an action painting is replaced by a painted image that, paradoxically, resembles an industrial product." 44: 2216:‘Lichtenstein's story, in many ways, is an assimilation story,’ said Bethany Montagano, curator of "Pop for the People: Roy Lichtenstein in LA." ‘Lichtenstein didn't speak often about being Jewish. There was just one interview in the 1960s where he spoke about his maternal grandfather who went to temple and spoke Hebrew.’ 916: 4470: 6475: 847:

types of historical publications, in this case the American mainstream comic book. To what extent was National Periodical Publications (later DC) responsible for the rejection of the roles of Kanigher and Novick as artists in their own right by not granting them full authorial credit on the publication itself?"

761:(1965), Lichtenstein collaborated with a ceramicist who sculpted the form of the head out of clay. He then applied a glaze to create the same sort of graphic motifs that he used in his paintings; the application of black lines and Ben-Day dots to three-dimensional objects resulted in a flattening of the form. 1137: 991:

Also in 1970, Lichtenstein purchased a former carriage house in Southampton, Long Island, built a studio on the property, and spent the rest of the 1970s in relative seclusion. In the 1970s and 1980s, his style began to loosen and he expanded on what he had done before. Lichtenstein began a series of

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Lichtenstein's works based on enlarged panels from comic books engendered a widespread debate about their merits as art. Lichtenstein himself admitted, "I am nominally copying, but I am really restating the copied thing in other terms. In doing that, the original acquires a totally different texture.

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Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965, though he would occasionally incorporate comics into his work in different ways in later decades. These panels were originally drawn by such comics artists

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Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. However, he would never take himself too seriously, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is

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Lichtenstein's works were inspired by comics featuring war and romantic stories. "At that time", he later recounted, "I was interested in anything I could use as a subject that was emotionally strong – usually love, war, or something that was highly charged and emotional subject matter to be opposite

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In an account published in 1998, Novick said that he had met Lichtenstein in the army in 1947 and, as his superior officer, had responded to Lichtenstein's tearful complaints about the menial tasks he was assigned by recommending him for a better job. Jean-Paul Gabilliet has questioned this account,

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magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose

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started displaying Lichtenstein's work at his gallery in New York. Lichtenstein had his first one-man show at the Castelli gallery in 1962; the entire collection was bought by influential collectors before the show even opened. A group of paintings produced between 1961 and 1962 focused on solitary

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The eighty-seven works from the former collection of Karl Ströher, an industrialist of Darmstadt, form the core of the museum's collection. Acquired by the city of Frankfurt in 1981‒82, they were a determining factor in the founding of the MMK. Ströher's collection was in turn based on the former

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features a wide range selection of screenprints by Andy Warhol and Roy Lichtenstein, as well as an assortment of Warhol's Polaroid photographs known as the leading figures of the Pop Art movement of the 1960s and 1970s. Warhol and Lichtenstein are celebrated for exploring the relationship between

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Besides embodying the cultural prejudice against comic books as vehicles of art, examples like Lichtenstein's appropriation of the vocabulary of comics highlight the importance of taking publication format in consideration when defining comics, as well as the political economy implied by specific

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if he considered Lichtenstein a plagiarist. Gibbons replied: "I would say 'copycat'. In music for instance, you can't just whistle somebody else's tune or perform somebody else's tune, no matter how badly, without somehow crediting and giving payment to the original artist. That's to say, this is

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also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work, Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks

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consisted of a first series of paintings from 1971 to 1972, followed by a second series in 1974–76, and the publication of a series of relief prints in 1976. Lichtenstein produced a series of "Artists Studios" which incorporated elements of his previous work. A notable example being

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in Paris in 2013. 2013:Roy Lichtenstein, Olyvia Fine Art. 2014: Roy Lichtenstein: Intimate Sculptures, The FLAG Art Foundation. Roy Lichtenstein: Opera Prima, Civic Gallery of Modern and Contemporary Arts, Turin. 2018: Exhibition at The Tate Liverpool, Merseyside, United Kingdom.

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that same year, where he remained for six years, although Lichtenstein frequently traveled back to New York. During this time, he undertook jobs as varied as a draftsman to a window decorator in between periods of painting. Lichtenstein's work at this time fluctuated between

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blogged that "Lichtenstein took a tiny picture, smaller than the palm of the hand, printed in four color inks on newsprint and blew it up to the conventional size at which 'art' is made and exhibited and finished it in paint on canvas." With regard to Lichtenstein,

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manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". Lichtenstein described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the

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Although Lichtenstein's comic-based work gained some acceptance, concerns are still expressed by critics who say Lichtenstein did not credit, pay any royalties to, or seek permission from the original artists or copyright holders. In an interview for a

1638:(1966). Outside the United States and Europe, the National Gallery of Australia's Kenneth Tyler Collection has extensive holdings of Lichtenstein's prints, numbering over 300 works. In total there are some 4,500 works thought to be in circulation. 1411:

had bought around the corner from his own house. Three years later, they bought a 1910 carriage house facing the ocean on Gin Lane. From 1970 until his death, Lichtenstein split his time between Manhattan and Southampton. He also had a home on

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series, including over 60 paintings and accompanying drawings. Using his characteristic Ben-Day dots and geometric shapes and lines, he rendered incongruous, challenging images out of familiar architectural structures, patterns borrowed from

479:, which offered studio courses and a degree in fine arts. His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946. After being in training programs for languages, engineering in the 1729:, Getler Pall, Condon Riley, 65 Thompson Street, Holly Solomon, and Sperone Westwater Galleries among others. Leo Castelli Gallery represented Lichtenstein exclusively since 1962, when a solo show by the artist sold out before it opened. 4295: 3893: 705:

follows the comic strip-based themes of some of his previous paintings and is part of a body of war-themed work created between 1962 and 1964. It is one of his two notable large war-themed paintings. It was purchased by the

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paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. In 1983 Lichtenstein made two

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After the artist's death in 1997, the Roy Lichtenstein Foundation was established in 1999. In 2011, the foundation's board decided the benefits of authenticating were outweighed by the risks of protracted lawsuits.

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series are formed with simulated Ben-Day dots and block contours, rendered in hard, vivid color, with all traces of the hand removed. The nude is a recurring element in Lichtenstein's work of the 1990s, such as in

1104:(1991–1992) is a series of works depicting banal domestic environments inspired by furniture ads the artist found in telephone books or on billboards. Having garnered inspiration from the monochromatic prints of 3730: 1084:(1979). The "Indian" works took their themes, like the other parts of the Surrealist series, from contemporary art and other sources, including books on American Indian design from Lichtenstein's small library. 6585: 1752:

painting via sweeping brushstrokes and drips, but the result of Lichtenstein's simplification that uses a Ben-Day dots background is a representation of the mechanical/industrial color printing reproduction.

5706: 1808:(1961) depicts a man looking through a hole in a door. It was sold by collector Courtney Sale Ross for $ 43 million, double its estimate, at Christie's in New York City in 2011; the seller's husband, 669:

meant by it is important to art". When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a

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who became the muse for his Nudes series including the 1994 "Nudes with Beach Ball". She was 22 and he was 68. The affair lasted until 1994 and was over when Wexler went to England with future husband

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once said, "There's high art and there's low art. And then there's high art that can take low art, bring it into a high art context, appropriate it and elevate it into something else."

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saying that Lichtenstein had left the army a year before the time Novick says the incident took place. Bart Beaty, noting that Lichtenstein had appropriated Novick for works such as

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Gallery. The card urged the public to report any information about its whereabouts. In 2012, the foundation authenticated the piece when it surfaced at a New York City warehouse.

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logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know

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and said; "I bet you can't paint as good as that, eh, Dad?" That same year, Lichtenstein produced six other works with recognizable characters from gum wrappers and cartoons.

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It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene and resigned from

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Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949, Lichtenstein earned a

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family in New York City. His father, Milton, was a real estate broker, and his mother, Beatrice (née Werner), a homemaker. Lichtenstein was raised on New York City's

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Lichtenstein began experimenting with sculpture around 1964, demonstrating a knack for the form that was at odds with the insistent flatness of his paintings. For

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in California. The same year, his first solo exhibition in Europe was held at museums in Amsterdam, London, Bern and Hannover. Lichtenstein later participated in

823:'WHAAM! by Roy Lichtenstein, after Irv Novick'." Sooke himself maintains that "Lichtenstein transformed Novick's artwork in a number of subtle but crucial ways." 435:, graduating in 1940. He first became interested in art and design as a hobby, through school. Lichtenstein was an avid jazz fan, often attending concerts at the 3993: 2558: 443:. He frequently drew portraits of the musicians playing their instruments. In 1939, his last year of high school, Lichtenstein enrolled in summer classes at the 1505:

Gallery, London, on the occasion of the show "'54–'64: Painting and Sculpture of a Decade." In 1967, his first museum retrospective exhibition was held at the

1521:. The Guggenheim presented a second Lichtenstein retrospective in 1994. Lichtenstein became the first living artist to have a solo drawing exhibitions at the 5215: 6515: 1701:

Since the 1950s Lichtenstein's work has been exhibited in New York and elsewhere with Leo Castelli at his gallery and at Castelli Graphics as well as with

1598:(1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the 685:(1963) depicts a fighter aircraft firing a rocket into an enemy plane, with a red-and-yellow explosion. The cartoon style is heightened by the use of the 6525: 5546: 5079: 4252: 5023:

Roy Lichtenstein: Pop Art's Most Popular; His Whimsical Paintings Once Evoked the "Shock of the New"; Now They Evoke Record Prices on the Auction Block

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household objects such as sneakers, hot dogs, and golf balls. In September 1963, Lichtenstein took a leave of absence from his teaching position at

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for $ 5.5 million in 1989, a record sum at the time, making him one of only three living artists to have attracted such huge sums. In 2005,

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PhD, Ernesto Priego notes that Lichtenstein's failure to credit the original creators of his comic works was a reflection on the decision by

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completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like

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in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and two books. The

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had acquired it at auction in 1988 for $ 2.1 million. The painting measures four-foot by four-foot and is in graphite and oil.

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prints and illustrated books. He began to produce works that borrowed stylistic elements found in Expressionist paintings.

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In 1957, Lichtenstein moved back to upstate New York and began teaching again. It was at this time that he adopted the

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was sold for $ 165 million. The proceeds of this sale will be used to create a fund for criminal justice reform.

1821:(1964) from the collection of Beatrice and Phillip Gersh established a new Lichtenstein record $ 44.8 million at 1207: 5819: 3090: 1623: 743: 4967: 3471: 6465: 5578: 5343: 5223: 5207: 4954: 2078: 1944: 1865: 1798: 1608: 1439: 1191: 1109: 509: 408: 4011: 6495: 5065: 3712: 3439: 3425: 1654:(1961), a painting that had been missing since 1970 after being sent out to art restorer Daniel Goldreyer by the 1393: 1343: 1172: 831: 575: 4900: 3939: 3261: 2870: 851:

Furthermore, Campbell notes that there was a time when comic artists often declined attribution for their work.

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and Expressionism. In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son,

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Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the

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style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the

1442:, where he had been hospitalized for several weeks, at age 73. Lichtenstein was survived by his second wife, 483:, and pilot training, all of which were cancelled, Lichtenstein served as an orderly, draftsman, and artist. 6060: 5900: 5824: 5495: 5319: 5271: 4920: 2044: 1839: 1682: 1665:

in 2006, the Lichtenstein Foundation acquired the collection of photographic material shot by Shunk and his

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During a trip to Los Angeles in 1978, Lichtenstein was fascinated by lawyer Robert Rifkind's collection of

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Gallery in 1963, and (now at the Tate Modern) has remained in their collection ever since. In 1968, the

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Beginning in 1962, the Leo Castelli Gallery, New York, held regular exhibitions of the artist's work.

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Roy Lichtenstein's public artwork at Times Square-42nd Street, commissioned by MTA Arts for Transit.

4820:, Bestandskatalog Museum für Moderne Kunst, Frankfurt am Main 1985, cover image, pp 82–83, 176–178. 3409: 3146: 3113: 2749:, Bestandskatalog Museum für Moderne Kunst, Frankfurt am Main 1985, cover image, pp 82–83, 176–178. 6404: 5984: 5765: 5647: 5570: 5431: 5167: 4173: 2978: 2824: 1745: 1518: 1506: 1335: 1286: 1240: 1217: 985: 947: 865:, says that Novick's story "seems to be an attempt to personally diminish" the more famous artist. 498: 464: 3776:"Lichtenstein and Warhol - Pop Art from the Collection - Zillman Art Museum - University of Maine" 1420: 868:

In 1966, Lichtenstein moved on from his much-celebrated imagery of the early 1960s, and began his

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series, produced between 1988 and 1990, Lichtenstein reused his own motifs from previous works.

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in 1958. Around this time, he began to incorporate hidden images of cartoon characters such as

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In 1949, Lichtenstein married Isabel Wilson, who previously had been married to Ohio artist

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commented that "Lichtenstein did no more or less for comics than Andy Warhol did for soup."

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In addition to paintings and sculptures, Lichtenstein also made over 300 prints, mostly in

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Das Museum für Moderne Kunst und die Sammlung Ströher. Zur Geschichte einer Privatsammlung

2323:"Roy Lichtenstein at the Art Institute of Chicago: Pop Art as an Affront to WASPy Decorum" 2249: 1686: 1570: 1530: 1385: 671: 658: 561: 505: 491: 428: 378: 4270: 4190: 2304: 1666: 935: 490:. Lichtenstein returned to studies in Ohio under the supervision of one of his teachers, 3801: 6379: 6333: 6206: 6201: 6191: 6186: 6166: 6089: 6070: 6065: 5994: 5989: 5974: 5969: 5910: 5839: 5755: 5423: 5335: 5295: 5127: 4611:"With $ 170.4 Million Sale at Auction, Modigliani Work Joins Rarefied Nine-Figure Club" 4502: 4335: 4256: 4075: 4036: 3979: 3961: 3924: 3761: 3396: 3300: 2933: 1910: 1844: 1525:

from March – June 1987. Recent retrospective surveys include the 2003 "All About Art",

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It isn't thick or thin brushstrokes, it's dots and flat colours and unyielding lines."

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has several important works by Lichtenstein in its permanent collection, including

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in 1965. He continued to revisit this theme later in his career with works such as

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Roy Lichtenstein: Landscapes in the Chinese Style, November 12 – December 22, 2011

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set another record at $ 56.1 million as it was purchased by British jeweller

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Lichtenstein received numerous Honorary Doctorate degrees from, among others, the

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and attended public school until he was 12. Lichtenstein then attended New York's

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Roy Lichtenstein in the National Gallery of Australia's Kenneth Tyler collection

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entrepreneur Karl Ströher acquired several major works by Lichtenstein, such as

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proved to be Lichtenstein's most influential works. His most expensive piece is

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as well as the photographers' copyright. In 2013, the foundation donated the

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is large in scale, measuring 1.7 x 4.0 m (5 ft 7 in x 13 ft 4 in).

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In late 2006, the foundation sent out a holiday card featuring a picture of

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IV (1968) and VI in (1977). Lichtenstein had his first retrospective at the

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In 1989, Lichtenstein created a giant two-panel mural especially for the

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Roy Lichtenstein: American Indian Encounters, May 13 – September 4, 2006

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series of 1967–8 made reference to motifs from Art Déco architecture.

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Image duplicator : Roy Lichtenstein and the emergence of pop art

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Getty among beneficiaries of massive Roy Lichtenstein Foundation gift

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in London – that will allow each museum access to the others' share.

1376:. Derry Noyes served as the stamp series' art director and designer. 1069: 681: 518: 440: 390: 174: 4972: 4680:

The Prints of Roy Lichtenstein : a Catalogue Raisonné 1948–1997

1076:(1981), a stylized life-size sculpture reminiscent of a streamlined 988: – turned out to be the artist's only venture into the medium. 5057: 4763:

Off limits : Rutgers University and the Avant-Garde, 1957–1963

4215:, "Lichtenstein’s $ 43 Million Pouting Redhead Helps Revive Market" 3462:

Post War And Contemporary Art Evening Sale, New York, May 13, 2008.

2535:

Post War And Contemporary Art Evening Sale, New York, May 13, 2008.

2113: 5247: 4390:"Christie's Contemporary Art Auction Sets Record at $ 495 Million" 3064:"Deconstructing Lichtenstein: Source Comics Revealed and Credited" 2559:"ArtDependence | Christie's to Offer Kiss III by Roy Lichtenstein" 2200:"How Jewish Comic Book Heroes Inspired Roy Lichtenstein's Pop Art" 1501:

In 1964, Lichtenstein became the first American to exhibit at the

1403:, (1939–2024), in 1968. In the late 1960s, they rented a house in 1308: 1265: 1147: 1135: 622:

in 1964 to concentrate on his painting. Lichtenstein used oil and

601: 458: 4643:. Modern Masters Series. Vol. 1. New York: Abbeville Press. 3940:"Events & Exhibits of Roy Lichtenstein (American, 1923–1997)" 2340: 2338: 2336: 4253:

Roy Lichtenstein Peephole Sets $ 43 Million Record at Christie's

4228:"Peephole Tom by Lichtenstein May Fetch $ 45 Million at Auction" 3317:

Roy Lichtenstein: Entablatures, September 17 – November 12, 2011

2278:"Agnes Gund Sells a Lichtenstein to Start Criminal Justice Fund" 1690: 1502: 1350: 1264:

1977 Skowhegan Medal for Painting, Skowhegan School, Skowhegan,

707: 5688: 5061: 3894:""Roy Lichtenstein: A Retrospective": An expansive collection" 2932:. LichtensteinFoundation.org. January 31, 1964. Archived from 2864: 2862: 2860: 1428: 1349:

In 2023, five of Lichtenstein's paintings will be featured on

1232: 357:; October 27, 1923 – September 29, 1997) was an American 334: 4010:

Kate Kowsh, Liz Sadler and Dareh Gregorian (August 1, 2012),

3976:

In Art, Freedom of Expression Doesn’t Extend to 'Is It Real?'

3543:"Artist Roy Lichtenstein Designs Logo For DreamWorks Records" 3262:

Roy Lichtenstein: Beginning to End, February 2 – May 27, 2007

3207:

Of Comics and Men: A Cultural History of American Comic Books

3091:"The Principality of Lichtenstein: From 'WHAAM!' to 'WHAAT?'" 2510: 2508: 1606:

has one of the most comprehensive Lichtenstein holdings with

3695:"Actor Finds That His Roles Walk on the Darker Side of Life" 934:

In the early 1960s, Lichtenstein reproduced masterpieces by

3876:"Roy Lichtenstein: The Black-and-White Drawings, 1961–1968" 3173:"Roy Lichtenstein's Tears: Art vs. Pop in American Culture" 2245:"Pop art pioneer Lichtenstein in Tate Modern retrospective" 1661:

Between 2008 and 2012, following the death of photographer

1471: 1080:

in black-patinated bronze, to the monumental wool tapestry

346: 3731:"'Roy didn't want a woman. He liked them young and juicy'" 3288: 3286: 877:

and other subtly evocative, often sequential, motifs. The

6586:

Ohio State University College of Arts and Sciences alumni

4950:

Dorothy Lichtenstein on Roy Lichtenstein: A Retrospective

4350:"Long-missing Lichtenstein painting returned to NY owner" 1555:

Roy Lichtenstein: The Black-and-White Drawings, 1961–1968

1466:

fine art, advertising, and consumerism. Lichtenstein and

325: 2305:"Roy Lichtenstein Biography, Art, and Analysis of Works" 2186:

History of Modern Art: Painting, Sculpture, Architecture

4416:"With $ 170.4 Million Sale at Auction, Modigliani Work" 3640:

Roy Lichtenstein's lover: "He wanted to make women cry"

2957:"WOW!, Lichtenstein: A Retrospective at Tate Modern II" 1860:

for 95.4 million dollars at a Christie's auction.

626:(early acrylic) paint in his best known works, such as 4191:"Roy Lichtenstein painting fetches $ 42.6m at auction" 3758:"Lichtenstein Widow Recalls Macro Diet, Love for Jazz" 3609:"Whaam! Suddenly Roy was the darling of the art world" 3329:

Lichtenstein: Expressionism, July 1 – October 12, 2013

3312: 3310: 3114:"Is Lichtenstein a great modern artist or a copy cat?" 1489:

on September 11, 2001, a painting from Lichtenstein's

632:(1963), which was appropriated from the lead story in 6463: 4251:

Katya Kazakina and Philip Boroff (November 9, 2011),

4170:

Pop Goes the Art Market: A $ 40 Million Lichtenstein?

3667: 3665: 1736:

has been exhibiting work by Lichtenstein since 1996.

349: 340: 337: 328: 5136:

I Can See the Whole Room...and There's Nobody in It!

4609:

Pogrebin, Robin; Reyburn, Scott (November 9, 2015).

4048: 4046: 3410:

Roy Lichtenstein: Still Lifes, May 8 – July 30, 2010

1996:

I Can See the Whole Room...and There's Nobody in It!

1805:

I Can See the Whole Room...and There's Nobody in It!

1775:

In 2010, Lichtenstein's cartoon-style 1964 painting

996:

paintings in 1969. By 1970, while continuing on the

842:, to omit any credit for their writers and artists: 594:

to the removed and deliberate painting techniques".

343: 331: 322: 6576:

Members of the American Academy of Arts and Letters

6362: 6291: 6225: 6154: 6082: 6013: 5938: 5863: 5792: 5723: 5666: 5640: 5613: 5514: 5095: 4889: 4442:"A de Kooning Work Sets A Record at $ 20.7 Million" 4122:"Record Prices for Art Auction at New York Auction" 3393:

A Pop Artist's Fascination With the First Americans

1487:

works of art lost in the World Trade Center attacks

1171:, for the collector's Pop Art bedroom suite at the 1096:posters, simply titled "Against Apartheid". In his 420:Lichtenstein was born on October 27, 1923, into an 319: 292: 277: 219: 209: 140: 123: 113: 92: 76: 53: 34: 4739: 4469: 4368:"Long-missing Roy Lichtenstein canvas found in NY" 4271:"Roy Lichtenstein Work Sets New $ 43m Sale Record" 4120: 3607: 2369: 2367: 2365: 2363: 2361: 2359: 1419:In 1991, Lichtenstein began an affair with singer 5054:(sources for Lichtenstein's comic-book paintings) 5012:How Nail Art And Roy Lichtenstein Belong Together 2153: 2151: 412:, which was sold for $ 165 million in 2017. 4682:(2 ed.). New York, NY: Hudson Hills Press. 2149: 2147: 2145: 2143: 2141: 2139: 2137: 2135: 2133: 2131: 1748:, the subject of the painting is the process of 1314:1995 National Medal of the Arts, Washington D.C. 742:for several years, the founding director of the 6616:United States National Medal of Arts recipients 4782:Art in Our Times: A Pictorial History 1890–1980 844: 6601:State University of New York at Oswego faculty 4529:"Record $ 22.4 million paid for a Rothko" 4383: 4381: 3589: 3587: 3585: 3142:The Comics Grid, Journal of Comics Scholarship 2160:"The Roy Lichtenstein Foundation – Chronology" 1068:(1979, Ludwig Forum für Internationale Kunst, 972:In 1970, Lichtenstein was commissioned by the 710:Gallery in 1966, after being exhibited at the 5700: 5073: 4247: 4245: 3564:"U.S. Postal Service Reveals Stamps for 2023" 3440:"Against Apartheid Poster - Image-Duplicator" 2897:"Pop Art pioneer Roy Lichtenstein dead at 73" 2436:"Roy Lichtenstein Exhibitions..... 1946–2009" 2271: 2269: 2267: 2226: 2224: 8: 6606:United States Army personnel of World War II 4838:Roy Lichtenstein Interview with Melvyn Bragg 4290: 4288: 4114: 4112: 3920:"A New Traveling Show of Lichtenstein Works" 2654:"A New Traveling Show of Lichtenstein Works" 2483: 2481: 1557:. Another major retrospective opened at the 1478:and in an exhibition in 2007 at the British 1434:On September 29, 1997, Lichtenstein died of 1392:in 1958. The couple sold the family home in 475:Lichtenstein then left New York to study at 4780:Selz, Peter (1981). "The 1960s: Painting". 4522: 4520: 4464: 4462: 4323: 4321: 2599: 2587: 2514: 2472: 2373: 1772:was sold for a then record $ 16.2m (£10m). 1342:(1977). He also served on the board of the 5707: 5693: 5685: 5080: 5066: 5058: 4865:Roy Lichtenstein : Drawing and Prints 4832:Roy Lichtenstein Interview with Chris Hunt 2614:"Roy Lichtenstein, Pop Master, Dies at 73" 1159:In 1969, Lichtenstein was commissioned by 1000:series, he started work on the subject of 552:In 1960, Lichtenstein started teaching at 42: 31: 4551: 4549: 4497: 4495: 3519:"Roy Lichtenstein – 'Times Square Mural'" 2612:Kimmelman, Michael (September 30, 1997). 2344:Christopher Knight (September 30, 1997), 1828:In October 2012, Lichtenstein's painting 1541:, until 2005); and "Classic of the New", 1461:continues to influence the 21st century. 1235:to paint a Group 5 Racing Version of the 1203:John Glenn Columbus International Airport 980:, the artist conceived of, and produced, 4720:. New Haven, CT: Yale University Press. 3166: 3164: 3031:"Image Duplicator: pop art's comic debt" 3001:"Still asking, "Are we having fun yet?"" 2821:Roy Lichtenstein: a new dimension in art 1871: 1195:(1979) in Miami Beach; the 26 feet tall 598:Period of Lichtenstein's highest profile 447:, where he worked under the tutelage of 6470: 5770:Harris & Carroll Sterling Masterson 4742:Lives of the Great 20th-Century Artists 3656: 3593: 3505: 3249: 3233: 3231: 2672: 2639: 2499: 2460: 2385: 2230: 2188:, New York: Harry N. Abrams, Inc. 1968. 2105: 1854:This was topped in 2015 by the sale of 1529:, in Denmark (which traveled on to the 6571:Kyoto laureates in Arts and Philosophy 6556:Deaths from pneumonia in New York City 6546:Art Students League of New York alumni 4886: 4701:. Cologne, Germany: Benedikt Taschen. 4527:Melikian, Souren (November 10, 2005). 4471:"$ 6 Million Is Paid For Lichtenstein" 4185: 4183: 3958:Lichtenstein’s Gatekeeper Uses Her Key 3800:Thomas, Kelly Devine (November 2001). 3426:"Against Apartheid - Image-Duplicator" 2544: 1493:was destroyed in the subsequent fire. 1399:Lichtenstein married his second wife, 1390:State University of New York at Oswego 1285:1991 Creative Arts Award in Painting, 534:State University of New York at Oswego 6581:Military personnel from New York City 6561:Honorary members of the Royal Academy 5488:Large Interior with Three Reflections 4558:"Lichtenstein Tops Warhol in Auction" 4414:Pogrebin, Robin (November 10, 2015). 3693:Julianelli, Jane (February 2, 1997). 3620:from the original on January 12, 2022 3606:Gayford, Martin (February 25, 2004). 3347:. Sam.nmartmuseum.org. Archived from 2924:"Is He the Worst Artist in the U.S.?" 2895:Monroe, Robert (September 29, 1997). 2487: 2198:Kaminer, Michael (October 18, 2016). 1144:, painted in 1977 by Roy Lichtenstein 1108:featured in a 1994 exhibition at the 7: 4901:Lichtenstein's Rouen Cathedral Set V 4149: 3717:T: The New York Times Style Magazine 3638:Alastair Sooke (February 18, 2013), 2977:Campbell, Eddie (February 4, 2007). 2972: 2970: 2243:Hoang, Li-mei (September 21, 2012). 1705:in her gallery in Paris, and at the 1296:1993 Amici de Barcelona, from Mayor 1273:American Academy of Arts and Letters 504:In 1951, Lichtenstein had his first 5368:Oh, Jeff...I Love You, Too...But... 4867:. Secaucus, N.J.: Wellfleet Books. 4070:Holland Cotter (October 18, 2012), 4012:$ 4M piece found – Art lost 42 yrs. 3756:Nayeri, Farah (February 20, 2013). 3178:Canadian Review of American Studies 2869:Sanderson, Peter (April 24, 2007). 2840:"Lichtenstein: creator or copycat?" 1282:, Rome, Italy. Artist in residence. 738:(1966). After being on loan at the 556:where he was heavily influenced by 501:degree from Ohio State University. 183:Oh, Jeff...I Love You, Too...But... 6516:20th-century American male artists 4033:Surprise Bounty for Cleanup Artist 3826:Solomon, Deborah (March 8, 1987). 3062:Childs, Brian (February 2, 2011). 1539:San Francisco Museum of Modern Art 1440:New York University Medical Center 1231:. In 1977, he was commissioned by 785:, who rarely received any credit. 25: 6526:20th-century American printmakers 5716:National Medal of Arts recipients 5464:Artist's Studio—Look Mickey 4917:Roy Lichtenstein: A Retrospective 4556:Kelly, Tara (November 11, 2010). 4119:Hahn, Susan (November 19, 1970). 3874:Myers, Terry R. (November 2010). 3853:"The Roy Lichtenstein Foundation" 3713:Dispatch: Captiva Island, Florida 3711:Jackie Cooperman (May 18, 2010), 3517:Johnson, Ken (October 11, 2002). 3391:Grace Glueck (December 23, 2005) 3273:Richard Kalina (April 12, 2011), 3135:Priego, Ernesto (April 4, 2011). 3112:Sooke, Alistair (July 17, 2013). 3066:. Comics Alliance. Archived from 2819:Lucy Davies (November 17, 2008), 2276:Pogrebin, Robin (June 11, 2017). 1239:for the third installment in the 481:Army Specialized Training Program 6473: 4943: 4927: 4911: 4895: 4230:. BLOOMBERG L.P. October 6, 2011 3974:Patricia Cohen (June 19, 2012), 3137:"Whaam! Becoming a Flaming Star" 3089:Gravett, Paul (March 17, 2013). 3029:Steven, Rachael (May 13, 2013). 3005:Interdisciplinary Comics Studies 2871:"Art Spiegelman Goes to College" 1561:in May 2012 before going to the 1396:, in 1963 and divorced in 1965. 1340:California Institute of the Arts 974:Los Angeles County Museum of Art 914: 893: 836:National Periodical Publications 740:Hessiches Landesmuseum Darmstadt 679:Lichtenstein's celebrated image 361:. During the 1960's, along with 315: 244: 6596:People from the Upper West Side 5052:Deconstructing Roy Lichtenstein 4834:Image Entertainment video, 1991 4765:. Newark, N.J.: Newark Museum. 4503:"Auction record for pop artist" 4440:Reif, Rita (November 9, 1989). 4072:Cool. Commercial. Unmistakable. 3319:Paula Cooper Gallery, New York. 3240:Museum of Modern Art, New York. 3212:University Press of Mississippi 2838:Beam, Alex (October 18, 2006). 1873:Roy Lichtenstein sales records 1551:The Morgan Library & Museum 1119:Collage for Nude with Red Shirt 1114:Landscapes in the Chinese Style 1112:in New York, the motifs of his 597: 468:, 1992 sculpture, mixed media, 445:Art Students League of New York 266: 240: 27:American pop artist (1923–1997) 6521:20th-century American painters 4168:Kelly Crow (October 1, 2010), 4052:David Ng (December 20, 2013), 3992:Barbara Ross (July 31, 2012), 3918:Vogel, Carol (April 5, 2012). 2955:Dunne, Nathan (May 13, 2013). 2685:Bernard, April (Winter 1986). 2652:Vogel, Carol (April 5, 2012). 2346:Pop Art Icon Lichtenstein Dies 1802:cartoon story, Lichtenstein's 1622:(1964), besides the Frankfurt 1527:Louisiana Museum of Modern Art 650:Museum of Modern Art, New York 613:Museum of Modern Art, New York 1: 5784:Southeastern Bell Corporation 5472:Cubist Still Life with Lemons 5456:Yellow and Green Brushstrokes 4761:Marter, Joan M., ed. (1999). 4505:. BBC News. November 15, 2002 4388:Vogel, Carol (May 15, 2013). 4193:. BBC News. November 11, 2010 3264:Fundación Juan March, Madrid. 3204:Gabilliet, Jean-Paul (2009). 1717:, Mitchell-Innes & Nash, 1673:trove to five institutions – 1635:Yellow and Green Brushstrokes 1446:, and by his sons, David and 735:Yellow and Green Brushstrokes 5448:The Melody Haunts My Reverie 4332:Disconnect in the Art Market 4273:. BBC News. November 9, 2011 3568:United States Postal Service 2233:, Interviews, pp. 55, 30, 31 2114:"Roy Lichtenstein Biography" 1366:Still Life with Crystal Bowl 1320:George Washington University 1255:and it seemed interesting." 1011:Artist's Studio, Look Mickey 818:asked the comic book artist 525:, was born two years later. 6611:United States Army soldiers 6591:Painters from New York City 6349:Steppenwolf Theatre Company 5674:Mitchell Lichtenstein (son) 5622:Mural with Blue Brushstroke 4968:Roy Lichtenstein Foundation 4933:TateShots: Roy Lichtenstein 4697:Hendrickson, Janis (1988). 4217:Retrieved November 11, 2010 2415:. The Ohio State University 1642:Roy Lichtenstein Foundation 1463:Pop Art from the Collection 1450:, from his first marriage. 1229:Times Square subway station 1208:Mural with Blue Brushstroke 6632: 6531:American abstract painters 6511:20th-century American Jews 5579:Tokyo Brushstroke I and II 5216:Portrait of Madame Cézanne 4848:. Boston: Bulfinch Press. 4678:Corlett, Mary Lee (2002). 4639:Alloway, Lawrence (1983). 3956:Ted Loos (June 28, 2012), 3857:lichtensteinfoundation.org 3375:December 26, 2011, at the 3345:"New Mexico Museum of Art" 2797:. MUSEUM für Moderne Kunst 2206:. The Jewish Daily Forward 1140:Group 5 Racing Version of 1110:Metropolitan Museum of Art 611:(1963). On display at the 6428: 4989:Roy Lichtenstein timeline 4942: 4926: 4910: 4894: 4480:. May 9, 1990. p. 5D 3828:"The Art Behind The Dots" 3474:Interior with Waterlilies 2029:Nude with Joyous Painting 1596:Mirror No. 3 (Six Panels) 1549:, Cologne). In late 2010 1480:National Portrait Gallery 1394:Highland Park, New Jersey 1344:Brooklyn Academy of Music 1300:, L'Alcalde de Barcelona. 1201:(1984, moved in 1998) at 832:University College London 544:into his abstract works. 512:in New York. He moved to 304: 288: 41: 6566:Jewish American painters 4959:Art Institute of Chicago 4863:Waldman, Diane (1988) . 4846:Roy Lichtenstein's ABC's 1756:Lichtenstein's painting 1723:Brooke Alexander Gallery 1675:Getty Research Institute 1624:Museum für Moderne Kunst 1592:Brushstroke with Spatter 1588:Art Institute of Chicago 1559:Art Institute of Chicago 1370:Still Life with Goldfish 1358:Standing Explosion (Red) 1280:American Academy in Rome 946:before embarking on the 744:Museum für Moderne Kunst 105:Parsons School of Design 6182:Eduardo "Lalo" Guerrero 6061:Catherine Filene Shouse 5496:Nude with Yellow Flower 5320:Woman with Flowered Hat 4994:March 14, 2016, at the 4921:National Gallery of Art 4746:. Thames & Hudson. 4716:Lobel, Michael (2002). 4213:Bloomberg Business Week 3455:Reflections on the Prom 3297:The Art Behind The Dots 2999:Griffith, Bill (2003). 2413:"Sculpture. Facilities" 2045:Woman with Flowered Hat 1847:from American investor 1840:Woman with Flowered Hat 1683:National Gallery of Art 1584:National Gallery of Art 1563:National Gallery of Art 1205:; the five-storey high 576:Mickey Mouse comic book 572:National Gallery of Art 6551:Artists from Manhattan 6536:American male painters 5539:Brushstrokes in Flight 4091:Guggenheim Collection. 2116:. roylichtenstein.com/ 1837:In 2013, the painting 1781:, previously owned by 1750:Abstract Expressionist 1517:in 1969, organized by 1491:The Entablature Series 1307:, Inamori Foundation, 1198:Brushstrokes in Flight 1185:(1978) in St. Mary's, 1156: 1154:Tel Aviv Museum of Art 1145: 978:Universal Film Studios 849: 828:City University London 693:and the boxed caption 615: 530:Abstract Expressionism 472: 6309:Ramblin' Jack Elliott 6304:Antoine "Fats" Domino 5955:Cabell "Cab" Calloway 5815:John Carter Brown III 5571:The Head of Barcelona 5504:Nudes with Beach Ball 5416:Girl with Hair Ribbon 4844:Adelman, Bob (1999). 4786:Harry N. Abrams, Inc. 4738:(September 1, 1999). 4665:. New York: Praeger. 4306:on September 24, 2015 3009:University of Florida 1405:Southampton, New York 1332:Ohio State University 1151: 1139: 1058:Ernst Ludwig Kirchner 1056:, as well as Dix and 838:, the predecessor of 814:documentary in 2013, 605: 523:Mitchell Lichtenstein 477:Ohio State University 462: 191:Girl with Hair Ribbon 118:Ohio State University 100:Timothy Dwight School 6541:American pop artists 6344:Sara Lee Corporation 6217:Boys Choir of Harlem 5820:Charles "Honi" Coles 5288:Okay Hot-Shot, Okay! 4977:Museum of Modern Art 4818:Bilder für Frankfurt 4152:, pp. 454–455: 3171:Beaty, Bart (2004). 2791:"Collection Ströher" 2747:Bilder für Frankfurt 1679:Museum of Modern Art 1677:in Los Angeles; the 1523:Museum of Modern Art 1328:Royal College of Art 1032:(1980) evokes lyric 1026:German Expressionist 862:Okay Hot-Shot, Okay! 759:Head with Red Shadow 384:Leo Castelli Gallery 311:Roy Fox Lichtenstein 243: 1949; 58:Roy Fox Lichtenstein 48:Lichtenstein in 1967 6405:Harvey Lichtenstein 5985:Robert Rauschenberg 5840:Kitty Carlisle Hart 5766:David Lloyd Kreeger 5432:Little Big Painting 4736:Lucie-Smith, Edward 4356:. October 17, 2012. 4174:Wall Street Journal 4031:(August 11, 2012), 3898:The Washington Post 3737:. February 27, 2013 3614:The Daily Telegraph 3541:(August 20, 1996). 3070:on January 12, 2013 2936:on November 4, 2013 2825:The Daily Telegraph 2713:Lichtenstein, Roy. 2569:on November 9, 2019 2442:on January 20, 2010 1874: 1815:The comic painting 1746:Brushstrokes series 1685:in Washington; the 1569:in London, and the 1507:Pasadena Art Museum 1374:Portrait of a Woman 1336:Southampton College 1287:Brandeis University 1241:BMW Art Car Project 1218:El Cap de Barcelona 499:Master of Fine Arts 87:New York City, U.S. 71:New York City, U.S. 6248:Daniel Urban Kiley 5915:Denise Scott Brown 5830:Richard Diebenkorn 5630:Times Square Mural 5531:Expressionist Head 5408:Big Painting No. 6 5006:The New York Times 4615:The New York Times 4533:The New York Times 4446:The New York Times 4420:The New York Times 4394:The New York Times 4156:Big Painting No. 6 3832:The New York Times 3780:Zillman Art Museum 3735:www.standard.co.uk 3699:The New York Times 3676:Studios by the Sea 3570:. October 24, 2022 3539:DreamWorks Records 3524:The New York Times 3472:Roy Lichtenstein, 3453:Roy Lichtenstein, 3149:on October 2, 2013 3043:on October 2, 2013 2963:(27: Spring 2013). 2687:"Roy Lichtenstein" 2659:The New York Times 2619:The New York Times 2526:Roy Lichtenstein, 2283:The New York Times 1894:Big Painting No. 6 1872: 1849:Ronald O. Perelman 1741:Big Painting No. 6 1689:in Paris; and the 1537:, Madrid, and the 1470:were both used in 1245:DreamWorks Records 1224:Times Square Mural 1157: 1146: 1036:landscapes, while 959:that derived from 620:Rutgers University 616: 554:Rutgers University 548:Rise to prominence 473: 422:upper middle class 386:in New York City. 80:September 29, 1997 6461: 6460: 6299:Jacques d'Amboise 5950:Leonore Annenberg 5800:Maurice Abravanel 5761:Riley "B.B." King 5682: 5681: 5555:Five Brushstrokes 5547:Five Brushstrokes 5392:We Rose Up Slowly 5376:Ohhh...Alright... 4964: 4963: 4874:978-1-55521-301-5 4855:978-0-8212-2591-2 4826:978-3-7913-0702-2 4753:978-0-500-23739-7 4727:978-0-300-08762-8 4589:www.christies.com 4374:. August 2, 2012. 4058:Los Angeles Times 3880:The Brooklyn Rail 3863:on June 23, 2012. 3380:Tacoma Art Museum 3351:on March 25, 2014 3295:(March 8, 1987), 3221:978-1-60473-267-2 3093:. PaulGravett.com 2875:Publishers Weekly 2755:978-3-7913-0702-2 2563:artdependence.com 2475:, pp. 94, 95 2350:Los Angeles Times 2093: 2092: 1979:Ohhh...Alright... 1863:In January 2017, 1778:Ohhh...Alright... 1681:in New York; the 1629:We rose up slowly 1543:Kunsthaus Bregenz 1535:Museo Reina Sofia 1515:Guggenheim Museum 1485:Among many other 1362:Modern Painting I 1211:(1984–85) at the 1169:Leda and the Swan 1082:Amerind Landscape 1046:Dr. Mayer-Hermann 1015:Walker Art Center 826:Journal founder, 783:Jerry Grandenetti 729:We rose up slowly 648:now hangs in the 640:No. 83, drawn by 510:Carlebach Gallery 308: 307: 16:(Redirected from 6623: 6496:Roy Lichtenstein 6478: 6477: 6476: 6469: 6390:Juilliard School 6283:MacDowell Colony 6233:Louise Bourgeois 6212:Stephen Sondheim 6177:Zelda Fichandler 6133:Roy Lichtenstein 6123:James Ingo Freed 6095:Gwendolyn Brooks 5965:Bess Lomax Hawes 5876:James Earl Jones 5810:Pietro Belluschi 5746:Merce Cunningham 5709: 5702: 5695: 5686: 5550:(1984 sculpture) 5480:Bedroom at Arles 5328:As I Opened Fire 5232:Baseball Manager 5089:Roy Lichtenstein 5082: 5075: 5068: 5059: 5001:Roy Lichtenstein 4973:Roy Lichtenstein 4951: 4947: 4946: 4931: 4930: 4915: 4914: 4899: 4898: 4887: 4878: 4859: 4798: 4776: 4757: 4745: 4731: 4712: 4699:Roy Lichtenstein 4693: 4674: 4663:Roy Lichtenstein 4654: 4641:Roy Lichtenstein 4626: 4625: 4623: 4621: 4606: 4600: 4599: 4597: 4595: 4581: 4575: 4574: 4572: 4570: 4553: 4544: 4543: 4541: 4539: 4524: 4515: 4514: 4512: 4510: 4499: 4490: 4489: 4487: 4485: 4473: 4466: 4457: 4456: 4454: 4452: 4437: 4431: 4430: 4428: 4426: 4411: 4405: 4404: 4402: 4400: 4385: 4376: 4375: 4364: 4358: 4357: 4346: 4340: 4330:(May 11, 2012), 4325: 4316: 4315: 4313: 4311: 4302:. 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Los! 1734:Gagosian Gallery 1715:Gagosian Gallery 1703:Ileana Sonnabend 1338:(1980), and the 1298:Pasqual Maragall 1215:, New York; and 1213:Equitable Center 1034:Der Blaue Reiter 982:Three Landscapes 966:Bedroom in Arles 961:Vincent van Gogh 956:Bedroom at Arles 924:Bedroom at Arles 918: 906:Bedroom in Arles 897: 879:Modern Sculpture 870:Modern Paintings 777:, Tony Abruzzo, 588:Douglass College 465:Cap de Barcelona 371:James Rosenquist 356: 355: 352: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 295: 270: 268: 248: 246: 242: 143: 83: 68:October 27, 1923 67: 65: 46: 36:Roy Lichtenstein 32: 21: 6631: 6630: 6626: 6625: 6624: 6622: 6621: 6620: 6486: 6485: 6484: 6474: 6472: 6464: 6462: 6457: 6424: 6420:Maria Tallchief 6400:Rosetta LeNoire 6375:Aretha Franklin 6358: 6319:Barbara Handman 6287: 6273:Edward Villella 6253:Angela Lansbury 6221: 6150: 6138:Arthur Mitchell 6078: 6075:Young Audiences 6021:Harry Belafonte 6009: 5934: 5859: 5835:R. Philip Hanes 5788: 5719: 5713: 5683: 5678: 5662: 5636: 5609: 5510: 5120:Engagement Ring 5104:Ten Dollar Bill 5091: 5086: 5003:– slideshow by 4996:Wayback Machine 4949: 4944: 4928: 4912: 4896: 4890:External videos 4885: 4875: 4862: 4856: 4843: 4806: 4804:Further reading 4801: 4795: 4779: 4773: 4760: 4754: 4734: 4728: 4715: 4709: 4696: 4690: 4677: 4657: 4651: 4638: 4634: 4629: 4619: 4617: 4608: 4607: 4603: 4593: 4591: 4583: 4582: 4578: 4568: 4566: 4555: 4554: 4547: 4537: 4535: 4526: 4525: 4518: 4508: 4506: 4501: 4500: 4493: 4483: 4481: 4468: 4467: 4460: 4450: 4448: 4439: 4438: 4434: 4424: 4422: 4413: 4412: 4408: 4398: 4396: 4387: 4386: 4379: 4366: 4365: 4361: 4348: 4347: 4343: 4328:Souren Melikian 4326: 4319: 4309: 4307: 4294: 4293: 4286: 4276: 4274: 4269: 4268: 4264: 4250: 4243: 4233: 4231: 4226: 4225: 4221: 4210: 4206: 4196: 4194: 4189: 4188: 4181: 4167: 4163: 4148: 4144: 4134: 4132: 4118: 4117: 4110: 4099: 4095: 4087: 4083: 4069: 4065: 4051: 4044: 4027: 4023: 4009: 4005: 3991: 3987: 3973: 3969: 3955: 3951: 3938: 3937: 3933: 3917: 3916: 3912: 3902: 3900: 3892: 3891: 3887: 3873: 3872: 3868: 3851: 3850: 3846: 3836: 3834: 3825: 3824: 3820: 3810: 3808: 3799: 3798: 3794: 3784: 3782: 3774: 3773: 3769: 3755: 3754: 3750: 3740: 3738: 3729: 3728: 3724: 3710: 3706: 3692: 3691: 3687: 3670: 3663: 3655: 3651: 3644:Daily Telegraph 3637: 3633: 3623: 3621: 3605: 3604: 3600: 3592: 3583: 3573: 3571: 3562: 3561: 3557: 3547: 3545: 3537: 3536: 3532: 3516: 3515: 3511: 3504: 3500: 3489: 3485: 3470: 3466: 3451: 3447: 3438: 3437: 3433: 3424: 3423: 3419: 3408: 3404: 3390: 3386: 3377:Wayback Machine 3368: 3364: 3354: 3352: 3343: 3342: 3338: 3327: 3323: 3315: 3308: 3293:Deborah Solomon 3291: 3284: 3272: 3268: 3260: 3256: 3248: 3244: 3236: 3229: 3222: 3214:. p. 350. 3203: 3202: 3198: 3188: 3186: 3170: 3169: 3162: 3152: 3150: 3134: 3133: 3129: 3119: 3117: 3111: 3110: 3106: 3096: 3094: 3088: 3087: 3083: 3073: 3071: 3061: 3060: 3056: 3046: 3044: 3036:Creative Review 3028: 3027: 3023: 3013: 3011: 2998: 2997: 2993: 2983: 2981: 2976: 2975: 2968: 2954: 2953: 2949: 2939: 2937: 2922: 2921: 2917: 2907: 2905: 2894: 2893: 2889: 2879: 2877: 2868: 2867: 2858: 2848: 2846: 2837: 2836: 2832: 2818: 2814: 2800: 2798: 2789: 2788: 2784: 2765: 2761: 2737: 2733: 2723: 2721: 2719:Tate Collection 2712: 2711: 2707: 2697: 2695: 2684: 2683: 2679: 2671: 2667: 2651: 2650: 2646: 2638: 2634: 2624: 2622: 2611: 2610: 2606: 2598: 2594: 2586: 2582: 2572: 2570: 2557:ArtDependence. 2556: 2555: 2551: 2543: 2539: 2524: 2520: 2513: 2506: 2498: 2494: 2486: 2479: 2471: 2467: 2459: 2455: 2445: 2443: 2433: 2432: 2428: 2418: 2416: 2411: 2410: 2406: 2397: 2396: 2392: 2384: 2380: 2372: 2357: 2343: 2334: 2329:. May 21, 2012. 2327:Tablet Magazine 2321: 2320: 2316: 2303: 2302: 2298: 2288: 2286: 2275: 2274: 2265: 2255: 2253: 2250:Chicago Tribune 2242: 2241: 2237: 2229: 2222: 2209: 2207: 2197: 2196: 2192: 2183: 2179: 2169: 2167: 2166:on June 6, 2013 2157: 2156: 2129: 2119: 2117: 2112: 2111: 2107: 2103: 2098: 1762:(1963) sold at 1699: 1687:Centre Pompidou 1644: 1580: 1571:Centre Pompidou 1565:in Washington, 1531:Hayward Gallery 1499: 1456: 1386:Michael Sarisky 1382: 1261: 1134: 1087:Lichtenstein's 1040:(1980) recalls 932: 931: 930: 929: 928: 921:Lichtenstein's 919: 911: 910: 898: 887: 600: 550: 506:solo exhibition 492:Hoyt L. Sherman 457: 429:Upper West Side 418: 379:tongue-in-cheek 318: 314: 293: 273: 272: 269: 1968) 264: 260: 250: 247: 1965) 238: 234: 231: 205: 141: 136: 114:Alma mater 109: 88: 85: 81: 72: 69: 63: 61: 60: 59: 49: 37: 28: 23: 22: 18:Roy Lichenstein 15: 12: 11: 5: 6629: 6627: 6619: 6618: 6613: 6608: 6603: 6598: 6593: 6588: 6583: 6578: 6573: 6568: 6563: 6558: 6553: 6548: 6543: 6538: 6533: 6528: 6523: 6518: 6513: 6508: 6503: 6498: 6488: 6487: 6483: 6482: 6459: 6458: 6456: 6455: 6450: 6445: 6440: 6435: 6429: 6426: 6425: 6423: 6422: 6417: 6412: 6407: 6402: 6397: 6392: 6387: 6382: 6380:Michael Graves 6377: 6372: 6366: 6364: 6360: 6359: 6357: 6356: 6351: 6346: 6341: 6336: 6334:Roberta Peters 6331: 6326: 6321: 6316: 6311: 6306: 6301: 6295: 6293: 6289: 6288: 6286: 6285: 6280: 6275: 6270: 6265: 6260: 6255: 6250: 6245: 6240: 6235: 6229: 6227: 6223: 6222: 6220: 6219: 6214: 6209: 6207:Maurice Sendak 6204: 6202:Robert Redford 6199: 6194: 6192:Bella Lewitzky 6189: 6187:Lionel Hampton 6184: 6179: 6174: 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306: 305: 302: 301: 296: 290: 289: 286: 285: 279: 275: 274: 262: 258:Dorothy Herzka 256: 255: 254: 253: 236: 232: 229: 228: 227: 226: 223: 221: 217: 216: 211: 207: 206: 204: 203: 195: 187: 179: 171: 163: 155: 146: 144: 138: 137: 135: 134: 131: 127: 125: 124:Known for 121: 120: 115: 111: 110: 108: 107: 102: 96: 94: 90: 89: 86: 84:(aged 73) 78: 74: 73: 70: 57: 55: 51: 50: 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6628: 6617: 6614: 6612: 6609: 6607: 6604: 6602: 6599: 6597: 6594: 6592: 6589: 6587: 6584: 6582: 6579: 6577: 6574: 6572: 6569: 6567: 6564: 6562: 6559: 6557: 6554: 6552: 6549: 6547: 6544: 6542: 6539: 6537: 6534: 6532: 6529: 6527: 6524: 6522: 6519: 6517: 6514: 6512: 6509: 6507: 6504: 6502: 6499: 6497: 6494: 6493: 6491: 6481: 6471: 6467: 6454: 6451: 6449: 6446: 6444: 6441: 6439: 6436: 6434: 6433:Complete list 6431: 6430: 6427: 6421: 6418: 6416: 6413: 6411: 6410:Lydia Mendoza 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6370:Irene Diamond 6368: 6367: 6365: 6361: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6296: 6294: 6290: 6284: 6281: 6279: 6276: 6274: 6271: 6269: 6268:Jason Robards 6266: 6264: 6261: 6259: 6256: 6254: 6251: 6249: 6246: 6244: 6241: 6239: 6236: 6234: 6231: 6230: 6228: 6224: 6218: 6215: 6213: 6210: 6208: 6205: 6203: 6200: 6198: 6195: 6193: 6190: 6188: 6185: 6183: 6180: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6160: 6159: 6157: 6153: 6146: 6144: 6141: 6139: 6136: 6134: 6131: 6129: 6126: 6124: 6121: 6119: 6118:David Diamond 6116: 6114: 6110: 6107: 6105: 6101: 6098: 6096: 6093: 6091: 6088: 6087: 6085: 6081: 6074: 6072: 6069: 6067: 6064: 6062: 6059: 6057: 6054: 6052: 6049: 6047: 6046:Erick Hawkins 6044: 6042: 6039: 6037: 6036:Dorothy DeLay 6034: 6032: 6029: 6027: 6024: 6022: 6019: 6018: 6016: 6012: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5983: 5981: 5980:Arthur Miller 5978: 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Peck 6324:Agnes Martin 6258:James Levine 6238:Betty Carter 6162:Edward Albee 6132: 6041:Julie Harris 6026:Dave Brubeck 6005:Billy Wilder 5930:Lila Wallace 5906:Billy Taylor 5896:Earl Scruggs 5886:Minnie Pearl 5881:Allan Houser 5845:Pearl Primus 5751:Jasper Johns 5649:Brushstrokes 5648: 5628: 5620: 5601: 5595:Brushstrokes 5593: 5585: 5577: 5569: 5561: 5553: 5545: 5537: 5529: 5521: 5502: 5494: 5486: 5478: 5470: 5462: 5454: 5446: 5438: 5430: 5422: 5414: 5406: 5400:Brushstrokes 5398: 5390: 5382: 5374: 5366: 5358: 5350: 5342: 5334: 5326: 5318: 5310: 5302: 5294: 5286: 5278: 5270: 5262: 5254: 5246: 5238: 5230: 5222: 5214: 5206: 5198: 5190: 5182: 5174: 5166: 5158: 5150: 5142: 5134: 5126: 5118: 5110: 5102: 5088: 5015: 5004: 4983:Biographical 4937:Tate Gallery 4905:Smarthistory 4864: 4845: 4837: 4831: 4817: 4814:Lauter, Rolf 4781: 4762: 4741: 4717: 4698: 4679: 4662: 4640: 4632:Bibliography 4620:November 10, 4618:. Retrieved 4614: 4604: 4592:. Retrieved 4588: 4579: 4567:. Retrieved 4561: 4536:. Retrieved 4532: 4507:. Retrieved 4482:. Retrieved 4477:Miami Herald 4475: 4449:. Retrieved 4445: 4435: 4425:November 10, 4423:. Retrieved 4419: 4409: 4397:. Retrieved 4393: 4371: 4362: 4344: 4334: 4308:. Retrieved 4304:the original 4275:. Retrieved 4265: 4255: 4232:. Retrieved 4222: 4212: 4207: 4197:November 11, 4195:. Retrieved 4172: 4164: 4157: 4153: 4145: 4133:. Retrieved 4131:. p. 29 4126: 4096: 4084: 4074: 4066: 4056: 4035: 4024: 4014: 4006: 3996: 3988: 3978: 3970: 3960: 3952: 3943: 3934: 3923: 3913: 3901:. Retrieved 3897: 3888: 3879: 3869: 3861:the original 3856: 3847: 3835:. Retrieved 3831: 3821: 3809:. Retrieved 3805: 3795: 3783:. Retrieved 3779: 3770: 3751: 3741:November 19, 3739:. Retrieved 3734: 3725: 3715: 3707: 3698: 3688: 3678: 3657:Alloway 1983 3652: 3642: 3634: 3624:November 12, 3622:. Retrieved 3613: 3601: 3594:Alloway 1983 3572:. Retrieved 3558: 3546:. 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