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565:. The fame of the dance rests on Astaire's ability to animate the inanimate. The solo takes place in a ship's gym, where Astaire is waiting to rehearse with his partner Powell, who doesn't turn up, echoing Adele Astaire's attitude toward her brother's obsessive rehearsal habits to which the lyrics (unused and unpublished) also made reference. In 1997, Astaire's widow Robyn authorized
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was to begin. Her behavior prompted Freed to replace her with Jane Powell and suspend
Garland. According to Garland biographer Gerold Frank, she was despondent about her career and personal life and she asked MGM to be released from her contract. MGM agreed and the contract that had begun in 1935 was
407:
Carried away by the emotion of the wedding, the two couples decide that they will also be married that day. Thanks to the resourcefulness of Tom's London agent, Edgar
Klinger, who knows someone in the Archbishop's office who can cut through the official red tape and also has a cooperative minister in
577:
is sung by Powell at the beginning of a romantic routine danced by Powell and
Astaire in front of an audience in the ballroom of a transatlantic liner. Soon, a storm rocks the ship and the duet is transformed into a comic routine with the dancers sliding about to the ship's motions. This number is
399:
On the ship, Ellen meets and quickly falls in love with the impoverished but well-connected Lord John
Brindale. Whilst casting the show in London, Tom falls in love with a newly engaged dancer, Anne Ashmond. Tom assists Anne in reconciling her estranged parents and also asks his agent to locate
584:"How Could You Believe Me When I Said I Love You When You Know I've Been a Liar All My Life" has what is considered the longest title of any song in MGM musical history. For the first time in his career, Astaire casts aside all pretension to elegance and indulges in a comic song and dance
269:
612:": In one of his best-known solos, Astaire dances on the walls and ceilings of his room because he has fallen in love with a beautiful woman who also loves to dance. The idea occurred to Astaire back in the 1920s and was first mentioned by him in the MGM publicity publication
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to use a digitally altered version of the scene where
Astaire dances with their product in a commercial; Astaire's daughter Ava objected publicly to the commercial, stating that they had "tarnish his image" and it was "the antithesis of everything my lovely, gentle father
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had a 91% approval rating based on 23 reviews. The site's consensus reads: "Vintage MGM musical stuff, characterized by
Stanley Donen's fleet direction and some amazing dance performances from star Fred Astaire."
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duo who, while performing, each fall in love β he, with a female dancer, and she, with an impoverished but well-connected nobleman. The film marked Donen's second directorial feature. It was released as
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wrote that the film had "a lively lot of dancing and some pleasantly handled songs"; according to
Crowther, "Mr. Astaire has fared better in his lifetime - and he has also fared much worse."
598:. Here, for the second time in the film, he seems to parody Gene Kelly by wearing the latter's trademark straw boater and employing the stomps and splayed strides that originated with
272:
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619:"I Left My Hat in Haiti": This number, essentially the work of dance director Nick Castle, involves Powell, Astaire, and chorus in a song and dance routine with a Caribbean theme.
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According to MGM's records, the film earned $ 2,548,000 in the US and Canada and $ 1,354,000 elsewhere, resulting in a profit to the studio of $ 584,000. The film was listed by
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558:"Ev'ry Night At Seven": The film's opening number has Astaire and Powell perform from the "play within a play" Broadway musical that their characters are taking to London.
502:
The scene featuring the song "You're All the World to Me" was filmed by building a set inside a revolving barrel and mounting the camera and its operator to an
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was then signed as Ellen due to
Allyson's pregnancy, over the objection of Walters who had spent a year-and-a-half nurturing her through her previous film,
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which could be rotated along with the room. Astaire danced in the barrel set as if he really danced on the wall and ceiling. It inspired the
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in a DVD set as part of its "Classic
Musicals From The Dream Factory" series, along with "three fine-but-unexceptional films directed by
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581:"The Happiest Days of My Life": Powell's character sings this ballad to Lawford, with Astaire sitting at the piano.
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based on a real-life incident which happened to Fred and Adele
Astaire as they traveled by ship to London in 1923.
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Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain".
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605:"Too Late Now": Powell sings her third ballad, this time an open declaration of love, to Lawford.
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his pocket, Anne and Tom, and Ellen and John, are in fact married on the royal wedding day.
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took place in 1950, from July 6 to August 24; retakes took place in mid-October.
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1096:"Fred Astaire and Jane Powell Seen in 'Royal Wedding' at Radio City Music Hall"
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success. They are persuaded to take the show to London, capitalizing on the
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was created from a revision of this article dated 16 August 2019
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1246:"Cinema Insomnia, with your Horror Host, Mister Lobo! - SHOW INFORMATION"
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The story sees brother and sister Tom and Ellen Bowen as stars of a show
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were not part of the film's original crew and cast; former dancer
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992:(1st ed.). New York: Harper & Row. pp. 284β285.
1220:"Classic Musicals From The Dream Factory — DVD —"
1374:
561:"Sunday Jumps": Astaire parodies himself by dancing with a
874:"MGM film grosses, 1924β1948: The Eddie Mannix Ledger"
16:
1951 MGM musical comedy film directed by Stanley Donen
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wedding of Princess Elizabeth and Philip Mountbatten
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Astaire Dancing - The Musical Films of Fred Astaire
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1471:is available for free viewing and download at the
878:Historical Journal of Film, Radio and Television
762:. It is also distributed through Corinth Films.
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602:and were much favored in Kelly's choreography.
484:. Instead of listening to Walters' objection,
374:of Princess Elizabeth and Philip Mountbatten.
325:, the film follows an American brother-sister
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550:(lyrics). The dances were choreographed by
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2271:Films about weddings in the United Kingdom
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2291:Films with screenplays by Alan Jay Lerner
1149:"AFI's 100 Years...100 Passions Nominees"
1404:, and does not reflect subsequent edits.
1184:"AFI's Greatest Movie Musicals Nominees"
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354:in the 28th year after its publication.
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800:. "Sunday Jumps" was also parodied by
534:Astaire in "You're All the World to Me"
470:was the film's original director, with
350:because the studio failed to renew the
931:Film History: An International Journal
681:In the Cool, Cool, Cool of the Evening
7:
673:Academy Award for Best Original Song
671:"Too Late Now" was nominated for an
346:is one of several MGM musicals that
1074:"The Top Box Office Hits of 1951".
1037:"Astaire won't deal with the Devil"
840:Miller, Frank (February 26, 2003).
755:The film was later featured in an
14:
773:recorded at 33β
rpm (MGM E-543).
493:abrogated on September 28, 1950.
444:as Irving Klinger / Edgar Klinger
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518:Notable songs and dance routines
2266:Films directed by Stanley Donen
2256:American romantic musical films
1596:Seven Brides for Seven Brothers
1218:Murray, Noel (August 1, 2007).
2276:Films produced by Arthur Freed
2251:American romantic comedy films
710:AFI's 100 Years...100 Passions
1:
2246:American musical comedy films
717:AFI's Greatest Movie Musicals
2261:1950s English-language films
1992:Take Me Out to the Ball Game
1428:AFI Catalog of Feature Films
1020:AFI Catalog of Feature Films
2317:
2241:1951 romantic comedy films
700:The film is recognized by
610:You're All the World to Me
400:Anne's supposed fiancΓ© in
18:
2296:Metro-Goldwyn-Mayer films
2236:1951 musical comedy films
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943:10.2979/FIL.2007.19.2.125
890:10.1080/01439689200260081
526:Astaire in "Sunday Jumps"
348:entered the public domain
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2088:It's Always Fair Weather
2000:The Barkleys of Broadway
1660:Once More, with Feeling!
1612:It's Always Fair Weather
1564:Love Is Better Than Ever
209:March 23, 1951
198:March 20, 1951
2104:Invitation to the Dance
1944:Till the Clouds Roll By
1191:American Film Institute
1156:American Film Institute
740:" and two other films:
702:American Film Institute
679:, losing the award to "
573:"Open Your Eyes": This
340:in the United Kingdom.
187:March 8, 1951
1382:
1362:Listen to this article
1336:Mueller, John (1985).
988:Frank, Gerold (1975).
872:Glancy, H. M. (1992).
807:The Great Muppet Caper
535:
527:
512:Dancing on the Ceiling
474:as Astaire's co-star.
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372:imminent royal wedding
352:copyright registration
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19:For the ceremony, see
2056:The Belle of New York
1920:Yolanda and the Thief
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1035:(February 25, 1997).
847:Turner Classic Movies
743:The Belle of New York
533:
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497:Principal photography
490:principal photography
432:as Lord John Brindale
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2301:1950s American films
2048:An American in Paris
1912:Meet Me in St. Louis
1676:The Grass Is Greener
1413:More spoken articles
694:Here Comes the Groom
691:, which featured in
364:Every Night at Seven
195: (New York City)
2286:Films set in London
2208:Light in the Piazza
2184:Any Number Can Play
2064:Singin' in the Rain
1888:Du Barry Was a Lady
1840:Little Nellie Kelly
1588:Give a Girl a Break
1572:Singin' in the Rain
1275:"The Royal Wedding"
677:24th Academy Awards
321:at the time of the
290:is a 1951 American
162:Metro-Goldwyn-Mayer
2016:Annie Get Your Gun
1832:Strike Up the Band
1521:Films directed by
1451:TCM Movie Database
1383:
1313:. Harper Collins.
1250:cinemainsomnia.com
1101:The New York Times
1080:. January 2, 1952.
644:The New York Times
637:Upon its release,
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206: (Los Angeles)
2281:Films set in 1947
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2200:The Subterraneans
2128:Bells Are Ringing
1896:Best Foot Forward
1872:For Me and My Gal
1856:Babes on Broadway
1774:
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1724:The Little Prince
1379:
1256:on March 28, 2010
1200:on March 13, 2011
1165:on March 13, 2011
1094:(March 9, 1951).
797:Stop Making Sense
765:The songs listed
730:Warner Home Video
667:Awards and honors
652:review aggregator
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1936:Ziegfeld Follies
1928:The Harvey Girls
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1668:Surprise Package
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2010:
2009:
2005:
2002:
2001:
1997:
1994:
1993:
1989:
1986:
1985:
1981:
1978:
1977:
1976:Easter Parade
1973:
1970:
1969:
1965:
1962:
1961:
1957:
1954:
1953:
1949:
1946:
1945:
1941:
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1933:
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1864:Panama Hattie
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1523:Stanley Donen
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1480:Royal Wedding
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1349:
1347:0-394-51654-0
1343:
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1334:
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1326:
1322:
1316:
1312:
1311:Steps in Time
1308:
1307:Astaire, Fred
1304:
1303:
1302:
1301:
1285:on 2013-01-20
1284:
1280:
1279:Corinth Films
1276:
1270:
1267:
1255:
1251:
1247:
1241:
1238:
1227:
1226:
1225:The A.V. Club
1221:
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1028:
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1018:
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1014:Royal Wedding
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984:
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937:(2): 125β43.
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832:
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828:
824:
821:
820:
813:
811:
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799:
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794:concert film
793:
792:Talking Heads
789:
785:
784:
779:
774:
772:
768:
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761:
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753:
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738:Norman Taurog
735:
734:Royal Wedding
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541:
540:Royal Wedding
538:The songs in
532:
524:
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508:Lionel Richie
505:
504:ironing board
500:
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487:
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477:
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469:
465:
461:
460:Stanley Donen
454:
449:
448:Albert Sharpe
446:
443:
440:
437:
434:
431:
430:Peter Lawford
428:
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395:
394:Royal Wedding
391:
387:
383:
382:Peter Lawford
379:
375:
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369:
365:
357:
355:
353:
349:
345:
344:Royal Wedding
341:
339:
338:
337:Wedding Bells
332:
328:
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320:
316:
312:
308:
304:
300:
299:Stanley Donen
296:
293:
289:
288:
287:Royal Wedding
281:
280:Royal Wedding
262:$ 3.9 million
261:
257:
254:$ 1.7 million
253:
249:
245:
241:
238:United States
237:
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223:
208:
197:
186:
185:
183:
180:Release dates
177:
174:
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167:
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159:
151:
140:
137:
133:
130:
127:
123:
120:Robert Planck
119:
115:
109:
108:Albert Sharpe
106:
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93:Peter Lawford
91:
89:
86:
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71:
68:
64:
61:
58:
54:
51:
50:Stanley Donen
48:
44:
37:
32:
29:Royal Wedding
27:
22:
21:Royal wedding
2206:
2198:
2190:
2182:
2174:
2168:Non-musicals
2155:
2147:
2126:
2118:
2110:
2102:
2094:
2086:
2078:
2070:
2062:
2054:
2046:
2038:
2031:
2030:
2022:
2014:
2006:
1998:
1990:
1982:
1974:
1966:
1958:
1950:
1942:
1934:
1926:
1918:
1910:
1902:
1894:
1886:
1878:
1870:
1862:
1854:
1848:Lady Be Good
1846:
1838:
1830:
1822:
1808:Arthur Freed
1764:Love Letters
1762:
1754:
1746:
1738:
1730:
1722:
1714:
1706:
1698:
1690:
1682:
1674:
1666:
1658:
1652:Damn Yankees
1650:
1642:
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1626:
1618:
1610:
1602:
1594:
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1466:
1456:
1445:
1434:
1421:
1337:
1310:
1300:Bibliography
1299:
1298:
1287:. Retrieved
1283:the original
1278:
1269:
1258:. Retrieved
1254:the original
1249:
1240:
1229:. Retrieved
1223:
1213:
1202:. Retrieved
1195:the original
1190:
1178:
1167:. Retrieved
1160:the original
1155:
1143:
1131:. Retrieved
1125:
1116:
1105:. Retrieved
1099:
1086:
1075:
1069:
1062:Mueller 1985
1057:
1046:. Retrieved
1040:
1027:
1013:
1008:
989:
983:
934:
930:
924:
913:
904:
893:. Retrieved
881:
877:
851:. Retrieved
845:
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747:
741:
733:
727:
699:
692:
670:
659:
649:
642:
636:
629:
627:
613:
593:
590:Judy Garland
570:represented"
546:(music) and
539:
537:
501:
495:
486:Arthur Freed
481:Summer Stock
479:
476:Judy Garland
472:June Allyson
458:
420:as Tom Bowen
418:Fred Astaire
406:
398:
393:
390:Fred Astaire
363:
361:
343:
342:
336:
335:
303:Fred Astaire
297:directed by
286:
285:
284:
279:
226:Running time
173:Loew's, Inc.
83:Fred Astaire
70:Arthur Freed
2141:as producer
2139:Uncredited
2008:On the Town
1816:As producer
1810:productions
1740:Movie Movie
1548:On the Town
1534:Filmography
788:David Byrne
757:episode of
719:β Nominated
712:β Nominated
614:Lion's Roar
552:Nick Castle
544:Burton Lane
464:Jane Powell
442:Keenan Wynn
424:Jane Powell
386:Jane Powell
311:Burton Lane
307:Jane Powell
295:comedy film
217: (U.S.)
139:Burton Lane
129:Albert Akst
103:Keenan Wynn
88:Jane Powell
66:Produced by
46:Directed by
2231:1951 films
2225:Categories
1968:The Pirate
1904:Girl Crazy
1732:Lucky Lady
1644:Indiscreet
1620:Funny Face
1409:Audio help
1400:2019-08-16
1289:2012-11-11
1260:2010-11-20
1231:2012-11-11
1204:2016-08-19
1169:2016-08-19
1107:2012-11-11
1048:2012-11-11
895:2024-09-10
853:2013-02-02
814:References
778:Mel Gibson
749:The Pirate
724:Home media
586:vaudeville
567:Dirt Devil
455:Production
259:Box office
230:93 minutes
213:1951-03-23
202:1951-03-20
191:1951-03-08
154:Production
56:Written by
2176:The Clock
2080:Brigadoon
2040:Show Boat
1952:Good News
1716:Staircase
1708:Bedazzled
1692:Arabesque
1340:. Knopf.
975:191633078
951:0892-2160
732:released
728:In 2007,
624:Reception
125:Edited by
1748:Saturn 3
1462:AllMovie
1411: Β·
1309:(1959).
967:15122313
959:25165419
654:website
616:in 1945.
368:Broadway
243:Language
147:(lyrics)
135:Music by
76:Starring
1684:Charade
1486:YouTube
1449:at the
1425:at the
1398: (
1369:minutes
1133:9 April
1077:Variety
1042:Variety
1017:at the
918:. 1951.
915:Variety
790:in the
786:and by
675:at the
650:On the
631:Variety
563:hatrack
402:Chicago
292:musical
246:English
235:Country
211: (
200: (
189: (
156:company
142:(music)
2211:(1962)
2203:(1960)
2195:(1950)
2192:Crisis
2187:(1949)
2179:(1945)
2160:(1944)
2152:(1939)
2131:(1960)
2123:(1958)
2115:(1957)
2107:(1956)
2099:(1955)
2096:Kismet
2091:(1955)
2083:(1954)
2075:(1953)
2067:(1952)
2059:(1952)
2051:(1951)
2043:(1951)
2035:(1951)
2027:(1950)
2019:(1950)
2011:(1949)
2003:(1949)
1995:(1949)
1987:(1948)
1979:(1948)
1971:(1948)
1963:(1948)
1955:(1947)
1947:(1946)
1939:(1946)
1931:(1946)
1923:(1945)
1915:(1944)
1907:(1943)
1899:(1943)
1891:(1943)
1883:(1943)
1875:(1942)
1867:(1942)
1859:(1941)
1851:(1941)
1843:(1940)
1835:(1940)
1827:(1939)
1767:(1999)
1759:(1984)
1751:(1980)
1743:(1978)
1735:(1975)
1727:(1974)
1719:(1969)
1711:(1967)
1703:(1967)
1695:(1966)
1687:(1963)
1679:(1960)
1671:(1960)
1663:(1960)
1655:(1958)
1647:(1958)
1639:(1957)
1631:(1957)
1623:(1957)
1615:(1955)
1607:(1954)
1599:(1954)
1591:(1953)
1583:(1952)
1575:(1952)
1567:(1952)
1559:(1951)
1551:(1949)
1344:
1329:422937
1327:
1317:
996:
973:
965:
957:
949:
715:2006:
708:2002:
510:song "
319:London
251:Budget
1198:(PDF)
1187:(PDF)
1163:(PDF)
1152:(PDF)
971:S2CID
955:JSTOR
819:Notes
767:above
683:" by
575:waltz
331:dance
2120:Gigi
1440:IMDb
1342:ISBN
1325:OCLC
1315:ISBN
1135:2017
994:ISBN
990:Judy
963:OCLC
947:ISSN
746:and
687:and
462:and
412:Cast
388:and
366:, a
358:Plot
329:and
327:song
305:and
1484:on
1460:at
1438:at
939:doi
886:doi
804:in
780:in
641:in
592:in
392:in
2227::
1323:.
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1189:.
1154:.
1124:.
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1039:.
969:.
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953:.
945:.
935:19
933:.
912:.
882:12
880:.
876:.
862:^
844:.
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810:.
752:.
697:.
658:,
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384:,
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1364:(
1350:.
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1002:.
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888::
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608:"
215:)
204:)
193:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.