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rather that the form is always changing. His further belief was that ikebana should be considered art, not merely decoration and that it is for the entire world, not just Japan alone. In addition to ikebana, he continued to create various sculptures, drawings and works of calligraphy until his death.
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Sōfū never deviated from the basic principles that distinguish ikebana from other forms of floral art: to grasp and express the feeling of the material, to express the third dimension and asymmetrical balance. The concept that was foremost in his teaching was that the principles never change, but
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He believed that ikebana is an art and that the difference between the Sōgetsu School and
Ikebana lies in the belief that once all the rules are learned and the techniques mastered, an unbounded field remains for freer personal expression using varied materials, not just flowers.
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in 1961. Japan bestowed the
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162:"Sofu Teshigahara (1900 - 1979) - Find A Grave Memorial"
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47:風
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