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118:, described the building as "a chaste and beautiful structure in the early pointed Gothic style, built of Chatham free stone..." and its interior as having a "chancel, with a massive rail, supported by mullions finished on either side." Additionally, "there are side galleries, with a convenient choir over the vestibule, in which is placed an organ of superior finish and tone." That first organ was Opus 47, consisting of two manuals and twenty-two stops, by
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As the years wore on, the church building began to show its age. The spire was eventually removed as the result of structural decay, the boiler became increasingly noisy, and finding space for the parish's many activities was becoming difficult. These, and other factors, figured into the parish's
213:, after hearing one of Bishop Doane's sermons Twain informed him he had "a book at home which contains every word of it." Following Doane's protests, Twain "showed the clergyman an unabridged dictionary and said he 'stood ready to prove it'".
130:. The last services were held in the Austin edifice in 1907 and it was subsequently demolished. Many of the original St. John's furnishings, including its bell and, at first, its altar rail, pulpit and lectern would be utilized in the new
82:. As the nineteenth century progressed, the western suburbs became increasingly popular as a place for city dwellers to live with the result that the number of St. John's worshipers was in decline. In 1907, financier
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106:, St. John's (Hartford) was the first church building attributed to that prolific artisan. Having assisted with design work for the nearby
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62:. An activist organization, St. John's was instrumental in the development of other prominent Hartford area churches including the
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Burr, Nelson R. A History of St. John's Church, Hartford, Connecticut, 1841-1941 (West
Hartford, Conn.: St. John's Parish), 1941
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O'Gorman, James F. Henry Austin: In Every
Variety of Architectural Style. (Middletown, Conn.: Wesleyan University Press), 2008
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of Boston. In 1861, the first Hook organ was replaced by Opus 295 of two manuals and thirty stops by the same manufacturer.
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A number of talented musicians were affiliated with St. John's (Hartford) including organists and composers such as
193:. During his tenure at St. John's, Coxe penned "Saviour, Sprinkle Many Nations", a hymn text later set to music by
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purchased the church building and its property for the construction of a memorial gallery to be added to
Hartford's
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Gatta, John. "The
Anglican Aspect of Harriet Beecher Stowe", New England Quarterly, September, 2000, pp. 412-413
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Wait, Gary E. A History of St. John's Church, 1841-1995. (West
Hartford, Conn.: St. John's Church), 1996
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Leonard. High Lights on Hymnists and Their Hymns. AMS Press, 1974, p. 315
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While in
Hartford, St. John's had many notable clergy including
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Prominent parishioners of the church's
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St. John's Episcopal Church (West Hartford, Connecticut)
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St. John's Episcopal Church (East Hartford, Connecticut)
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St. John's Episcopal Church (West Hartford, Connecticut)
286:"West Hartford: Large Increase in School Enumeration."
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in 1842. The parish left Hartford in 1907 and is now
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St. John's Episcopal Church (1842-1907), Hartford, CT
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ultimate decision to build a new church in suburban
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299:"Consecration of St. John's Church, Hartford."
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486:Sacraments
399:72°40′26″W
396:41°45′47″N
231:References
207:Mark Twain
114:, quoting
733:Ecumenism
665:Charles I
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512:Eucharist
76:Episcopal
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453:Theology
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425:Part of
725:Bishops
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543:Central
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