75:, first as a freelance photographer, when he was only 17 years old, then as an apprentice, since April 1946, and finally as a staff photographer, since 1947. He would work there until 1950, and during this time he took thousands of photographs directly related with the American modern life. This anthological book selects around 350 photographs from his vast body of work, with around 30 photographic stories, divided in four chapters: "Metropolitan Life," "Entertainment," "Celebrities," and "Human Behavior". The book also includes the work from a travel that he did to
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little narrative coherence, Crone forces them to be judged as abstract - and, alas, routine - compositions, unworthy of their pompous presentation in this handsome volume. Still, he does trigger some interesting reflections on the unsolved mystery of
Stanley Kubrick, that self-made enigma. And that’s always a worthwhile occupation."
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wrote a mixed review on the book: "These pictures have a certain formal interest, but they really don’t say anything useful about postwar
America, since we were essentially creating lies about it. And by presenting these photos without their original text blocks or captions, which at least imparted a
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praised the book and related it to
Kubrick's future work as a filmmaker: "The photographs show an appetite for the dark side: the derelict (bums and commuting no-hopers), the deprived (often black), the doomed (gamblers and wannabe showgirls) and the primitive." He also states that "Kubrick's stills
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Rainer Crone stated that "Kubrick's photography created not only visual archives of the time but also social critiques that expressed his intuitive mind and subversive sense of humor. Each of his amazingly thought-out pictures is a conscious challenge to the viewer's own perception, pushing the
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potentials of representation and the photographic medium. Kubrick developed this singular quality in his photographs and applied it through all his films-each of which can be read as a sequence of perfectly composed still photographs."
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career ended when he broke into feature movies (...), but there is aesthetic continuity between his organisation of both still and moving images. It's made very clear in the long scene, in his masterpiece
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in his youth, from 1945 to 1950. The book is the first to extensively document
Kubrick's artistic and professional work as a photographer before his directorial career.
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Rainer Crone
Stanley Kubrick Drama & Shadows: Photographs 1945-1950, Aperture Archive, Fall 2006
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It reunites a selection of the photographic work that future filmmaker
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Stanley
Kubrick: Drama & Shadows: Photographs 1945-1950, Photo.com
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Kubrick after finishing high school in 1945, started working for the
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is a anthological photography book organized by German art historian
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Stanley
Kubrick: Drama & Shadows: Photographs 1945-1950
170:'Dr Strangelove, c'est moi', The Guardian, 26 November 2005
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Stanley
Kubrick: Drama & Shadows: Photographs 1945–1950
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Stanley
Kubrick: Drama & Shadows: Photographs 1945-1950
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Kubrick, in action, Los
Angeles Times, 18 December 2005
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515:Stanley Kubrick: A Life in Pictures
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261:Political and religious beliefs
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27:Anthological photography book
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39:that was published in 2005.
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148:Stanley Kubrick, Photo.com
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531:Stanley Kubrick's Boxes
491:World Assembly of Youth
639:2005 non-fiction books
459:Recurring cast members
51:did while working for
339:2001: A Space Odyssey
644:Books of photographs
613:(personal assistant)
607:(personal assistant)
451:Interpretations of
266:Unrealized projects
71:magazine, based in
587:Christiane Kubrick
563:Kubrick by Kubrick
347:A Clockwork Orange
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523:Colour Me Kubrick
425:Photography books
371:Full Metal Jacket
16:(Redirected from
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547:S Is for Stanley
398:Day of the Fight
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611:Leon Vitali
390:Short films
363:The Shining
299:The Killing
241:Filmography
110:Ryan O'Neal
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555:Filmworker
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315:Spartacus
251:Influence
246:Accolades
91:Reception
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81:Portugal
73:New York
474:CRM 114
444:Related
231:Archive
61:Content
43:Summary
574:People
566:(2020)
558:(2017)
550:(2016)
542:(2012)
534:(2008)
526:(2005)
518:(2001)
510:(2001)
502:(1983)
494:(1952)
436:(2005)
417:(1953)
409:(1951)
401:(1951)
382:(1999)
374:(1987)
366:(1980)
358:(1975)
350:(1971)
342:(1968)
334:(1964)
326:(1962)
323:Lolita
318:(1960)
310:(1957)
302:(1956)
294:(1955)
286:(1953)
77:Nazaré
79:, in
453:2001
112:)."
68:Look
54:Look
635::
212:e
205:t
198:v
20:)
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