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37:
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František Hušpauer "as a souvenir to the friend of his young days." On 30 July Dvořák sent his manuscript to Vienna, accompanying an application for a scholarship by the
Ministry of Culture and Education. He returned to the final stylisation of the composition in 1877, when his two surviving children died within a short time of each other. The definitive version of the score was written from October to 13 November 1877 in
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740:
512:
366:
800:, framing the composition. The movements offer a rich variation in vocal scoring, from one solo voice to various combinations of solo voices, solo voice with choir, and choir alone. While nine movements remain in slow tempo and reflect Mary's suffering in compassionate meditation, the quicker final movement offers a vision of paradise.
841:
The fourth movement is a solo for the bass singing the tenth stanza, "Fac, ut ardeat cor meum" (Make my heart burn). It is interrupted by short comments from the choir which is first a four-part women's choir (SSAA), later joined by the men, singing the eleventh stanza, "Sancta mater, istud agas"
229:
That Dvořák started to compose his Stabat Mater in
February 1876 as a reaction to the death of his two-day-old daughter Josefa in August 1875 has often been told, but has been doubted in 21st-century scholarship. The sketch was written between 19 February and 7 May 1876, and was dedicated to
795:
The music is structured in ten movements which focus on different aspects of the poetry, depicting the suffering of Mary and the compassion of the person reflecting it in various shades of scoring, tempo and key. The music of the first and last movements shares
975:, but it wasn't until after the successful 1880 Prague première of the work that he got the publisher interested. Simrock suggested to change the original opus number (Op. 28) to a more recent number: the work was published as Dvořák's Op. 58 by the
938:
The first performance of Dvořák's Stabat Mater took place on 23 December 1880 at the concert of the
Association of Musical Artists in Prague. The performers included the operatic ensemble of the Czech Provisional Theatre, under the conductor
808:
The first movement, beginning "Stabat Mater dolorosa" (The sorrowful Mother stood ), is a setting of the first four stanzas from the poem, scored for the choir, the quartet of soloists and the full orchestra. The movement is an extended
1095:
published
Joachim Linckelmann's arrangement of Dvořák's Stabat Mater for chamber orchestra in 2016. The vocal score published with this edition was Petra Morath-Pusinelli's revision of Josef Zubatý's piano reduction.
349:
In the following table of movements, the movement number is followed by the beginning of the text, the stanzas set in the movement (counting three lines as one stanza), the vocal performers (choir and solo), the
963:, in 1884, and thus played a crucial role in Dvořák's international breakthrough as a composer. In the 21st century the Stabat Mater continues to be Dvořák's best known, and most often performed, sacred work.
221:, in 1884, and thus played a crucial role in Dvořák's international breakthrough as a composer. In the 21st century the Stabat Mater continues to be Dvořák's best known, and most often performed, sacred work.
342:. The organ has an independent part accompanying the women's chorus in the fourth movement, but is not used otherwise. Similarly, a single solo phrase in the opening of the second movement is assigned to the
346:, which is otherwise absent. Though not specified in the score, it can be played by one of the two oboists, as they are not playing during this section. The approximate duration of the work is 90 minutes.
813:
in symphonic style. It opens with a long orchestral introduction, which is repeated with the choir. A contrasting second theme is introduced by the soloists. A development section leads to
825:
The second movement is assigned to the quartet of soloists. Beginning "Quis est homo, qui non fleret" (What person would not weep), it is a setting of stanzas five to eight from the poem.
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The third movement, a setting of the ninth stanza from the poem, "Eja, Mater, fons amoris" (Look at the mother, the source of love), resembles a funeral march for choir and orchestra.
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The sixth movement, setting the 13th and 14th stanzas, "Fac me vere tecum flere" (Make me really weep with you), is sung alternately by the solo tenor and a four-part men's choir.
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2167:. The Complete Works of Antonín Dvorák. Vol. II/1 (Vocal score ed.). Prague: Státní nakladatelství krásné literatury, hudby a umění. H 1882.
2127:. The Complete Works of Antonín Dvorák. Vol. II/1 (Full score ed.). Prague: Státní nakladatelství krásné literatury, hudby a umění. H 2190.
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for soprano and tenor soloists, setting the 16th and 17th stanzas, beginning "Fac, ut portem
Christi mortem" (Grant that I may bear the death of Christ).
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for the soul ("paradisi gloria"). The movement recalls themes from the first movement and is set for the same forces It ends with an uplifting
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The final movement sets the ultimate stanza, beginning "Quando corpus morietur" (When the body will die), then praying for the glory of
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The ninth movement is a setting of the 18th and 19th stanzas for the solo alto, "Inflammatus et accensus" (Inflamed and afire).
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of which only the first and the last are thematically connected. Its total performance time is around 85 minutes.
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45:
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898:
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1987:
870:. It is a setting of the 15th stanza, beginning "Virgo virginum praeclara" (Virgin pre-eminent among virgins).
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2008:
2001:"Antonín Dvořák (1841–1904) / Stabat mater Op. 58 / Urtext edited by Klaus Döge (solos,ch,orch) duration: 86'"
1138:
247:
2215:"Music for Easter: Dvorak's Stabat Mater – one of the most powerful declarations of faith in musical history"
1338:
The 1876 version of seven movements for vocal quartet, choir and piano was recorded in 2009 by soloists, the
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published a vocal score based on Dvořák's 1876–1877 draft version, edited by Jan Kachlík and
Miroslav Srnka.
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sequence. Dvořák sketched the composition in 1876 and completed it in 1877. It has been characterized as a
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1972:
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The fifth movement, for the choir, sets the twelfth stanza, "Tui nati vulnerati" (Of your wounded son).
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1777:
Antonín Dvořák: Stabat Mater, Opus 58, for soli, chorus and orchestra (Novello's 1883 vocal score)
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1118:
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Title page of
Novello's edition of the score of Dvořák's Stabat Mater: memento of the performance in
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2087:. Translated by Kosviner, David (Arrangement for soloists, chorus and chamber orchestra ed.).
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186: 71), is an extended setting for vocal soloists, choir and orchestra of the 20 stanzas of the
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The
Classical Catalogue 1992. No. 153, June 1992, General Gramophone Publications Ltd, Harrow, UK
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revised Josef Zubatý's piano reduction, working away discrepancies with the orchestral score.
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on 12 September 1884, with signatures by Antonín Dvořák and members of the orchestra.
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2185:. The Complete Works of Antonín Dvorák. Vol. II/1 (Vocal score ed.). Prague:
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2145:. The Complete Works of Antonín Dvorák. Vol. II/1 (Study score ed.). Prague:
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1068: 71. In 2004 there were two new vocal score editions of Dvořák's Stabat Mater:
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In the second half of the 1950s the Stabat Mater was published as Vol. II/1 of
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1977:
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firm in 1881. The publication included a vocal score with a piano reduction by
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Morath-Pusinelli, Petra; Zubatý, Josef; Berná, Lucie
Harasim, eds. (2016).
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906:, on 25 October 2019, with Mary standing under the Cross in the background
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soon ensued. The work was performed in London in 1883, and again, in the
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Dvorák, Antonín / Stabat Mater op. 58 / Klaviersatz von Antonín Dvorák
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1334:, with Michaela Šrůmová, Sylvia Čmugrová, Aleš Briscein, Tomáš Šelc.
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The vocal score was published in 1956, with a piano reduction by
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Dvořák — Stabat Mater for soloists, choir and orchestra, op. 58
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of Dvořák's compositions the Stabat Matar was given the number
951:
conducted the work a year and half later, on 2 April 1882, in
217:. The work was performed in London in 1883, and again, in the
2069:
Dvořák Stabat Mater Op. 58: Piano part by Antonín Dvořák
971:
In 1879 Dvořák suggested his Stabat Mater for publication to
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996:, in the Novello's Original Octavo Edition series, in 1883.
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Dvorak and his Stabat Mater op. 58 — a Choral
Masterpiece
2081:
Linckelmann, Joachim; Berná, Lucie Harasim, eds. (2016).
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2105:. Translated by Kosviner, David (Vocal score ed.).
1393:
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1909:
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1973:"Dvořák: Stabat Mater, Engerer / Accentus / Equilbey"
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The seventh movement is sung by the choir, at times
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1012:(SAD, Complete Edition of Antonín Dvořák's Works):
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1195:conducting the Czech Philharmonic Orchestra, with
1177:conducting the Czech Philharmonic Orchestra, with
1141:conducting the Czech Philharmonic Orchestra, with
1414:
209:published Dvořák's Op. 58 in 1881. In 1882,
2053:"A Light in the Darkness: Dvořák's Stabat Mater"
1840:
1446:
1171:, Marietta Simpson, Stanford Olsen, Nathan Berg.
262:The composer structured the Stabat Mater in ten
205:The work was first performed in Prague in 1880.
990:. Full score and vocal score were published by
947:, Betty Fibich, Antonín Vávra and Karel Čech.
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2066:Kachlík, Jan; Srnka, Miroslav, eds. (2004).
1828:
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1354:recorded that version in 2019, with pianist
1988:"Antonín Dvořák (1841–1904) / Stabat mater"
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1781:University of Illinois at Urbana–Champaign
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1228:, with Kaaren Erickson, Claudine Carlson,
35:
18:
2237:International Music Score Library Project
1576:Morath-Pusinelli, Zubatý & Berná 2016
266:, and scored it for four vocal soloists,
3008:Serenade in D minor for Wind Instruments
2182:Antonín Dvořák: Stabat Mater op. 58
2164:Antonín Dvořák: Stabat Mater op. 58
2142:Antonín Dvořák: Stabat Mater op. 58
2124:Antonín Dvořák: Stabat Mater Op. 58
2099:Antonín Dvořák: Stabat Mater op. 58
2084:Antonín Dvořák: Stabat Mater op. 58
1955:
376:
2038:. Urtext (Piano Vocal Score ed.).
1913:
1476:
1370:
294:. The orchestra features parts for two
213:conducted a performance of the work in
2323:List of compositions by Antonín Dvořák
2268:Explore the Score- Dvorak Stabat Mater
1491:
1868:WorldCat entry for Smetacek recording
1165:Atlanta Symphony Orchestra and Chorus
7:
2242:Free scores of Stabat Mater (Dvořák)
1941:WorldCat entry for Rilling recording
1560:
1002:Souborné vydání děl Antonína Dvořáka
902:Dress rehearsal for Stabat Mater in
2252:Antonin Dvořák / About the composer
1853:WorldCat entry for Talich recording
918:in a major key on the word "Amen".
2823:String Quartet movement in F major
1986:Cookson, Michael (December 2015).
1926:WorldCat entry for Macal recording
1052:wrote the preface of this edition.
585:Andante con moto, quasi allegretto
14:
2270:kennethwoods.net 20 December 2015
2046: 979-0-004-18195-9. EB 8631.
1883:WorldCat entry for Shaw recording
1310:Bavarian Radio Symphony Orchestra
1262:Bavarian Radio Symphony Orchestra
290:voices, a symphony orchestra and
3135:
3134:
2213:Vaughan, David (28 March 2005).
1242:Orchestra, with Marina Shaguch,
738:
510:
364:
2788:Andante appassionato in F major
2576:Serenade for Strings in E major
1971:Clements, Andrew (2 May 2008).
1945:Retrieved 8 September 2017.
1930:Retrieved 8 September 2017.
1887:Retrieved 8 September 2017.
1872:Retrieved 8 September 2017.
1857:Retrieved 8 September 2017.
3161:Compositions by Antonín Dvořák
2072:. Bärenreiter Urtext. Prague:
1766:Retrieved 1 February 2020.
1747:Retrieved 1 February 2020.
1352:Chor des Bayerischen Rundfunks
1:
1226:New Jersey Symphony Orchestra
682:Fac, ut portem Christi mortem
2246:Choral Public Domain Library
1841:Linckelmann & Berná 2016
1447:Linckelmann & Berná 2016
1110:Czech Philharmonic Orchestra
3192:
2669:Violin Concerto in A minor
1992:musicweb-international.com
1030:The full score, edited by
842:(Holy mother, make this).
378:Movements of Stabat Mater
354:marking at the beginning,
318:(two in F, two in D), two
115:23 December 1880
3130:
2664:Piano Concerto in G minor
2659:Cello Concerto in A major
2654:Cello Concerto in B minor
2605:The Golden Spinning Wheel
2318:
1290:, with Mariana Zvetkova,
1179:Gabriela Beňačková-Čápová
904:St. Bonifatius, Wiesbaden
878:The eighth movement is a
817:of the opening material.
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415:
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282:(B)), a four-part choir (
256:Evgraf Semenovich Sorokin
46:St. Bonifatius, Wiesbaden
34:
26:
16:Cantata by Antonín Dvořák
3035:String Sextet in A major
3025:Violin Sonata in F major
2677:for violin and orchestra
2353:King and Charcoal Burner
1829:Kachlík & Srnka 2004
1513:Kachlík & Srnka 2004
645:Virgo virginum praeclara
3176:Compositions in B minor
2051:Dotsey, Calvin (2018).
1342:ensemble, conducted by
753:
717:Inflammatus et accensus
607:Fac me vere tecum flere
532:Fac, ut ardeat cor meum
3109:Antonín Dvořák Theatre
2277:scena.org 1 April 2004
2040:Breitkopf & Härtel
2009:Breitkopf & Härtel
1817:Döge & Zubatý 2004
1805:Šourek & Čubr 1958
1793:Šourek & Šolc 1956
1727:Döge & Zubatý 2004
1708:Döge & Zubatý 2004
1696:Döge & Zubatý 2004
1684:Döge & Zubatý 2004
1672:Döge & Zubatý 2004
1660:Döge & Zubatý 2004
1648:Döge & Zubatý 2004
1636:Döge & Zubatý 2004
1624:Döge & Zubatý 2004
1612:Döge & Zubatý 2004
1600:Döge & Zubatý 2004
1588:Döge & Zubatý 2004
1544:Šourek & Čubr 2000
1532:Döge & Zubatý 2004
1462:Döge & Zubatý 2004
1430:Döge & Zubatý 2004
1415:antonin-dvorak.cz 2019
1398:Šourek & Šolc 2002
1383:Šourek & Čubr 2000
935:
907:
775:
760:Quando corpus morietur
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198:, and consists of ten
3166:Stabat Mater settings
3114:Antonín Dvořák Museum
2233:Stabat Mater (Dvořák)
2199:www.antonin-dvorak.cz
1288:Staatskapelle Dresden
1187:Jan-Hendrik Rootering
929:
901:
250:
243:Structure and scoring
2598:Symphonic Variations
2446:The Bells of Zlonice
1240:Oregon Bach Festival
1041:, appeared in 1958.
943:, with the soloists
3040:Terzetto in C major
3030:Sonatina in G major
2833:No. 12 in F major (
2728:The Spectre's Bride
2564:Nocturne in B major
2530:Scherzo capriccioso
2377:The Cunning Peasant
2361:The Stubborn Lovers
1175:Wolfgang Sawallisch
955:. A performance in
945:Eleanora Ehrenbergů
379:
3084:Suite in A major (
2933:No. 4 in E minor (
2675:Romance in F minor
2588:Suite in A major (
2491:From the New World
2401:The Devil and Kate
1710:, pp. 94–111.
1300:Roberto Scandiuzzi
1278:John Shirley-Quirk
1143:Stefania Woytowicz
1114:Drahomíra Tikalová
1062:thematic catalogue
967:Score publications
936:
908:
570:Tui nati vulnerati
377:
370:is used to denote
260:
148:choir and soloists
3171:1877 compositions
3148:
3147:
3120:Dvorak - In Love?
3053:
3052:
2842:No. 13 in G major
2828:No. 11 in C major
2642:
2641:
2544:In Nature's Realm
2516:Carnival Overture
2457:No. 3 in E♭ major
2452:No. 2 in B♭ major
1698:, pp. 89–93.
1686:, pp. 84–88.
1674:, pp. 78–83.
1662:, pp. 70–77.
1650:, pp. 59–69.
1638:, pp. 52–58.
1626:, pp. 44–51.
1614:, pp. 33–44.
1344:Laurence Equilbey
1284:Giuseppe Sinopoli
1185:, Peter Dvorský,
1058:Jarmil Burghauser
961:Royal Albert Hall
788:
787:
467:Andante sostenuto
286:) with sometimes
219:Royal Albert Hall
169:
168:
3183:
3138:
3137:
2985:No. 2 in A major
2980:No. 1 in A major
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2953:No. 1 in D major
2928:No. 3 in F minor
2923:No. 2 in G minor
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2881:No. 2 in G major
2876:No. 1 in A minor
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2803:No. 9 in D minor
2798:No. 8 in E major
2793:No. 7 in A minor
2783:No. 6 in A minor
2778:No. 5 in F minor
2773:No. 4 in E minor
2768:No. 3 in D major
2762:
2761:
2752:No. 1 in A major
2742:
2619:The Water Goblin
2570:Othello Overture
2537:Hussite Overture
2487:No. 9 in E minor
2482:No. 8 in G major
2477:No. 7 in D minor
2472:No. 6 in D major
2467:No. 5 in F major
2462:No. 4 in D minor
2442:No. 1 in C minor
2432:
2428:Orchestral music
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2254:stabatmater.info
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1711:
1705:
1699:
1693:
1687:
1681:
1675:
1669:
1663:
1657:
1651:
1645:
1639:
1633:
1627:
1621:
1615:
1609:
1603:
1602:, pp. 1–44.
1597:
1591:
1590:, pp. 9–32.
1585:
1579:
1573:
1564:
1558:
1547:
1541:
1535:
1529:
1516:
1510:
1495:
1489:
1480:
1474:
1465:
1459:
1450:
1449:, pp. IV–V.
1444:
1433:
1427:
1418:
1412:
1401:
1395:
1386:
1380:
1348:Brigitte Engerer
1322:Christian Elsner
1252:Thomas Quasthoff
1217:
1169:Christine Goerke
1122:
1087:
1051:
1040:
1026:
1011:
995:
993:Novello & Co
989:
778:
776:Andante con moto
762:
761:
743:
742:
734:
719:
718:
699:
684:
683:
662:
647:
646:
625:
623:Andante con moto
609:
608:
587:
572:
571:
550:
534:
533:
515:
514:
506:
504:Andante con moto
491:
490:
469:
454:
453:
434:
432:Andante con moto
418:
417:
380:
369:
368:
146:
127:
126:
122:
120:
105:
103:
39:
19:
3191:
3190:
3186:
3185:
3184:
3182:
3181:
3180:
3151:
3150:
3149:
3144:
3126:
3104:Dvorak (crater)
3092:
3078:Slavonic Dances
3049:
3002:Romantic Pieces
2989:
2968:
2960:
2959:
2941:
2914:
2913:
2900:
2888:
2887:
2869:String quintets
2864:
2849:
2848:
2810:
2809:
2759:
2758:
2745:String quartets
2733:
2722:Mass in D major
2681:
2638:
2633:Tragic Overture
2582:Slavonic Dances
2496:
2423:
2332:
2314:
2309:
2229:
2212:
2203:
2201:
2193:
2179:, eds. (2002).
2171:
2161:, eds. (1956).
2153:
2139:, eds. (2000).
2131:
2121:, eds. (1958).
2113:
2102:
2095:
2080:
2065:
2050:
2032:, eds. (2004).
2024:
2013:
2011:
1998:
1985:
1970:
1967:
1962:
1954:
1950:
1944:
1939:
1935:
1929:
1924:
1920:
1912:
1901:
1896:
1892:
1886:
1881:
1877:
1871:
1866:
1862:
1856:
1851:
1847:
1839:
1835:
1827:
1823:
1819:, pp. 6–8.
1815:
1811:
1803:
1799:
1791:
1787:
1775:
1771:
1765:
1756:
1752:
1746:
1737:
1733:
1725:
1714:
1706:
1702:
1694:
1690:
1682:
1678:
1670:
1666:
1658:
1654:
1646:
1642:
1634:
1630:
1622:
1618:
1610:
1606:
1598:
1594:
1586:
1582:
1574:
1567:
1559:
1550:
1542:
1538:
1530:
1519:
1511:
1498:
1490:
1483:
1475:
1468:
1464:, pp. 6–7.
1460:
1453:
1445:
1436:
1428:
1421:
1413:
1404:
1396:
1389:
1381:
1372:
1368:
1358:, conducted by
1346:, with pianist
1330:conducting the
1318:Mihoko Fujimura
1308:conducting the
1292:Ruxandra Donose
1286:conducting the
1260:conducting the
1238:conducting the
1236:Helmuth Rilling
1224:conducting the
1211:
1193:Jiří Bělohlávek
1163:conducting the
1139:Václav Smetáček
1116:
1108:conducting the
1102:
1081:
1045:
1034:
1020:
1005:
991:
983:
977:N. Simrock
969:
924:
896:
888:
876:
864:
856:
848:
839:
831:
823:
806:
793:
737:
509:
363:
356:time signatures
245:
240:
227:
207:N. Simrock
165:
124:
118:
116:
114:
101:
99:
49:
17:
12:
11:
5:
3189:
3187:
3179:
3178:
3173:
3168:
3163:
3153:
3152:
3146:
3145:
3143:
3142:
3131:
3128:
3127:
3125:
3124:
3116:
3111:
3106:
3100:
3098:
3094:
3093:
3091:
3090:
3081:
3074:
3067:
3061:
3059:
3055:
3054:
3051:
3050:
3048:
3047:
3042:
3037:
3032:
3027:
3022:
3015:
3010:
3005:
2997:
2995:
2991:
2990:
2988:
2987:
2982:
2976:
2974:
2973:Piano quintets
2970:
2969:
2967:
2966:
2955:
2949:
2947:
2946:Piano quartets
2943:
2942:
2940:
2939:
2930:
2925:
2920:
2908:
2906:
2902:
2901:
2899:
2898:
2883:
2878:
2872:
2870:
2866:
2865:
2863:
2862:
2855:
2844:
2839:
2830:
2825:
2820:
2805:
2800:
2795:
2790:
2785:
2780:
2775:
2770:
2765:
2754:
2748:
2746:
2739:
2735:
2734:
2732:
2731:
2724:
2719:
2714:
2709:
2706:Saint Ludmilla
2702:
2697:
2694:Moravian Duets
2689:
2687:
2683:
2682:
2680:
2679:
2671:
2666:
2661:
2656:
2650:
2648:
2644:
2643:
2640:
2639:
2637:
2636:
2629:
2622:
2615:
2612:The Noon Witch
2608:
2601:
2594:
2585:
2578:
2573:
2566:
2561:
2554:
2547:
2540:
2533:
2526:
2519:
2512:
2504:
2502:
2498:
2497:
2495:
2494:
2484:
2479:
2474:
2469:
2464:
2459:
2454:
2449:
2438:
2436:
2429:
2425:
2424:
2422:
2421:
2413:
2405:
2397:
2389:
2381:
2373:
2365:
2357:
2349:
2340:
2338:
2334:
2333:
2331:
2330:
2325:
2319:
2316:
2315:
2312:Antonín Dvořák
2310:
2308:
2307:
2300:
2293:
2285:
2279:
2278:
2273:Tess Crebbin:
2271:
2261:
2255:
2249:
2239:
2228:
2227:External links
2225:
2224:
2223:
2210:
2195:"Stabat Mater"
2191:
2189:. H 1882.
2173:Šourek, Otakar
2169:
2155:Šourek, Otakar
2151:
2149:. H 2268.
2133:Šourek, Otakar
2129:
2115:Šourek, Otakar
2111:
2093:
2078:
2076:. H 7920.
2063:
2048:
2021:
2020:
1996:
1983:
1966:
1963:
1961:
1960:
1948:
1933:
1918:
1899:
1890:
1875:
1860:
1845:
1833:
1821:
1809:
1797:
1785:
1769:
1750:
1731:
1712:
1700:
1688:
1676:
1664:
1652:
1640:
1628:
1616:
1604:
1592:
1580:
1565:
1548:
1546:, p. VII.
1536:
1517:
1496:
1481:
1466:
1451:
1434:
1419:
1402:
1387:
1369:
1367:
1364:
1336:
1335:
1325:
1306:Mariss Jansons
1303:
1281:
1274:Wieslaw Ochman
1258:Rafael Kubelik
1255:
1233:
1219:
1190:
1172:
1158:
1147:Věra Soukupová
1136:
1101:
1098:
1090:
1089:
1076:
1054:
1053:
1028:
968:
965:
923:
920:
895:
892:
887:
884:
875:
872:
863:
860:
855:
852:
847:
844:
838:
835:
830:
827:
822:
819:
805:
802:
792:
789:
786:
785:
782:
779:
772:
769:
766:
763:
756:
750:
749:
744:
735:
728:
725:
723:
720:
713:
707:
706:
703:
700:
693:
690:
688:
685:
678:
672:
671:
666:
663:
656:
654:
651:
648:
641:
635:
634:
629:
626:
619:
616:
613:
610:
603:
597:
596:
591:
588:
581:
579:
576:
573:
566:
560:
559:
554:
551:
544:
541:
538:
535:
528:
522:
521:
516:
507:
500:
498:
495:
492:
485:
479:
478:
473:
470:
463:
460:
458:
455:
448:
442:
441:
438:
435:
428:
425:
422:
419:
412:
406:
405:
402:
399:
396:
393:
390:
387:
384:
244:
241:
239:
236:
226:
223:
192:sacred cantata
172:Antonín Dvořák
167:
166:
164:
163:
160:
156:
154:
150:
149:
141:
137:
136:
133:
129:
128:
112:
108:
107:
96:
92:
91:
86:
82:
81:
76:
72:
71:
68:
62:
61:
55:
51:
50:
40:
32:
31:
29:Antonín Dvořák
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
3188:
3177:
3174:
3172:
3169:
3167:
3164:
3162:
3159:
3158:
3156:
3141:
3133:
3132:
3129:
3122:
3121:
3117:
3115:
3112:
3110:
3107:
3105:
3102:
3101:
3099:
3095:
3089:
3087:
3082:
3080:
3079:
3075:
3073:
3072:
3068:
3066:
3063:
3062:
3060:
3056:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3020:
3016:
3014:
3011:
3009:
3006:
3004:
3003:
2999:
2998:
2996:
2992:
2986:
2983:
2981:
2978:
2977:
2975:
2971:
2965:
2956:
2954:
2951:
2950:
2948:
2944:
2938:
2936:
2931:
2929:
2926:
2924:
2921:
2919:
2910:
2909:
2907:
2903:
2897:
2895:
2884:
2882:
2879:
2877:
2874:
2873:
2871:
2867:
2861:
2860:
2856:
2854:
2845:
2843:
2840:
2838:
2836:
2831:
2829:
2826:
2824:
2821:
2819:
2817:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2774:
2771:
2769:
2766:
2764:
2755:
2753:
2750:
2749:
2747:
2743:
2740:
2738:Chamber music
2736:
2730:
2729:
2725:
2723:
2720:
2718:
2715:
2713:
2710:
2708:
2707:
2703:
2701:
2698:
2696:
2695:
2691:
2690:
2688:
2684:
2678:
2676:
2672:
2670:
2667:
2665:
2662:
2660:
2657:
2655:
2652:
2651:
2649:
2645:
2635:
2634:
2630:
2628:
2627:
2626:The Wild Dove
2623:
2621:
2620:
2616:
2614:
2613:
2609:
2607:
2606:
2602:
2600:
2599:
2595:
2593:
2591:
2586:
2584:
2583:
2579:
2577:
2574:
2572:
2571:
2567:
2565:
2562:
2560:
2559:
2555:
2553:
2552:
2548:
2546:
2545:
2541:
2539:
2538:
2534:
2532:
2531:
2527:
2525:
2524:
2520:
2518:
2517:
2513:
2511:
2510:
2509:A Hero's Song
2506:
2505:
2503:
2499:
2492:
2488:
2485:
2483:
2480:
2478:
2475:
2473:
2470:
2468:
2465:
2463:
2460:
2458:
2455:
2453:
2450:
2447:
2443:
2440:
2439:
2437:
2433:
2430:
2426:
2419:
2418:
2414:
2411:
2410:
2406:
2403:
2402:
2398:
2395:
2394:
2390:
2387:
2386:
2382:
2379:
2378:
2374:
2371:
2370:
2366:
2363:
2362:
2358:
2355:
2354:
2350:
2347:
2346:
2342:
2341:
2339:
2335:
2329:
2326:
2324:
2321:
2320:
2317:
2313:
2306:
2301:
2299:
2294:
2292:
2287:
2286:
2283:
2276:
2272:
2269:
2265:
2264:Kenneth Woods
2262:
2259:
2256:
2253:
2250:
2247:
2243:
2240:
2238:
2234:
2231:
2230:
2226:
2220:
2216:
2211:
2200:
2196:
2192:
2188:
2184:
2183:
2178:
2174:
2170:
2166:
2165:
2160:
2156:
2152:
2148:
2144:
2143:
2138:
2137:Čubr, Antonín
2134:
2130:
2126:
2125:
2120:
2119:Čubr, Antonín
2116:
2112:
2108:
2101:
2100:
2094:
2090:
2086:
2085:
2079:
2075:
2071:
2070:
2064:
2060:
2059:
2054:
2049:
2045:
2041:
2037:
2036:
2031:
2030:Zubatý, Josef
2027:
2023:
2022:
2010:
2006:
2005:breitkopf.com
2002:
1999:Döge, Klaus.
1997:
1993:
1989:
1984:
1980:
1979:
1974:
1969:
1968:
1964:
1957:
1956:Clements 2008
1952:
1949:
1942:
1937:
1934:
1927:
1922:
1919:
1915:
1910:
1908:
1906:
1904:
1900:
1894:
1891:
1884:
1879:
1876:
1869:
1864:
1861:
1854:
1849:
1846:
1842:
1837:
1834:
1830:
1825:
1822:
1818:
1813:
1810:
1806:
1801:
1798:
1794:
1789:
1786:
1782:
1778:
1773:
1770:
1763:
1759:
1754:
1751:
1744:
1740:
1735:
1732:
1728:
1723:
1721:
1719:
1717:
1713:
1709:
1704:
1701:
1697:
1692:
1689:
1685:
1680:
1677:
1673:
1668:
1665:
1661:
1656:
1653:
1649:
1644:
1641:
1637:
1632:
1629:
1625:
1620:
1617:
1613:
1608:
1605:
1601:
1596:
1593:
1589:
1584:
1581:
1577:
1572:
1570:
1566:
1562:
1557:
1555:
1553:
1549:
1545:
1540:
1537:
1533:
1528:
1526:
1524:
1522:
1518:
1515:, p. VI.
1514:
1509:
1507:
1505:
1503:
1501:
1497:
1493:
1488:
1486:
1482:
1478:
1473:
1471:
1467:
1463:
1458:
1456:
1452:
1448:
1443:
1441:
1439:
1435:
1431:
1426:
1424:
1420:
1416:
1411:
1409:
1407:
1403:
1399:
1394:
1392:
1388:
1384:
1379:
1377:
1375:
1371:
1365:
1363:
1361:
1357:
1353:
1349:
1345:
1341:
1333:
1332:Musica Florea
1329:
1328:Marek Štryncl
1326:
1323:
1319:
1315:
1311:
1307:
1304:
1301:
1297:
1293:
1289:
1285:
1282:
1279:
1275:
1271:
1270:Anna Reynolds
1267:
1263:
1259:
1256:
1253:
1249:
1245:
1244:Ingeborg Danz
1241:
1237:
1234:
1232:, John Cheek.
1231:
1227:
1223:
1220:
1215:
1210:
1206:
1202:
1198:
1194:
1191:
1188:
1184:
1183:Ortrun Wenkel
1180:
1176:
1173:
1170:
1166:
1162:
1159:
1156:
1152:
1148:
1144:
1140:
1137:
1134:
1130:
1126:
1125:Marta Krásová
1120:
1115:
1111:
1107:
1106:Václav Talich
1104:
1103:
1099:
1097:
1094:
1085:
1080:
1077:
1074:
1071:
1070:
1069:
1067:
1063:
1059:
1049:
1044:
1043:Otakar Šourek
1038:
1033:
1029:
1024:
1019:
1015:
1014:
1013:
1009:
1004:
1003:
997:
994:
987:
982:
978:
974:
973:Fritz Simrock
966:
964:
962:
958:
954:
950:
946:
942:
933:
928:
921:
919:
917:
913:
905:
900:
893:
891:
885:
883:
881:
873:
871:
869:
861:
859:
853:
851:
845:
843:
836:
834:
828:
826:
820:
818:
816:
812:
803:
801:
799:
790:
783:
780:
777:
773:
770:
767:
764:
757:
755:
752:
751:
748:
745:
741:
736:
733:
729:
726:
724:
721:
714:
712:
709:
708:
704:
701:
698:
694:
691:
689:
686:
679:
677:
674:
673:
670:
667:
664:
661:
657:
655:
652:
649:
642:
640:
637:
636:
633:
630:
627:
624:
620:
617:
614:
611:
604:
602:
599:
598:
595:
592:
589:
586:
582:
580:
577:
574:
567:
565:
562:
561:
558:
555:
552:
549:
545:
542:
539:
536:
529:
527:
524:
523:
520:
517:
513:
508:
505:
501:
499:
496:
493:
486:
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452:Quis est homo
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3019:Silent Woods
3017:
3000:
2934:
2893:
2858:
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2815:
2726:
2712:Stabat Mater
2711:
2704:
2699:
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2343:
2248:(ChoralWiki)
2219:Radio Prague
2202:. Retrieved
2198:
2181:
2163:
2141:
2123:
2109:. 27.293/03.
2098:
2091:. 27.293/50.
2083:
2068:
2056:
2034:
2012:. Retrieved
2004:
1991:
1978:The Guardian
1976:
1951:
1936:
1921:
1914:Cookson 2015
1893:
1878:
1863:
1848:
1836:
1824:
1812:
1800:
1788:
1772:
1753:
1734:
1729:, p. 7.
1703:
1691:
1679:
1667:
1655:
1643:
1631:
1619:
1607:
1595:
1583:
1539:
1534:, p. 6.
1477:Vaughan 2005
1432:, p. 2.
1385:, p. V.
1360:Howard Arman
1356:Julius Drake
1337:
1266:Edith Mathis
1248:James Taylor
1222:Zdeněk Mácal
1201:Marga Schiml
1197:Lívia Ághová
1129:Beno Blachut
1091:
1055:
1032:Antonín Čubr
1001:
998:
981:Josef Zubatý
970:
949:Leoš Janáček
937:
909:
889:
877:
865:
857:
849:
840:
832:
824:
807:
794:
557:B-flat minor
416:Stabat Mater
348:
316:French horns
261:
251:
228:
211:Leoš Janáček
204:
188:Stabat Mater
176:Stabat Mater
175:
170:
153:Instrumental
79:Stabat Mater
42:Stabat Mater
41:
22:Stabat Mater
3123:(1988 film)
3065:Humoresques
3058:Piano music
2905:Piano trios
2847:No. 14 in A
2808:No. 10 in E
2686:Vocal music
2523:Czech Suite
2393:The Jacobin
2260:Bärenreiter
2187:Bärenreiter
2177:Šolc, Karel
2159:Šolc, Karel
2147:Bärenreiter
2074:Bärenreiter
2026:Döge, Klaus
1492:Dotsey 2018
1324:, Liang Li.
1296:Johan Botha
1212: [
1205:Aldo Baldin
1161:Robert Shaw
1133:Karel Kalaš
1117: [
1082: [
1073:Bärenreiter
1046: [
1035: [
1021: [
1006: [
984: [
811:sonata form
372:common time
344:cor anglais
304:cor anglais
252:Crucifixion
3155:Categories
3013:Bagatelles
2958:No. 2 in E
2912:No. 1 in B
2886:No. 3 in E
2757:No. 2 in B
2435:Symphonies
2328:(by genre)
1762:1098699556
1366:References
1209:Luděk Vele
1100:Recordings
1079:Klaus Döge
1018:Karel Šolc
941:Adolf Čech
868:a cappella
815:the return
489:Eja, Mater
310:in A, two
194:and as an
182: 58 (
119:1880-12-23
2859:Cypresses
2700:Psalm 149
2647:Concertos
2204:8 October
1743:246636061
1561:Döge 2019
1314:Erin Wall
1230:John Aler
1151:Ivo Žídek
932:Worcester
922:Reception
791:Movements
697:Larghetto
324:trombones
308:clarinets
264:movements
200:movements
159:Orchestra
132:Movements
111:Performed
54:Catalogue
3140:Category
3086:American
2961:♭
2915:♭
2894:American
2889:♭
2850:♭
2835:American
2816:Slavonic
2811:♭
2760:♭
2590:American
2385:Dimitrij
1783:website.
1340:Accentus
1155:Kim Borg
957:Budapest
912:paradise
784:B minor
705:B minor
440:B minor
389:Stanzas
322:, three
320:trumpets
312:bassoons
278:(T) and
196:oratorio
95:Composed
85:Language
3097:Related
3071:Legends
3045:Ballade
2892:major (
2814:major (
2717:Requiem
2558:My Home
2551:Legends
2409:Rusalka
2244:in the
2014:23 June
1965:Sources
1312:, with
1264:, with
1218:(1997).
1167:, with
1112:, with
771:S A T B
747:D minor
669:A major
632:B major
594:E major
519:C minor
476:E minor
462:S A T B
427:S A T B
392:Choral
374:(4/4).
340:strings
332:timpani
314:, four
288:divided
268:soprano
225:History
117: (
100: (
2420:(1904)
2417:Armida
2412:(1901)
2404:(1898)
2396:(1887)
2388:(1882)
2380:(1877)
2372:(1875)
2364:(1874)
2356:(1874)
2348:(1870)
2345:Alfred
2337:Operas
1760:
1741:
1350:. The
1037:scores
1023:scores
1008:scores
986:scores
798:themes
540:SSAATB
398:Tempo
386:Title
306:, two
298:, two
296:flutes
258:(1873)
232:Prague
125:Prague
48:, 2019
2994:Other
2964:major
2935:Dumky
2918:major
2853:major
2763:major
2501:Other
2369:Vanda
2107:Carus
2103:(PDF)
2089:Carus
1216:]
1121:]
1093:Carus
1086:]
1050:]
1039:]
1025:]
1010:]
988:]
916:fugue
732:Largo
722:18–19
687:16–17
660:Largo
612:13–14
548:Largo
537:10–11
401:Time
395:Solo
352:tempo
336:organ
300:oboes
292:organ
276:tenor
274:(A),
270:(S),
238:Music
162:organ
140:Vocal
106:–1877
89:Latin
2206:2019
2044:ISMN
2016:2019
1758:OCLC
1739:OCLC
953:Brno
880:duet
768:SATB
653:SATB
615:TTBB
578:SATB
497:SATB
424:SATB
404:Key
383:No.
358:and
338:and
328:tuba
284:SATB
280:bass
272:alto
215:Brno
145:SATB
102:1876
98:1876
75:Text
66:Opus
1779:at
1060:'s
1056:In
781:3/2
702:4/8
692:S T
665:3/4
628:6/8
590:6/8
553:4/8
472:3/4
457:5–8
437:3/2
421:1–4
360:key
254:by
180:Op.
174:'s
135:Ten
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676:8
639:7
618:T
601:6
564:5
543:B
526:4
494:9
483:3
446:2
410:1
121:)
104:)
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