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661:. Linton said Adkins came up with the basic form of "Thinking, That's All", which the other members added to. The band had been playing "Rockstar" live for sometime, prior to signing with Capitol, with Linton often mumbling his speech as he had no lyrics for it. It was only during the demo session with Auer that he wrote the words, as the label thought it was a hit-sounding song. "Claire" evokes
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685:. Linton opted to whisper his vocals instead of singing to "keep it a really delicate song". "Digits" was influenced by the work of Christie Front Drive; an earlier version of it was released on Jimmy Eat World's split with Christie Front Drive. "Caveman" features the sound of crickets throughout its length, which was achieved by taking a
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writer Tim Nelson opened his review asking if the album title was "presumably meant ironically", as "staying still is one thing this propulsive pop album doesn't do." In his eyes, the music "crosses the abyss between indie indulgence and soul-sucking corporate pap with aplomb". Barbara
Restaino of
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person Craig
Aaronson at his house in Los Angeles, California, where they showed him the demos they had done. Aaronson was discussing the band's songwriting process, which he felt made no sense; Adkins explained they used to write songs as a series of "cool part" one after another.
702:". Burch compared the hushed atmosphere of "In the Same Room" to falling snow. When mixing the song, Adkins said him and Trombino recorded radio static for its beginning, which Trombino compressed to make it sit around the vocals. The title of "Robot Factory" comes from a
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The band used to open their shows with "World Is Static" as it would shift direction partway through. Alongside this, Adkins said they were employing choruses more often as they found enjoyment in repetition. The drums in it were inspired by John
Anderson, the drummer of
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with its quiet and loud sections, aided by a violin. Lind said the song was "formative" for the band, as it showed them that a simplistic arrangement can "make something cool". Linton said they took influence for it from Sunny Day Real Estate, particularly their song
730:, the staff at Capitol were "bummed Just guys being like, 'Uh ... this is a lot different than what we expected'", according to Linton. Jimmy Eat World toured the West Coast of the US in anticipation of the album between May and July 1996. Capitol released
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essentially lacks is the songwriting maturity that Jimmy Eat World could have perfected; but it's almost as if the studio heads at
Capitol wouldn't let them so that there would be more room for radio-friendly pop songs. In the end, nobody won." Harry Guerin of
986:." Coinciding with the album's 25th anniversary, Bandbox and Captiol Records released a version of the album with an accompanying booklet written by Alex Rice. He highlighted five songs from the band's catalogue – "Believe in What You Want" from
677:, to the annoyance of Trombino. "Episode IV" is the first track the band wrote without any "loud, saturated guitar sounds", according to Adkins. He came up with the basic structure, which he showed to Linton, who thought it had a sound akin to "
689:
U67 microphone outside Big Fish
Studios. For sometime, Linton struggled with the song's lyrics; he only came up with them while in the bathroom at the studio "looking at aerosol cans and trying to find some rhythming words to match the verse".
458:. At Capitol's insistence, Jimmy Eat World went to a rehearsal room in Los Angeles, having been told to write some new songs and rewrite others, being guided by a producer they had hired. The band did pre-production at Mind's Eye Digital in
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at the insistence of his family, and left the band. Carrier bassist Rick Burch, who guitarist Tom Linton had been best friends with since the seventh grade, replaced Porter. Capitol set up the band to record demos for their next album with
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found it to be "largely a textbook emo record" that "never really keeps your attention throughout". According to him, the album has "too many instances of familiar sounding riffs and overwrought vocals to be convincing". The staff at
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writer
Alistair Lawrence said songs like "Claire" and "Digits" "create something uneven but distinct, which would unintentionally form part of the roadmap for emo's rite of passage through the late '90s". Andrew Sacher of
371:
in 1994, through local label Wooden Blue records. As the members left high school, frontman Jim Adkins was part of a production company with Joel Leibow, co-founder of Wooden Blue. The production company listed itself in
401:; however, the opening act, Christie Front Drive, caught his attention. Isreal asked them if they had new material he could hear, with the band responding by mentioning they had released a split with Jimmy Eat World.
603:. Drummer Zach Lind attributed this change in style to listening to Christie Front Drive, who they found to be "really melodic but still very powerful". Lind played in a more aggressive and noisier style of
698:. Staff members at Capitol asked Linton to tell Adkins to stop screaming as he was doing it for the majority of "World Is Static": "I was like, 'Yeah, I can't tell him that, because he'll just scream louder
673:"Call It in the Air", with its punk-esque sound, earned a comparison to Sense Field. Lind said it exemplified the band's punk roots. Lind said the opening drum part to "Seventeen" intentionally ripped off
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525:, with Cappy Japngie serving as an assistant engineer. Captiol Records insisted on Rothrock and Schnapf mixing the tracks because the label planned to send them to
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785:. In February 1997, Jimmy Eat World embarked on a cross-country US tour with Sense Field. Capitol felt the original version of "Seventeen" would work in the film
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noted, "As with so many punk bands that signed to a major during that decade, Jimmy Eat World gained precious few new fans—and lost many old ones—with
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Sometime later, Jimmy Eat World played a benefit show; a staff member at
Capitol was in the audience, and approached them. In mid-1995, they signed a
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285:(1994), they signed to Capitol in mid-1995 for further releases. Carrier member Rick Burch replaced bassist Mitchel Porter, who left to become a
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501:
Billy Bowers and Jeff
Sheehan served as assistant engineers at Sound City. When Jimmy Eat World recorded Seventeen", it initially featured the
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said that she though she would "really like it" to begin with, however, Adkins and Linton's voices "started to annoy me" after a while.
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521:, Billy Smith, and Steve Genewick worked as assistant engineers at Capitol. Rothrock and Schnapf mixed "Rockstar" and "Seventeen" at
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with Jimmy Eat World. Various major labels contacted the band and asked for a tape of their music. Loren Isreal, a talent scout from
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called it "very much of its time", complete with "anxiety-ridden vocals, lyrics of suburban melodrama, and screaming punk guitars".
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version featured different artwork, and included the bonus 7-inch vinyl of "In the Same Room" and "77 Satellites". The band made a
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795:. Adkins felt the lyrics of the original tied in well with the lead character of the movie. Along with their third studio
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412:, they hired Lind's family attorney to gloss over the contract. Around this time, bassist Mitchel Porter became a
331:. Preceded by a three-month United States tour, it was promoted with a mini tour of the country, a stint with the
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385:, which assisted bands, promoters, and venues to book shows across the United States. After being contacted by
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450:. The band recorded two songs with him, "Opener" and "77 Satellites", both of which were released through
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474:. While Jimmy Eat World wanted Trombino to produce the album, Capitol insisted on the production duo of
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with the label that included one album, with the possibility for six more. As the band did not know any
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felt that "Claire" was the "earliest example of what Jimmy Eat World would achieve artistically" with
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on July 23, 1996. The cover artwork features a sideways photo of chimneys, taken on a rooftop in
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all of the recordings at
Precision Mastering, while Craig Aaronson served as the executive producer.
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355:, who mostly commented on the vocals and guitarwork. It has since been viewed as a benchmark for the
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with a mini US tour along the West; later, the band embarked on the God Bless
America tour with the
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2280:"Jimmy Eat World on Twitter: 'we moved a u67 outside at big fish studios to record crickets...'"
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splits lead vocals evenly between Linton and Adkins, which contrasted from the Linton-dominated
509:, Linton changed the lyrics, and the band re-recorded it. Trombino, who also acted as engineer,
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line "You're only seventeen"; however, when they realized it sounded too similar to a song by
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was re-released in 2007; "77 Satellites" and "What Would I Say to You Now" were included as
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on "Claire", Lind's ex-girlfriend Sarah Pont played violin, and Trombino contributed on the
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627:. Tracks such as "Seventeen", "Digits" and "Robot Factory" are reminiscent of releases on
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615:, where Adkins only sung lead on one track. Ted Simon compared Adkins' vocals to those of
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in the McClintock area of Tempe, Arizona. The closing track, "Anderson Mesa", features a
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2253:"Jimmy Eat World on Twitter: 'episode 4 is probably the first song we wrote with no...'"
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2360:"Zach Lind on Twitter: 'Anderson Mesa - Jim is this a real place near Flagstaff?...'"
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of Christie Front Drive provided additional vocals on "Digits", while Kidd played an
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2172:"Zach Lind on Twitter: 'Call it in the Air! This is us being the best version...'"
490:. The label eventually relented, with Jimmy Eat World working with Trombino, and
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2387:"Jimmy Eat World on Twitter: 'yeah, it's where they have a giant telescope...'"
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791:(1999), and in return for letting the label use it in the film, the band met
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2307:"Zach Lind on Twitter: 'Intro Drum part prob heavily influenced by John...'"
2226:"Zach Lind on Twitter: 'Mark was nice though while being mildly annoyed...'"
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stations; subsequently, the vocals on both tracks ended up high in the mix.
336:
328:
115:
2145:"Zach Lind on Twitter: 'Claire, one of our best songs we've ever done...'"
653:. The opening track, "Thinking, That's All", and "Call It in the Air" are
2199:"Zach Lind on Twitter: 'Seventeen - this intro drum part is a direct...'"
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all of the tracks, apart from "Rockstar" and "Seventeen", in Studio C at
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2749:"How Jimmy Eat World's 'The Middle' became the best song for a bad time"
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in Santa Ana, Calfironia, with directors Richard and Stefanie Reines of
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was filmed for "Rockstar", and "Call It in the Air" was released as the
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623:. In addition to playing the drums, Lind played the accordion and the
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2485:(sleeve). Jimmy Eat World. Capitol Records. 1996. 7243 8 32404 1 8.
1766:"Jimmy Eat World – Reflecting on the 20th Anniversary of 'Clarity'"
1006:(2004), "Action Needs an Audience" from their seventh studio album
3006:
1550:(booklet). Jimmy Eat World. Wooden Blue Records. 1994. I.S.Y. 004.
543:
38:
670:" (1994), while Adkins the lyrics were "very journal entry-ish".
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Sunny Day Real Estate served as one of the overall influences on
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on August 26, 1996, on a 7-inch vinyl, with "Rockstar" as the
718:, where he previously attended college prior to dropping out.
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324:
110:
2627:"Static Prevails - Jimmy Eat World | Songs, Reviews, Credits"
2593:"Jimmy Eat World announce 'Futures' 10-year anniversary tour"
2415:(sleeve). Jimmy Eat World. Capitol Records. 1996. DPRO-11231.
438:
When Jimmy Eat World was searching for an engineer to record
1359:
2560:"AP Exclusive: Jimmy Eat World to reissue first two albums"
2525:(sleeve). Jimmy Eat World. Capitol Records. 1996. S7-19204.
1583:(booklet). Jimmy Eat World. Golf Records. 2001. CDHOLE049.
2056:
Caffrey, Dan; Kaye, Ben; Gerber, Justin (June 14, 2013).
746:
for "Rockstar", which was included on some copies of the
305:, and Jimmy Eat World acted as producers for the album.
2903:
Brackett, Nathan; Hoard, Christian David, eds. (2004).
2782:"Every Jimmy Eat World album ranked from worst to best"
556:" (1994) directly inspiring Jimmy Eat World's "Claire".
1012:(2010), and "Pol Roger" from their ninth studio album
351:
in August 1996. The album received mixed reviews from
607:-oriented drumming, with elements of his punk roots.
425:
in Seattle, Washington. They then visited Capitol's
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23:
2451:"Jimmy Eat World answer your questions / In Depth"
2022:"Jimmy Eat World - Clarity & Static Prevails"
1507:Paul Drake – cover photography, ambient band
657:-esque songs, the former channeling the sound of
319:, and into a more aggressive sound consisting of
1826:(booklet). Bandbox/Capitol Records. B0023654-01.
1575:
1573:
1571:
1441:Mark Trombino – producer, engineer, mixing
1000:(2001), "Futures" from their fifth studio album
293:in Los Angeles, California, and at Big Fish, in
2535:: CS1 maint: others in cite AV media (notes) (
2495:: CS1 maint: others in cite AV media (notes) (
2425:: CS1 maint: others in cite AV media (notes) (
1913:: CS1 maint: others in cite AV media (notes) (
1593:: CS1 maint: others in cite AV media (notes) (
1560:: CS1 maint: others in cite AV media (notes) (
563:marked a shift from Jimmy Eat World's previous
482:, who had previously produced for the likes of
2058:"Dissected: Jimmy Eat World (with Jim Adkins)"
498:; the band were also given a producer credit.
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1891:
765:Capitol released "Call It in the Air" as the
8:
2685:"Jimmy Eat World – Static Prevails – Review"
2088:: CS1 maint: multiple names: authors list (
2015:
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1735:"Jimmy Eat World | Biography & History"
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389:for a show, Leibow asked the band to do a
277:, released on July 23, 1996, through
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823:(2004), was re-pressed on vinyl in 2014.
714:. Adkins said it was about him living in
3386:Post-hardcore albums by American artists
1483:Steve Genewick – assistant engineer
1288:
1062:
934:reviewer Mike DaRonco stated that "what
18:1996 studio album by Jimmy Eat World
2714:Carriere, Michael (December 13, 2007).
1817:
1815:
1813:
1728:
1726:
1539:
1516:Ohiogirlco – design, art direction
1486:Cappy Japngie – assistant engineer
1337:
1274:
269:is the second studio album by American
2827:from the original on September 7, 2022
2716:"Jimmy Eat World: The Past is History"
2695:from the original on September 7, 2021
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1471:Jeff Sheehan – assistant engineer
1468:Billy Bowers – assistant engineer
281:. Following the release of the band's
2848:Static Prevails (Bonus Track Version)
2815:"Jimmy Eat World's 10 best deep cuts"
2761:from the original on October 12, 2020
2728:from the original on October 12, 2020
2633:from the original on October 12, 2020
2070:from the original on January 16, 2015
2032:from the original on October 12, 2020
1975:from the original on October 12, 2020
1856:from the original on October 11, 2020
1745:from the original on October 12, 2020
1673:from the original on October 12, 2020
1633:from the original on October 11, 2020
1510:Andy Mueller – smiley band photo
1480:Billy Smith – assistant engineer
1338:
1275:
836:
7:
3391:Punk rock albums by American artists
2813:Sacher, Andrew (September 7, 2022).
2780:Lawrence, Alistair (June 22, 2022).
2572:from the original on August 22, 2016
2112:"Rock 'n' roll with Jimmy Eat World"
2110:Bartos, Colin (September 13, 1996).
2020:Guerin, Harry (September 10, 2002).
1498:Evren Göknar – 2007 remastering
470:in Los Angeles, and at Big Fish in
2949:Martin, Dale (February 14, 1997).
2747:Heller, Jason (4 September 2012).
2603:from the original on March 6, 2020
1824:Bandbox Issue #44: Jimmy Eat World
1018:(2016) – that drew influence from
14:
2906:The New Rolling Stone Album Guide
2683:Restaino, Barbara (May 1, 1997).
2463:from the original on June 7, 2019
2385:Jimmy Eat World (July 23, 2021).
2335:. Capitol Records. Archived from
2278:Jimmy Eat World (July 23, 2021).
2251:Jimmy Eat World (July 23, 2021).
947:The New Rolling Stone Album Guide
893:
857:
754:. It was filmed at Koo's Cafe, a
3381:Albums produced by Mark Trombino
2964:Reece, Doug (7 September 1996).
2951:"The Refreshments go prime time"
1699:Mehr, Bob (September 27, 2001).
1370:Tom Linton – guitar, vocals
926:was met with mixed reviews from
912:
907:
902:
897:
892:
876:
871:
866:
861:
856:
2909:(4th ed.). New York City:
1934:Jimmy Eat World. Archived from
1764:King, Ian (February 22, 2019).
1447:Jimmy Eat World – producer
454:An Industry for Outer Space on
367:Jimmy Eat World released their
3003:(streamed copy where licensed)
2974:. Vol. 108, no. 36.
2928:Keiper, Nicole (August 2001).
2652:Nelson, Tim (August 7, 2007).
2449:Diver, Mike (March 11, 2008).
1963:"Zach Lind of Jimmy Eat World"
1659:Ozzi, Dan (October 12, 2016).
1619:Simons, Ted (August 8, 1996).
1513:Jim Adkins – other photos
1295:
1072:
738:, by Paul Drake. The original
579:, into aggressive but melodic
369:self-titled debut studio album
1:
2591:Crane, Matt (June 24, 2014).
1903:. 1996. CDP 7243 5 39615 0 3.
1389:Rick Burch – bass guitar
1328:"What Would I Say to You Now"
1051:. All recordings produced by
462:, with engineer Larry Elyea.
2358:Lind, Zach (July 23, 2021).
2305:Lind, Zach (July 23, 2021).
2224:Lind, Zach (July 23, 2021).
2197:Lind, Zach (July 23, 2021).
2170:Lind, Zach (July 23, 2021).
2143:Lind, Zach (July 23, 2021).
1899:(booklet). Jimmy Eat World.
1842:Crain, Zac (March 4, 1999).
712:observatory of the same name
397:went to a show to check out
311:saw the band move away from
2333:"Jimmy Eat World Bio Con't"
1996:Brackett; Hoard eds. p. 432
1661:"Jimmy Eat World (for Now)"
1489:Larry Elyea – engineer
1443:(all except tracks 2 and 5)
976:. In 2012, Jason Heller of
773:. Jimmy Eat World promoted
710:; its title references the
3407:
2654:"Jimmy Eat World, Clarity"
1477: – assistant engineer
1402: – additional vocals
442:, they came across former
383:Book Your Own Fuckin' Life
363:Background and development
3044:
2999:(bonus track version) at
2389:. Twitter. Archived from
2362:. Twitter. Archived from
2309:. Twitter. Archived from
2282:. Twitter. Archived from
2255:. Twitter. Archived from
2228:. Twitter. Archived from
2201:. Twitter. Archived from
2174:. Twitter. Archived from
2147:. Twitter. Archived from
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841:
726:After the band handed in
258:
250:Released: August 26, 1996
241:
226:
189:
28:
1438:Wes Kidd – producer
1423: – acoustic guitar
1408:Sarah Pont – violin
1379:Zach Lind – drums,
964:Michael Carriere viewed
750:version of the album as
567:material in the vein of
466:was recorded in 1995 at
434:Recording and production
3187:Stay on My Side Tonight
1356:Personnel per booklet.
1059:, and Jimmy Eat World.
817:and their fifth studio
283:self-titled debut album
54:July 23, 1996
3376:Capitol Records albums
3371:Jimmy Eat World albums
1501:Craig Aaronson –
1376: – guitar, vocals
1091:"Thinking, That's All"
557:
3289:I Will Steal You Back
3282:Coffee and Cigarettes
2956:The Victoria Advocate
2934:CMJ New Music Monthly
2880:CMJ New Music Monthly
2568:. November 16, 2006.
1047:All songs written by
722:Release and promotion
601:Sunny Day Real Estate
573:Rocket from the Crypt
547:
472:Encinitas, California
410:entertainment lawyers
339:, and a US tour with
295:Encinitas, California
88:Encinitas, California
2911:Simon & Schuster
2523:"Call It in the Air"
2339:on February 20, 1999
2063:Consequence of Sound
1938:on November 29, 1999
1778:on February 23, 2019
1394:Additional musicians
1144:"Call It in the Air"
972:as landmarks in the
832:Professional ratings
387:Christie Front Drive
247:"Call It in the Air"
2966:"Popular Uprisings"
2873:Anon. (July 1996).
2664:on October 21, 2007
2531:cite AV media notes
2491:cite AV media notes
2421:cite AV media notes
1909:cite AV media notes
1822:Rice, Alex (2022).
1711:on January 10, 2016
1589:cite AV media notes
1556:cite AV media notes
1291:
1290:Bonus track version
1068:
833:
663:Texas Is the Reason
591:, by bands such as
3161:Compilation albums
2549:Martin 1997, p. 10
2117:The Michigan Daily
2005:Keiper 2002, p. 83
1844:"Clarity prevails"
1621:"Givin' Us Static"
1503:executive producer
1289:
1237:"In the Same Room"
1063:
974:second wave of emo
831:
760:Drive-Thru Records
716:Flagstaff, Arizona
708:string arrangement
558:
496:Triple Fast Action
357:second wave of emo
3353:
3352:
3205:Lucky Denver Mint
2689:Lollipop Magazine
2597:Alternative Press
2565:Alternative Press
2512:Reece 1996, p. 21
2439:Anon. 1996, p. 59
2124:on April 25, 2003
1705:Phoenix New Times
1701:"Brave New World"
1626:Phoenix New Times
1525:
1524:
1495: – mastering
1493:Stephen Marcussen
1465:
1456:
1444:
1426:
1405:
1348:
1347:
1285:
1284:
1223:"World Is Static"
959:Lollipop Magazine
921:
920:
788:Never Been Kissed
637:Twin/Tone Records
531:Stephen Marcussen
527:alternative radio
414:Mormon missionary
343:in early 1997. A
287:Mormon missionary
262:
261:
222:
221:
3398:
3338:Related articles
3328:Chase This Light
3303:Sure and Certain
3123:Chase This Light
3031:
3024:
3017:
3008:
2983:
2960:
2945:
2924:
2899:
2897:
2895:
2859:
2858:
2857:
2856:
2843:
2837:
2836:
2834:
2832:
2810:
2804:
2803:
2801:
2799:
2794:on June 22, 2022
2790:. Archived from
2777:
2771:
2770:
2768:
2766:
2744:
2738:
2737:
2735:
2733:
2721:Shepherd Express
2711:
2705:
2704:
2702:
2700:
2680:
2674:
2673:
2671:
2669:
2660:. Archived from
2649:
2643:
2642:
2640:
2638:
2622:
2613:
2612:
2610:
2608:
2588:
2582:
2581:
2579:
2577:
2556:
2550:
2547:
2541:
2540:
2534:
2526:
2519:
2513:
2510:
2501:
2500:
2494:
2486:
2479:
2473:
2472:
2470:
2468:
2456:Drowned in Sound
2446:
2440:
2437:
2431:
2430:
2424:
2416:
2409:
2403:
2402:
2400:
2398:
2393:on July 23, 2021
2382:
2376:
2375:
2373:
2371:
2366:on July 24, 2021
2355:
2349:
2348:
2346:
2344:
2329:
2323:
2322:
2320:
2318:
2313:on July 23, 2021
2302:
2296:
2295:
2293:
2291:
2286:on July 24, 2021
2275:
2269:
2268:
2266:
2264:
2259:on July 23, 2021
2248:
2242:
2241:
2239:
2237:
2232:on July 24, 2021
2221:
2215:
2214:
2212:
2210:
2205:on July 24, 2021
2194:
2188:
2187:
2185:
2183:
2178:on July 23, 2021
2167:
2161:
2160:
2158:
2156:
2151:on July 24, 2021
2140:
2134:
2133:
2131:
2129:
2120:. Archived from
2107:
2094:
2093:
2087:
2079:
2077:
2075:
2053:
2042:
2041:
2039:
2037:
2017:
2006:
2003:
1997:
1994:
1985:
1984:
1982:
1980:
1959:
1948:
1947:
1945:
1943:
1928:
1919:
1918:
1912:
1904:
1893:
1866:
1865:
1863:
1861:
1839:
1828:
1827:
1819:
1788:
1787:
1785:
1783:
1774:. Archived from
1761:
1755:
1754:
1752:
1750:
1733:Leahey, Andrew.
1730:
1721:
1720:
1718:
1716:
1707:. Archived from
1696:
1683:
1682:
1680:
1678:
1656:
1643:
1642:
1640:
1638:
1616:
1599:
1598:
1592:
1584:
1577:
1566:
1565:
1559:
1551:
1544:
1464:(tracks 2 and 5)
1463:
1455:(tracks 2 and 5)
1454:
1442:
1424:
1403:
1360:
1341:
1297:
1292:
1278:
1074:
1069:
917:
916:
915:
911:
910:
906:
905:
901:
900:
896:
895:
881:
880:
879:
875:
874:
870:
869:
865:
864:
860:
859:
834:
752:enhanced content
736:Denver, Colorado
701:
651:Moog synthesizer
617:the Replacements
406:development deal
380:
375:Maximumrocknroll
251:
248:
236:Static Prevails
191:
190:
174:
135:
134:
130:
61:
59:
33:
21:
3406:
3405:
3401:
3400:
3399:
3397:
3396:
3395:
3356:
3355:
3354:
3349:
3333:
3315:
3240:A Praise Chorus
3192:
3174:
3156:
3144:Integrity Blues
3095:Static Prevails
3088:Jimmy Eat World
3075:
3040:
3038:Jimmy Eat World
3035:
2996:Static Prevails
2991:
2986:
2963:
2948:
2936:. No. 95.
2927:
2921:
2902:
2893:
2891:
2872:
2863:
2862:
2854:
2852:
2845:
2844:
2840:
2830:
2828:
2812:
2811:
2807:
2797:
2795:
2779:
2778:
2774:
2764:
2762:
2746:
2745:
2741:
2731:
2729:
2713:
2712:
2708:
2698:
2696:
2682:
2681:
2677:
2667:
2665:
2651:
2650:
2646:
2636:
2634:
2625:DaRonco, Mike.
2624:
2623:
2616:
2606:
2604:
2590:
2589:
2585:
2575:
2573:
2558:
2557:
2553:
2548:
2544:
2527:
2521:
2520:
2516:
2511:
2504:
2487:
2483:Static Prevails
2481:
2480:
2476:
2466:
2464:
2448:
2447:
2443:
2438:
2434:
2417:
2413:Static Prevails
2411:
2410:
2406:
2396:
2394:
2384:
2383:
2379:
2369:
2367:
2357:
2356:
2352:
2342:
2340:
2331:
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2326:
2316:
2314:
2304:
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2299:
2289:
2287:
2277:
2276:
2272:
2262:
2260:
2250:
2249:
2245:
2235:
2233:
2223:
2222:
2218:
2208:
2206:
2196:
2195:
2191:
2181:
2179:
2169:
2168:
2164:
2154:
2152:
2142:
2141:
2137:
2127:
2125:
2109:
2108:
2097:
2080:
2073:
2071:
2055:
2054:
2045:
2035:
2033:
2019:
2018:
2009:
2004:
2000:
1995:
1988:
1978:
1976:
1961:
1960:
1951:
1941:
1939:
1930:
1929:
1922:
1905:
1901:Capitol Records
1897:Static Prevails
1895:
1894:
1869:
1859:
1857:
1849:Dallas Observer
1841:
1840:
1831:
1821:
1820:
1791:
1781:
1779:
1771:Under the Radar
1763:
1762:
1758:
1748:
1746:
1732:
1731:
1724:
1714:
1712:
1698:
1697:
1686:
1676:
1674:
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1657:
1646:
1636:
1634:
1618:
1617:
1602:
1585:
1579:
1578:
1569:
1552:
1548:Jimmy Eat World
1546:
1545:
1541:
1531:
1526:
1462: – mixing
1453: – mixing
1365:Jimmy Eat World
1354:
1349:
1339:
1314:"77 Satellites"
1286:
1276:
1265:"Anderson Mesa"
1251:"Robot Factory"
1156:
1105:
1065:Static Prevails
1049:Jimmy Eat World
1045:
1020:Static Prevails
1015:Integrity Blues
984:Static Prevails
966:Static Prevails
936:Static Prevails
924:Static Prevails
913:
908:
903:
898:
877:
872:
867:
862:
829:
811:Static Prevails
803:Static Prevails
775:Static Prevails
732:Static Prevails
728:Static Prevails
724:
699:
683:Nine Inch Nails
675:Drive Like Jehu
647:acoustic guitar
621:Paul Westerberg
613:Jimmy Eat World
609:Static Prevails
561:Static Prevails
550:Static Prevails
542:
515:Capitol Studios
464:Static Prevails
444:Drive Like Jehu
440:Static Prevails
436:
395:Capitol Records
378:
365:
309:Static Prevails
279:Capitol Records
275:Jimmy Eat World
266:Static Prevails
254:
249:
246:
245:
217:
208:
205:Static Prevails
199:
196:Jimmy Eat World
183:Jimmy Eat World
177:
172:Jimmy Eat World
170:
132:
128:
127:
93:
57:
55:
46:
44:Jimmy Eat World
24:Static Prevails
19:
12:
11:
5:
3404:
3402:
3394:
3393:
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3378:
3373:
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3339:
3335:
3334:
3332:
3331:
3323:
3321:
3317:
3316:
3314:
3313:
3310:Something Loud
3306:
3299:
3292:
3285:
3278:
3275:My Best Theory
3271:
3264:
3257:
3250:
3243:
3236:
3229:
3226:Last Christmas
3222:
3215:
3212:Bleed American
3208:
3200:
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3126:
3119:
3112:
3109:Bleed American
3105:
3098:
3091:
3083:
3081:
3077:
3076:
3074:
3073:
3069:
3068:
3063:
3058:
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3045:
3042:
3041:
3036:
3034:
3033:
3026:
3019:
3011:
3005:
3004:
2990:
2989:External links
2987:
2985:
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2925:
2919:
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2838:
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2007:
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1986:
1968:Modern Drummer
1949:
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997:Bleed American
992:Bleed American
919:
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883:
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853:
847:
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843:
839:
838:
828:
825:
793:Drew Barrymore
723:
720:
541:
538:
494:of labelmates
435:
432:
364:
361:
289:. Recorded at
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3104:
3103:
3099:
3097:
3096:
3092:
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3085:
3084:
3082:
3080:Studio albums
3078:
3071:
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3067:
3064:
3062:
3059:
3057:
3054:
3052:
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2826:
2822:
2821:
2820:BrooklynVegan
2816:
2809:
2806:
2793:
2789:
2788:
2783:
2776:
2773:
2760:
2756:
2755:
2754:The A.V. Club
2750:
2743:
2740:
2727:
2723:
2722:
2717:
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2707:
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2690:
2686:
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2066:. p. 3.
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1412:Mark Trombino
1410:
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1375:
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1340:Total length:
1333:
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1277:Total length:
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1107:
1101:
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1093:
1090:
1086:
1070:
1067:track listing
1066:
1060:
1058:
1057:Mark Trombino
1054:
1050:
1043:Track listing
1042:
1040:
1038:
1034:
1033:
1032:BrooklynVegan
1027:
1026:
1021:
1017:
1016:
1011:
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1005:
1004:
999:
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985:
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979:The A.V. Club
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929:
928:music critics
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840:
837:Review scores
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816:
813:, along with
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779:Smoking Popes
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83:(Los Angeles)
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3072:Mitch Porter
3065:
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2933:
2904:
2892:. Retrieved
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2865:
2864:
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2847:
2841:
2831:September 7,
2829:. Retrieved
2818:
2808:
2796:. Retrieved
2792:the original
2785:
2775:
2765:September 6,
2763:. Retrieved
2752:
2742:
2730:. Retrieved
2719:
2709:
2699:September 7,
2697:. Retrieved
2688:
2678:
2666:. Retrieved
2662:the original
2647:
2635:. Retrieved
2629:. AllMusic.
2605:. Retrieved
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2482:
2477:
2465:. Retrieved
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2407:
2397:September 2,
2395:. Retrieved
2391:the original
2380:
2370:September 2,
2368:. Retrieved
2364:the original
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2341:. Retrieved
2337:the original
2327:
2317:September 2,
2315:. Retrieved
2311:the original
2300:
2290:September 2,
2288:. Retrieved
2284:the original
2273:
2263:September 2,
2261:. Retrieved
2257:the original
2246:
2236:September 2,
2234:. Retrieved
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2219:
2209:September 2,
2207:. Retrieved
2203:the original
2192:
2182:September 2,
2180:. Retrieved
2176:the original
2165:
2155:September 2,
2153:. Retrieved
2149:the original
2138:
2126:. Retrieved
2122:the original
2115:
2072:. Retrieved
2061:
2034:. Retrieved
2001:
1977:. Retrieved
1971:. May 2004.
1966:
1940:. Retrieved
1936:the original
1896:
1858:. Retrieved
1847:
1823:
1780:. Retrieved
1776:the original
1769:
1759:
1747:. Retrieved
1713:. Retrieved
1709:the original
1704:
1675:. Retrieved
1664:
1635:. Retrieved
1624:
1580:
1547:
1542:
1533:
1532:
1519:
1451:Tom Rothrock
1432:
1431:
1400:Eric Richter
1393:
1392:
1364:
1363:
1355:
1181:"Episode IV"
1064:
1046:
1036:
1030:
1023:
1019:
1013:
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814:
810:
807:bonus tracks
802:
796:
786:
774:
764:
731:
727:
725:
692:
681:" (1994) by
672:
643:Eric Richter
641:
629:indie labels
612:
608:
560:
559:
549:
523:Sunset Sound
500:
484:Foo Fighters
476:Tom Rothrock
463:
456:7-inch vinyl
452:record label
439:
437:
403:
391:split single
382:
373:
366:
308:
307:
265:
264:
263:
235:
212:
204:
203:
194:
39:Studio album
15:
3366:1996 albums
3345:Discography
3320:Other songs
2894:October 11,
2732:October 11,
2637:October 11,
2343:October 11,
2128:October 13,
2074:October 11,
2036:October 11,
1979:October 11,
1942:October 13,
1860:October 13,
1782:October 13,
1749:October 11,
1677:October 11,
1637:October 11,
1581:The Singles
1475:Peter Doell
1460:Rob Schnapf
1303:Lead vocals
1167:"Seventeen"
1080:Lead vocals
767:lead single
744:music video
704:power plant
619:' frontman
540:Composition
519:Peter Doell
480:Rob Schnapf
399:Sense Field
349:lead single
345:music video
341:Sense Field
3360:Categories
3261:Big Casino
3219:The Middle
3066:Rick Burch
3061:Tom Linton
3050:Jim Adkins
2920:0743201698
2875:"Just Out"
2855:2022-11-06
2668:August 13,
1529:References
1433:Production
1385:concertina
1374:Jim Adkins
1116:"Rockstar"
1102:Tom Linton
1098:Jim Adkins
668:In Circles
625:concertina
565:skate punk
554:In Circles
468:Sound City
423:the Posies
313:skate punk
291:Sound City
185:chronology
86:Big Fish (
81:Sound City
58:1996-07-23
3268:Always Be
3233:Sweetness
3151:Surviving
3056:Zach Lind
2980:0006-2510
2971:Billboard
2942:1074-6978
2930:"Reviews"
2889:1074-6978
2658:BBC Music
2576:August 7,
1534:Citations
1425:(track 3)
1404:(track 7)
1381:accordion
1352:Personnel
1209:"Caveman"
954:BBC Music
827:Reception
783:the Figgs
756:DIY venue
696:Boys Life
633:Homestead
589:punk rock
337:the Figgs
329:punk rock
116:punk rock
3130:Invented
2825:Archived
2759:Archived
2726:Archived
2693:Archived
2631:Archived
2601:Archived
2570:Archived
2461:Archived
2084:cite web
2068:Archived
2030:Archived
1973:Archived
1932:"f.a.q."
1854:Archived
1743:Archived
1739:AllMusic
1715:July 21,
1671:Archived
1631:Archived
1421:Wes Kidd
1414: –
1195:"Digits"
1130:"Claire"
1053:Wes Kidd
1009:Invented
932:AllMusic
851:AllMusic
801:(1999),
597:Tortoise
577:J Church
552:, with "
534:mastered
492:Wes Kidd
419:Jon Auer
317:pop-punk
299:Wes Kidd
161:Wes Kidd
153:Producer
66:Recorded
51:Released
41: by
3197:Singles
3169:Singles
3116:Futures
3102:Clarity
3001:YouTube
2866:Sources
2798:July 6,
2607:May 12,
2467:May 12,
1037:Clarity
1003:Futures
994:" from
988:Clarity
970:Clarity
820:Futures
815:Clarity
798:Clarity
687:Neumann
659:Unwound
655:screamo
446:member
427:A&R
232:Singles
218:(1999)
214:Clarity
209:(1996)
200:(1994)
146:Capitol
56: (
3296:Damage
3137:Damage
2978:
2940:
2917:
2887:
2883:(35).
2851:, 1996
2787:Louder
1520:
1331:Adkins
1317:Linton
1306:Length
1268:Adkins
1254:Linton
1240:Adkins
1226:Adkins
1212:Linton
1198:Adkins
1184:Linton
1170:Linton
1153:Linton
1150:Adkins
1133:Adkins
1119:Linton
1083:Length
1025:Louder
845:Rating
842:Source
771:B-side
599:, and
587:, and
575:, and
507:Winger
503:chorus
381:guide
379:'s
124:Length
74:Studio
1344:57:07
1300:Title
1281:51:28
1077:Title
740:vinyl
631:like
511:mixed
273:band
234:from
141:Label
99:Genre
3254:Work
3247:Pain
2976:ISSN
2938:ISSN
2915:ISBN
2896:2020
2885:ISSN
2833:2022
2800:2022
2767:2012
2734:2020
2701:2021
2670:2007
2639:2020
2609:2020
2578:2016
2537:link
2497:link
2469:2020
2427:link
2399:2021
2372:2021
2345:2020
2319:2021
2292:2021
2265:2021
2238:2021
2211:2021
2184:2021
2157:2021
2130:2020
2090:link
2076:2020
2038:2020
1981:2020
1944:2020
1915:link
1862:2020
1784:2020
1751:2020
1717:2021
1679:2020
1666:Vice
1639:2020
1595:link
1562:link
1416:Moog
1334:2:35
1320:3:04
1271:5:14
1257:3:58
1243:4:57
1229:3:56
1215:4:34
1201:7:29
1187:4:28
1173:3:33
1159:3:00
1136:3:40
1122:3:47
1108:2:52
968:and
781:and
679:Hurt
635:and
605:rock
593:Seam
569:NOFX
488:Beck
486:and
478:and
335:and
327:and
315:and
271:rock
69:1995
3179:EPs
2026:RTÉ
1325:14.
1311:13.
1296:No.
1262:12.
1248:11.
1234:10.
1073:No.
990:, "
941:RTÉ
887:RTÉ
585:emo
421:of
325:emo
111:emo
3362::
2968:.
2953:.
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