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74:'s wealthiest families, while actively pursuing a career as a composer. He wrote mostly vocal music, dividing his efforts between opera and song, though he also wrote chamber and orchestral music. Practically all his song texts and
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to a French father and an
Italian mother, he was active in the 1890s and early 20th century, at a time when Palermo enjoyed a period of relative splendour under the influx of rich Anglo-Sicilian families such as the
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was an unmitigated fiasco, and
Donaudy was so hurt that he abandoned composition for the rest of his life. He died three years later, forty-six years old.
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Una spianata nella villa del Duca di
Vallenza, sul mar di Posillipo, set design for Speduti nel buio act 2 (1907).
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Even less information is available on the rest of his output, which seems to include a cantata
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in 1918 with revisions in 1922, but using material composed from 1892 onward.
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46:(February 21, 1879 – May 30, 1925) was an Italian composer. Born in
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and
Whitakers. A variety of sources date both his first opera
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were supplied by or written at four-hands with his brother,
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After studies with the director of
Palermo's Conservatoire,
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Franchita's room, set design for
Ramuntcho act 3 (1921).
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96:Donaudy's final opera was premiered at the
148:International Music Score Library Project
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85:Donaudy's most famous collection is
204:19th-century Italian male musicians
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179:Italian people of French descent
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199:19th-century Italian musicians
144:Free scores by Stefano Donaudy
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189:Italian male opera composers
16:Italian composer (1879–1925)
174:Italian classical composers
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184:Italian opera composers
131:36 Arie di stile antico
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113:Il sogno di Palisenda
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