Knowledge

Nicu's Spoon Theater Company

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and getting a BFA in Theatre. She acted in Los Angeles in both theatre and film before taking an eight-year hiatus when she lived and worked in Central and Eastern Europe. After returning to the United States, she began to work in theatre and film in New York and founded Nicu's Spoon Theatre in 2001.
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Stephanie Barton-Farcas (born Stephanie Melissa French) is the artistic director. She has worked extensively in theater in Los Angeles and New York City and was the co-founder of Nicu's Spoon Theater Company in 2001. She has more than twenty years experience as an actress. Barton-Farcas began her
268:"Theatre practitioners such as Stephanie Barton-Farcas demonstrate inclusion and accommodation reflecting the social model through the ways in which they take responsibility for providing accessible materials and physical space, and how they value differences as strengths in a diverse world". 238:
She sits on the board of Nicu's Spoon as well as on the board of Identity Theater Company in NYC. She has guest lectured on Inclusion in the Arts for many universities as well as groups including Accessibility New York and the
1133: 54:. The company works with actors regardless of age, ability, gender, color or ethnicity and seeks to challenge stereotypes and expectations. Nicu's Spoon was the first fully inclusive company in 962: 265:. as well as being a contributor to "Applied Theatre with Youth, Education, Engagement, Activism" by Routledge Press in 2021, authoring the chapter on youth with disabilities. 1073: 240: 879: 999: 475: 1143: 397: 782: 1050: 986: 501: 716: 691: 217:
Community Fund for "excellence in programming for the diverse city of New York". It also won a 2004 OOBR award for its production of
889: 862: 835: 221:, and a 2008 Snapple/Mayor of NY City Award, as well as a 2008 NY Innovative Theatre Award and a 2015 NY Innovative Theater Award. 285: 1025: 197:
In 2013 and 2014 they were followed for six months for a documentary film produced by The School of Visual Arts in NYC, called
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Unlocking Doors: Inclusive Leadership in Stage Management pp.15, Columbia University, Caitlyn Annalise Dominquez April 8, 2019
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Denton, Rochelle. "Darren Fudenske, Buried Child", NYTheater Voices Interview, September 25, 2006, retrieved October 6, 2006
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Marmor, Jessica. "Not So Ordinary People", Columbia School of Journalism, November 1, 2004, retrieved October 6, 2006
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As artistic director of Nicu's Spoon Theatre Company, she has received a range of reviews. The 2007 production of
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as well as over forty-five new plays in their years of their new plays reading series. They produced the
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with its double-casting of the lead role was called "a disjointed production" by
58:. Nicu's Spoon are also co-founders of the Disability in Cinema Coalition (DCC). 1051:
Review Fix Exclusive: Interview with 'Bad Seed' Director Stephanie Barton-Farcas
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theatrical career as a child actor in the Pacific Northwest, later studying at
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List of California Institute of the Arts people ยง School of Theater Arts
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Off-Off-Broadway Company Plans Richard III with All Differently Abled Actors
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Barton-Farcas, Stephanie. "Why Aren't you Working with Disabled Artists?",
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Her written work is often on the subject of inclusive theatre, including
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but also hailed for the convention "it worked particularly well here."
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Disability & Theatre: A Practical Manual for Inclusion in the Arts
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by Nancy Gilsenan (from the book by Judith Guest); Elizabeth Egloff's
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Theatre Artists With Disabilities Are Ready, Willing, and, Yes, Able
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in Hawaii at the University of Hilo in 2019, and two virtual plays
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Brenner, Lisa S.; Ceraso, Chris; Cruz, Evelyn Diaz (22 July 2021).
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Stephanie Barton-Farcas - Routledge & CRC Press Author Profile
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Disabled Actors in NYC - Theater Scene New York Broadway Review
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Full of IT: Guest Blogger of the Week: Stephanie Barton-Farcas
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Nicu's Spoon productions began in 2001 with the original work
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Applied Theatre with Youth: Education, Engagement, Activism
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They have presented world premieres of original works,
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How the Day Runs Down, reviewed by Jody Christopherson
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A Life in Art ep 33 Interview Stephanie Barton-Farcas
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Disability organizations based in the United States
286:"Nicu's Spoon Stirs Nontraditional Plays and Casts" 947:A Life in Art ep 33 May 18 Stephanie Barton-Farcas 114:by Ric Cummins and John Scoullar; Mark Medoff's 797:"The New York Sun - A Voice Apart For Richard" 241:United States Institute for Theatre Technology 1026:Richard III with all Differently Abled Actors 854:Acting & Auditioning for the 21st Century 263:Acting & Auditioning for the 21st Century 70:, and was followed with a 2002 production of 8: 424:"This Lame King Has Another Self to Lean On" 315:"An Actor Uses His Second Language: Speech" 209:The company was the recipient of the 2006 148:, which after its run moved to New York's 1053:'Interview with Stephanie Barton-Farcas" 937:Backstage Magazine" reprinted on ADA site 528:"Shakespeare Cast Party by Royal Command" 169:A Kite Cut Loose in the Middle of the Sky 1002:"Playbill interview about Richard III" 939:, May, 2006, retrieved October 6, 2006. 500:Considine, Allison (October 20, 2015). 448:Collins-Hughes, Laura (July 23, 2007). 276: 152:in August 2008 for a one-month limited 76:. Others works include Eric Overmyer's 985:Considine, Allison (October 20, 2015) 976:Spotlight On...Stephanie Barton-Farcas 811:"Theatre: Richard III at Nicu's Spoon" 717:"2008 IT Award Winners are Announced" 580:"You could die laughing at this play" 78:In Perpetuity Throughout the Universe 7: 905:Dominguez, Caitlyn Annelise (2019). 526:Genzlinger, Neil (August 18, 2008). 474:Viagas, Robert (September 1, 2015). 362:"National Disability Center listing" 313:McElroy, Steven (October 15, 2006). 998:Viafas, Robert (September 1, 2015) 961:Smullens, SarahKay (October 2018). 692:"2004 OOBR Award Winners Announced" 1144:Theatre companies in New York City 643:. October 23, 2008. Archived from 284:Horwitz, Simi (January 11, 2004). 25: 851:Barton-Farcas, Stephanie (2018). 824:Barton-Farcas, Stephanie (2017). 690:Murray, Matthew (June 10, 2004). 578:Martinez, Gina (April 12, 2015). 1099: 1086:NYITA Awards Inclusion Spotlight 974:Block, Michael (April 5, 2015). 857:. Routledge Press. p. 206. 830:. Routledge Press. p. 232. 771:from the original on 2021-12-19. 396:Loki, Reynard (March 10, 2009). 160:in 2015, and Maxwell Anderson's 27:Theatre company in New York City 1040:"How the Day Runs Down Review" 911:(Thesis). Columbia University. 604:Miller, Marc (April 10, 2011). 422:Saltz, Rachel (July 21, 2007). 180:The Importance of Being Earnest 1: 621:Last Updated: August 14, 2012 376:"Disability Cinema Coalition" 301:Last Updated: March 25, 2013 945:Ovalles, Henry (May 2016). 450:"A Voice Apart for Richard" 134:Tales of the Lost Formicans 1165: 958:; Routledge Author profile 745:"Identity Theatre Company" 156:engagement; Peter Barnes' 1079:Barton-Farcas, Stephanie 1015:"Disabled Actors in NYC" 992:American Theatre Magazine 867:– via Google Books. 840:– via Google Books. 670:"Two and Twenty Troubles" 139:Shakespeare's Richard III 1076:"CalArts Theater Alumni" 1065:'Elizabeth Rex Returns" 827:Disability & Theatre 1030:All the World's a Stage 199:Two and Twenty Troubles 108:; a play adaptation of 100:; a play adaptation of 18:Stephanie Barton-Farcas 731:"Spoontheater Website" 142:in 2007 and 2015, and 132:; Constance Congdon's 34: 1063:Elizabeth Rex Returns 1036:Christopherson, Jodi 968:The New Social Worker 73:To Kill a Mockingbird 33: 1049:Hickey, Patrick Jr. 917:10.7916/d8-eqqe-ta96 186:Dancing at Llughnasa 83:Nineteen Eighty-Four 1056:ReviewFix Exclusive 1011:Linnehan, Nicholas 215:New York University 211:Thom Fluellen Award 118:; Gary Henderson's 1139:Disability theatre 980:Theatre in the Now 532:The New York Times 428:The New York Times 319:The New York Times 42:inclusion-oriented 35: 1061:Fox, Jenna Tesse 1043:NY Theatre Review 559:. August 22, 2008 225:Artistic director 174:Vagina Monologues 16:(Redirected from 1156: 1149:Off-Off-Broadway 1120: 1119: 1117:Official website 1109: 1104: 1103: 921: 920: 902: 896: 895: 875: 869: 868: 848: 842: 841: 821: 815: 814: 807: 801: 800: 793: 787: 786: 785:. 10 March 2016. 779: 773: 772: 755: 749: 748: 741: 735: 734: 727: 721: 720: 713: 707: 706: 704: 702: 687: 681: 680: 678: 676: 666: 660: 659: 657: 655: 650:on March 3, 2016 649: 638: 630: 624: 623: 618: 616: 601: 595: 594: 592: 590: 575: 569: 568: 566: 564: 549: 543: 542: 540: 538: 523: 517: 516: 514: 512: 506:American Theatre 497: 491: 490: 488: 486: 471: 465: 464: 462: 460: 454:The New York Sun 445: 439: 438: 436: 434: 419: 413: 412: 410: 408: 393: 387: 386: 384: 382: 372: 366: 365: 358: 352: 351: 349: 347: 342:. 22 August 2019 336: 330: 329: 327: 325: 310: 304: 303: 298: 296: 281: 252:The New York Sun 86:; Mac Wellman's 45:off-off-Broadway 21: 1164: 1163: 1159: 1158: 1157: 1155: 1154: 1153: 1124: 1123: 1115: 1114: 1105: 1098: 1095: 929: 927:Further reading 924: 904: 903: 899: 892: 877: 876: 872: 865: 850: 849: 845: 838: 823: 822: 818: 809: 808: 804: 795: 794: 790: 781: 780: 776: 757: 756: 752: 743: 742: 738: 729: 728: 724: 715: 714: 710: 700: 698: 689: 688: 684: 674: 672: 668: 667: 663: 653: 651: 647: 636: 632: 631: 627: 614: 612: 603: 602: 598: 588: 586: 577: 576: 572: 562: 560: 553:"Elizabeth Rex" 551: 550: 546: 536: 534: 525: 524: 520: 510: 508: 499: 498: 494: 484: 482: 473: 472: 468: 458: 456: 447: 446: 442: 432: 430: 421: 420: 416: 406: 404: 395: 394: 390: 380: 378: 374: 373: 369: 360: 359: 355: 345: 343: 338: 337: 333: 323: 321: 312: 311: 307: 294: 292: 283: 282: 278: 274: 227: 207: 195: 122:; Ken Duncum's 111:Le Petit Prince 102:Ordinary People 88:Murder of Crows 64: 48:theater company 28: 23: 22: 15: 12: 11: 5: 1162: 1160: 1152: 1151: 1146: 1141: 1136: 1126: 1125: 1122: 1121: 1111: 1110: 1107:Theatre portal 1094: 1093:External links 1091: 1090: 1089: 1077: 1071: 1068:Broadway World 1059: 1047: 1034: 1022: 1009: 996: 983: 972: 959: 953: 943: 940: 933: 928: 925: 923: 922: 897: 890: 870: 863: 843: 836: 816: 802: 788: 774: 750: 736: 722: 708: 682: 661: 625: 606:"The Bad Seed" 596: 570: 544: 518: 492: 466: 440: 414: 402:Broadway World 388: 367: 353: 340:"Spoontheater" 331: 305: 275: 273: 270: 226: 223: 206: 203: 194: 191: 63: 60: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1161: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1131: 1129: 1118: 1113: 1112: 1108: 1102: 1097: 1092: 1088: 1087: 1082: 1078: 1075: 1072: 1070: 1069: 1064: 1060: 1058: 1057: 1052: 1048: 1045: 1044: 1039: 1035: 1032: 1031: 1027: 1023: 1020: 1019: 1014: 1010: 1007: 1006: 1001: 997: 994: 993: 988: 984: 981: 977: 973: 970: 969: 964: 960: 957: 954: 952: 948: 944: 941: 938: 934: 931: 930: 926: 918: 914: 910: 909: 901: 898: 893: 891:9780367483326 887: 883: 882: 874: 871: 866: 864:9781351131537 860: 856: 855: 847: 844: 839: 837:9781351973281 833: 829: 828: 820: 817: 812: 806: 803: 798: 792: 789: 784: 778: 775: 770: 766: 765: 760: 754: 751: 746: 740: 737: 732: 726: 723: 718: 712: 709: 697: 693: 686: 683: 671: 665: 662: 646: 642: 635: 629: 626: 622: 611: 607: 600: 597: 585: 581: 574: 571: 558: 554: 548: 545: 533: 529: 522: 519: 507: 503: 496: 493: 481: 477: 470: 467: 455: 451: 444: 441: 429: 425: 418: 415: 403: 399: 392: 389: 377: 371: 368: 363: 357: 354: 341: 335: 332: 320: 316: 309: 306: 302: 291: 287: 280: 277: 271: 269: 266: 264: 260: 255: 253: 249: 244: 242: 236: 233: 224: 222: 220: 216: 212: 204: 202: 200: 192: 190: 188: 187: 182: 181: 176: 175: 170: 165: 163: 159: 155: 151: 147: 146: 145:Elizabeth Rex 141: 140: 135: 131: 130: 125: 121: 117: 113: 112: 107: 103: 99: 98: 93: 92:Eric Bogosian 89: 85: 84: 79: 75: 74: 69: 61: 59: 57: 56:New York City 53: 52:New York City 49: 46: 43: 39: 32: 19: 1084: 1066: 1054: 1041: 1028: 1018:Theaterscene 1016: 1003: 990: 966: 950: 936: 907: 900: 880: 873: 853: 846: 826: 819: 805: 791: 777: 762: 753: 739: 725: 711: 699:. 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Index

Stephanie Barton-Farcas

inclusion-oriented
off-off-Broadway
theater company
New York City
New York City
To Kill a Mockingbird
Nineteen Eighty-Four
Eric Bogosian
subUrbia
Le Petit Prince
Buried Child
Shakespeare's Richard III
Elizabeth Rex
Center Stage
Off-Broadway
Vagina Monologues
The Importance of Being Earnest
Dancing at Llughnasa
Thom Fluellen Award
New York University
CalArts
United States Institute for Theatre Technology
"Nicu's Spoon Stirs Nontraditional Plays and Casts"
"An Actor Uses His Second Language: Speech"
"Spoontheater"
"National Disability Center listing"
"Disability Cinema Coalition"
"TIBET DOES NOT EXIST Runs At Spoon Theatre 4/8 - 4/26"

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