395:"Bob Jewson said one thing - and I think this is what we tried to make the theme of the film, although it was very hidden - that riots don't happen out of the blue. The prison authorities make you believe that all these criminals that are incarcerated are at all times dangerous and they're trying to get out. But Bob said that's never true; most of them have accepted their lot and they're trying to serve their time. They only get into a riot situation when they're treated badly and unfairly over a long period. He said most people don't want a riot; they know what it's going to mean - longer in jail."
895:) on 15 January 1982, Wallace and his team worked hard to build membership and fight for appropriate regulation and resources on top of advocating for better rights, opportunities and recognition for screen directors. After 40 years, the ADG now represents the interests of over 1,000 Screen Director members working across film, television, streaming and digital media.
865:"This version, directed by Stephen Wallace, is billed as a "Grotowski workshop", in regards to the late Polish director's style. Audiences are welcome to turn up an hour early to watch the cast warm up. Often productions dedicated to a particular performance style can use the text as an excuse for stylistic pyrotechnics and barren "look at me" performance athletics.
318:(1977). Wallace found a number of letters in a Sydney flat in 1972 which had been written by a man living in Newcastle in 1959. He had beaten up his wife, who subsequently moved to Sydney and was asking for her forgiveness. Wallace drew inspiration from these to both write and direct the short film. The film is widely known as
715:, was set to begin shooting on 28 August 2014, with an all-Australian cast. This film is based on an Australian newspaper story Wallace read back in the 1980s or 90s, about the murder by a husband of his wife; the husband buried his murdered wife in the backyard and continued to live with his girlfriend in the same house.
922:
to distribute money collected on behalf of directors from the sale of video tapes in France and formed further relationships with other
European collecting societies. In recent years they have distributed over half a million dollars annually to their 800 director members in Australia and New Zealand.
868:
Fortunately, this is not the case here. Much guff has been opined about the revered Jerzy
Grotowski but his key concerns were about simplicity (stripping away everything non-essential), the centrality of the actor to the creation of meaning, and ritualistic, essentialist physicality. The production
898:
In 1991, as
President of ASDA, Wallace was determined to re-invigorate what the team had originally set out to do. Recognising their members’ interest in the art/craft of directing, he proposed the institution of a Directors Conference and Directors Discussion Screenings. During this period also,
164:(born 23 December 1943) is an Australian film and television director, screenwriter, producer, published author and acting coach. He has directed eight feature films, nine telemovies, numerous short films, worked on multiple television series and has a small theatre company.
504:
and asked
Stephen Wallace to direct the feature. An earlier draft of the adaptation had been written, but neither Fink nor Wallace were happy with it so Wallace did the adaptation himself. Wallace says it took him three and a half years to write the script.
773:
From the onset of his career, Wallace has been widely known to have a passion for working with actors, both as a professional coach, in theatre, and to get the most out of his cast. Wallace has worked on and off as an acting teacher for
875:
With
Impulse Theatre Company, Wallace also directed 16 full-length plays from within the NSW school syllabus, taking the crew on tour to schools across regional parts of NSW to share his love of theatre with their students.
915:), thus beginning a process of achieving closer relationships with overseas guilds. Subsequently, ASDA regularly participated in the annual International Directors' Guild Forum, an event which it hosted in Sydney in 1998.
441:. The film began as autobiographical for Wallace but made some creative compromises in consultation with his Producers and Script Editors in the hope it would make the film more commercial. The film starred
912:
945:) in the 2005 Queen's Birthday Honours List for his contributions to the Australian film and television industry as a director and to the Australian Screen Directors' Association. In 2012, the
500:
The film was a pet project for
Producer Margaret Fink who took six years to raise financing. The bulk of the money came from a pre-sale to Greater Union and from UA. Fink had been impressed by
186:
in the Queen's
Birthday Honours List for his contributions to the Australian film and television industry as both a director, and to the Australian Screen Directors' Association. In 2012, the
167:
Known for his eye for talent and passion for working with young artists, many now established actors can attribute their first feature film, or on-screen debut to working with
Wallace; from
322:
on-screen debut. In 1980 David
Stratton called it, "not only the most moving love story given to us by the Australian cinema, but also probably the best featurette of the decade."
919:
899:
ASDA continued its participation in industry policy development with relevant government departments. In 1994, ASDA President
Stephen Wallace, at the invitation of the late
872:
The Grotowski influence also shows in its careful but subtle physicality, an economy of character-identifying gesture and simple but affecting grouping of performers."
182:
Over the course of his career, Wallace's films have been recognised with over 38 nominations at local and international film festivals. In 2005, Wallace was awarded an
1864:
884:
During his career, Stephen Wallace has played an instrumental role in advocating for directorial rights, both in Australia and abroad, beginning as early as 1982.
370:
was looking at investing in additional features films made by directors in whom they saw potential. Wallace had just made the critically acclaimed one-hour drama
386:
264:
Wallace then transitioned into making a series of one hour telemovies and documentaries for Australian television networks. These included: the award winning
201:
between 1991 and 2000 and remains on the Board today as Treasurer. He currently sits as Chair of The Australian Screen Directors Collecting Society (ASDACS).
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Stephen Wallace has directed various TV series and nine telemovies, four of which were made for the Australian Broadcasting Commission (ABC).
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In taking a break from filmmaking, Wallace founded a small theatre company, Impulse Theatre where he ran a method acting workshop known as
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Many now established actors can attribute their first feature film, or on-screen debut to working with Wallace; from the likes of
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Wallace remains on the board of the Australian Directors Guild and chairs the Australian Screen Directors' Collecting Society.
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389:. The film was shot over five weeks in October and November 1979 in South Australia at an abandoned prison in Gladstone.
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Similarly, in 1995 ASDA formed ASDACS (the Australian Directors Collecting Society) after having been approached by the
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in a film by the same title. Wallace also wrote the screenplay adaptation. The film starred critically acclaimed actors
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awarded Wallace the Cecil Holmes Award for Outstanding Contribution to the Australian Directors Guild.
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is certainly an example of - there are no set, almost no props and very simple costuming.
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and was asked if he had any new projects. He told them about this prison drama.
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In his career, he's also spent five years as a Senior Project Manager for the
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loved his work and saw him as a good choice. The screenplay was written by
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and many others. Wallace has also worked with critically acclaimed actors
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678:. Wallace was hired because the financiers who had invested in his movie
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Wallace's final feature film before taking a hiatus from directing was
194:, presented in recognition of advocacy for, and services to directing.
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The Avocado Plantation: Boom and Bust in the Australian Film Industry
93:
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Through Impulse Theatre, Wallace produced several productions of
641:. The film is also widely known as the first film debut for both
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Australian Academy of Cinema and Television Arts (AACTA) Awards
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Wallace then made several short 16mm fiction films, including:
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The Body in the Yard (later changed to A Suburban Love Story)
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Broadcasting, Entertainment, Cinematograph and Theatre Union
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In 1984, Wallace wrote and directed his third feature film,
1516:"New Film for Screenwise tutor Director Stephen Wallace!",
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as a production assistant and director of documentaries.
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Cosi, Romeo and Juliet, As You Like It, Shoehorn Sonata,
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received 13 nominations but did not win any categories.
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Between 1985 and 1998, Wallace directed episodes of
516:
Award, as well as receiving five nominations at the
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for the Children's Television Foundation (1984); an
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197:A founding signatory, Wallace was President of the
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846:as well as creating a short film with the company
1288:Danny Torsh, "Love Letters and Stephen Wallace",
537:in 1988. The film earned four nominations at the
512:with Wallace being nominated for the prestigious
1666:"14th Moscow International Film Festival (1985)"
854:Oedipus the King (Impulse Theatre Company, 2003)
838:and more. He completed four productions for the
920:Société des Auteurs et Compositeurs Dramatiques
543:Best Performance by an Actress in a Telefeature
1319:The Last New Wave: The Australian Film Revival
1304:The Last New Wave: The Australian Film Revival
686:, based on the 1981 novel of the same name by
408:1980 San Francisco International Film Festival
360:His feature directorial debut took place with
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387:Royal Commission into New South Wales Prisons
8:
1459:, Oxford University Press, 1 December 2007,
473:In 1986, Wallace directed and adaptation of
126:- President (1991-2000), Treasurer (Present)
1590:"Oedipus the King, Impulse Theatre Company"
1564:"Oedipus the King, Impulse Theatre Company"
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331:Best Cinematography in a Non-Feature Film
493:, as well as marking Australian actress
292:, as well as several documentaries for
142:Lucinda Verge-Wallace, Guy Verge-Wallace
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1014:14th Moscow International Film Festival
999:37th Berlin International Film Festival
510:37th Berlin International Film Festival
209:Early in his career, Wallace worked at
1865:Mass media people from New South Wales
1441:. Pan MacMillan. pp. 178–179–181.
941:Stephen Wallace was awarded the A.M. (
1306:. Angus & Robertson. p. 286.
651:1990 Australian Film Institute Awards
539:1988 Australian Film Institute Awards
416:1980 Australian Film Institute Awards
7:
1321:. Angus & Robertson. p. 33.
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1216:"Stephen Wallace - Biography - IMDb"
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453:- playing mother and son on-screen.
392:Of the experience, Wallace recalls:
368:The New South Wales Film Corporation
19:For people with a similar name, see
1465:10.1093/ww/9780199540884.013.u58526
1239:"Australian Directors Guild Awards"
456:The film was first released at the
1761:The Love Letters from Teralba Road
1339:. 21 November 1998. Archived from
1333:""Interview with Stephen Wallace""
1196:"Interview with Stephen Wallace",
1057:The Love Letters from Teralba Road
965:Berlin International Film Festival
955:The Love Letters from Teralba Road
659:Best Achievement in Costume Design
372:The Love Letters from Teralba Road
347:Berlin International Film Festival
315:The Love Letters from Teralba Road
306:The Love Letters from Teralba Road
14:
1860:Members of the Order of Australia
414:in Italy, and many more. At the
325:The film won three awards at the
312:His first short feature film was
518:Australian Film Institute Awards
190:awarded Wallace the prestigious
1855:Australian television directors
907:) met in Toronto with the DGA (
649:. It was nominated for several
16:Australian director (born 1943)
508:The film was entered into the
124:The Australian Directors Guild
21:Steve Wallace (disambiguation)
1:
1032:Westwood Retarded Girls' Home
769:Theatre and Developing Actors
541:, with Kerry McGuire winning
383:Bathurst Correctional Complex
1120:A Suburban Love Story (2018)
889:ASDA Articles of Association
560:(known in some countries as
260:Telemovies and documentaries
1641:"Berlinale: 1987 Programme"
893:Australian Director's Guild
1886:
1777:The Boy Who Had Everything
1073:The Boy Who Had Everything
1026:Two Australian Diary Items
1004:The Boy Who Had Everything
931:Australian Film Commission
909:Directors Guild of America
556:In 1990, Wallace directed
438:The Boy Who Had Everything
427:The Boy Who Had Everything
398:The firm premiered at the
327:1977 Film Institute Awards
199:Australian Directors Guild
18:
1845:Australian film directors
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1594:The Sydney Morning Herald
1568:The Sydney Morning Herald
1553:accessed 14 December 2014
1522:accessed 14 December 2014
1202:accessed 21 November 2012
1038:Eric Hiaiveta in Canberra
905:Directors Guild of Canada
859:The Sydney Morning Herald
655:Best Achievement in Sound
589:(Indonesia), such as the
458:1985 Moscow Film Festival
400:1980 Cannes Film Festival
1850:Australian screenwriters
1437:Stratton, David (1990).
1317:Stratton, David (1980).
1302:Stratton, David (1980).
377:The film, also starring
284:(1987) for Jan Chapman;
230:Sydney Filmmakers' Co-op
1363:"Stir 1980 Source Info"
1292:, January 1978 p221-223
1044:Brittle Weather Journey
977:Best Short Fiction Film
911:) and BECTU (Britain's
809:Impulse Theatre Company
587:Netherlands East Indies
335:Best Short Fiction Film
226:Ann Arbor Film Festival
222:Brittle Weather Journey
1060:(1977) - short feature
1008:was nominated for the
993:was nominated for the
880:Advocate for directors
497:' feature film debut.
402:, also showing at the
159:Stephen Henry Wallace
703:A Suburban Love Story
288:a one hour drama for
254:Chicago Film Festival
42:Stephen Henry Wallace
1105:Prisoners of the Sun
1040:(1972) - documentary
1034:(1969) - documentary
1028:(1967) - documentary
776:Screenwise Australia
563:Prisoners of the Sun
242:Sydney Film Festival
238:Greater Union Awards
116:Board member of
32:Stephen Wallace A.M.
1388:"Stir Release Info"
1343:on 20 December 2012
1001:and his 1984 film,
971:(known then as the
778:for several years.
236:(a finalist in the
79:television director
1747:Films directed by
1616:"Captives of Care"
1200:, 21 November 1998
995:Golden Berlin Bear
975:). He was awarded
943:Order of Australia
891:(now known as the
735:The Flying Doctors
623:Deborah Kara Unger
574:committed against
514:Golden Berlin Bear
341:) and in 1978 the
192:Cecil Holmes Award
184:Order of Australia
151:Order of Australia
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747:Seven Deadly Sins
690:. The film stars
688:Blanche d'Alpuget
581:on the island of
475:Christina Stead's
274:Quest Beyond Time
179:and many others.
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1009:
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1840:1943 births
1788:(1986) (TV)
1680:10 February
1650:27 February
1600:18 February
1457:Who Was Who
1347:21 November
1107:/Blood Oath
1020:Filmography
791:Naomi Watts
783:Bryan Brown
741:Australians
639:Ray Barrett
635:David Argue
627:John Polson
619:John Clarke
603:Bryan Brown
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483:Helen Buday
379:Bryan Brown
228:and at the
205:Short films
177:Naomi Watts
169:Bryan Brown
134:Fiona Verge
67:Occupations
61:, Australia
1834:Categories
1809:Blood Oath
1625:30 January
1574:30 January
1518:Screenwise
1494:30 January
1470:29 January
1422:30 January
1397:30 January
1372:29 January
1274:30 January
1249:31 January
1176:29 January
1151:29 January
1125:References
973:AFI Awards
967:and three
829:Lysistrata
817:Growtowski
759:Water Rats
719:Television
684:Ann Turner
680:Blood Oath
598:Blood Oath
572:war crimes
558:Blood Oath
550:Blood Oath
48:1943-12-23
819:Workshop.
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696:Joan Chen
615:John Bach
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366:in 1980.
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1547:Archived
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568:Japanese
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218:The Look
139:Children
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1012:at the
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477:novel,
410:(USA),
345:at the
1820:(1992)
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1780:(1984)
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1764:(1977)
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1198:Signis
1117:(1992)
1109:(1990)
1100:(1988)
1092:(1986)
1081:Hunger
1076:(1984)
1068:(1980)
937:Awards
707:(2018)
668:(1992)
601:stars
576:Allied
552:(1990)
469:(1986)
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282:Hunger
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120:ASDACS
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1367:IMDB
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