455:— signifying 25 matches played for Norway's national team). The stev was performed at the banquet in Yugoslavia following a football match of two national teams, and the performer held the head of the lamb that had been eaten at the banquet, while he performed from a tabletop. (The watch was received before the match.)
680:
Han fikk selv klokken borte mot
Jugoslavia i 1983. Norge tapte 2-1, men banketten etterpå husker Hareide godt. — – Vi hadde spist noe lammekjøtt og Svein Mathisen hadde vært inne på kjøkkenet og hentet et sauehode! Han tok det med inn der vi spiste, gikk opp på bordet og fremførte et stev fra
531:
Nystevet er det norsk motstykket til amerikanarane sin blues. Steva uttrykkjer kjærleik eller og lengt, men dei kan også vera skjemtande eller forma slik at dei skal ramme ein annan på eit sårt punkt.
1092:
411:
A kveder from
Setesdal, when performing stev, generally sings more slowly, than a kveder from Telemark. One reason for this, may be that Setesdal stev are often more meditative ( or
761:
81:) is the oldest type. It is likely that gamlestev were originally danced. Stanzas in gamlestev meter,were already established around the end of the 13th century.
1087:
444:
754:
240:(tune-staves) are instrumental dancetune songs. This is dancetunes with a short text. Sometimes the staves grows to longer songs. In
631:
603:
524:
808:
747:
638:Å stevjast er ei selskapeleg form for songkamp, og det gjeld å kunne flest mogleg stev slik at ein aldri er opprådd.
427:'s performance at "liberation of Norway" concert that was held 1945, in the ceremonial hall (the "Aula") at the
301:
1056:
245:
1134:
281:
116:
111:
106:
101:
126:
Some gamlestev might be remnants of folk songs that have been split up, and thereby losing completeness.
362:
334:
melodies that there are good arguments for the theory of an unbroken tradition and non-dance origin of
1066:
734:
669:
366:
142:(new stave) have probably been around since about the year 1700. "It is the Norwegian counterpart to
94:
20:
1112:
484:
358:
350:
320:. Storm-Mathisen demonstrates in his writing and audio recordings of stanzas from Old Norse eddic
289:
1071:
730:
687:
448:
428:
297:
218:
726:
346:
237:
222:
1105:
260:
214:
123:
The metre in most old staves is free, and the rhyming is always on the second and fourth line.
74:
944:
803:
722:
627:
599:
520:
405:
210:
169:
have held much of their ground. Many folksongs are based on the form, which rhymes in pairs:
1061:
202:
138:
90:
44:
1040:
828:
798:
770:
700:
852:
440:
432:
354:
285:
1128:
979:
915:
721:
to
Norwegian stev and ballad tunes" in "Folkemusikkinnsamling - Skrift nr.16 - 2002"(
393:
293:
147:
48:
718:
1015:
993:
859:
674:
424:
313:
37:
1035:
1030:
1025:
1020:
986:
951:
904:
840:
317:
305:
491:
S.V.,Cappelens
Musikkleksikon 1981, Cappelen, 1981, Column no.3(paragraph no.4)
792:
263:(imitating staves) are often referred to as parody-quote stev. These contain
965:
958:
937:
931:
785:
264:
33:
972:
885:
373:
were originally dance songs, even though he had never seen them danced."
166:
162:
155:
86:
871:
739:
412:
322:
241:
206:
316:
and rhythm which he claims shows an unbroken tradition from Old Norse
999:
382:
331:
40:
30:
280:"relating to language and poetry rather than to slowed-down dance":
892:
834:
159:
143:
503:
85:
Of the gamlestev that have been preserved, most of them are from
878:
656:
571:
Ekgren, Jacqueline
Pattison (2009). "12. Dipod rules: Norwegian
548:
Ekgren, Jacqueline
Pattison (2009). "12. Dipod rules: Norwegian
743:
610:
I eldre tider var det sjølvsagt at ein god kvedar kunne stevje,
1093:
Norwegian
National Association for Traditional Music and Dance
664:
662:
304:(1975 and 2007). ("Handagard points out that much Norwegian
681:
Telemark for meg. Svein var god på stev, forteller
Hareide.
431:. In 1983, a member of Norway's national team of football,
404:, where the object is to know many stev so one will not be
93:. This poetic form is equivalent to the metre of the
1080:
1049:
1008:
924:
817:
777:
51:, meaning the stressed syllable in a metric verse.
648:
646:
499:
497:
381:A person who can perform a stev, is known as a
276:Some researchers have presented theories about
248:, a tune which is both a dance-tune and a song.
577:Berkeley Insights in Linguistics and Semiotics
554:Berkeley Insights in Linguistics and Semiotics
475:, Volume 27, Universitetsforlaget, 2001, p158.
755:
8:
165:, to a great extent. By contrast, nystev in
97:, and is used over most of Northern Europe:
19:For the taxonomic abbreviation, Stev., see
762:
748:
740:
543:
541:
539:
439:(performed by another member of the team,
1088:Norwegian Folk Music Research Association
445:Norwegian Football Association Gold Watch
365:(2002). These theories were started by
341:"Theories in the last century connecting
464:
388:Previously "A good kvedar knew how to
696:
685:
575:paired accents and accentual poetry".
552:paired accents and accentual poetry".
443:) related to Hareides receipt of the
189:men best eg ser deg når myrkt det er.
7:
717:"Old words to old tunes - Old Norse
179:for når eg søver, eg om deg drøymer.
174:Den dag kjem aldri at eg deg gløymer
345:with dance" have been presented by
14:
112:and who will lace my middle waist
415:), in regard to the stev text.
158:, nystev have been replaced by
809:Traditional Nordic dance music
184:og natt og dag er du like nær,
102:Oh who will shoe my bonny foot
1:
473:Studia Musicologica Norvegica
385:(or "kvedar"), in Norwegian.
471:Jacqueline Pattison Ekgren,
117:with a long, long linen band
59:There are various types of
1151:
302:Jacqueline Pattison Ekgren
107:and who will glove my hand
18:
624:Skjemteviser og salmevers
596:Skjemteviser og salmevers
517:Skjemteviser og salmevers
312:, has strong elements of
244:, an equivalent would be
729:), p. 109; author:
408:(or become perplexed)."
246:The Rocky Road to Dublin
36:consisting of four line
622:Lystrup, Geirr (1980).
594:Lystrup, Geirr (1980).
515:Lystrup, Geirr (1980).
369:'s claim in 1898 that "
47:version of the word is
452:
282:Ivar Mortensson-Egnund
678:. p. Sporten 7.
652:Dagne Groven Myhren,
435:, was honored with a
1067:Icelandic folk music
771:Norwegian folk music
735:Norsk Folkemusikklag
419:Notable performances
400:is a social form of
349:(in 1928 and 1939),
300:(2002 and 2007) and
21:Christian von Steven
16:Norwegian folk music
879:Pols and Springleik
485:Dagne Groven Myhren
1072:Swedish folk music
1062:Finnish folk music
731:Jon Storm-Mathisen
429:University of Oslo
314:alliterative rhyme
298:Jon Storm-Mathisen
144:blues from America
1122:
1121:
1057:Danish folk music
848:2/4 or 6/8 Dances
804:Nordic folk music
695:Missing or empty
363:Reimund Kvideland
1142:
764:
757:
750:
741:
705:
704:
698:
693:
691:
683:
666:
657:
650:
641:
640:
619:
613:
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591:
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584:
568:
562:
561:
545:
534:
533:
512:
506:
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492:
482:
476:
469:
396:(in 1980). ("To
326:sung-recited to
1150:
1149:
1145:
1144:
1143:
1141:
1140:
1139:
1125:
1124:
1123:
1118:
1076:
1045:
1041:Mixolydian mode
1004:
920:
813:
799:Music of Norway
773:
768:
714:
712:Further reading
709:
708:
694:
684:
670:Aslan Farschian
668:
667:
660:
651:
644:
634:
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616:
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593:
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570:
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547:
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537:
527:
514:
513:
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495:
483:
479:
470:
466:
461:
421:
379:
367:Richard Steffen
274:
257:
234:
199:
134:
95:medieval ballad
71:
57:
24:
17:
12:
11:
5:
1148:
1146:
1138:
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1127:
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1120:
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1064:
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1046:
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1038:
1033:
1028:
1026:Harmonic minor
1023:
1018:
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1005:
1003:
1002:
997:
990:
983:
976:
969:
962:
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928:
926:
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769:
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759:
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744:
738:
737:
713:
710:
707:
706:
672:(2011-10-11).
658:
642:
632:
614:
604:
586:
563:
535:
525:
507:
493:
477:
463:
462:
460:
457:
441:Svein Mathisen
420:
417:
378:
375:
355:Otto Holzapfel
286:Idar Handagard
273:
270:
269:
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256:
251:
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198:
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109:
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83:
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70:
65:
56:
53:
15:
13:
10:
9:
6:
4:
3:
2:
1147:
1136:
1135:Poetic rhythm
1133:
1132:
1130:
1115:
1114:
1113:Spelemannslag
1110:
1108:
1107:
1103:
1101:
1100:
1096:
1094:
1091:
1089:
1086:
1085:
1083:
1081:Miscellaneous
1079:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1054:
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953:
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947:
946:
942:
940:
939:
935:
933:
930:
929:
927:
923:
917:
916:Wedding march
914:
912:Miscellaneous
911:
910:
907:
906:
902:
899:
898:
895:
894:
890:
888:
887:
883:
881:
880:
876:
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861:
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854:
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833:
831:
830:
826:
823:
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820:
816:
810:
807:
805:
802:
800:
797:
795:
794:
790:
788:
787:
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776:
772:
765:
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753:
751:
746:
745:
742:
736:
733:, publisher:
732:
728:
724:
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715:
711:
702:
689:
682:
677:
676:
671:
665:
663:
659:
655:
649:
647:
643:
639:
635:
633:82-521-1849-6
629:
626:. p. 7.
625:
618:
615:
611:
607:
605:82-521-1849-6
601:
598:. p. 7.
597:
590:
587:
582:
578:
574:
567:
564:
559:
555:
551:
544:
542:
540:
536:
532:
528:
526:82-521-1849-6
522:
519:. p. 7.
518:
511:
508:
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486:
481:
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468:
465:
458:
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438:
434:
430:
426:
418:
416:
414:
409:
407:
403:
399:
395:
394:Geirr Lystrup
391:
386:
384:
376:
374:
372:
368:
364:
360:
356:
352:
348:
344:
339:
337:
333:
329:
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311:
307:
303:
299:
295:
294:Eivind Groven
291:
287:
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157:
149:
148:Geirr Lystrup
145:
141:
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136:
135:
132:
129:
127:
124:
118:
115:
113:
110:
108:
105:
103:
100:
99:
98:
96:
92:
91:øvre Telemark
88:
80:
76:
73:
72:
69:
66:
64:
62:
55:Various types
54:
52:
50:
46:
42:
39:
35:
32:
29:is a form of
28:
22:
1111:
1104:
1098:
1097:
1016:Aeolian mode
992:
985:
978:
971:
964:
957:
950:
943:
936:
903:
891:
884:
877:
870:
860:Rudl or Rull
858:
851:
839:
827:
791:
784:
697:|title=
679:
675:Verdens Gang
673:
653:
637:
623:
617:
609:
595:
589:
580:
576:
572:
566:
557:
553:
549:
530:
516:
510:
488:
480:
472:
467:
436:
425:Aslak Brekke
422:
410:
401:
397:
389:
387:
380:
370:
359:Ånon Egeland
351:Hallvard Lie
342:
340:
335:
327:
321:
309:
308:, including
290:O.M. Sandvik
277:
275:
253:
230:
209:), includes
205:(refrain in
195:
188:
183:
178:
173:
153:
137:
130:
125:
122:
84:
78:
67:
60:
58:
26:
25:
1036:Lydian mode
1031:Ionian mode
1021:Dorian mode
994:Seljefløyte
987:Psalmodicon
952:Hardingfele
925:Instruments
433:Åge Hareide
361:(1998) and
318:folk poetry
306:folk poetry
288:(in 1942),
284:(in 1914),
219:mellomsleng
980:Oterfløyte
905:Reinlender
867:3/4 Dances
824:2/4 Dances
818:Tune Types
793:Gammaldans
459:References
453:Gullklokka
377:Performers
347:Erik Eggen
265:Wellerisms
238:slåttestev
231:Slåttestev
223:ettersleng
150:(in 1980).
1106:Spelemann
1050:Relations
966:Langeleik
959:Krogharpe
938:Bukkehorn
932:Accordion
900:4/4 Dance
786:Bygdedans
727:0800-3734
688:cite news
449:Norwegian
423:In 1945,
392:", wrote
328:gamlestev
261:hermestev
254:Hermestev
215:etterstev
163:folksongs
146:", wrote
79:old stave
75:gamlestev
68:Gamlestev
34:folk song
31:Norwegian
1129:Category
973:Neverlur
886:Springar
841:Schottis
402:songkamp
398:stevjast
357:(1993),
353:(1967),
296:(1971),
167:Setesdal
156:Telemark
87:Setesdal
872:Masurka
829:Halling
778:General
719:Havamal
504:no:Stev
413:elegiac
406:at loss
323:Havamal
242:Ireland
211:innstev
207:ballads
45:English
41:stanzas
1009:Scales
1000:Violin
853:Gangar
725:
630:
602:
583:: 208.
560:: 207.
523:
390:stevja
383:kveder
371:nystev
343:nystev
332:ballad
272:Origin
203:omkved
196:Omkved
139:Nystev
131:Nystev
43:. The
835:Polka
160:rural
49:stave
38:lyric
1099:Stev
945:Giga
893:Vals
723:ISSN
701:help
654:Stev
628:ISBN
600:ISBN
573:stev
550:stev
521:ISBN
489:Stev
437:stev
338:.")
336:stev
330:and
310:stev
278:stev
221:and
89:and
61:stev
27:Stev
154:In
1131::
692::
690:}}
686:{{
661:^
645:^
636:.
608:.
581:74
579:.
558:74
556:.
538:^
529:.
496:^
451::
292:,
217:,
213:,
63::
763:e
756:t
749:v
703:)
699:(
487:,
447:(
267:.
225:.
119:.
77:(
23:.
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