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594:, who was severely injured by police. The survivor, who had been beaten, punctured a bruise on his own body to convince police about his beating. The spoken line includes the phrase "to let the bruise's blood come out to show them". Reich rerecorded the fragment "come out to show them" on two channels, which are initially played in unison. They quickly slip out of sync; gradually the discrepancy widens and becomes a reverberation. The two voices then split into four, looped continuously, then eight, and continues splitting until the actual words are unintelligible, leaving the listener with only the speech's rhythmic and tonal patterns.
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317:. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.
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3981:: "...For him, pulsation and tonality were not just cultural artifacts. They were the lifeblood of the musical experience, natural laws. It was his triumph to find a way to embrace these fundamental principles and still create a music that felt genuine and new. He didn't reinvent the wheel so much as he showed us a new way to ride." See for instance the articles section of the
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834:. The increased number of performers resulted in more scope for psychoacoustic effects, which fascinated Reich, and he noted that he would like to "explore this idea further". Reich remarked that this one work contained more harmonic movement in the first five minutes than any other work he had written. Steve Reich and Musicians made the
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figure, initially in unison. As one player keeps tempo with robotic precision, the other speeds up very slightly until the two parts line up again, but one sixteenth note apart. The second player then resumes the previous tempo. This cycle of speeding up and then locking in continues throughout the
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arose from street recordings Reich made walking around San
Francisco with Nelson, who filmed in black and white 16mm. This film no longer survives. A fourth film from 1965, about 25 minutes long and tentatively entitled "Thick Pucker II", was assembled by Nelson from outtakes of that shoot and more
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held a community remix contest in which over 250 submissions were received, and Steve Reich and
Christian Carey judged the finals. Reich spoke in a related BBC interview that once he composed a piece he would not alter it again himself; "When it's done, it's done," he said. On the other hand, he
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The technique ... consists of taking pre-existing melodic patterns and stringing them together to form a longer melody in the service of a holy text. If you take away the text, you're left with the idea of putting together small motives to make longer melodies – a technique I had not encountered
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also contrasts with the loosely structured minimalist works written previously. The musicologist Ronit Seter described it as "one of a very few non-Israeli works where the setting of the Hebrew text feels natural", reflecting Reich's extensive research into modern Hebrew-Israeli speech, ancient
786:, and increasingly concentrated on composition and performance with them. Steve Reich and Musicians was the sole ensemble to interpret his works for many years, and they remain a "living laborotary" for his music. The ensemble still remains active with many of its original members.
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in rhythmic structure, and is an example of how one rhythmic process can be realized in different sounds to create two different pieces of music. Reich was inspired to compose this piece from a dream he had on May 22, 1966, and put the piece together in one day.
1406:, first performed in Richmond March 26, 2008. The citation called it "a major work that displays an ability to channel an initial burst of energy into a large-scale musical event, built with masterful control and consistently intriguing to the ear".
857:(1979). In these two works, Reich experimented with "the human breath as the measure of musical duration ... the chords played by the trumpets are written to take one comfortable breath to perform". Human voices are part of the musical palette in
393:. He was given piano lessons as a child and describes growing up with the "middle-class favorites", having no exposure to music written before 1750 or after 1900. At the age of 14 he began to study music in earnest, after hearing music from the
2653:"The term 'minimal music' is generally used to describe a style of music that developed in America in the late 1960s and 1970s; and that was initially connected with the composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass."
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Reich also tried to create the phasing effect in a piece "that would need no instrument beyond the human body". He found that the idea of phasing was inappropriate for the simple ways he was experimenting to make sound. Instead, he composed
1063:, Reich compares and contrasts his childhood memories of his train journeys between New York and California in 1939–1941 with the very different trains being used to transport contemporaneous European children to their deaths under
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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street-preacher known as
Brother Walter. Reich built on his early tape work, transferring the last three words of the fragment, "it's gonna rain!", to multiple tape loops that gradually move out of phase with one another.
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1665:, which "was basically a half-an-hour in E". Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to Ghana. Other important influences are
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as composers whom he admires and who greatly influenced him when he was young. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists
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has said that Reich "may ... be considered, by general acclamation, America's greatest living composer". Reich's style of composition has influenced many other composers and musical groups, including
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is a departure from Reich's other work in its formal structure; the setting of texts several lines long rather than the fragments used in previous works makes melody a substantive element. Use of formal
672:(1972), in which the players do not phase in and out with each other, but instead one performer keeps one line of a 12-eighth-note-long (12-quaver-long) phrase and the other performer shifts by one
4242:, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a CD featuring the original interview recordings with
980:, cello and double bass, with amplified voices, strings, and winds. A setting of texts from Psalms 19:2–5 (19:1–4 in Christian translations), 34:13–15 (34:12–14), 18:26–27 (18:25–26), and 150:4–6,
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in 1998 written for the Kronos
Quartet that can either be performed by string quartet and tape, three string quartets or 36-piece string orchestra. According to Reich, the piece is influenced by
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would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably
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in contemporary music for bringing a new conception of music, based on the use of realist elements from the realm of daily life and others drawn from the traditional music of Africa and Asia.
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is said to have been buried. According to musicologist Ronit Seter, the work "share the confrontational, yet peaceful message" conveyed by contemporaneous
Israeli composers.
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377:, music critic Andrew Clements suggested that Reich is one of "a handful of living composers who can legitimately claim to have altered the direction of musical history".
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928:, is the first of Reich's works to draw explicitly on his Jewish background. The work is in four parts, and is scored for an ensemble of four women's voices (one high
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793:, Reich moved on from the "phase shifting" technique that he had pioneered, and began writing more elaborate pieces. He investigated other musical processes such as
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In 1970, Reich embarked on a five-week trip to study music in Ghana, during which he learned from the master drummer Gideon
Alorwoyie. Reich also studied Balinese
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879:, which he had studied in Israel since the summer of 1977. After this, the human voice singing a text would play an increasingly important role in Reich's music.
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and
Leonard Reich. When he was one year old, his parents divorced, and Reich divided his time between New York and California. He is the half-brother of writer
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combines simple musical patterns, offset in time, to create a slowly shifting, cohesive whole. Reich adopted this approach to compose his first major work,
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600:(1966) takes the phase looping idea of his previous works and applies it to instrumental music. Steve Reich took a simple melody, which he played on a
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892:, containing essays on his philosophy, aesthetics, and musical projects written between 1963 and 1974. An updated and much more extensive collection,
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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John Adams commented, "He didn't reinvent the wheel so much as he showed us a new way to ride." He has also influenced visual artists such as
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4540:"How Small a Thought it Takes to Fill a Whole Life" – An Interview with Not-So-Minimalist Composer Steve Reich on AdventuresInMusic.biz, 2005
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Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage.
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730:, also for four organs but without maracas, is (as the name suggests) a cyclical phase piece similar to others composed during the period.
520:, but he found the rhythmic aspects of the number twelve more interesting than the pitch aspects. Reich also composed film soundtracks for
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1109:, and Americans, echoed musically by the ensemble. The work, for percussion, voices, and strings, is a musical documentary, named for the
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acknowledged that remixes have an old tradition e.g. famous religious music pieces where melodies were further developed into new songs.
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Composer Steve Reich draws out
Radiohead's melodic fragments for new work – Interview with Steve Reich about his new work, March 2013
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and used recordings from emergency services and from family members who were in New York during the attacks. It was premiered by the
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654:(1968), which consists of the sound of several microphones swinging over the loudspeakers to which they are attached, producing
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Reich's style of composition has influenced many contemporary composers and groups, especially in the United States. Writing in
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830:("Sections I-XI"), and finally a return to the original cycle ("Pulses"). This was Reich's first attempt at writing for larger
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was the last piece Reich composed solely for tape, and he considers it his transition from tape music to instrumental music.
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piece; the cycle comes full circle three times, the second and third cycles using shorter versions of the initial figure.
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Content in this edit is translated from the existing French
Knowledge (XXG) article at ]; see its history for attribution.
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2319:. Steve Reich and Musicians (Two recordings: ECM and Nonesuch, 1978), Grand Valley State University New Music Ensemble (
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and tape, uses recorded speech, as in his earlier works, but this time as a melodic rather than a rhythmic element. In
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590:(1966) uses similarly manipulated recordings of a single spoken line given by Daniel Hamm, one of the falsely accused
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797:(the temporal lengthening of phrases and melodic fragments). It was during this period that he wrote works such as
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as they do so. "Pendulum Music" has never been recorded by Reich himself, but was introduced to rock audiences by
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for 4 pairs of tuned bongo drums, 3 marimbas, 3 glockenspiels, 2 female voices, whistling and piccolo (1970/1971)
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for 2 violins, 2 cellos, 2 pianos, 2 vibraphones, 2 clarinets, 2 flutes or ensemble and pre-recorded tape (2007)
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In
September 2014, Reich was awarded the "Leone d'Oro" (Golden Lion for Lifetime Achievement in Music) from the
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Reich's first attempt at translating this phasing technique from recorded tape to live performance was the 1967
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2675:(2009). "Analysis of Emergent Beat-Class Sets in Steve Reich's 'Clapping Music' and the Yoruba Bell Timeline".
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and earlier, as well as music of the 20th century. Reich studied drums with Roland Kohloff in order to play
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for amplified string quartet (with prerecorded tape), or three string quartets, or string orchestra (1998)
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716:, while the four organs stress certain eighth notes using an 11th chord. This work therefore dealt with
301:, born October 3, 1936) is an American composer who is known for his contribution to the development of
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1611:(2003) was the inspiration for a series of commissions for solo cello with pre-recorded cellos made by
1240:, which Reich called "much darker, not at all what I'm known for", are partly inspired by the death of
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of the raw audio Reich had recorded. Nelson was not happy with the resulting film and never showed it.
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Variations for Winds, Strings and Keyboards/Music for Mallet Instruments, Voices and Organ/ Six Pianos
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from 1994. Reich returned to composing purely instrumental works for the concert hall, starting with
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In 2012, Steve Reich received the Gold Medal in Music by the American Academy of Arts and Letters.
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as "the only adequate musical response—one of the few adequate artistic responses in any medium—to
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and suggested the use of the eighth note pulse, which is now standard in performance of the piece.
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introduced at the beginning (called "Pulses"), followed by a small section of music based on each
405:, he minored in music and graduated in 1957 with a B.A. in Philosophy. Reich's B.A. thesis was on
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3557:", translated by Neil Betteridge. Stockholm: Polar Music Prize, 2007 (accessed January 26, 2015).
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Music in the Twentieth Century series. Cambridge, UK; New York City: Cambridge University Press.
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818:. This piece involved many new ideas, although it also recalls earlier pieces. It is based on a
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marked the beginning of a new stage in his career, for around this time he formed his ensemble,
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An interview with Steve Reich on RTE television, National Broadcaster in Ireland, May 29, 2006
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The beaten track, an interview with Reich, by Andrew Clements, The Guardian, October 28, 2005
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for soprano saxophone or any other reed instrument and tape, or three reed instruments (1966)
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4630:– Interviews with Steve Reich and his wife Beryl Korot with video and audio clips, May 2009
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program, and was Reich's first composition to be performed in a large traditional setting.
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The Next Phase: Steve Reich talks to Richard Kessler About Redefinition and Renewal, 2004
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for 2 tenors, 2 sopranos, 2 vibraphones, 1 piano, 4 violins, 2 violas and 2 cellos (2020)
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of a number of Reich's works by various electronic dance-music producers, such as
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Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass.
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1906:(1979) – withdrawn in favor of the 1983 revision for slightly larger ensemble,
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is unique among his work in using a linear structure—the superficially similar
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and subtle rhythmic change. In contrast to Reich's typical cyclical structure,
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3057:"Keep on working, it'll get you through anything – interview with Steve Reich"
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2297:. Steve Reich and Musicians (a few recordings: John Gibson + Multiples, 1971;
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dance piece for three string quartets, four vibraphones, and two pianos (2005)
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25 seconds of "Electric Counterpoint III Fast" performed by Pat Metheny. From
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beat every 12 bars, until both performers are back in unison 144 bars later.
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for video projection, five voices and ensemble (1998–2002, with Beryl Korot)
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but the wordless vocal parts simply form part of the texture (as they do in
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490:
321:
3749:
1304:
On March 5, 2013, the London Sinfonietta, conducted by Brad Lubman, at the
2600:"Composer Steve Reich on turning 80, writing live music and finding faith"
540:, composed in 1963, was a short tape collage, possibly Reich's first. The
422:
For a year following graduation, Reich studied composition privately with
5946:
5845:
5821:
5558:
5127:
4804:
Steve Reich & Sonny Rollins winners of the Polar Music Prize for 2007
3659:"BBVA Foundation Frontiers of Knowledge Award in Contemporary Music 2013"
2894:
2890:
2153:
2068:
1802:
for 3 or 4 microphones, amplifiers and loudspeakers (1968) (revised 1973)
1511:
1459:
1281:
969:
949:
655:
601:
459:
385:
Reich was born in New York City to Jewish parents, the Broadway lyricist
246:
125:"Stephen Reich" redirects here. For the soldier and baseball player, see
4468:
Time and Motion: an interview with Steve Reich, by Robert Davidson, 1999
4451:
3611:
3170:
3116:
2698:
643:
both premiered in a series of concerts given in New York art galleries.
4170:
4022:
3796:"Composer Steve Reich: 'What do I want? I want the music to be played'"
3677:"58th International Festival of Contemporary Music, September 20, 2014"
2247:
2141:
for 2 drum sets, 2 pianos, 4 electric guitars and 2 bass guitars (2008)
2030:
1599:
1573:
1150:
1118:
990:
961:
937:
929:
775:
751:
747:
548:
as its basis, and used repeated phrasing together in a large five-part
91:
to the source of your translation. A model attribution edit summary is
1576:
exposed a new generation of listeners to his music. In 1999 the album
3525:
2659:
Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook,
1981:
for electric guitar or amplified acoustic guitar and tape (1987, for
1853:
1114:
1064:
957:
845:
Reich explored these ideas further in his frequently recorded pieces
706:
627:
575:
5111:
2137:
516:
Reich's early forays into composition involved experimentation with
4678:
Steve Reich, premio Fundación BBVA de música contemporánea, El País
4366:
external links, and converting useful links where appropriate into
4738:
4419:
2264:, 1978); later: Grand Valley State University New Music Ensemble (
1583:
977:
924:
903:
705:(1970), which deals specifically with augmentation. The piece has
1533:, and many notable choreographers have made dances to his music,
5477:
5257:
4144:(New ed.). USA: New York University Press. pp. 12–13.
3753:
1409:
In May 2011 Steve Reich received an honorary doctorate from the
941:
933:
566:
499:
398:
66:
6228:
5990:
5573:
5261:
4813:
4774:
Steve Reich: You Are (Variations) premiere in LA (October 2004)
3696:"Royal College of Music honours Reich, Norrington and Jurowski"
3412:"Steve Reich Talks About His First Orchestral Work in 30 Years"
1943:
for chorus and orchestra or voices and ensemble (1983, text by
305:
in the mid to late 1960s. Reich's work is marked by its use of
4809:
4782:
4509:
Steve Reich and Beryl Korot interviewed by David Allenby, 2002
4497:
In Conversation with Steve Reich, by Molly Sheridan, June 2002
4330:
4062:"Questions from Anne Teresa de Keersmaeker & Answers from"
3285:. Indaba Music. Archived from the original on December 3, 2010
1681:. Reich has also stated that he admires the music of the band
1433:
In March 2016, Reich was awarded an Honorary Doctorate by the
18:
4401:
4190:"New Steve Reich Work for Orchestra to Premiere in Fall 2018"
3983:
259:
4707:
Reich speaks about Daniel Variations for the South Bank Show
4435:
Steve Reich oral histories at Oral History of American Music
1198:
The instrumental series for the concert hall continued with
1095:
In 1993, Reich collaborated with his wife, the video artist
999:
875:(also 1979), Reich's music showed the influence of Biblical
4574:
An interview with Steve Reich on musicOMH.com, October 2006
3171:"Israelism: Nationalism, Orientalism, and the Israeli Five"
2578:"Say How? A Pronunciation Guide to Names of Public Figures"
1385:
On January 25, 2007, Reich was named 2007 recipient of the
409:; later he would set texts by that philosopher to music in
279:
4586:
Interview: Steve Reich, by Joshua Klein, November 22, 2006
754:
in 1973 and 1974. From his African experience, as well as
282:
3814:"The 1975's Matty Healy in conversation with Steve Reich"
3231:"From New York to Vermont: Conversation with Steve Reich"
4660:"Steve Reich: the composer with his finger on the pulse"
4240:
Desert Plants – Conversations with 23 American Musicians
2019:
for two violins and string ensemble (1993, dedicated to
1549:
among others; he has expressed particular admiration of
1077:
Grammy Award for Best Classical Contemporary Composition
4749:
from Duke University, includes sound samples and quotes
4355:
4350:
may not follow Knowledge (XXG)'s policies or guidelines
1816:
for four log drums and phase shifting pulse gate (1969)
1375:
In 2005, Reich was awarded the Edward MacDowell Medal.
1363:
Reich has lived with his wife Beryl Korot in a home in
1208:(2003), and multiple works centered around variations:
768:
people, Reich drew inspiration for his 90-minute piece
3440:"Steve Reich At 80: The Phases Of A Lifetime In Music"
3257:"Steve Reich on the most political work of his career"
635:, also written in 1967, is built on these same lines.
6539:
3593:"2009 Pulitzer Prizes for Letters, Drama and Music,"
3001:. New York: Oxford University Press. pp. 22–23.
2391:, transcribed for guitar, Alexandre Gérard (Catapult)
1963:
for amplified clarinet and tape, or 11 clarinets and
291:
4602:
broadcast October 6, 2006, includes interview about
4550:
A Steve Reich Interview with Hermann Kretzschmar on
3499:"Steve Reich, 2005 Edward MacDowell Medal Recipient"
994:
Psalmic prosody and Jewish cantillation traditions.
276:
62:
6644:
Members of the American Academy of Arts and Letters
5929:
5814:
5699:
5608:
5536:
5427:
5396:
5358:
5295:
5194:
4847:
4113:"Steve Reich on Schoenberg, Coltrane and Radiohead"
3608:"Commencement 2011 | New England Conservatory"
2523:Reich, Steve (April 1, 2002). Hillier, Paul (ed.).
2085:
for 2 xylophones, 2 vibraphones and 2 pianos (2002)
574:. Composed in 1965, the piece used a fragment of a
255:
195:
185:
163:
134:
58:
a machine-translated version of the French article.
4489:most important musical works of the 20th century.
4478:A Steve Reich Interview with Marc Weidenbaum, 1999
3464:
2497:
2183:for winds, strings, piano and electric bass (2015)
1328:, featuring Reich himself alongside percussionist
646:A similar, lesser known example of this so-called
4697:Steve Reich at the Whitney (October 15, 2006 MP3)
4458:Steve Reich Interview (7/98) with Richard Kessler
466:, which appeared in 1986 on the three-LP release
4650:Steve Reich at El Cultural (El Mundo), June 2014
4454:by Bruce Duffie (October 1985 and November 1995)
4278:, John McGuire, Charles Morrow, J. B. Floyd (on
3770:"O passado e o presente de Steve Reich no Porto"
2755:"Jonathan Carroll | Publishers Weekly Interview"
2661:Greenwood Press, Westport, Connecticut. (p. 361)
2093:for amplified cello and multichannel tape (2003)
2009:for four voices, ensemble and video (1993, with
4640:An interview with Steve Reich at ABC, June 2014
2802:The New Grove Dictionary of Music and Musicians
1526:(who titled an unreleased song "Steve Reich").
1160:Reich used sampling techniques for pieces like
1145:, and other more modern concerns, specifically
881:
497:. He was involved with the premiere of Riley's
4936:Music for Mallet Instruments, Voices and Organ
4788:"Fascinating rhythm. Celebrating Steve Reich."
4672:"Steve Reich: rebelión minimalista" at El País
4447:A Steve Reich Interview with Christopher Abbot
4035:da Fonseca-Wollheim, Corinna (June 22, 2017).
2425:, Grant Gershon, Alan Pierson (Nonesuch, 2008)
1955:for percussion and keyboards (1984, rev. 1985)
1881:Music for Mallet Instruments, Voices and Organ
1794:for three tape recorders and performers (1967)
1396:On April 20, 2009, Reich was awarded the 2009
800:Music for Mallet Instruments, Voices and Organ
87:accompanying your translation by providing an
49:Click for important translation instructions.
36:expand this article with text translated from
6240:
6002:
5585:
5273:
4825:
4166:"2x5 performed by Anton Glushkin and friends"
3205:"A Sturdy Musical Bridge to the 21st Century"
2409:, Grant Gershon, Maya Beiser (Nonesuch, 2005)
2332:Octet/Music for a Large Ensemble/Violin Phase
2291:, Ensemble Signal, Brad Lubman harmonia mundi
2285:, Ensemble Signal, Brad Lubman harmonia mundi
8:
4724:Classical Music Pages: Steve Reich biography
4691:Steve Reich at UC Berkeley University Museum
3907:. Guelph Jazz Festival. 2008. Archived from
3283:"Steve Reich Remix Contest – 2x5 Movement 3"
1421:BBVA Foundation Frontiers of Knowledge Award
1289:) in March 2011. This was a response to the
578:about the end of the world given by a Black
4968:Variations for Winds, Strings and Keyboards
4735:"Steve Reich (biography, works, resources)"
4668:to mark Reich's 80th birthday, October 2016
4662:– An interview with David Shariatmadari of
4618:from 1989 (RealAudio format, timing: 39:25)
4416:"Steve Reich (biography, works, resources)"
4002:
4000:
1916:Variations for Winds, Strings and Keyboards
1824:for four electric organs and maracas (1970)
1342:as well as two of Reich's ensemble pieces.
872:Variations for Winds, Strings and Keyboards
6247:
6233:
6225:
6009:
5995:
5987:
5592:
5578:
5570:
5280:
5266:
5258:
4832:
4818:
4810:
4037:"Cellist in an Echo Chamber, Echo Chamber"
1788:for violin and tape or four violins (1967)
1124:Reich and Korot collaborated on the opera
1079:in 1990. The composition was described by
626:the performers repeat a rapid twelve-note
560:Reich was influenced by fellow minimalist
142:
131:
4806:Press release of Polar Prize announcement
4779:New York Fetes Composer Steve Reich at 70
4386:Learn how and when to remove this message
2221:for 4 vocalists and large ensemble (2023)
2177:for two vibraphones and two pianos (2013)
2114:Variations for Vibes, Pianos, and Strings
1348:was premiered on November 4, 2018 by the
1215:Variations for Vibes, Pianos, and Strings
4747:A Description/documentary of Steve Reich
4730:Web Archives (archived June 3, 2010)
4614:that first aired in 1999 and another on
3568:"The 2009 Pulitzer Prize Winners: Music"
3438:Tsioulcas, Anastasia (October 9, 2016).
2419:Variations for Vibes, Pianos and Strings
6546:
5906:Afghanistan National Institute of Music
4178:from the original on December 11, 2021.
3117:"Steve Reich · Biography · Artist ⟋ RA"
2848:Actually, I wrote a thesis criticizing
2569:
2548:. New York City: Hanover Square Press.
2403:You Are (Variations)/Cello Counterpoint
2335:. Steve Reich and Musicians (ECM, 1980)
2049:for voices and ensemble (1995, text by
1419:In 2013 Reich received the US$ 400,000
1011:"Electric Counterpoint III Fast" (1989)
438:(1958–1961). Subsequently, he attended
340:(1966), and the use of simple, audible
328:patterns, as on the early compositions
4025:album track listing at www.discogs.com
3296:
2632:, Kahn & Averill, London, (p. 11).
2385:. Various performers (Nonesuch, 1997).
2373:Different Trains/Electric Counterpoint
2246:for four electric organs and maracas (
1774:for two pianos, or two marimbas (1967)
1474:, the art-pop and electronic musician
1040:
952:, six percussion (playing small tuned
4483:"Drumming" – Interview & analysis
3479:from the original on January 12, 2022
3466:"MacDowell Medal winners — 1960–2011"
3164:
3162:
3021:
2671:Colannino, Justin; Gómez, Francisco;
2506:Nova Scotia College of Art and Design
1308:in London gave the world premiere of
7:
6639:Recipients of the Praemium Imperiale
4011:Music, Electronic Media, and Culture
3768:Joana de Belém (November 12, 2006).
3410:Barone, Joshua (November 17, 2018).
2580:. National Library Service. May 2006
2369:and OSSIA, Alan Pierson (Cantaloupe)
1810:for phase shifting pulse gate (1969)
1673:, and visual artist friends such as
1486:, the composers associated with the
1314:, Reich's work inspired by the band
4624:, Cité de la musique, Paris, France
3872:"TNT : Tortoise : Review"
3841:Hutlock, Todd (September 1, 2006).
2908:The San Francisco Tape Music Center
2714:Steve Reich: Music for 18 Musicians
2527:. Oxford: Oxford University Press.
2463:International Contemporary Ensemble
2125:for four voices and ensemble (2006)
1935:for amplified flute and tape (1982)
1478:, the experimental art/music group
1228:looks back to the vocal writing of
695:on his Reich-influenced 1994 album
4713: (archived September 29, 2007)
4693:(November 7, 1970) Streaming audio
4656: (archived September 24, 2015)
4646: (archived September 24, 2015)
3156:, Phaidon Press, 1996, pp. 84, 86.
2972:"A Report from Occupied Territory"
2910:. University of California Press.
2157:for string quartet and tape (2010)
2106:For Strings (with Winds and Brass)
2001:for string quartet and tape (1988)
14:
4703: (archived November 16, 2006)
4464: (archived February 21, 2004)
3905:"Performers: Tortoise (Illinois)"
3843:"Tortoise – A Lazarus Taxon"
3082:Service, Tom (October 22, 2012).
2865:"Steve Reich | American composer"
1846:for two musicians clapping (1972)
1556:In featuring a sample of Reich's
1445:The American composer and critic
1411:New England Conservatory of Music
1259:, as the 12th composer featured.
888:In 1974 Reich published the book
544:soundtrack used two 19th-century
6634:Pulitzer Prize for Music winners
6561:
6549:
6486:
6137:
5244:
5243:
5168:Music for Ensemble and Orchestra
4592: (archived December 5, 2006)
4546: (archived January 25, 2008)
4493:format, timing: 12:46, July 2000
4335:
4216:Steve Reich: A Bio-Bibliography.
3694:Imogen Tilden (March 10, 2016),
3584:data including Composer's Notes.
3321:. Kronos Quartet. Archived from
3084:"A guide to Steve Reich's music"
2343:San Francisco Symphony Orchestra
2206:Reich/Richter for large ensemble
2199:Music for Ensemble and Orchestra
1506:musicians including songwriters
1382:Award in Music in October 2006.
1346:Music for Ensemble and Orchestra
1117:, where a mosque now stands and
1041:Problems playing this file? See
1015:
272:
23:
6689:20th-century American composers
6679:21st-century American composers
4560: (archived January 6, 2006)
4515: (archived January 6, 2006)
4474: (archived August 19, 2006)
4452:Two interviews with Steve Reich
3923:Stratton, Jeff (May 10, 2001).
3778:(in Portuguese). Archived from
2974:. mindfully.org. Archived from
2753:Lightcage (December 25, 2014).
2349:, Steve Reich & Musicians (
1830:for four electric organs (1970)
1706:variable instrumentation (1963)
1685:, which led to his composition
1615:in 2017 including new works by
869:and his first orchestral piece
689:performed it 27 years later as
475:San Francisco Tape Music Center
6055:On the Transmigration of Souls
3610:. Necmusic.edu. Archived from
3389:"Mälkki Conducts Mahler's 5th"
3367:"Radio Rewrite, Double Sextet"
2101:for voices and ensemble (2004)
2067:for four women's voices and 2
1927:for voices and ensemble (1981)
1318:. The programme also included
320:His innovations include using
97:You may also add the template
1:
6684:American male opera composers
6674:Pupils of Vincent Persichetti
6108:The Little Match Girl Passion
6076:Second Concerto for Orchestra
4755: (archived April 7, 2004)
4622:"Video Interview (Feb. 2006)"
3947:Retrieved September 27, 2008.
3913:Retrieved September 27, 2008.
3894:Retrieved September 27, 2008.
3857:Retrieved September 27, 2008.
3784:Retrieved September 27, 2008.
3758:Retrieved September 27, 2008.
2852:for criticizing Wittgenstein.
2799:, "Reich, Steve (Michael)",
2455:, Vicky Chow (Nonesuch, 2014)
2041:for amplified ensemble (1995)
1514:, and instrumental ensembles
1247:In 2002 Reich was invited by
932:, two lyric sopranos and one
894:Writings On Music (1965–2000)
812:In 1974, Reich began writing
153:
99:{{Translated|fr|Steve Reich}}
16:American composer (born 1936)
6629:Composers from New York City
4196:. March 2018. Archived from
4013:, Ashgate, Adlershot, p. 68.
3930:Broward-Palm Beach New Times
3794:Grimes, Christopher (2024).
3189:– via Oxford Academic.
2999:Writings on Music, 1965–2000
2951:Writings on Music: 1965–2000
2828:"Interview with Steve Reich"
2805:, second edition, edited by
2525:Writings on Music, 1965–2000
2383:Steve Reich: Works 1965–1995
1758:for melodica and tape (1966)
1719:Music for two or more pianos
6624:Deutsche Grammophon artists
4409:London Steve Reich Ensemble
4088:www.redbullmusicacademy.com
4064:. Steve Reich. May 26, 2008
2250:, 1970; recorded again for
1553:'s work set to his pieces.
1524:Godspeed You! Black Emperor
1378:Reich was awarded with the
956:without jingles, clapping,
734:was performed as part of a
685:was not performed although
356:(1970). The 1978 recording
110:Knowledge (XXG):Translation
6710:
5951:Ensemble intercontemporain
4952:Music for a Large Ensemble
4768:Music as a Gradual Process
4579:November 10, 2006, at the
4427:Music and the Holocaust –
3750:"Steve Reich @ 70 on WNYC"
3142:Music for a Large Ensemble
2937:September 3, 2018, at the
2813:(London: Macmillan, 2001).
2407:Los Angeles Master Chorale
1897:Music for a Large Ensemble
1864:(1973) – also arranged as
1551:Anne Teresa De Keersmaeker
1338:, with electric guitar by
859:Music for a Large Ensemble
848:Music for a Large Ensemble
124:
61:Machine translation, like
6654:Cornell University alumni
6495:
6484:
6264:
6146:
6135:
6025:
5241:
5207:Steve Reich and Musicians
4737:(in French and English).
4628:"Two Arts Beating As One"
4533:October 28, 2005, at the
4502:November 2, 2005, at the
4485:, selected as one of the
4418:(in French and English).
3580:With short biography and
3303:: CS1 maint: unfit URL (
3061:AIM – Adventures in Music
2906:Bernstein, David (2008).
2678:Perspectives of New Music
2189:for large ensemble (2016)
2109:for orchestra (1987/2004)
1870:Six Marimbas Counterpoint
1562:(1987) in the 1990 track
1279:Reich premiered a piece,
1155:technological singularity
896:, was published in 2002.
784:Steve Reich and Musicians
736:Boston Symphony Orchestra
679:The 1967 prototype piece
141:
38:the corresponding article
6694:Sub Rosa Records artists
6669:Pupils of Darius Milhaud
6609:Nonesuch Records artists
6599:American opera composers
6257:Pulitzer Prize for Music
6018:Pulitzer Prize for Music
5761:Dietrich Fischer-Dieskau
3634:"Steve Reich: Biography"
3553:January 3, 2014, at the
3347:. boosey.com. April 2011
3345:"Steve Reich – WTC 9/11"
3319:"Steve Reich – WTC 9/11"
3229:Kim, Rebecca Y. (2002).
2780:"Steve Reich – Composer"
2504:. Halifax: Press of the
2379:(Elektra Nonesuch, 1989)
1852:for five pairs of tuned
1850:Music for Pieces of Wood
1470:, the new-age guitarist
1398:Pulitzer Prize for Music
1358:Walt Disney Concert Hall
1350:Los Angeles Philharmonic
1182:'s string quartets, and
761:Studies in African Music
446:, where he studied with
6649:Juilliard School alumni
6604:Jewish American artists
6446:7 Etudes for Solo Piano
5513:A Rainbow in Curved Air
3035:"Steve Reich Biography"
2955:Oxford University Press
2870:Encyclopædia Britannica
2832:The Steve Reich Website
2759:www.jonathancarroll.com
2734:. BBC. October 25, 2010
1945:William Carlos Williams
1482:, the electronic group
1257:Rheingau Musik Festival
532:(1965), three films by
518:twelve-tone composition
108:For more guidance, see
4944:Music for 18 Musicians
4221:Potter, Keith (2000).
4218:Greenwood Press, 2002.
3911:on September 15, 2008.
3855:on September 17, 2006.
3683:on September 29, 2014.
3665:on September 24, 2015.
2673:Toussaint, Godfried T.
2630:American Minimal Music
2317:Music for 18 Musicians
2258:Music for 18 Musicians
2065:Know What Is Above You
1889:Music for 18 Musicians
1435:Royal College of Music
1389:with jazz saxophonist
1301:, North Carolina, US.
1004:
909:
886:
815:Music for 18 Musicians
473:Reich worked with the
426:before he enrolled at
359:Music for 18 Musicians
226:Music for 18 Musicians
5725:Karlheinz Stockhausen
5650:Mstislav Rostropovich
5464:Einstein on the Beach
5032:Electric Counterpoint
5016:New York Counterpoint
4288:Charlemagne Palestine
4140:Reich, Steve (1975).
4111:(February 28, 2013).
3984:"Steve Reich Website"
3717:"Grand Old Youngster"
3570:. The Pulitzer Prizes
3187:10.1093/musqtl/gdu010
3169:Seter, Ronit (2014).
2997:Reich, Steve (2002).
2542:Reich, Steve (2022).
2496:Reich, Steve (1974).
2365:(ECM Records, 1982);
2163:for two pianos (2011)
1978:Electric Counterpoint
1960:New York Counterpoint
1559:Electric Counterpoint
1510:and Matthew Healy of
1335:Electric Counterpoint
1130:, which concerns the
1031:Electric Counterpoint
1003:
908:Reich circa 1982–1984
907:
692:Slow Motion Blackbird
622:, for two pianos. In
268:Stephen Michael Reich
136:Stephen Michael Reich
81:copyright attribution
6614:Grammy Award winners
6594:Minimalist composers
6589:Postmodern composers
6467:String Quartet No. 3
6393:Si Ji (Four Seasons)
6360:You Are (Variations)
6350:Piano Concerto No. 3
5640:Nikolaus Harnoncourt
5527:The Well-Tuned Piano
4984:Vermont Counterpoint
4634:"Unexplored terrain"
4552:You Are (Variations)
4356:improve this article
4232:Phaidon Press, 1996.
3782:on January 15, 2009.
3748:Wise, Brian (2006).
3152:Schwarz, K. Robert.
3063:. September 30, 2021
2500:Writings About Music
2226:Selected discography
2098:You Are (Variations)
1993:for orchestra (1987)
1973:for orchestra (1986)
1932:Vermont Counterpoint
1919:for orchestra (1979)
1876:(2011) by the others
1780:concept piece (1967)
1565:Little Fluffy Clouds
1490:festival (including
1291:September 11 attacks
1210:You Are (Variations)
890:Writings About Music
536:. The soundtrack of
417:You Are (variations)
6619:ECM Records artists
6410:Augusta Read Thomas
4764:by Roger Sutherland
4728:Library of Congress
4596:"Steve Reich at 70"
4368:footnote references
4228:K. Robert Schwarz.
4194:Boosey & Hawkes
3937:on October 21, 2009
3884:on January 14, 2009
3729:on January 16, 2009
3638:Boosey & Hawkes
3614:on October 15, 2011
3472:The Daily Telegraph
3263:. September 6, 2006
3203:(August 24, 1997).
2299:Deutsche Grammophon
2232:Live/Electric Music
2171:for ensemble (2012)
2051:Ludwig Wittgenstein
1868:(1986), adapted as
1520:The Mercury Program
1306:Royal Festival Hall
662:in the late 1990s.
444:Oakland, California
436:Vincent Persichetti
407:Ludwig Wittgenstein
148:Steve Reich at the
6436:Concerto for Viola
6340:Cello Counterpoint
5920:Playing for Change
5916:Anne-Sophie Mutter
5801:José Antonio Abreu
5630:Witold Lutosławski
5232:Reich Richter Pärt
5088:Cello Counterpoint
4308:Richard Teitelbaum
4041:The New York Times
3870:(March 23, 1998).
3775:Diário de Notícias
3595:The New York Times
3475:. April 13, 2011.
3417:The New York Times
3237:. 67–68: 345–366.
3235:Current Musicology
3209:The New York Times
2605:The Globe and Mail
2467:Colin Currie Group
2423:London Sinfonietta
2399:, (Nonesuch, 1999)
2375:. Kronos Quartet,
2090:Cello Counterpoint
1874:Piano Counterpoint
1741:Oh Dem Watermelons
1626:Reich often cites
1608:Cello Counterpoint
1380:Praemium Imperiale
1253:Komponistenporträt
1205:Cello Counterpoint
1005:
910:
526:Oh Dem Watermelons
403:Cornell University
401:. While attending
307:repetitive figures
297:; better-known as
260:www.stevereich.com
89:interlanguage link
6537:
6536:
6399:Elliot Goldenthal
6222:
6221:
5984:
5983:
5975:Esa-Pekka Salonen
5912:Grandmaster Flash
5735:Sofia Gubaidulina
5666:Bruce Springsteen
5602:Polar Music Prize
5600:Laureates of the
5567:
5566:
5383:Sofia Gubaidulina
5255:
5254:
5184:Traveler's Prayer
5096:Daniel Variations
5024:The Four Sections
4523:, January 2, 2004
4396:
4395:
4388:
4236:Walter Zimmermann
4200:on July 17, 2018.
4151:978-0-8147-7357-4
4142:Writings on Music
3960:. Brainwashed.com
3925:"We Have Liftoff"
3722:The Village Voice
3715:(July 13, 1999).
3597:, April 20, 2009.
3369:. bbc.co.uk. 2013
3201:Taruskin, Richard
3175:Musical Quarterly
3008:978-0-19-511171-2
2970:(July 11, 1966).
2917:978-0-520-24892-2
2555:978-1-335-42572-0
2534:978-0-19-511171-2
2515:978-0-8147-7358-1
2430:Double Sextet/2×5
2414:Daniel Variations
2213:Traveler's Prayer
2161:Finishing the Hat
2122:Daniel Variations
1990:The Four Sections
1900:(1978, rev. 1979)
1778:Slow Motion Sound
1387:Polar Music Prize
1262:In December 2010
1238:Daniel Variations
1221:Daniel Variations
1137:, the testing of
1111:Cave of Machpelah
1020:
974:electronic organs
836:premier recording
682:Slow Motion Sound
265:
264:
121:
120:
50:
46:
6701:
6566:
6565:
6564:
6554:
6553:
6552:
6545:
6490:
6324:Paul Schoenfield
6249:
6242:
6235:
6226:
6141:
6011:
6004:
5997:
5988:
5594:
5587:
5580:
5571:
5554:Repetitive music
5537:Related articles
5443:Different Trains
5310:Louis Andriessen
5282:
5275:
5268:
5259:
5247:
5246:
5195:Related articles
5040:Different Trains
5000:The Desert Music
4834:
4827:
4820:
4811:
4742:
4616:Different Trains
4519:An interview in
4429:Different Trains
4423:
4405:
4404:
4402:Official website
4391:
4384:
4380:
4377:
4371:
4339:
4338:
4331:
4304:Frederic Rzewski
4298:), Steve Reich,
4284:Pauline Oliveros
4280:Conlon Nancarrow
4202:
4201:
4186:
4180:
4179:
4174:. May 25, 2020.
4162:
4156:
4155:
4136:
4130:
4129:
4127:
4125:
4109:Petridis, Alexis
4105:
4099:
4098:
4096:
4094:
4080:
4074:
4073:
4071:
4069:
4058:
4052:
4051:
4049:
4047:
4032:
4026:
4020:
4014:
4004:
3995:
3994:
3992:
3990:
3976:
3970:
3969:
3967:
3965:
3954:
3948:
3946:
3944:
3942:
3933:. Archived from
3920:
3914:
3912:
3901:
3895:
3893:
3891:
3889:
3880:. Archived from
3864:
3858:
3856:
3851:. Archived from
3838:
3832:
3831:
3829:
3827:
3810:
3804:
3803:
3791:
3785:
3783:
3765:
3759:
3757:
3745:
3739:
3738:
3736:
3734:
3725:. Archived from
3709:
3703:
3702:
3691:
3685:
3684:
3679:. Archived from
3673:
3667:
3666:
3661:. Archived from
3655:
3649:
3648:
3646:
3644:
3630:
3624:
3623:
3621:
3619:
3604:
3598:
3591:
3585:
3579:
3577:
3575:
3564:
3558:
3544:
3538:
3537:
3535:
3533:
3528:on March 9, 2009
3524:. Archived from
3513:
3507:
3506:
3503:MacDowell Colony
3495:
3489:
3488:
3486:
3484:
3468:
3461:
3455:
3454:
3452:
3450:
3435:
3429:
3428:
3426:
3424:
3407:
3401:
3400:
3398:
3396:
3385:
3379:
3378:
3376:
3374:
3363:
3357:
3356:
3354:
3352:
3341:
3335:
3334:
3332:
3330:
3325:on April 4, 2011
3315:
3309:
3308:
3302:
3294:
3292:
3290:
3279:
3273:
3272:
3270:
3268:
3253:
3247:
3246:
3226:
3220:
3219:
3217:
3215:
3197:
3191:
3190:
3166:
3157:
3150:
3144:
3140:Liner notes for
3138:
3132:
3131:
3129:
3127:
3121:Resident Advisor
3113:
3107:
3106:
3104:
3102:
3079:
3073:
3072:
3070:
3068:
3053:
3047:
3046:
3044:
3042:
3031:
3025:
3019:
3013:
3012:
2994:
2988:
2987:
2985:
2983:
2978:on June 29, 2013
2964:
2958:
2947:
2941:
2928:
2922:
2921:
2903:
2897:
2891:Music from Mills
2888:
2882:
2881:
2879:
2877:
2861:
2855:
2854:
2845:
2843:
2834:. Archived from
2820:
2814:
2794:
2788:
2787:
2784:Famous Composers
2776:
2770:
2769:
2767:
2765:
2750:
2744:
2743:
2741:
2739:
2728:
2722:
2709:
2703:
2702:
2668:
2662:
2651:
2645:
2639:
2633:
2623:
2617:
2616:
2614:
2612:
2596:
2590:
2589:
2587:
2585:
2574:
2559:
2538:
2519:
2503:
2469:(Nonesuch, 2018)
2449:Alarm Will Sound
2441:(Nonesuch, 2010)
2435:Eighth Blackbird
2367:Alarm Will Sound
2362:The Desert Music
2195:for piano (2017)
1998:Different Trains
1940:The Desert Music
1592:Kurtis Mantronik
1502:), and numerous
1464:progressive rock
1365:upstate New York
1287:Different Trains
1264:Nonesuch Records
1234:The Desert Music
1218:(2005), and the
1180:Alfred Schnittke
1081:Richard Taruskin
1075:was awarded the
1073:Different Trains
1061:Different Trains
1052:Different Trains
1027:Different Trains
1022:
1021:
1002:
838:of this work on
766:music of the Ewe
552:. The music for
487:Morton Subotnick
479:Pauline Oliveros
468:Music from Mills
391:Jonathan Carroll
365:Different Trains
294:
289:
288:
285:
284:
281:
278:
233:Different Trains
198:
177:
173:
171:
158:
157: June 1976
155:
150:Holland Festival
146:
132:
127:Stephen C. Reich
100:
94:
67:Google Translate
48:
44:
27:
26:
19:
6709:
6708:
6704:
6703:
6702:
6700:
6699:
6698:
6574:
6573:
6572:
6568:Classical music
6562:
6560:
6550:
6548:
6540:
6538:
6533:
6515:Finalists: '80s
6491:
6482:
6415:Astral Canticle
6377:Peter Lieberson
6346:Peter Lieberson
6291:Peter Lieberson
6285:Time After Time
6260:
6253:
6223:
6218:
6142:
6133:
6129:Violin Concerto
6125:Jennifer Higdon
6092:Ornette Coleman
6066:Tempest Fantasy
6030:John Corigliano
6021:
6015:
5985:
5980:
5961:Angélique Kidjo
5957:Chris Blackwell
5925:
5886:Cecilia Bartoli
5826:Ennio Morricone
5810:
5695:
5626:Dizzy Gillespie
5604:
5598:
5568:
5563:
5532:
5485:It's Gonna Rain
5423:
5392:
5360:Holy minimalism
5354:
5325:Simeon ten Holt
5291:
5286:
5256:
5251:
5237:
5213:Works 1965–1995
5190:
4856:It's Gonna Rain
4843:
4838:
4753:Wayback Machine
4733:
4720:
4711:Wayback Machine
4701:Wayback Machine
4687:
4680:, February 2014
4654:Wayback Machine
4644:Wayback Machine
4604:It's Gonna Rain
4590:Wayback Machine
4581:Wayback Machine
4558:Wayback Machine
4544:Wayback Machine
4535:Wayback Machine
4513:Wayback Machine
4504:Wayback Machine
4472:Wayback Machine
4462:Wayback Machine
4443:
4414:
4400:
4399:
4392:
4381:
4375:
4372:
4353:
4344:This article's
4340:
4336:
4329:
4316:Christian Wolff
4300:David Rosenboom
4268:Joan La Barbara
4211:
4209:Further reading
4206:
4205:
4188:
4187:
4183:
4164:
4163:
4159:
4152:
4139:
4137:
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4123:
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3956:
3955:
3951:
3940:
3938:
3922:
3921:
3917:
3903:
3902:
3898:
3887:
3885:
3866:
3865:
3861:
3848:Stylus Magazine
3840:
3839:
3835:
3825:
3823:
3812:
3811:
3807:
3800:Financial Times
3793:
3792:
3788:
3767:
3766:
3762:
3747:
3746:
3742:
3732:
3730:
3711:
3710:
3706:
3693:
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3642:
3640:
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3631:
3627:
3617:
3615:
3606:
3605:
3601:
3592:
3588:
3573:
3571:
3566:
3565:
3561:
3555:Wayback Machine
3545:
3541:
3531:
3529:
3515:
3514:
3510:
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3496:
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3255:
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3250:
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3227:
3223:
3213:
3211:
3199:
3198:
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3168:
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3160:
3151:
3147:
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3125:
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3115:
3114:
3110:
3100:
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3081:
3080:
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3066:
3064:
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3054:
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3040:
3038:
3033:
3032:
3028:
3020:
3016:
3009:
2996:
2995:
2991:
2981:
2979:
2966:
2965:
2961:
2957:, 2002), p. 19.
2948:
2944:
2939:Wayback Machine
2929:
2925:
2918:
2905:
2904:
2900:
2889:
2885:
2875:
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2863:
2862:
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2839:
2822:
2821:
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2795:
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2735:
2730:
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2710:
2706:
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2608:
2598:
2597:
2593:
2583:
2581:
2576:
2575:
2571:
2566:
2556:
2541:
2535:
2522:
2516:
2495:
2492:
2476:
2459:Pulse – Quartet
2453:Jonny Greenwood
2325:Ensemble Modern
2274:Ensemble Signal
2270:Ensemble Modern
2228:
2027:Nagoya Marimbas
1971:Three Movements
1738:Soundtrack for
1732:It's Gonna Rain
1712:Plastic Haircut
1709:Soundtrack for
1700:
1695:
1649:Ella Fitzgerald
1613:Ashley Bathgate
1443:
1428:Venice Biennale
1373:
1299:Duke University
1277:
1196:
1147:Dolly the sheep
1139:nuclear weapons
1099:, on an opera,
1093:
1048:
1047:
1039:
1037:
1036:
1035:
1034:
1023:
1016:
1013:
1006:
1000:
989:and functional
976:, two violins,
902:
744:
709:playing a fast
572:It's Gonna Rain
538:Plastic Haircut
522:Plastic Haircut
514:
509:
432:William Bergsma
383:
331:It's Gonna Rain
311:harmonic rhythm
292:
275:
271:
196:
181:
178:
175:
174:October 3, 1936
169:
167:
159:
156:
137:
130:
117:
116:
115:
98:
92:
51:
28:
24:
17:
12:
11:
5:
6707:
6705:
6697:
6696:
6691:
6686:
6681:
6676:
6671:
6666:
6661:
6656:
6651:
6646:
6641:
6636:
6631:
6626:
6621:
6616:
6611:
6606:
6601:
6596:
6591:
6586:
6576:
6575:
6571:
6570:
6558:
6535:
6534:
6532:
6531:
6525:
6522:
6517:
6511:
6504:
6496:
6493:
6492:
6485:
6483:
6481:
6480:
6469:
6460:
6452:Harold Meltzer
6449:
6438:
6432:Roberto Sierra
6429:
6421:Stephen Hartke
6418:
6407:
6396:
6385:
6374:
6366:Elliott Carter
6363:
6352:
6343:
6332:
6321:
6310:
6302:David Rakowski
6299:
6288:
6277:
6269:Stephen Hartke
6265:
6262:
6261:
6254:
6252:
6251:
6244:
6237:
6229:
6220:
6219:
6217:
6216:
6209:
6202:
6195:
6188:
6181:
6174:
6167:
6160:
6153:
6147:
6144:
6143:
6136:
6134:
6132:
6131:
6122:
6111:
6100:
6089:
6086:Chiavi in Mano
6078:
6069:
6058:
6047:
6036:
6034:Symphony No. 2
6026:
6023:
6022:
6016:
6014:
6013:
6006:
5999:
5991:
5982:
5981:
5979:
5978:
5968:
5954:
5944:
5933:
5931:
5927:
5926:
5924:
5923:
5909:
5899:
5889:
5879:
5876:Evelyn Glennie
5872:Emmylou Harris
5869:
5859:
5856:Kaija Saariaho
5852:Youssou N'Dour
5849:
5839:
5832:Kronos Quartet
5829:
5818:
5816:
5812:
5811:
5809:
5808:
5794:
5784:
5774:
5771:Valery Gergiev
5764:
5754:
5744:
5738:
5728:
5717:Burt Bacharach
5714:
5703:
5701:
5697:
5696:
5694:
5693:
5690:Iannis Xenakis
5683:
5673:
5663:
5653:
5643:
5633:
5623:
5616:Paul McCartney
5612:
5610:
5606:
5605:
5599:
5597:
5596:
5589:
5582:
5574:
5565:
5564:
5562:
5561:
5556:
5551:
5549:Postminimalism
5546:
5540:
5538:
5534:
5533:
5531:
5530:
5523:
5520:Nixon in China
5516:
5509:
5502:
5499:Phrygian Gates
5495:
5488:
5481:
5474:
5467:
5460:
5453:
5446:
5439:
5436:Clapping Music
5431:
5429:
5425:
5424:
5422:
5421:
5416:
5411:
5406:
5400:
5398:
5394:
5393:
5391:
5390:
5385:
5380:
5375:
5370:
5368:Henryk Górecki
5364:
5362:
5356:
5355:
5353:
5352:
5350:La Monte Young
5347:
5342:
5337:
5332:
5327:
5322:
5317:
5312:
5307:
5301:
5299:
5293:
5292:
5287:
5285:
5284:
5277:
5270:
5262:
5253:
5252:
5242:
5239:
5238:
5236:
5235:
5228:
5221:
5219:Kronos Quartet
5216:
5209:
5204:
5198:
5196:
5192:
5191:
5189:
5188:
5180:
5172:
5164:
5156:
5148:
5140:
5132:
5124:
5120:Mallet Quartet
5116:
5108:
5100:
5092:
5084:
5076:
5072:Triple Quartet
5068:
5060:
5052:
5044:
5036:
5028:
5020:
5012:
5004:
4996:
4988:
4980:
4972:
4964:
4956:
4948:
4940:
4932:
4924:
4920:Clapping Music
4916:
4908:
4900:
4896:Pendulum Music
4892:
4884:
4876:
4868:
4860:
4851:
4849:
4845:
4844:
4839:
4837:
4836:
4829:
4822:
4814:
4808:
4807:
4801:
4797:The New Yorker
4785:
4776:
4771:
4770:by Steve Reich
4765:
4756:
4743:
4731:
4719:
4716:
4715:
4714:
4704:
4694:
4686:
4683:
4682:
4681:
4675:
4669:
4657:
4647:
4637:
4631:
4625:
4619:
4593:
4583:
4571:
4566:
4561:
4547:
4537:
4525:
4516:
4506:
4494:
4480:
4475:
4465:
4455:
4449:
4442:
4439:
4438:
4437:
4432:
4424:
4412:
4406:
4394:
4393:
4348:external links
4343:
4341:
4334:
4328:
4327:External links
4325:
4324:
4323:
4320:La Monte Young
4260:Morton Feldman
4250:, Jim Burton,
4233:
4226:
4219:
4210:
4207:
4204:
4203:
4181:
4157:
4150:
4131:
4100:
4075:
4053:
4027:
4023:Reich Remixed:
4015:
3996:
3971:
3949:
3915:
3896:
3859:
3833:
3805:
3786:
3760:
3740:
3704:
3686:
3668:
3650:
3625:
3599:
3586:
3559:
3546:Hans Gefors, "
3539:
3522:stevereich.com
3516:Reich, Steve.
3508:
3490:
3456:
3430:
3402:
3380:
3358:
3336:
3310:
3274:
3248:
3221:
3192:
3158:
3145:
3133:
3108:
3074:
3048:
3026:
3014:
3007:
2989:
2959:
2942:
2932:on Steve Reich
2923:
2916:
2898:
2883:
2856:
2838:on May 9, 2022
2824:Cott, Jonathan
2815:
2797:Paul Griffiths
2789:
2771:
2745:
2723:
2704:
2685:(1): 111–134.
2663:
2646:
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2618:
2591:
2568:
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2562:
2561:
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2539:
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2486:
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2400:
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2314:
2292:
2286:
2280:
2278:harmonia mundi
2276:, Brad Lubman
2255:
2239:
2227:
2224:
2223:
2222:
2219:Jacob's Ladder
2216:
2210:
2202:
2196:
2190:
2184:
2178:
2172:
2164:
2158:
2150:
2146:Mallet Quartet
2142:
2134:
2126:
2118:
2110:
2102:
2094:
2086:
2083:Dance Patterns
2080:
2072:
2062:
2058:Triple Quartet
2054:
2042:
2034:
2024:
2021:Yehudi Menuhin
2014:
2002:
1994:
1986:
1974:
1968:
1956:
1948:
1936:
1928:
1920:
1912:
1901:
1893:
1885:
1877:
1857:
1847:
1843:Clapping Music
1839:
1831:
1828:Phase Patterns
1825:
1817:
1814:Four Log Drums
1811:
1804:
1803:
1799:Pendulum Music
1795:
1789:
1781:
1775:
1767:
1759:
1753:
1745:
1736:
1728:
1722:
1716:
1707:
1699:
1696:
1694:
1691:
1602:among others.
1570:ambient techno
1547:Jerome Robbins
1508:Sufjan Stevens
1496:Michael Gordon
1472:Michael Hedges
1442:
1439:
1400:, recognizing
1372:
1369:
1354:Susanna Mälkki
1340:Mats Bergström
1326:Clapping Music
1295:Kronos Quartet
1276:
1273:
1251:to the annual
1200:Dance Patterns
1195:
1192:
1188:Yo Shakespeare
1184:Michael Gordon
1172:Triple Quartet
1092:
1089:
1069:Kronos Quartet
1057:string quartet
1038:
1024:
1014:
1009:
1008:
1007:
998:
997:
996:
901:
898:
743:
740:
727:Phase Patterns
669:Clapping Music
652:Pendulum Music
586:The 13-minute
546:minstrel tunes
513:
510:
508:
505:
452:Darius Milhaud
395:Baroque period
382:
379:
347:Pendulum Music
263:
262:
257:
253:
252:
251:
250:
243:
236:
229:
222:
215:
212:Clapping Music
208:
199:
193:
192:
187:
183:
182:
179:
165:
161:
160:
147:
139:
138:
135:
119:
118:
114:
113:
106:
95:
73:
70:
59:
52:
33:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
6706:
6695:
6692:
6690:
6687:
6685:
6682:
6680:
6677:
6675:
6672:
6670:
6667:
6665:
6664:Living people
6662:
6660:
6657:
6655:
6652:
6650:
6647:
6645:
6642:
6640:
6637:
6635:
6632:
6630:
6627:
6625:
6622:
6620:
6617:
6615:
6612:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
6592:
6590:
6587:
6585:
6582:
6581:
6579:
6569:
6559:
6557:
6547:
6543:
6529:
6526:
6523:
6521:
6518:
6516:
6512:
6509:
6505:
6502:
6498:
6497:
6494:
6489:
6479:
6478:
6473:
6470:
6468:
6464:
6461:
6459:
6458:
6453:
6450:
6448:
6447:
6442:
6439:
6437:
6433:
6430:
6428:
6427:
6422:
6419:
6417:
6416:
6411:
6408:
6406:
6405:
6400:
6397:
6395:
6394:
6389:
6386:
6384:
6383:
6378:
6375:
6373:
6372:
6367:
6364:
6362:
6361:
6356:
6353:
6351:
6347:
6344:
6342:
6341:
6336:
6333:
6331:
6330:
6325:
6322:
6320:
6319:
6314:
6311:
6309:
6308:
6307:Ten of a Kind
6303:
6300:
6298:
6297:
6292:
6289:
6287:
6286:
6281:
6278:
6276:
6275:
6270:
6267:
6266:
6263:
6258:
6250:
6245:
6243:
6238:
6236:
6231:
6230:
6227:
6214:
6210:
6207:
6203:
6200:
6196:
6193:
6189:
6186:
6182:
6179:
6175:
6172:
6168:
6165:
6161:
6158:
6154:
6152:
6151:Complete list
6149:
6148:
6145:
6140:
6130:
6126:
6123:
6121:
6120:
6119:Double Sextet
6115:
6112:
6110:
6109:
6104:
6101:
6099:
6098:
6097:Sound Grammar
6093:
6090:
6088:
6087:
6082:
6079:
6077:
6073:
6072:Steven Stucky
6070:
6068:
6067:
6062:
6059:
6057:
6056:
6051:
6048:
6046:
6045:
6040:
6037:
6035:
6031:
6028:
6027:
6024:
6019:
6012:
6007:
6005:
6000:
5998:
5993:
5992:
5989:
5976:
5972:
5969:
5966:
5962:
5958:
5955:
5952:
5948:
5945:
5942:
5938:
5937:Anna Netrebko
5935:
5934:
5932:
5928:
5921:
5917:
5913:
5910:
5907:
5903:
5900:
5897:
5896:Wayne Shorter
5893:
5890:
5887:
5883:
5880:
5877:
5873:
5870:
5867:
5866:Peter Sellars
5863:
5860:
5857:
5853:
5850:
5847:
5843:
5840:
5837:
5833:
5830:
5827:
5823:
5820:
5819:
5817:
5813:
5806:
5802:
5798:
5797:Peter Gabriel
5795:
5792:
5791:Renée Fleming
5788:
5785:
5782:
5778:
5777:Sonny Rollins
5775:
5772:
5768:
5765:
5762:
5758:
5755:
5752:
5751:György Ligeti
5748:
5745:
5742:
5741:Keith Jarrett
5739:
5736:
5732:
5731:Miriam Makeba
5729:
5726:
5722:
5718:
5715:
5712:
5708:
5705:
5704:
5702:
5698:
5691:
5687:
5686:Stevie Wonder
5684:
5681:
5677:
5674:
5671:
5667:
5664:
5661:
5660:Pierre Boulez
5657:
5656:Joni Mitchell
5654:
5651:
5647:
5644:
5641:
5637:
5634:
5631:
5627:
5624:
5621:
5620:Baltic states
5617:
5614:
5613:
5611:
5607:
5603:
5595:
5590:
5588:
5583:
5581:
5576:
5575:
5572:
5560:
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5541:
5539:
5535:
5529:
5528:
5524:
5522:
5521:
5517:
5515:
5514:
5510:
5508:
5507:
5503:
5501:
5500:
5496:
5494:
5493:
5492:Koyaanisqatsi
5489:
5487:
5486:
5482:
5480:
5479:
5475:
5473:
5472:
5468:
5466:
5465:
5461:
5459:
5458:
5454:
5452:
5451:
5450:Doctor Atomic
5447:
5445:
5444:
5440:
5438:
5437:
5433:
5432:
5430:
5426:
5420:
5417:
5415:
5414:Process music
5412:
5410:
5407:
5405:
5402:
5401:
5399:
5395:
5389:
5386:
5384:
5381:
5379:
5376:
5374:
5373:Giya Kancheli
5371:
5369:
5366:
5365:
5363:
5361:
5357:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5335:Michael Nyman
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5303:
5302:
5300:
5298:
5294:
5290:
5289:Minimal music
5283:
5278:
5276:
5271:
5269:
5264:
5263:
5260:
5250:
5240:
5234:
5233:
5229:
5227:
5226:
5225:Reich Remixed
5222:
5220:
5217:
5215:
5214:
5210:
5208:
5205:
5203:
5202:Minimal music
5200:
5199:
5197:
5193:
5186:
5185:
5181:
5178:
5177:
5176:Reich/Richter
5173:
5170:
5169:
5165:
5162:
5161:
5157:
5154:
5153:
5149:
5146:
5145:
5141:
5138:
5137:
5136:Radio Rewrite
5133:
5130:
5129:
5125:
5122:
5121:
5117:
5114:
5113:
5109:
5106:
5105:
5104:Double Sextet
5101:
5098:
5097:
5093:
5090:
5089:
5085:
5082:
5081:
5077:
5074:
5073:
5069:
5066:
5065:
5061:
5058:
5057:
5053:
5050:
5049:
5045:
5042:
5041:
5037:
5034:
5033:
5029:
5026:
5025:
5021:
5018:
5017:
5013:
5010:
5009:
5005:
5002:
5001:
4997:
4994:
4993:
4989:
4986:
4985:
4981:
4978:
4977:
4973:
4970:
4969:
4965:
4962:
4961:
4957:
4954:
4953:
4949:
4946:
4945:
4941:
4938:
4937:
4933:
4930:
4929:
4925:
4922:
4921:
4917:
4914:
4913:
4909:
4906:
4905:
4901:
4898:
4897:
4893:
4890:
4889:
4885:
4882:
4881:
4877:
4874:
4873:
4869:
4866:
4865:
4861:
4858:
4857:
4853:
4852:
4850:
4846:
4842:
4835:
4830:
4828:
4823:
4821:
4816:
4815:
4812:
4805:
4802:
4799:
4798:
4793:
4789:
4786:
4784:
4780:
4777:
4775:
4772:
4769:
4766:
4763:
4760:
4757:
4754:
4750:
4748:
4744:
4740:
4736:
4732:
4729:
4725:
4722:
4721:
4717:
4712:
4708:
4705:
4702:
4698:
4695:
4692:
4689:
4688:
4684:
4679:
4676:
4673:
4670:
4667:
4666:
4661:
4658:
4655:
4651:
4648:
4645:
4641:
4638:
4635:
4632:
4629:
4626:
4623:
4620:
4617:
4613:
4609:
4605:
4601:
4597:
4594:
4591:
4587:
4584:
4582:
4578:
4575:
4572:
4570:
4567:
4565:
4562:
4559:
4555:
4553:
4548:
4545:
4541:
4538:
4536:
4532:
4529:
4526:
4524:
4522:
4517:
4514:
4510:
4507:
4505:
4501:
4498:
4495:
4492:
4488:
4484:
4481:
4479:
4476:
4473:
4469:
4466:
4463:
4459:
4456:
4453:
4450:
4448:
4445:
4444:
4440:
4436:
4433:
4431:
4430:
4425:
4421:
4417:
4413:
4410:
4407:
4403:
4398:
4397:
4390:
4387:
4379:
4376:December 2021
4369:
4365:
4364:inappropriate
4361:
4357:
4351:
4349:
4342:
4333:
4332:
4326:
4321:
4317:
4313:
4309:
4305:
4301:
4297:
4293:
4289:
4285:
4281:
4277:
4273:
4269:
4265:
4261:
4257:
4256:Philip Corner
4253:
4249:
4248:Robert Ashley
4245:
4241:
4237:
4234:
4231:
4227:
4224:
4220:
4217:
4213:
4212:
4208:
4199:
4195:
4191:
4185:
4182:
4177:
4173:
4172:
4167:
4161:
4158:
4153:
4147:
4143:
4135:
4132:
4120:
4119:
4114:
4110:
4104:
4101:
4089:
4085:
4084:"Steve Reich"
4079:
4076:
4063:
4057:
4054:
4042:
4038:
4031:
4028:
4024:
4019:
4016:
4012:
4008:
4003:
4001:
3997:
3985:
3980:
3975:
3972:
3959:
3953:
3950:
3941:September 27,
3936:
3932:
3931:
3926:
3919:
3916:
3910:
3906:
3900:
3897:
3888:September 15,
3883:
3879:
3878:
3877:Rolling Stone
3873:
3869:
3863:
3860:
3854:
3850:
3849:
3844:
3837:
3834:
3822:. May 5, 2020
3821:
3820:
3815:
3809:
3806:
3801:
3797:
3790:
3787:
3781:
3777:
3776:
3771:
3764:
3761:
3755:
3751:
3744:
3741:
3733:September 27,
3728:
3724:
3723:
3718:
3714:
3708:
3705:
3701:
3697:
3690:
3687:
3682:
3678:
3672:
3669:
3664:
3660:
3654:
3651:
3639:
3635:
3629:
3626:
3613:
3609:
3603:
3600:
3596:
3590:
3587:
3583:
3582:Double Sextet
3569:
3563:
3560:
3556:
3552:
3549:
3543:
3540:
3527:
3523:
3519:
3512:
3509:
3504:
3500:
3494:
3491:
3478:
3474:
3473:
3467:
3460:
3457:
3449:September 16,
3445:
3441:
3434:
3431:
3419:
3418:
3413:
3406:
3403:
3390:
3384:
3381:
3368:
3362:
3359:
3346:
3340:
3337:
3324:
3320:
3314:
3311:
3306:
3300:
3284:
3278:
3275:
3262:
3258:
3252:
3249:
3244:
3240:
3236:
3232:
3225:
3222:
3214:September 27,
3210:
3206:
3202:
3196:
3193:
3188:
3184:
3180:
3176:
3172:
3165:
3163:
3159:
3155:
3149:
3146:
3143:
3137:
3134:
3122:
3118:
3112:
3109:
3097:
3093:
3089:
3085:
3078:
3075:
3062:
3058:
3052:
3049:
3037:. Steve Reich
3036:
3030:
3027:
3023:
3018:
3015:
3010:
3004:
3000:
2993:
2990:
2977:
2973:
2969:
2968:James Baldwin
2963:
2960:
2956:
2952:
2949:Steve Reich,
2946:
2943:
2940:
2936:
2933:
2930:Malcolm Ball
2927:
2924:
2919:
2913:
2909:
2902:
2899:
2896:
2892:
2887:
2884:
2872:
2871:
2866:
2860:
2857:
2853:
2851:
2837:
2833:
2829:
2825:
2819:
2816:
2812:
2808:
2807:Stanley Sadie
2804:
2803:
2798:
2793:
2790:
2785:
2781:
2775:
2772:
2760:
2756:
2749:
2746:
2733:
2727:
2724:
2721:
2717:
2715:
2708:
2705:
2700:
2696:
2692:
2688:
2684:
2680:
2679:
2674:
2667:
2664:
2660:
2656:
2650:
2647:
2643:
2642:Michael Nyman
2638:
2635:
2631:
2627:
2622:
2619:
2607:
2606:
2601:
2595:
2592:
2579:
2573:
2570:
2563:
2557:
2551:
2547:
2546:
2545:Conversations
2540:
2536:
2530:
2526:
2521:
2517:
2511:
2507:
2502:
2501:
2494:
2493:
2489:
2485:
2481:
2480:Phase to Face
2478:
2477:
2473:
2468:
2464:
2460:
2457:
2454:
2450:
2446:
2445:Radio Rewrite
2443:
2440:
2439:Bang on a Can
2436:
2432:
2431:
2427:
2424:
2420:
2416:
2415:
2411:
2408:
2404:
2401:
2398:
2397:
2396:Reich Remixed
2393:
2390:
2387:
2384:
2381:
2378:
2374:
2371:
2368:
2364:
2363:
2359:
2355:
2352:
2348:
2344:
2340:
2337:
2334:
2333:
2329:
2326:
2322:
2318:
2315:
2312:
2308:
2307:So Percussion
2304:
2300:
2296:
2293:
2290:
2289:Double Sextet
2287:
2284:
2283:Radio Rewrite
2281:
2279:
2275:
2271:
2267:
2263:
2259:
2256:
2253:
2249:
2245:
2244:
2240:
2237:
2233:
2230:
2229:
2225:
2220:
2217:
2214:
2211:
2208:
2207:
2203:
2200:
2197:
2194:
2191:
2188:
2185:
2182:
2179:
2176:
2173:
2170:
2169:
2168:Radio Rewrite
2165:
2162:
2159:
2156:
2155:
2151:
2148:
2147:
2143:
2140:
2139:
2135:
2132:
2131:
2130:Double Sextet
2127:
2124:
2123:
2119:
2116:
2115:
2111:
2108:
2107:
2103:
2100:
2099:
2095:
2092:
2091:
2087:
2084:
2081:
2078:
2077:
2073:
2070:
2066:
2063:
2060:
2059:
2055:
2052:
2048:
2047:
2043:
2040:
2039:
2035:
2032:
2028:
2025:
2022:
2018:
2015:
2012:
2008:
2007:
2003:
2000:
1999:
1995:
1992:
1991:
1987:
1984:
1980:
1979:
1975:
1972:
1969:
1966:
1965:bass clarinet
1962:
1961:
1957:
1954:
1953:
1949:
1946:
1942:
1941:
1937:
1934:
1933:
1929:
1926:
1925:
1921:
1918:
1917:
1913:
1911:
1910:
1905:
1902:
1899:
1898:
1894:
1891:
1890:
1886:
1883:
1882:
1878:
1875:
1871:
1867:
1863:
1862:
1858:
1855:
1851:
1848:
1845:
1844:
1840:
1837:
1836:
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1697:
1692:
1690:
1688:
1687:Radio Rewrite
1684:
1680:
1679:Richard Serra
1676:
1672:
1668:
1664:
1663:
1658:
1657:John Coltrane
1654:
1653:Alfred Deller
1650:
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1579:Reich Remixed
1575:
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1497:
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1488:Bang on a Can
1485:
1481:
1480:the Residents
1477:
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1404:
1403:Double Sextet
1399:
1394:
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1391:Sonny Rollins
1388:
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1321:Double Sextet
1317:
1313:
1312:
1311:Radio Rewrite
1307:
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1296:
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1128:
1122:
1120:
1116:
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1108:
1104:
1103:
1098:
1090:
1088:
1086:
1085:the Holocaust
1082:
1078:
1074:
1071:recording of
1070:
1066:
1062:
1058:
1054:
1053:
1046:
1044:
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995:
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983:
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868:
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849:
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837:
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829:
825:
824:eleven chords
821:
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816:
810:
808:
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796:
792:
787:
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777:
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749:
741:
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723:
719:
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699:
694:
693:
688:
684:
683:
677:
675:
671:
670:
663:
661:
657:
653:
649:
648:process music
644:
642:
638:
634:
629:
625:
621:
620:
614:
612:
607:
603:
599:
595:
593:
589:
584:
581:
577:
573:
569:
568:
564:, whose work
563:
558:
555:
551:
547:
543:
539:
535:
534:Robert Nelson
531:
527:
523:
519:
511:
506:
504:
502:
501:
496:
492:
488:
484:
480:
476:
471:
469:
465:
461:
457:
453:
449:
448:Luciano Berio
445:
441:
440:Mills College
437:
433:
430:to work with
429:
425:
420:
418:
414:
413:
408:
404:
400:
396:
392:
388:
380:
378:
376:
375:
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349:
348:
343:
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333:
332:
327:
323:
318:
316:
312:
308:
304:
303:minimal music
300:
296:
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287:
269:
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194:
191:
188:
184:
180:New York City
176:(age 87)
166:
162:
151:
145:
140:
133:
128:
123:
111:
107:
104:
96:
90:
86:
82:
78:
74:
71:
68:
64:
60:
57:
54:
53:
47:
41:
39:
34:You can help
30:
21:
20:
6477:Steel Hammer
6475:
6463:Fred Lerdahl
6455:
6444:
6424:
6413:
6402:
6391:
6382:Neruda Songs
6380:
6369:
6358:
6354:
6338:
6334:
6327:
6316:
6312:
6305:
6294:
6283:
6280:Fred Lerdahl
6272:
6117:
6113:
6106:
6095:
6084:
6081:Yehudi Wyner
6064:
6061:Paul Moravec
6053:
6042:
5971:Nile Rodgers
5941:Diane Warren
5780:
5767:Led Zeppelin
5757:Gilberto Gil
5680:Ravi Shankar
5670:Eric Ericson
5636:Quincy Jones
5525:
5518:
5511:
5504:
5497:
5490:
5483:
5476:
5469:
5462:
5455:
5448:
5441:
5434:
5428:Compositions
5388:John Tavener
5339:
5320:Philip Glass
5315:Gavin Bryars
5230:
5223:
5211:
5182:
5174:
5166:
5158:
5150:
5142:
5134:
5126:
5118:
5110:
5102:
5094:
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5078:
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5014:
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4998:
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4974:
4966:
4958:
4950:
4942:
4934:
4926:
4918:
4910:
4902:
4894:
4888:Violin Phase
4886:
4878:
4870:
4862:
4854:
4848:Compositions
4840:
4795:
4761:
4746:
4665:The Guardian
4663:
4615:
4611:
4607:
4603:
4599:
4551:
4521:The Guardian
4520:
4428:
4382:
4373:
4358:by removing
4345:
4312:James Tenney
4296:Harry Partch
4292:Ben Johnston
4276:Alvin Lucier
4272:Garrett List
4264:Philip Glass
4244:Larry Austin
4239:
4230:Minimalists.
4229:
4222:
4215:
4214:D. J. Hoek.
4198:the original
4193:
4184:
4169:
4160:
4141:
4134:
4122:. Retrieved
4118:The Guardian
4116:
4103:
4091:. Retrieved
4087:
4078:
4068:February 25,
4066:. Retrieved
4056:
4044:. Retrieved
4040:
4030:
4018:
4010:
4007:Emmerson, S.
3987:. Retrieved
3974:
3962:. Retrieved
3952:
3939:. Retrieved
3935:the original
3928:
3918:
3909:the original
3899:
3886:. Retrieved
3882:the original
3875:
3868:Ratliff, Ben
3862:
3853:the original
3846:
3836:
3824:. Retrieved
3817:
3808:
3789:
3780:the original
3773:
3763:
3743:
3731:. Retrieved
3727:the original
3720:
3707:
3700:The Guardian
3699:
3689:
3681:the original
3671:
3663:the original
3653:
3643:February 26,
3641:. Retrieved
3637:
3628:
3616:. Retrieved
3612:the original
3602:
3594:
3589:
3581:
3572:. Retrieved
3562:
3542:
3532:February 26,
3530:. Retrieved
3526:the original
3521:
3511:
3493:
3481:. Retrieved
3470:
3459:
3447:. Retrieved
3443:
3433:
3421:. Retrieved
3415:
3405:
3393:. Retrieved
3391:. laphil.com
3383:
3371:. Retrieved
3361:
3349:. Retrieved
3339:
3327:. Retrieved
3323:the original
3313:
3287:. Retrieved
3277:
3265:. Retrieved
3261:The Guardian
3260:
3251:
3234:
3224:
3212:. Retrieved
3208:
3195:
3178:
3174:
3153:
3148:
3141:
3136:
3124:. Retrieved
3120:
3111:
3099:. Retrieved
3088:The Guardian
3087:
3077:
3065:. Retrieved
3060:
3051:
3041:February 26,
3039:. Retrieved
3029:
3017:
2998:
2992:
2980:. Retrieved
2976:the original
2962:
2950:
2945:
2926:
2907:
2901:
2886:
2876:February 26,
2874:. Retrieved
2868:
2859:
2850:Gilbert Ryle
2847:
2840:. Retrieved
2836:the original
2831:
2818:
2811:John Tyrrell
2800:
2792:
2783:
2774:
2762:. Retrieved
2758:
2748:
2736:. Retrieved
2726:
2713:
2707:
2682:
2676:
2666:
2658:
2649:
2637:
2629:
2621:
2609:. Retrieved
2603:
2594:
2582:. Retrieved
2572:
2544:
2524:
2499:
2479:
2458:
2444:
2428:
2418:
2412:
2402:
2394:
2388:
2382:
2372:
2356:
2347:Edo de Waart
2338:
2330:
2316:
2294:
2288:
2282:
2257:
2241:
2231:
2218:
2212:
2204:
2198:
2192:
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2180:
2174:
2166:
2160:
2152:
2144:
2136:
2128:
2120:
2112:
2104:
2096:
2088:
2082:
2074:
2064:
2056:
2044:
2036:
2026:
2016:
2004:
1996:
1988:
1976:
1970:
1958:
1950:
1938:
1930:
1922:
1914:
1907:
1903:
1895:
1887:
1879:
1873:
1869:
1866:Six Marimbas
1865:
1859:
1849:
1841:
1833:
1827:
1819:
1813:
1807:
1797:
1791:
1785:Violin Phase
1783:
1777:
1769:
1761:
1755:
1747:
1739:
1730:
1724:
1718:
1710:
1704:Pitch Charts
1703:
1698:Compositions
1686:
1667:Kenny Clarke
1662:Africa/Brass
1660:
1625:
1617:Emily Cooley
1606:
1604:
1577:
1568:the British
1563:
1557:
1555:
1531:Bruce Nauman
1528:
1468:King Crimson
1444:
1432:
1425:
1418:
1415:
1408:
1401:
1395:
1384:
1377:
1374:
1367:since 2006.
1362:
1345:
1344:
1333:
1330:Colin Currie
1325:
1319:
1309:
1303:
1286:
1280:
1278:
1268:Indaba Music
1261:
1246:
1242:Daniel Pearl
1237:
1233:
1229:
1225:
1219:
1213:
1209:
1203:
1199:
1197:
1187:
1171:
1165:
1161:
1159:
1143:Bikini Atoll
1132:
1125:
1123:
1107:Palestinians
1100:
1094:
1072:
1060:
1055:(1988), for
1050:
1049:
1030:
1026:
987:counterpoint
981:
946:English horn
923:
913:
911:
893:
889:
887:
882:
877:cantillation
870:
866:
862:
858:
852:
846:
844:
813:
811:
804:
798:
795:augmentation
790:
788:
779:
769:
759:
745:
731:
725:
721:
702:
696:
690:
687:Chris Hughes
680:
678:
667:
664:
651:
645:
641:Violin Phase
640:
636:
633:Violin Phase
632:
623:
617:
615:
610:
605:
597:
596:
587:
585:
571:
565:
559:
554:Thick Pucker
553:
541:
537:
530:Thick Pucker
529:
528:(1965), and
525:
521:
515:
498:
483:Ramon Sender
472:
467:
455:
424:Hall Overton
421:
416:
410:
387:June Sillman
384:
374:The Guardian
372:
370:
363:
357:
351:
345:
335:
329:
319:
298:
267:
266:
245:
238:
231:
224:
217:
210:
203:
197:Notable work
190:Contemporary
122:
85:edit summary
76:
43:
35:
6659:1936 births
6584:Steve Reich
6472:Julia Wolfe
6355:Steve Reich
6335:Steve Reich
6318:Three Tales
6313:Steve Reich
6296:Rilke Songs
6259:(2001–2010)
6255:Finalists:
6114:Steve Reich
6039:Henry Brant
6020:(2001–2010)
5862:Chuck Berry
5836:Patti Smith
5781:Steve Reich
5721:Robert Moog
5711:Isaac Stern
5676:Ray Charles
5506:Piano Phase
5471:Four Organs
5457:Eight Lines
5345:Terry Riley
5340:Steve Reich
5330:Tom Johnson
5083:(1998–2002)
5080:Three Tales
4992:Eight Lines
4947:(1974–1976)
4915:(1970–1971)
4904:Four Organs
4880:Piano Phase
4841:Steve Reich
4762:Steve Reich
4674:, June 2014
3989:January 31,
3964:October 16,
3618:October 16,
3574:October 16,
3548:Steve Reich
3518:"Biography"
3483:December 6,
3423:December 9,
3395:December 9,
3289:October 16,
3154:Minimalists
3024:, p. .
2738:October 16,
2626:Mertens, W.
2611:January 25,
2584:October 15,
2474:Filmography
2389:Piano Phase
2377:Pat Metheny
2243:Four Organs
2076:Three Tales
2011:Beryl Korot
1983:Pat Metheny
1909:Eight Lines
1872:(2010) and
1821:Four Organs
1808:Pulse Music
1771:Piano Phase
1752:tape (1966)
1744:tape (1965)
1735:tape (1965)
1715:tape (1963)
1671:Miles Davis
1621:Alex Weiser
1543:Douglas Lee
1539:Jiří Kylián
1500:Julia Wolfe
1437:in London.
1249:Walter Fink
1162:Three Tales
1127:Three Tales
1097:Beryl Korot
954:tambourines
851:(1978) and
840:ECM Records
803:(1973) and
756:A. M. Jones
732:Four Organs
722:Four Organs
711:eighth note
703:Four Organs
674:eighth note
660:Sonic Youth
637:Piano Phase
624:Piano Phase
619:Piano Phase
580:Pentecostal
562:Terry Riley
542:Watermelons
495:Terry Riley
477:along with
415:(1995) and
353:Four Organs
350:(1968) and
334:(1965) and
299:Steve Reich
240:Three Tales
205:Piano Phase
45:(June 2023)
6578:Categories
6329:Camp Songs
6103:David Lang
6050:John Adams
5882:Max Martin
5842:Paul Simon
5805:El Sistema
5787:Pink Floyd
5646:Elton John
5544:Maximalism
5419:Repetition
5397:Techniques
5305:John Adams
4928:Six Pianos
4872:Reed Phase
4441:Interviews
4411:(official)
3979:John Adams
3713:Gann, Kyle
3267:August 23,
3243:1297276104
3181:(2): 244.
3022:Reich 2002
2953:(Oxford :
2764:August 11,
2655:Sitsky, L.
2564:References
2311:Cantaloupe
1861:Six Pianos
1792:My Name Is
1763:Reed Phase
1725:Livelihood
1675:Sol LeWitt
1644:Stravinsky
1632:J. S. Bach
1535:Eliot Feld
1504:indie rock
1492:David Lang
1484:Underworld
1456:Aphex Twin
1452:John Adams
1236:while the
1153:, and the
1133:Hindenburg
1067:rule. The
1043:media help
966:vibraphone
806:Six Pianos
764:about the
718:repetition
592:Harlem Six
381:Early life
324:to create
322:tape loops
170:1936-10-03
6556:Biography
6508:Citations
6441:Don Byron
6426:Meanwhile
6371:Dialogues
6213:Citations
6206:2011–2020
6199:2001–2010
6192:1991–2000
6185:1981–1990
6178:1971–1980
6171:1961–1970
6164:1951–1960
6157:1943–1950
6044:Ice Field
5965:Arvo Pärt
5902:Metallica
5747:B.B. King
5707:Bob Dylan
5378:Arvo Pärt
5297:Composers
5056:City Life
4792:Alex Ross
4685:Listening
4600:Fresh Air
4598:from NPR
4491:RealAudio
4360:excessive
4252:John Cage
3096:0261-3077
2982:April 28,
2842:March 28,
2691:0031-6016
2069:tamborims
2038:City Life
1892:(1974–76)
1683:Radiohead
1596:Ken Ishii
1588:DJ Spooky
1582:featured
1476:Brian Eno
1447:Kyle Gann
1441:Influence
1316:Radiohead
1167:City Life
950:clarinets
940:, flute,
832:ensembles
491:Phil Lesh
428:Juilliard
342:processes
103:talk page
40:in French
5947:Iggy Pop
5846:Yo-Yo Ma
5559:Totalism
5249:Category
5128:WTC 9/11
5048:The Cave
4976:Tehillim
4912:Drumming
4864:Come Out
4612:Tehillim
4608:Drumming
4577:Archived
4531:Archived
4500:Archived
4176:Archived
4124:March 1,
4009:(2007),
3819:The Face
3551:Archived
3477:Archived
3373:March 5,
3329:March 8,
3299:cite web
3239:ProQuest
2935:Archived
2895:AllMusic
2826:(1996).
2720:AllMusic
2699:25652402
2657:(2002),
2628:(1983),
2358:Tehillim
2303:Nonesuch
2295:Drumming
2236:Columbia
2154:WTC 9/11
2031:marimbas
2029:for two
2006:The Cave
1924:Tehillim
1835:Drumming
1756:Melodica
1749:Come Out
1605:Reich's
1516:Tortoise
1512:the 1975
1282:WTC 9/11
1230:Tehillim
1224:(2006).
1212:(2004),
1202:(2002),
1135:disaster
1102:The Cave
982:Tehillim
970:crotales
918:(1981),
915:Tehillim
865:). With
863:Drumming
809:(1973).
791:Drumming
780:Drumming
771:Drumming
656:feedback
611:Melodica
606:Come Out
602:melodica
598:Melodica
588:Come Out
524:(1963),
460:melodica
456:Melodica
419:(2006).
368:(1988).
344:, as on
337:Come Out
247:WTC 9/11
219:Drumming
79:provide
6542:Portals
6501:Winners
6474:('10):
6465:('10):
6454:('09):
6443:('09):
6434:('08):
6423:('08):
6412:('07):
6404:Grendel
6401:('07):
6390:('06):
6388:Chen Yi
6379:('06):
6368:('05):
6357:('05):
6348:('04):
6337:('04):
6326:('03):
6315:('03):
6304:('02):
6293:('02):
6282:('01):
6271:('01):
6127:('10):
6116:('09):
6105:('08):
6094:('07):
6083:('06):
6074:('05):
6063:('04):
6052:('03):
6041:('02):
6032:('01):
5409:Phasing
5144:Quartet
5064:Proverb
4751:at the
4726:at the
4709:at the
4699:at the
4652:at the
4642:at the
4588:at the
4556:at the
4542:at the
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