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156:). The nut width letter was stamped on the end of the neck on Fender guitars from March 1962. It had a curved rosewood fingerboard and was refretted so often that, after a while, it could not be refretted anymore. Martinez replaced it with the neck from "Red" (see below). This neck was destroyed when a piece of stage rigging fell on it. After Vaughan's death, the original neck was reinstalled on Number One, and both are now in the possession of
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214:, who sold it to Charley Wirz. The body had been hollowed out to make room for "a shitload of humbuckers," but Wirz fashioned a new pickguard in which he placed a single Fender Strat pickup in the neck position and painted the body yellow. Wirz gave the guitar to Vaughan in 1982; it is the guitar with the letters "SRV" on the pickguard under the strings.
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From early on his career, beginning in 1979, Vaughan received technical assistance from César Díaz, who began by replacing and tweaking the output transformers on his amplifiers. Vaughan played so hard (especially on the low strings) and his heavy strings produced such "non-standard frequencies" that
268:
This guitar features a 2-piece maple body and a 3-piece "neck-through body" design. It also originally had EMG preamped pickups, but
Vaughan didn't like the pickups in it. He was about to make next the music video for "Couldn't Stand the Weather", and didn't want to get Number One wet during filming,
33:
throughout his career, one of which, a 1963 body and a 1962 (with a rosewood slab fingerboard) neck, became "the most famous battered Strat in rock history." He was notoriously hard on his guitars, and many of them required extensive periodic maintenance, as well as other equipment. He used a limited
395:
is a 1963 or 1964 Stratocaster, bought for
Vaughan for his birthday by his wife, Lenora, and several friends because he didn't have the money to buy it. Originally 3-tone sunburst with a rosewood neck, it was later stripped down to a dark natural finish and re-fitted with a mid-'50s-style maple neck
117:
of "Number One" when new would have been 7.25" like most Fender instruments made before the 1980s, but after refretting the fingerboard multiple times the radius evolved into a 9" or 10" radius in the upper registers. The guitar featured frets that measured 0.110" wide by 0.055" when new, similar to
443:
Vaughan was noted for playing extraordinarily thick strings, "as thick as barbed wire," "sometimes as extreme as a .018 through .074 set." He was not picky on string brand, but favored GHS Nickel
Rockers of heavy gauge, partly for tone and partly because his fretting and strumming were so strong he
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was a white custom-made "hardtail" (non-tremolo, fixed bridge) "Stratocaster-style" guitar built by
Charley Wirz, a friend of Vaughan's and owner of Charley's Guitar Shop in Dallas. Wirz built it in late 1983, and placed a neck plate on it engraved "To Stevie Ray Vaughan, more in '84". It had three
94:
used by
Vaughan for most of his career; it was "rebuilt more times than a custom Chevy." Vaughan always claimed it was a 1959 model, since that date was written on the back of the pick-ups; Rene Martinez, who maintained the guitar since 1980, saw the year 1963 stamped in the body and 1962 on the
222:
In late 1983, Vaughan purchased a 1962 sunburst Fender
Stratocaster from Charley's Guitar Shop, though he had it repainted by Fender in fiesta red as a custom color option, and simply named the guitar "Red." The guitar remained stock until 1986, when a left-handed neck was installed and "SRV"
444:
often snapped strings while playing. He changed around gauges often, depending on the condition of his fingers, but always favored, from high to low, .013, .015, .019, .028, .038, .058. Sometimes he used a slightly lighter high E string (.012 or .011). He always tuned down one half step.
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The
Hamiltone's fingerboard is ebony with a mother-of-pearl inlay that read "Stevie Ray Vaughan". The guitar was originally set to be made for Stevie in 1979, but the plan was dropped when Vaughan started using his middle name "Ray"; he was only known as "Stevie Vaughan" at the time.
561:
in New York City, Díaz brought 32 amplifiers, as well as 200-watt
Marshall 4×15" bass cabinets. According to Díaz, "the whole studio was taken up with amps—upstairs, downstairs, every room was filled with amps. So he would hit these notes, and the whole place would rattle."
180:
model, based on Number One; already in the works at the time of
Vaughan's death, his brother Jimmie asked for the process to be sped up and the guitar became available in 1992. To achieve the sound Vaughan wanted, builder Larry Brooks put 6000 windings on the
118:
Dunlop 6100 fretwire. String height was measured to be 5/64" on the high E string and 7/64" on the low E string. Each string had three full winds for the best angle at the bone nut. It had a left-handed tremolo block, even though
Vaughan was right-handed.
112:
magazine includes measurements of the specifications of several of Vaughan's guitars. All of Vaughan's guitars had a neck relief of approximately .012" at the 7th and 9th frets, and leveled out through the remainder of the fingerboard. The
476:. On his choice of amp use, he stated that he used the "Fenders for distortion and the Marshall for clarity", in contrast to most guitarists utilizing both amps the other way around. He often used two amplifiers simultaneously, one more
350:
Scotch is a 1961 Fender Stratocaster used by Vaughan for the last five years of his life. He acquired this guitar in the fall of 1985, and it is said to have been bought in either Baltimore or "The Boathouse" in
223:
stickers were applied to the pickguard. In 1989, the neck on "Number One" was unable to withstand more re-fret jobs, replacing it with the original neck from "Red." The next year, following a concert at the
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This guitar has a butterscotch colored finish with a non-original tiger-striped pickguard made by Rene Martinez, Vaughan's guitar tech. The tiger-striped pickguard resembled the same pickguard
522:, bass at 4"), and "in order to avoid problems, would back off the volume control by unscrewing the knob and turning it back a bit so it would appear to be at the same level as before."
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reportedly given to him by Billy Gibbons. Behind the bridge, on the lower bout of the guitar body is a unique inlay, thought to be originally from an early 1900s mandolin. The
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105:. The distinctive cigarette burn on the headstock comes from an incident when Vaughan had left a burning cigarette tucked under the sixth string for too long while playing.
189:. The signature Strat has an alder body with a maple neck and pau ferro fingerboard, and comes equipped with .010-.046 strings (lighter than Vaughan's); it was praised by
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In spite of being rough on his gear, it was reported Vaughan could hear even the slightest malfunction, even when, for instance, he was running 32 amplifiers into the
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as that would have ruined the 1959 pickups, so he used the Hamiltone for filming. The EMG pickups and Gibson style amber top hat knobs were changed in June 1984.
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Vaughan favored Fender Medium picks, and played with the round end of the pick, maintaining that the rounded end allowed for more string attack than the tip.
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408:. In 2004, Lenny was put up for auction and was sold to Guitar Center for $ 623,500. It is on display at Guitar Center's Austin location on Anderson Lane.
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fell onto Vaughan's rack of guitars, splitting the neck from "Red" that was installed on "Number One." The neck was replaced the next night.
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After he kicked his addictions, Vaughan became especially obsessed with the sound produced by his amplifiers. During the rehearsals for
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An oddity about Vaughan's usage was that he preferred the amplifier's dials to always have the same numbers ("Volume at 7, treble at 5
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Rubin, Dave (March 1993). "Gear Guru: Cesar Diaz Reveals the Tech Secrets of Stevie Ray Vaughan, Eric Clapton & Bob Dylan".
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neck. The guitar was given to him by Ray Hennig, owner of Ray & Shane Hennig's Heart of Texas Music store on South Lamar in
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in 1973 and was his main performing instrument and companion. Vaughan used the guitar on all five of his studio albums and on
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355:. It was to be a prize at one of Stevie's shows, but he bought the guitar instead and gave away another one of his guitars.
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586:. Occasionally he used a Fender Vibratone (aka. Leslie 16/18. A Leslie speaker especially designed for guitar), and a
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Two 1964 "Blackface" Fender Vibroverb amplifiers (numbers five and six off production line), each with one 15" speaker
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The original neck has a fairly thick D-shaped profile. It was not as sometimes stated a "D" width nut (D width was 1
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This guitar has been on display at a Guitar Center in Austin, TX since 2018 in celebration of his 64th birthday.
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Scotch was stock except for the tiger-striped pickguard where he added his famous "SRV" prismatic stickers.
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has produced a limited-edition run of Lenny replicas since December 12, 2007, and they are sold by
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Gress, Jesse (December 1993). "Rock Heart Blues Soul: The Essential Stevie Ray Vaughan Licks".
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745:"Four Finger Five sounds like Led Zeppelin, Al Green 'fighting for the last woman on Earth'"
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for its neck and "juicy tone": "the SRV is one of the coolest Strats we've ever played."
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The article "Supernova Strats" by Dan Erlewine published in the February 1990 issue of
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Guitar world presents Stevie Ray Vaughan: ... from the pages of Guitar World magazine
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would occasionally spark and emit smoke, causing the need to buffer the input.
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The Stratocaster chronicles: Fender, celebrating 50 years of the Fender Strat
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Buchholz, Brad (28 January 1992). "You can own a guitar like Stevie Ray's".
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55:. His guitars were serviced by Charley Wirz of Charley's Guitar Shop in
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A Stevie Ray Vaughan signature Stratocaster, based on "Number One"
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947:"Stevie Ray Vaughan guitars and memorabilia on display Wednesday"
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On the left: The 20th Anniversary Hamiltone made by Jim Hamilton
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Widders, Andy (December 1993). "SRV's 'King Tone' Secrets".
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Falling stars: air crashes that filled rock and roll heaven
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Ultimate Guitar - Stevie Ray Vaughan. Part 2: His Guitars
987:"Stevie Ray Vaughan's "Lenny" Guitar: A Brief History"
424:, and on "Life By The Drop" from the posthumous album
258:. It was presented to Vaughan by James as a gift from
34:
number of (mainly vintage) effect pedals, and favored
1188:
Roadhouse blues: Stevie Ray Vaughan and Texas R&B
1293:
The fabulous Vaughan Brothers: Jimmie and Stevie Ray
1167:
The recording guitarist: a guide for home and studio
146:– SRV's guitar had a standard B width of nominally 1
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The Essential Stevie Ray Vaughan and Double Trouble
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794:"David Tannen - Stevie Ray Vaughan's Guitar Setup"
1013:"Stevie Ray Vaughan's Lenny Spotted in the wild!"
493:Marshall Club & Country combo amp with 2×12"
582:(various kinds—the TS-808, TS9, and TS10) and a
878:Thompson, Art. "Bench Tests: Cool Blues Gear".
1209:Guitar Shop -- Getting Your Sound: Handy Guide
362:had on his butter-colored guitar at the time.
90:(also known as Vaughan's 'First Wife') was a
1943:
1419:
1366:Texas blues: the rise of a contemporary sound
404:for $ 17,000. The guitar was mainly used for
8:
63:. His amplifiers were tuned and serviced by
1060:"30 players who changed the way we sound".
318:. Unsourced material may be challenged and
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1443:Original 1983–1989 releases are marked in
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483:The amplifiers he used on stage included:
206:was a 1959 Stratocaster formerly owned by
136:inch – the standard width was B which is 1
722:"Stevie Ray Vaughan. Part 2: His Guitars"
338:Learn how and when to remove this message
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989:. Rock Dose. 5 July 2008. Archived from
569:
468:Vaughan used various amplifiers, mainly
176:Vaughan collaborated with Fender for an
16:List of Stevie Ray Vaughan's instruments
1290:Dickerson, James (September 25, 2004).
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1346:"Stevie Ray Vaughan: Lone Star Rising"
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19:This is a list and description of the
1577:The Real Deal: Greatest Hits Volume 2
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316:adding citations to reliable sources
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602:, sometimes two simultaneously.
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1552:Live at Montreux 1982 & 1985
1319:Everitt, Rich (September 2004).
1191:. Hal Leonard. pp. 124–25.
1017:Fender Stratocaster Guitar Forum
724:. Ultime Guitar. 7 February 2005
288:
1806:Couldn't Stand the Weather Tour
1344:Gill, Chris (August 18, 2010).
826:Erlewine, Dan (February 1990).
1375:Texas A&M University Press
548:amplifiers and a Groove Tubes
1:
1680:All Your Love (I Miss Loving)
843:"What Is Fingerboard Radius?"
743:Wedel, Mark (18 March 2010).
29:. Vaughan played a number of
1821:The Fire Meets the Fury Tour
1783:Voodoo Child (Slight Return)
1774:The Things That I Used to Do
1268:. Hal Leonard. p. 219.
1212:. Alfred Music. p. 44.
1917:Death of Stevie Ray Vaughan
1070:(12): 60–95. December 1997.
21:guitars and other equipment
2205:
1471:Couldn't Stand the Weather
841:Owens, Jeff (2016-10-20).
578:Vaughan typically used an
2124:
1441:
830:. Guitar Player Magazine.
574:A 1968 King Vox Wah pedal
2184:Instruments of musicians
1206:Hurwitz, Tobias (1999).
966:"Stevie Ray's King Tone"
584:Leslie revolving speaker
225:Garden State Arts Center
2174:Fender electric guitars
1302:Taylor Trade Publishing
672:The Dallas Morning News
464:A 1964 Fender Vibroverb
1850:Live at the El Mocambo
1363:Govenar, Alan (2008).
1185:Gregory, Hugh (2003).
1164:Chappell, Jon (1999).
575:
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434:Other guitar equipment
248:
173:
164:Fender signature model
1538:Live at Carnegie Hall
1262:Wheeler, Tom (2004).
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536:, Vaughan borrowed a
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246:
171:
49:for the recording of
1234:Kitts, Jeff (1997).
580:Ibanez Tube Screamer
489:Fender Super Reverbs
312:improve this section
31:Fender Stratocasters
2189:Music-related lists
1959:Fender Stratocaster
1139:, pp. 116–117.
1115:"Stevie Ray – Gear"
925:"Hamiltone Guitars"
774:, pp. 102–110.
652:, pp. 124–125.
265:on April 29, 1984.
229:Holmdel, New Jersey
210:'s lead guitarist,
92:Fender Stratocaster
23:played by musician
2179:Individual guitars
2169:Stevie Ray Vaughan
2024:Stevie Ray Vaughan
1688:Come On (Part III)
1655:Chitlins con Carne
1435:Stevie Ray Vaughan
828:"Supernova Strats"
576:
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398:Fender Custom Shop
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115:fingerboard radius
67:, also the guitar
26:Stevie Ray Vaughan
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2070:(Eddie Van Halen)
1925:
1924:
1811:Soul to Soul Tour
1651:The Sky Is Crying
1601:Official bootlegs
1504:The Sky Is Crying
1384:978-1-58544-605-6
1336:978-1-891799-04-4
1311:978-1-58979-116-9
1275:978-0-634-05678-9
1247:978-0-7935-8080-4
1219:978-0-88284-956-0
1198:978-0-87930-747-9
1177:978-0-7935-8704-9
949:. 3 October 2018.
480:than the other.
427:The Sky Is Crying
353:Norfolk, Virginia
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239:Hamiltone Guitars
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2116:Fender (company)
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2007:Signature models
1993:Stratocaster XII
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1860:Related articles
1801:Texas Flood Tour
1643:Love Struck Baby
1584:Blues at Sunrise
1531:In the Beginning
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993:on 3 March 2009
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2090:The Hitmaker
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2019:Eric Clapton
1978:Contemporary
1902:Reese Wynans
1892:Chris Layton
1848:
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1835:Video albums
1826:In Step Tour
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1747:Superstition
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1562:Compilations
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1497:Family Style
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1480:Soul to Soul
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1351:Guitar World
1349:
1321:
1292:
1264:
1251:. Retrieved
1236:
1223:. Retrieved
1208:
1187:
1166:
1158:Bibliography
1144:
1118:. Retrieved
1109:
1100:
1094:
1088:
1081:Hurwitz 1999
1076:
1067:
1061:
1043:
1037:
1031:
1020:. Retrieved
1016:
1007:
995:. Retrieved
991:the original
981:
969:. Retrieved
941:
929:. Retrieved
918:
906:
894:
885:
879:
873:
866:Wheeler 2004
861:
850:. Retrieved
846:
836:
827:
801:. Retrieved
797:
752:. Retrieved
738:
726:. Retrieved
707:(3): 109–37.
704:
698:
670:
650:Gregory 2003
577:
556:
554:
531:
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507:vacuum tubes
503:
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416:He played a
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102:Family Style
100:
87:
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73:Eric Clapton
50:
44:
24:
20:
18:
2078:Black Strat
1912:W. C. Clark
1877:David Bowie
1867:Discography
1765:Texas Flood
1721:Little Wing
1514:Live albums
1462:Texas Flood
546:Mesa Boogie
533:Texas Flood
256:Buffalo, NY
2163:Categories
1998:Starcaster
1545:In Session
1523:Live Alive
1137:Kitts 1997
1120:2010-09-02
1103:(12): 103.
1022:2017-09-15
911:Kitts 1997
899:Kitts 1997
852:2019-12-30
803:2019-12-30
772:Kitts 1997
618:References
456:Amplifiers
420:JF6512 on
379:Danelectro
88:Number One
83:Number One
69:technician
65:Cesar Diaz
2014:Jeff Beck
1983:The Strat
1966:Submodels
1738:Say What!
1705:Hide Away
1697:Crossfire
1634:Rude Mood
1356:Future US
888:(8): 118.
596:wah pedal
588:Fuzz Face
478:distorted
360:Buddy Guy
299:does not
252:Hamiltone
233:stanchion
77:Bob Dylan
2135:Category
2104:See also
1729:Pipeline
754:15 April
728:15 April
606:See also
497:speakers
474:Marshall
260:ZZ Top's
40:Marshall
2147:Commons
2054:Brownie
2042:Blackie
1756:Testify
1619:Singles
1489:In Step
1327:Atlanta
1253:4 March
1225:4 March
997:5 March
971:5 March
592:Octavia
566:Effects
558:In Step
550:pre-amp
517:⁄
439:Strings
406:"Lenny"
374:Charley
369:Charley
320:removed
305:sources
183:pickups
151:⁄
141:⁄
131:⁄
52:In Step
1662:Taxman
1381:
1333:
1308:
1298:Lanham
1272:
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1216:
1195:
1174:
598:was a
470:Fender
280:Scotch
204:Yellow
199:Yellow
36:Fender
1973:Elite
1713:Lenny
1672:Songs
931:5 May
749:Mlive
623:Notes
448:Picks
418:Guild
393:Lenny
388:Lenny
1445:bold
1379:ISBN
1331:ISBN
1306:ISBN
1270:ISBN
1255:2010
1242:ISBN
1227:2010
1214:ISBN
1193:ISBN
1172:ISBN
999:2010
973:2010
933:2010
756:2010
730:2010
590:and
472:and
303:any
301:cite
231:, a
122:Neck
75:and
71:for
38:and
1653:"/"
1631:"/"
600:Vox
552:.
530:On
495:JBL
314:by
227:in
218:Red
187:hum
2165::
1988:HM
1377:.
1373::
1369:.
1354:.
1348:.
1325:.
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1300::
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1129:^
1101:27
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160:.
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1951:e
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732:.
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519:2
515:1
341:)
335:(
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326:(
322:.
308:.
153:8
149:5
143:8
139:5
133:8
129:7
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