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167:). The nut width letter was stamped on the end of the neck on Fender guitars from March 1962. It had a curved rosewood fingerboard and was refretted so often that, after a while, it could not be refretted anymore. Martinez replaced it with the neck from "Red" (see below). This neck was destroyed when a piece of stage rigging fell on it. After Vaughan's death, the original neck was reinstalled on Number One, and both are now in the possession of
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225:, who sold it to Charley Wirz. The body had been hollowed out to make room for "a shitload of humbuckers," but Wirz fashioned a new pickguard in which he placed a single Fender Strat pickup in the neck position and painted the body yellow. Wirz gave the guitar to Vaughan in 1982; it is the guitar with the letters "SRV" on the pickguard under the strings.
515:
From early on his career, beginning in 1979, Vaughan received technical assistance from César Díaz, who began by replacing and tweaking the output transformers on his amplifiers. Vaughan played so hard (especially on the low strings) and his heavy strings produced such "non-standard frequencies" that
279:
This guitar features a 2-piece maple body and a 3-piece "neck-through body" design. It also originally had EMG preamped pickups, but
Vaughan didn't like the pickups in it. He was about to make next the music video for "Couldn't Stand the Weather", and didn't want to get Number One wet during filming,
44:
throughout his career, one of which, a 1963 body and a 1962 (with a rosewood slab fingerboard) neck, became "the most famous battered Strat in rock history." He was notoriously hard on his guitars, and many of them required extensive periodic maintenance, as well as other equipment. He used a limited
406:
is a 1963 or 1964 Stratocaster, bought for
Vaughan for his birthday by his wife, Lenora, and several friends because he didn't have the money to buy it. Originally 3-tone sunburst with a rosewood neck, it was later stripped down to a dark natural finish and re-fitted with a mid-'50s-style maple neck
128:
of "Number One" when new would have been 7.25" like most Fender instruments made before the 1980s, but after refretting the fingerboard multiple times the radius evolved into a 9" or 10" radius in the upper registers. The guitar featured frets that measured 0.110" wide by 0.055" when new, similar to
454:
Vaughan was noted for playing extraordinarily thick strings, "as thick as barbed wire," "sometimes as extreme as a .018 through .074 set." He was not picky on string brand, but favored GHS Nickel
Rockers of heavy gauge, partly for tone and partly because his fretting and strumming were so strong he
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was a white custom-made "hardtail" (non-tremolo, fixed bridge) "Stratocaster-style" guitar built by
Charley Wirz, a friend of Vaughan's and owner of Charley's Guitar Shop in Dallas. Wirz built it in late 1983, and placed a neck plate on it engraved "To Stevie Ray Vaughan, more in '84". It had three
105:
used by
Vaughan for most of his career; it was "rebuilt more times than a custom Chevy." Vaughan always claimed it was a 1959 model, since that date was written on the back of the pick-ups; Rene Martinez, who maintained the guitar since 1980, saw the year 1963 stamped in the body and 1962 on the
233:
In late 1983, Vaughan purchased a 1962 sunburst Fender
Stratocaster from Charley's Guitar Shop, though he had it repainted by Fender in fiesta red as a custom color option, and simply named the guitar "Red." The guitar remained stock until 1986, when a left-handed neck was installed and "SRV"
455:
often snapped strings while playing. He changed around gauges often, depending on the condition of his fingers, but always favored, from high to low, .013, .015, .019, .028, .038, .058. Sometimes he used a slightly lighter high E string (.012 or .011). He always tuned down one half step.
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The
Hamiltone's fingerboard is ebony with a mother-of-pearl inlay that read "Stevie Ray Vaughan". The guitar was originally set to be made for Stevie in 1979, but the plan was dropped when Vaughan started using his middle name "Ray"; he was only known as "Stevie Vaughan" at the time.
572:
in New York City, Díaz brought 32 amplifiers, as well as 200-watt
Marshall 4×15" bass cabinets. According to Díaz, "the whole studio was taken up with amps—upstairs, downstairs, every room was filled with amps. So he would hit these notes, and the whole place would rattle."
191:
model, based on Number One; already in the works at the time of
Vaughan's death, his brother Jimmie asked for the process to be sped up and the guitar became available in 1992. To achieve the sound Vaughan wanted, builder Larry Brooks put 6000 windings on the
129:
Dunlop 6100 fretwire. String height was measured to be 5/64" on the high E string and 7/64" on the low E string. Each string had three full winds for the best angle at the bone nut. It had a left-handed tremolo block, even though
Vaughan was right-handed.
123:
magazine includes measurements of the specifications of several of Vaughan's guitars. All of Vaughan's guitars had a neck relief of approximately .012" at the 7th and 9th frets, and leveled out through the remainder of the fingerboard. The
487:. On his choice of amp use, he stated that he used the "Fenders for distortion and the Marshall for clarity", in contrast to most guitarists utilizing both amps the other way around. He often used two amplifiers simultaneously, one more
361:
Scotch is a 1961 Fender Stratocaster used by Vaughan for the last five years of his life. He acquired this guitar in the fall of 1985, and it is said to have been bought in either Baltimore or "The Boathouse" in
234:
stickers were applied to the pickguard. In 1989, the neck on "Number One" was unable to withstand more re-fret jobs, replacing it with the original neck from "Red." The next year, following a concert at the
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This guitar has a butterscotch colored finish with a non-original tiger-striped pickguard made by Rene Martinez, Vaughan's guitar tech. The tiger-striped pickguard resembled the same pickguard
533:, bass at 4"), and "in order to avoid problems, would back off the volume control by unscrewing the knob and turning it back a bit so it would appear to be at the same level as before."
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reportedly given to him by Billy Gibbons. Behind the bridge, on the lower bout of the guitar body is a unique inlay, thought to be originally from an early 1900s mandolin. The
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116:. The distinctive cigarette burn on the headstock comes from an incident when Vaughan had left a burning cigarette tucked under the sixth string for too long while playing.
200:. The signature Strat has an alder body with a maple neck and pau ferro fingerboard, and comes equipped with .010-.046 strings (lighter than Vaughan's); it was praised by
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In spite of being rough on his gear, it was reported Vaughan could hear even the slightest malfunction, even when, for instance, he was running 32 amplifiers into the
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as that would have ruined the 1959 pickups, so he used the Hamiltone for filming. The EMG pickups and Gibson style amber top hat knobs were changed in June 1984.
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Vaughan favored Fender Medium picks, and played with the round end of the pick, maintaining that the rounded end allowed for more string attack than the tip.
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419:. In 2004, Lenny was put up for auction and was sold to Guitar Center for $ 623,500. It is on display at Guitar Center's Austin location on Anderson Lane.
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fell onto Vaughan's rack of guitars, splitting the neck from "Red" that was installed on "Number One." The neck was replaced the next night.
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After he kicked his addictions, Vaughan became especially obsessed with the sound produced by his amplifiers. During the rehearsals for
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An oddity about Vaughan's usage was that he preferred the amplifier's dials to always have the same numbers ("Volume at 7, treble at 5
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Rubin, Dave (March 1993). "Gear Guru: Cesar Diaz Reveals the Tech Secrets of Stevie Ray Vaughan, Eric Clapton & Bob Dylan".
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neck. The guitar was given to him by Ray Hennig, owner of Ray & Shane Hennig's Heart of Texas Music store on South Lamar in
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in 1973 and was his main performing instrument and companion. Vaughan used the guitar on all five of his studio albums and on
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366:. It was to be a prize at one of Stevie's shows, but he bought the guitar instead and gave away another one of his guitars.
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395:. This guitar often was used during "Life Without You", which was itself said to be written as a tribute to Charley Wirz.
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597:. Occasionally he used a Fender Vibratone (aka. Leslie 16/18. A Leslie speaker especially designed for guitar), and a
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Two 1964 "Blackface" Fender Vibroverb amplifiers (numbers five and six off production line), each with one 15" speaker
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The original neck has a fairly thick D-shaped profile. It was not as sometimes stated a "D" width nut (D width was 1
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This guitar has been on display at a Guitar Center in Austin, TX since 2018 in celebration of his 64th birthday.
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Scotch was stock except for the tiger-striped pickguard where he added his famous "SRV" prismatic stickers.
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has produced a limited-edition run of Lenny replicas since December 12, 2007, and they are sold by
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Gress, Jesse (December 1993). "Rock Heart Blues Soul: The Essential Stevie Ray Vaughan Licks".
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756:"Four Finger Five sounds like Led Zeppelin, Al Green 'fighting for the last woman on Earth'"
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1998:
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555:, and he later bought a 150-watt Dumble Steel String Singer. Besides Dumble, he also used
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for its neck and "juicy tone": "the SRV is one of the coolest Strats we've ever played."
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The article "Supernova Strats" by Dan Erlewine published in the February 1990 issue of
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Guitar world presents Stevie Ray Vaughan: ... from the pages of Guitar World magazine
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would occasionally spark and emit smoke, causing the need to buffer the input.
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The Stratocaster chronicles: Fender, celebrating 50 years of the Fender Strat
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Buchholz, Brad (28 January 1992). "You can own a guitar like Stevie Ray's".
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66:. His guitars were serviced by Charley Wirz of Charley's Guitar Shop in
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A Stevie Ray Vaughan signature Stratocaster, based on "Number One"
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958:"Stevie Ray Vaughan guitars and memorabilia on display Wednesday"
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On the left: The 20th Anniversary Hamiltone made by Jim Hamilton
1942:
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Widders, Andy (December 1993). "SRV's 'King Tone' Secrets".
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Falling stars: air crashes that filled rock and roll heaven
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Ultimate Guitar - Stevie Ray Vaughan. Part 2: His Guitars
998:"Stevie Ray Vaughan's "Lenny" Guitar: A Brief History"
435:, and on "Life By The Drop" from the posthumous album
269:. It was presented to Vaughan by James as a gift from
45:
number of (mainly vintage) effect pedals, and favored
1199:
Roadhouse blues: Stevie Ray Vaughan and Texas R&B
1304:
The fabulous Vaughan Brothers: Jimmie and Stevie Ray
1178:
The recording guitarist: a guide for home and studio
157:– SRV's guitar had a standard B width of nominally 1
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The Essential Stevie Ray Vaughan and Double Trouble
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805:"David Tannen - Stevie Ray Vaughan's Guitar Setup"
1024:"Stevie Ray Vaughan's Lenny Spotted in the wild!"
504:Marshall Club & Country combo amp with 2×12"
593:(various kinds—the TS-808, TS9, and TS10) and a
889:Thompson, Art. "Bench Tests: Cool Blues Gear".
1220:Guitar Shop -- Getting Your Sound: Handy Guide
373:had on his butter-colored guitar at the time.
101:(also known as Vaughan's 'First Wife') was a
1954:
1430:
1377:Texas blues: the rise of a contemporary sound
415:for $ 17,000. The guitar was mainly used for
8:
74:. His amplifiers were tuned and serviced by
1071:"30 players who changed the way we sound".
329:. Unsourced material may be challenged and
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1454:Original 1983–1989 releases are marked in
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494:The amplifiers he used on stage included:
217:was a 1959 Stratocaster formerly owned by
147:inch – the standard width was B which is 1
733:"Stevie Ray Vaughan. Part 2: His Guitars"
349:Learn how and when to remove this message
18:Stevie Ray Vaughan Signature Stratocaster
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1000:. Rock Dose. 5 July 2008. Archived from
580:
479:Vaughan used various amplifiers, mainly
187:Vaughan collaborated with Fender for an
27:List of Stevie Ray Vaughan's instruments
1301:Dickerson, James (September 25, 2004).
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1357:"Stevie Ray Vaughan: Lone Star Rising"
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30:This is a list and description of the
1588:The Real Deal: Greatest Hits Volume 2
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327:adding citations to reliable sources
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613:, sometimes two simultaneously.
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1563:Live at Montreux 1982 & 1985
1330:Everitt, Rich (September 2004).
1202:. Hal Leonard. pp. 124–25.
1028:Fender Stratocaster Guitar Forum
735:. Ultime Guitar. 7 February 2005
299:
1817:Couldn't Stand the Weather Tour
1355:Gill, Chris (August 18, 2010).
837:Erlewine, Dan (February 1990).
1386:Texas A&M University Press
559:amplifiers and a Groove Tubes
1:
1691:All Your Love (I Miss Loving)
854:"What Is Fingerboard Radius?"
754:Wedel, Mark (18 March 2010).
40:. Vaughan played a number of
1832:The Fire Meets the Fury Tour
1794:Voodoo Child (Slight Return)
1785:The Things That I Used to Do
1279:. Hal Leonard. p. 219.
1223:. Alfred Music. p. 44.
1928:Death of Stevie Ray Vaughan
1081:(12): 60–95. December 1997.
32:guitars and other equipment
2216:
1482:Couldn't Stand the Weather
852:Owens, Jeff (2016-10-20).
589:Vaughan typically used an
2135:
1452:
841:. Guitar Player Magazine.
585:A 1968 King Vox Wah pedal
2195:Instruments of musicians
1217:Hurwitz, Tobias (1999).
977:"Stevie Ray's King Tone"
595:Leslie revolving speaker
236:Garden State Arts Center
2185:Fender electric guitars
1313:Taylor Trade Publishing
683:The Dallas Morning News
475:A 1964 Fender Vibroverb
1861:Live at the El Mocambo
1374:Govenar, Alan (2008).
1196:Gregory, Hugh (2003).
1175:Chappell, Jon (1999).
586:
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445:Other guitar equipment
259:
184:
175:Fender signature model
1549:Live at Carnegie Hall
1273:Wheeler, Tom (2004).
584:
547:, Vaughan borrowed a
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182:
60:for the recording of
1245:Kitts, Jeff (1997).
591:Ibanez Tube Screamer
500:Fender Super Reverbs
323:improve this section
42:Fender Stratocasters
2200:Music-related lists
1970:Fender Stratocaster
1150:, pp. 116–117.
1126:"Stevie Ray – Gear"
936:"Hamiltone Guitars"
785:, pp. 102–110.
663:, pp. 124–125.
276:on April 29, 1984.
240:Holmdel, New Jersey
221:'s lead guitarist,
103:Fender Stratocaster
34:played by musician
2190:Individual guitars
2180:Stevie Ray Vaughan
2035:Stevie Ray Vaughan
1699:Come On (Part III)
1666:Chitlins con Carne
1446:Stevie Ray Vaughan
839:"Supernova Strats"
587:
477:
409:Fender Custom Shop
260:
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126:fingerboard radius
78:, also the guitar
37:Stevie Ray Vaughan
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2081:(Eddie Van Halen)
1936:
1935:
1822:Soul to Soul Tour
1662:The Sky Is Crying
1612:Official bootlegs
1515:The Sky Is Crying
1395:978-1-58544-605-6
1347:978-1-891799-04-4
1322:978-1-58979-116-9
1286:978-0-634-05678-9
1258:978-0-7935-8080-4
1230:978-0-88284-956-0
1209:978-0-87930-747-9
1188:978-0-7935-8704-9
960:. 3 October 2018.
491:than the other.
438:The Sky Is Crying
364:Norfolk, Virginia
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250:Hamiltone Guitars
16:(Redirected from
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2018:Signature models
2004:Stratocaster XII
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1871:Related articles
1812:Texas Flood Tour
1654:Love Struck Baby
1595:Blues at Sunrise
1542:In the Beginning
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1251:. Hal Leonard.
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2030:Eric Clapton
1989:Contemporary
1913:Reese Wynans
1903:Chris Layton
1859:
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1846:Video albums
1837:In Step Tour
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1362:Guitar World
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1262:. Retrieved
1247:
1234:. Retrieved
1219:
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1169:Bibliography
1155:
1129:. Retrieved
1120:
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1099:
1092:Hurwitz 1999
1087:
1078:
1072:
1054:
1048:
1042:
1031:. Retrieved
1027:
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1002:the original
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940:. Retrieved
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877:Wheeler 2004
872:
861:. Retrieved
857:
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812:. Retrieved
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763:. Retrieved
749:
737:. Retrieved
718:(3): 109–37.
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661:Gregory 2003
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427:He played a
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113:Family Style
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84:Eric Clapton
61:
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35:
31:
29:
2089:Black Strat
1923:W. C. Clark
1888:David Bowie
1878:Discography
1776:Texas Flood
1732:Little Wing
1525:Live albums
1473:Texas Flood
557:Mesa Boogie
544:Texas Flood
267:Buffalo, NY
2174:Categories
2009:Starcaster
1556:In Session
1534:Live Alive
1148:Kitts 1997
1131:2010-09-02
1114:(12): 103.
1033:2017-09-15
922:Kitts 1997
910:Kitts 1997
863:2019-12-30
814:2019-12-30
783:Kitts 1997
629:References
467:Amplifiers
431:JF6512 on
390:Danelectro
99:Number One
94:Number One
80:technician
76:Cesar Diaz
2025:Jeff Beck
1994:The Strat
1977:Submodels
1749:Say What!
1716:Hide Away
1708:Crossfire
1645:Rude Mood
1367:Future US
899:(8): 118.
607:wah pedal
599:Fuzz Face
489:distorted
371:Buddy Guy
310:does not
263:Hamiltone
244:stanchion
88:Bob Dylan
2146:Category
2115:See also
1740:Pipeline
765:15 April
739:15 April
617:See also
508:speakers
485:Marshall
271:ZZ Top's
51:Marshall
2158:Commons
2065:Brownie
2053:Blackie
1767:Testify
1630:Singles
1500:In Step
1338:Atlanta
1264:4 March
1236:4 March
1008:5 March
982:5 March
603:Octavia
577:Effects
569:In Step
561:pre-amp
528:⁄
450:Strings
417:"Lenny"
385:Charley
380:Charley
331:removed
316:sources
194:pickups
162:⁄
152:⁄
142:⁄
63:In Step
1673:Taxman
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1309:Lanham
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609:was a
481:Fender
291:Scotch
215:Yellow
210:Yellow
47:Fender
1984:Elite
1724:Lenny
1683:Songs
942:5 May
760:Mlive
634:Notes
459:Picks
429:Guild
404:Lenny
399:Lenny
1456:bold
1390:ISBN
1342:ISBN
1317:ISBN
1281:ISBN
1266:2010
1253:ISBN
1238:2010
1225:ISBN
1204:ISBN
1183:ISBN
1010:2010
984:2010
944:2010
767:2010
741:2010
601:and
483:and
314:any
312:cite
242:, a
133:Neck
86:and
82:for
49:and
1664:"/"
1642:"/"
611:Vox
563:.
541:On
506:JBL
325:by
238:in
229:Red
198:hum
2176::
1999:HM
1388:.
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346:(
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337:(
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