Knowledge (XXG)

Stinkfoot, a Comic Opera

Source πŸ“

485:’s theatre critic Richard Gilbert wrote of the Bristol opening, "...a watery tale set alternatively at the end of a seaside pier and under the ocean, peopled by an angst-ridden music hall artiste, his Faustian apprentice, a tomcat under the influence of James Cagney (Stinkfoot himself), a Mae Westian glamour-puss (Persian Moll) and an oracular ventriloquist's dummy, Screwy. Under the waves there is more derring-do from a cynical flounder, a giant squid and a partly cooked shrimp. The cast of local singers, fringe actors and musicians seems to have absorbed the complexities of the highly moral plot where regeneration triumphs over evil and all optimists ultimately defeat the pessimists. The story-line is less important than the ambitious and resonant songs and music. The length of the Old Profanity boat is cunningly exploited by the marine set...and deserves to be seen in London on dry land at a larger venue." 35: 173:
Stinkfoot was staged twice. Once in 1985 for the ship where it was produced by Longfellow and directed by Stanshall. Stanshall also designed the set, the costumes, the make-up, and even the hair. Pete Moss assumed the musical task completely for the second staging in 1988 at the
464:
wrote in his review of the musical's opening night in Bristol, "Backed artistically by Pamela Ki Longfellow, Vivian has given us an offbeat Christmas show that is funny, bluesy, and loony…the marvel is that here is an original, unusual musical, smelling of the salt sea, with
494:’s theatre critic David Harrison said, "Stinkfoot is a joy – a wondrous collection of bizarre characters, eccentric ideas, and at least one top ten contender among the songs. There is unlikely to be another Christmas show as innovative and challenging as this." 151:
that "No mother in America would want her child identifying with Stinkfoot the alley cat, never mind its name," the story went into a drawer, and didn't reappear until 1985 when Vivian and Ki decided to base a musical on its lead character, Stinkfoot.
164:
artist, now reduced to playing small venues, and his former star, a cat called Stinkfoot. The cat disappeared nine years before the action of the play, and he is left with an act consisting of his nephew Buster and his other cat, Persian Moll.
147:
in Bristol, England. The show is based on a series of tales written by Longfellow about Stinkfoot, a New York City alley cat. It had been intended for children, but when told by a New York City
178:
in London. The first production was a sell-out for its entire run and garnered wonderful national reviews. The second show (partly financed by friend
194:
with an introduction by Ki Longfellow-Stanshall and illustrations by Vivian Stanshall was published in 2003 by Sea Urchin Editions based in
182:) also sold out, but without the participation of either Longfellow or Stanshall, as well as miscast, was a muddle of misdirection. 326: 320: 553: 587: 582: 592: 577: 557: 72: 490: 434:
The Right & Left Sides of Screwy's Brain – Nikki Lamborn, left brain, Cindy Stratton, right brain
461: 175: 115: 520: 118: 417: 132: 81: 60: 50: 332: 466: 148: 571: 136: 91: 77: 64: 537: 470: 456: 179: 161: 144: 106: 481: 195: 540:– various print reviews reproduced at GingerGeezer website (Ki Longfellow). 474: 446:
Three Woeful Sirens – Sydney Longfellow, Hirut Araya Bihon, Nikki Lamborn
382:
Cindy Stratton as Big Polly, A Siren, The Right Half of Screwy's Brain;
355:
Nikki B as Persian Moll, A Siren & The Left Half of Screwy's Brain;
109: 220:"Threnody: Stinkfoot is Drowned" – The Coastguard & Woeful Sirens 351:
In the original programme the cast list (in alphabetical order) is:
34: 562: 370:
Steve Howe as Stinkfoot, Drowned Sailor and the Balanced Nose;
292:"Drowned Sailor’s Dream (Reprise)" – Elma & Woeful Sirens 206: 373:
Tria Linning as Jellyfish, A Woeful Siren and Raggedy Alma;
510:
Discovery: an English Radio Two interview aired in 1990.
364:
Pete Coggins as Isaiah, the Coastguard & The Public;
563:
Stinkfoot Concert on the Thekla and new 2010 production
361:
Andy Black as Soliquisto, and The Partly Cooked Shrimp;
295:"Grand Finale/No Time Like The Future" – Entire Company 331:
Persian Moll β€” (originally played by Nikki Lamborn of
229:"Drowned Sailor’s Dream" – Elma the Electrifying Elver 131:
is an English musical with book, music, and lyrics by
376:
Sydney Longfellow as Mrs Bag Bag and A Woeful Siren;
338:
Pollyanna, the Foundling Budgerigar – Cindy Stratton
286:"Murder Living Next Door" – Polly & Persian Moll 358:
John Beedell as Screwy, The Ocean Liner and Chorus;
101: 87: 71: 56: 46: 23: 247:"Sharks of Mechanical Time" – Isaiah & Company 277:"What My Public Wants" – Soliquisto & Company 388:Choreography: Vivian Stanshall and Tria Linning; 347:Elma, the Electrifying Elver – Hirut Araya Bihon 341:Mrs. Bag Bag – Sydney Longfellow (Ki's daughter) 280:"It's Wonderful What People Will Do" – Stinkfoot 39:Screwy (Jon Beedell) vs Soliquisto (Andy Black) 235:"Ow! Ow! Wasn’t I Good Tonight!" – Persian Moll 232:"No Time Like the Future" – Isaiah & Polly 226:"A Foundling’s Song, or Born in a Bag" – Polly 8: 431:The Public – The Company led by Pete Coggins 379:Richard Smith as Buster and The Giant Squid; 271:"Parakeet to Meet You" – Polly & Company 262:"The Meow Blues" – Persian Moll & Buster 160:The story concerns Soliquisto, a once great 33: 20: 533: 531: 529: 367:Hirut as Black Pearl and A Woeful Siren; 223:"You Can’t Confound a Flounder" – Isaiah 503: 437:The Partly Cooked Shrimp – Andy Black 400:Set and prop painting: Mark Millmore; 265:"Landing on my Feet Feet" – Stinkfoot 7: 477:around to keep us happily buoyant." 411:Secondary characters, original cast 344:Isaiah, the Flounder – Pete Coggins 523:, San Francisco, California, 2008. 289:"Only Being Myself" – Persian Moll 244:"Sphinx & Minx" – Mrs. Bag Bag 190:The entire script of the original 14: 313:The Great Soliquisto β€” Andy Black 283:"Why Me Legs Won’t Work" – Screwy 192:Stinkfoot: An English Comic Opera 274:"See Me Sometime" – Persian Moll 250:"Cut My Hands" – Moll & Elma 443:The Drowned Sailor – Steve Howe 422:The Giant Squid – Richard Smith 241:"Follow Your Nose" – Soliquisto 406:Make-up: Helen and Julie-Anna. 308:Main characters, original cast 238:"Quickchange Artiste" – Buster 1: 519:Interview with Longfellow at 440:The Coastguard – Pete Coggins 425:The Ocean Liner – Jon Beedell 403:Stage carpenter: Mike Wilson; 217:"Bad Bad Ways" – Persian Moll 391:Music director: Pete Watson; 41:Original Bristol performance 428:The Angry Sea – The Company 139:-Stanshall written for the 609: 394:Costumes: Caroline Poland; 32: 554:Stinkfoot Concert review 397:Hair: Nikki B and James; 141:Crackpot Theatre Company 128:Stinkfoot, a Comic Opera 26:Stinkfoot, a Comic Opera 316:Stinkfoot β€” Steve Howe 145:Old Profanity Showboat 107:Old Profanity Showboat 385:Lights: Paul Neville; 268:"Imagination" – Polly 498:Notes and references 491:Bristol Evening Post 521:Barnes & Noble 451:Critical reception 176:Bloomsbury Theatre 116:Bloomsbury Theatre 96:Stinkfoot, the Cat 588:Original musicals 583:West End musicals 538:Stinkfoot Reviews 304: 303: 124: 123: 80:-Stanshall & 600: 593:British musicals 541: 535: 524: 517: 511: 508: 418:Vivian Stanshall 207: 133:Vivian Stanshall 94:children's book 82:Vivian Stanshall 61:Vivian Stanshall 51:Vivian Stanshall 37: 27: 21: 608: 607: 603: 602: 601: 599: 598: 597: 568: 567: 550: 545: 544: 536: 527: 518: 514: 509: 505: 500: 460:theatre critic 453: 413: 333:Never the Bride 310: 305: 204: 202:Songs and music 188: 171: 158: 113: 42: 40: 25: 19: 12: 11: 5: 606: 604: 596: 595: 590: 585: 580: 570: 569: 566: 565: 560: 549: 548:External links 546: 543: 542: 525: 512: 502: 501: 499: 496: 452: 449: 448: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 412: 409: 408: 407: 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 349: 348: 345: 342: 339: 336: 329: 323: 317: 314: 309: 306: 302: 301: 297: 296: 293: 290: 287: 284: 281: 278: 275: 272: 269: 266: 263: 259: 258: 253: 252: 251: 248: 245: 242: 239: 236: 233: 230: 227: 224: 221: 218: 214: 213: 205: 203: 200: 187: 184: 170: 167: 157: 154: 149:literary agent 122: 121: 103: 99: 98: 89: 85: 84: 75: 69: 68: 58: 54: 53: 48: 44: 43: 38: 30: 29: 17: 13: 10: 9: 6: 4: 3: 2: 605: 594: 591: 589: 586: 584: 581: 579: 578:1985 musicals 576: 575: 573: 564: 561: 559: 558:WORD Magazine 555: 552: 551: 547: 539: 534: 532: 530: 526: 522: 516: 513: 507: 504: 497: 495: 493: 492: 486: 484: 483: 478: 476: 472: 468: 463: 459: 458: 450: 445: 442: 439: 436: 433: 430: 427: 424: 421: 419: 415: 414: 410: 405: 402: 399: 396: 393: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 354: 353: 352: 346: 343: 340: 337: 334: 330: 328: 327:Richard Smith 324: 322: 318: 315: 312: 311: 307: 300: 294: 291: 288: 285: 282: 279: 276: 273: 270: 267: 264: 261: 260: 256: 255: 254: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 215: 211: 210: 209: 208: 201: 199: 197: 193: 185: 183: 181: 177: 168: 166: 163: 155: 153: 150: 146: 142: 138: 137:Ki Longfellow 134: 130: 129: 120: 117: 111: 108: 104: 100: 97: 93: 92:Ki Longfellow 90: 86: 83: 79: 78:Ki Longfellow 76: 74: 70: 66: 65:Ki Longfellow 62: 59: 55: 52: 49: 45: 36: 31: 28: 22: 16: 515: 506: 489: 487: 480: 479: 457:The Guardian 455: 454: 350: 298: 191: 189: 172: 159: 140: 127: 126: 125: 95: 24: 15: 462:David Foote 321:Jon Beedell 180:Stephen Fry 169:Productions 143:aboard the 102:Productions 572:Categories 162:music hall 67:-Stanshall 482:The Times 325:Buster β€” 319:Screwy β€” 196:Rotterdam 112:, England 475:Mae West 119:revival 110:Bristol 18:Musical 473:, and 471:Cagney 467:Coward 416:God β€” 299: 257:Act II 63:& 57:Lyrics 212:Act I 114:1988 105:1985 88:Basis 47:Music 488:The 186:Book 156:Plot 135:and 73:Book 556:in 574:: 528:^ 469:, 198:. 335:)

Index


Vivian Stanshall
Vivian Stanshall
Ki Longfellow
Book
Ki Longfellow
Vivian Stanshall
Ki Longfellow
Old Profanity Showboat
Bristol
Bloomsbury Theatre
revival
Vivian Stanshall
Ki Longfellow
Old Profanity Showboat
literary agent
music hall
Bloomsbury Theatre
Stephen Fry
Rotterdam
Jon Beedell
Richard Smith
Never the Bride
Vivian Stanshall
The Guardian
David Foote
Coward
Cagney
Mae West
The Times

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑