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Still Life: Vase with Pink Roses

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219: 282: 175:(NGA) asserts, "it is clear, though, that he saw all blossoming plants as celebrations of birth and renewal—as full of life. That sense is underscored here by the fresh green of the background, which has the delicate color of new leaves in spring." NGA further describes the painting, "The undulating ribbons of paint, applied in diagonal strokes, animate the canvas and play off the furled forms of flowers and leaves. Originally, the roses were pink—the color has faded—and would have created a contrast of 316: 29: 376:
Author Robert Wallace wrote that Van Gogh "sensed that color has meaning that transcends mere visual impressions... that color and emotions are interrelated." Van Gogh used color strategically and forcefully. Color is "not true from a delusive realist, but color suggesting some emotion of an ardent
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As the end of his stay in Saint-RĂ©my and the days ahead in Auvers-sur-Oise neared, Van Gogh conveyed his optimism and enthusiasm by painting flowers. About the time that Van Gogh painted this work, he wrote to his mother, "But for one's health, as you say, it is very necessary to work in the garden
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the audience can see Van Gogh's keen awareness of the interplay of color that he acquired over time, especially if one can imagine the original, deeper pink of the roses on the complementary green of the painting for dramatic and emotional effect. The choice of colors, and the manner in which they
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paintings. He also purchased bouquets inexpensively, choosing a variety of flowers and colors for his paintings. In a letter to his sister Wil he said, "Last year I painted almost nothing but flowers so I could get used to colors other than grey - pink, soft or bright green, light blue, violet,
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Flowers were the subject of many of Van Gogh's paintings in Paris, due in great part to his regard for flowers. As said to his brother, "You will see that by making a habit of looking at Japanese pictures you will come to love to make up bouquets and do things with flowers all the more." To his
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Van Gogh used complementary, contrasting colors to bring an intensity to his paintings, which evolved over the periods of his work. Two complementary colors of the same degree of vividness and brightness placed next to one another produce an intense reaction, called the "law of simultaneous
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yellow, glorious red." That was an exaggeration, as during his time in Paris he painted 230 paintings, about 30 of which were flowers. Yet, the comment demonstrates his interest in painting flowers as a subject and to further develop his appreciation and understanding of color.
357:'s still life work with flowers, which he admired. First, he saw Monticelli's use of color as an expansion of Delacroix's theories of color and contrast. Secondly he admired the effect Monticelli created by heavy application of paint. 308:'s color theory and was fascinated by color. Like Delacroix, his theory about color came through the observation of nature. He said of Delacroix that he "makes us feel the life of things, and the expression of movement, that he 205:
When Van Gogh left Saint-RĂ©my on May 16 both rose paintings with very thick paint were left behind to dry. Van Gogh anticipated that it would take one month for the paintings to dry; they arrived in Van Gogh's last residence in
353:. Excited to try out complementary studies, Van Gogh would divide a large canvas into several rectangular sections, trying out "all the colors of the rainbow." There he was also exposed through his brother Theo to 2795: 168:
and see the flowers growing." To his sister Wil he wrote, "The last days in Saint-RĂ©my I worked like a madman. Great bouquets of flowers, violet-colored irises, great bouquets of roses."
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Van Gogh mentioned the liveliness and interplay of "a wedding of two complementary colors, their mingling and opposition, the mysterious vibrations of two kindred souls," such as
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The painting is one of several Van Gogh examples of overabundance in still life, filling the picture plane with the vase and overflowing flowers. Other examples are
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reflect the optimism Van Gogh felt at that time about his future, both in his choice of flowers as a subject and the colors used. The painting is owned by the
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He observed nature and mood changes with the seasonal cycle of life, expressed with complementary colors specific to each season:
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in 1888 and 1889. His paintings of sunflowers in vases are among his most well known paintings.
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paintings. Van Gogh made another painting of roses in Saint-RĂ©my, which is on display at the
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The painting was valued at $ 60 million when it was given to the National Gallery of Art by
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To his brother Theo, Van Gogh wrote, "What color is in a picture, enthusiasm is in life."
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Venturing upon Dizzy Heights: Lectures and Essays on Philosophy, Literature and the Arts
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The exuberant bouquet of roses is said to be one of Van Gogh's largest, most beautiful
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In 1991 the painting was given by Mr. and Mrs. W. Averell Harriman of New York to the
410:(1850-1929) of Paris owned the painting as of 1905. The painting is not described in 2784: 2205: 1902: 1860: 1702: 845: 546: 199: 2700: 2411: 1324: 421:
of Paris from at least 1917. It was lent by Bernheim-Jeune to a 1917 exhibition in
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While it is not believed that Van Gogh has a specific association for roses, the
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In Paris friends and acquaintances sent bouquets of flowers weekly for his
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71 cm Ă— 90 cm (28 in Ă— 35 in)
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sister, Wil, Van Gogh advised her to cultivate her own garden, like
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Van Gogh's Women: Vincent's Love Affairs and Journey Into Madness
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The Arts Entwined: Music and Painting in the Nineteenth Century
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in 1930 and also lent out the same year for an exhibition in
368:: les roses... se mariant aux verts) as in this painting. 414:, "Collection M.P. Gallimard," Les Arts (September 1908). 2796:
Paintings of Saint-RĂ©my-de-Provence by Vincent van Gogh
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Gardner's Art through the Ages: The Western Perspective
694:. New York: Carroll & Graf Publishers. p. 64. 795:. New York: Farrar, Straus and Giroux. p. 326. 768:. New York: Farrar, Straus and Giroux. p. 438. 741:. New York: Farrar, Straus and Giroux. p. 140. 667:. London: Frances Lincoln Limited. pp. 26, 29. 2757: 2734: 2688: 2525: 2489: 2430: 2331: 2134: 1954: 1761: 1694: 1662: 1616: 1514: 1498:
Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
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New York: Peter Lang Publishing. p. 56. 959: 290:Crown Imperial Fritillaries in a Copper Vase, 8: 1031:Nazi looting of artworks by Vincent van Gogh 2255:Peasant Woman Against a Background of Wheat 2118:View of the Asylum and Chapel of Saint-RĂ©my 1607:Head of an Old Farmer's Wife in a White Hat 602: 600: 2664:"Vincent and the Doctor" (2010 TV episode) 1653:Skull of a Skeleton with Burning Cigarette 1384: 966: 952: 944: 932:: CS1 maint: location missing publisher ( 851:. San Francisco: Chronicle Books. p.  552:. San Francisco: Chronicle Books. p.  27: 18: 715: 713: 711: 539: 537: 535: 533: 531: 529: 387:Summer, blue and orange and yellow, gold. 322:'s 1855 "chromatic diagram" based on the 2811:Still life paintings by Vincent van Gogh 2806:Paintings in the National Gallery of Art 1505:Three Figures near a Canal with Windmill 2348:Meadows near Rijswijk and the Schenkweg 2055:A Road at Saint-Remy with Female Figure 1396:Beach at Scheveningen in Stormy Weather 486: 1738:Imperial Fritillaries in a Copper Vase 925: 428:Sold 1929 to Alex Reid & Lefèvre, 2297:Prisoners' Round (after Gustave DorĂ©) 2199:Landscape with a Carriage and a Train 1963:Valley with Ploughman Seen from Above 498: 496: 494: 492: 490: 393:Winter, white with black silhouettes. 246:Van Gogh painted his second group of 7: 1868:A Lane in the Public Garden at Arles 160:shortly before his release from the 1854:The Painter on the Road to Tarascon 1456:Landscape with a Church at Twilight 2517:Monastery of Saint-Paul de Mausole 1678:Vase with White and Red Carnations 822:. Boston: Wadsworth. p. 666. 349:'s use of complementary colors in 14: 1970:View of Arles, Flowering Orchards 1924:Arles: View from the Wheat Fields 1910:Interior of a Restaurant in Arles 1646:Peasant Woman Digging Up Potatoes 1113:Still life paintings, Netherlands 722:The World of Van Gogh (1853-1890) 475:List of works by Vincent van Gogh 273:are painted, is also meaningful. 16:1890 painting by Vincent van Gogh 2262:Still Life: Vase with Pink Roses 2178:Doctor Gachet's Garden in Auvers 310:absolutely dominates his colors. 270:Still Life: Vase with Pink Roses 158:Still Life: Vase with Pink Roses 135:. This and the similarly-dated 116:Still Life: Vase with Pink Roses 2420:Old Vineyard with Peasant Woman 2340:Boy Cutting Grass with a Sickle 2311:Landscape at Auvers in the Rain 2041:Self-Portrait with Bandaged Ear 1840:Portrait of the Artist's Mother 1798:Still Life: Vase with Oleanders 1253:DĂ©coration for the Yellow House 1010:The Letters of Vincent van Gogh 2471:Torso of Venus and a Landscape 2463:Portrait of a Man in a Top Hat 2356:The 'Laakmolen' near The Hague 2283:Wheatfield Under Thunderclouds 2090:Green Wheat Field with Cypress 1544:Landscape with Pollard Willows 1537:The Parsonage Garden at Nuenen 1367:Lost works by Vincent van Gogh 912:. United States. p. 528. 634:Morton, M; Schmunk, P (2000). 465:in the memory of her husband. 377:temperament," wrote Van Gogh. 338:Van Gogh became familiar with 304:Van Gogh became familiar with 1: 2791:Paintings by Vincent van Gogh 2770:Van Gogh immersive experience 2716:Theo van Gogh (film director) 2404:Drawbridge in Nieuw-Amsterdam 1341:Saint-Paul Asylum, Saint-RĂ©my 417:In the private collection of 2542:Portrait of Vincent van Gogh 2248:Blossoming Chestnut Branches 2164:Thatched Cottages and Houses 2104:The Ravine of the Peyroulets 1084:Van Gogh's family in his art 847:Van Gogh: Fields and Flowers 548:Van Gogh: Fields and Flowers 277:Law of simultaneous contrast 2364:Church Pew with Worshippers 2062:Enclosed Field with Peasant 2034:Self-portrait without beard 1833:Starry Night Over the RhĂ´ne 1731:A Woman Walking in a Garden 1600:Avenue of Poplars at Sunset 1593:Avenue of Poplars in Autumn 1153:Still life paintings, Paris 384:For spring, green and pink. 362:"pinks marrying the greens" 2842: 2750:(1978, revised 1989; "JH") 2396:Landscape with Wheelbarrow 2269:Portrait of Adeline Ravoux 2150:Road with Cypress and Star 2083:Wheat Field with Cypresses 1770:Madame Roulin and Her Baby 1558:Cart with Red and White Ox 1403:Girl in White in the Woods 1222:Copies by Vincent van Gogh 1121:Old Church Tower at Nuenen 390:Autumn, yellow and violet. 264:Color theory and technique 196:Metropolitan Museum of Art 184:Still Life with Carnations 2590:Vincent and Theo van Gogh 2550:The Painter of Sunflowers 1625:Still Life with Straw Hat 1470:Footbridge across a Ditch 1077:Peasant Character Studies 345:Van Gogh eagerly studied 188:Still Life with Anemones. 26: 2742:Jacob Baart de la Faille 2502:Van Gogh House (Drenthe) 1491:Farm with Stacks of Peat 1229:Langlois Bridge at Arles 2821:Oil on canvas paintings 2706:Johanna van Gogh-Bonger 2447:Marsh with Water Lilies 2241:The Town Hall at Auvers 1752:Red Cabbages and Garlic 1724:Portrait of Père Tanguy 1710:Wheat Field with a Lark 1372:Display at Les XX, 1890 1348:Auvers size 30 canvases 1145:Le Moulin de la Galette 452:National Gallery of Art 330:and other relationships 227:Flowers in a Blue Vase, 173:National Gallery of Art 143:National Gallery of Art 119:was painted in 1890 by 95:National Gallery of Art 2171:Portrait of Dr. Gachet 1977:Portrait of Doctor Rey 1945:Orchard with Cypresses 1572:Water Mill at Opwetten 1442:Farmhouses Among Trees 441:Marie Harriman Gallery 340:Michel Eugène Chevreul 331: 293: 230: 2597:"Vincent" (1971 song) 2512:Kröller-MĂĽller Museum 2372:Woman on Her Deathbed 2290:Wheatfield with Crows 2125:The Large Plane Trees 1938:Farmhouse in Provence 1875:Falling Autumn Leaves 1826:CafĂ© Terrace at Night 1671:Vase with Red Poppies 1639:Peasant Woman Digging 1293:Paintings of Children 1215:Trees and Undergrowth 1046:Lost Arles sketchbook 789:Silverman, D (2000). 762:Silverman, D (2000). 735:Silverman, D (2000). 318: 300:From his days in the 284: 221: 2744:(1928 and 1970; "F") 2380:Landscape with Trees 2213:The Church at Auvers 2192:White House at Night 1931:Sunset at Montmajour 1579:Water Mill at Kollen 1463:Landscape with Dunes 1105:Water Mill at Gennep 887:on September 4, 2016 877:"Roses - Provenance" 816:Kleiner, F (2010) . 514:on September 6, 2016 435:Acquired in 1929 by 328:complementary colors 214:Flowers as a subject 177:complementary colors 22:Vase with Pink Roses 1777:Landscape with Snow 1041:Cultural depictions 843:Mancoff, D (1999). 720:Wallace, R (1969). 661:Mancoff, D (1999). 607:Mancoff, D (1999). 544:Mancoff, D (1999). 439:. Exhibited by the 437:W. Averell Harriman 2678:At Eternity's Gate 2651:Vincent in Brixton 2611:Vincent & Theo 2388:Peatery in Drenthe 2157:At Eternity's Gate 1551:Cart with Black Ox 1484:A Wind-Beaten Tree 1435:Cows in the Meadow 1277:Flowering Orchards 1175:Outskirts of Paris 664:Van Gogh's Flowers 610:Van Gogh's Flowers 355:Adolphe Monticelli 332: 294: 231: 2778: 2777: 2765:The Vincent Award 2726:Johannes Stricker 2327: 2326: 2276:Plain near Auvers 2227:Farms near Auvers 2220:Daubigny's Garden 1917:A Lane near Arles 1632:The Potato Eaters 1586:Village at Sunset 1269:Hospital in Arles 1261:The Roulin Family 906:Ogden, C (1999). 829:978-0-495-57355-5 688:Fell, D (2005) . 674:978-0-7112-2908-2 620:978-0-7112-2908-2 590:978-1-4331-0287-5 445:Buffalo, New York 179:with the green." 156:Van Gogh painted 112: 111: 2833: 2816:Flower paintings 2658:The Yellow House 2534:Vincent van Gogh 2439:87 Hackford Road 2185:Houses at Auvers 2012:The Starry Night 1984:Crab on its Back 1889:The Red Vineyard 1847:Bedroom in Arles 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Index


Vincent van Gogh
F681
JH1976
National Gallery of Art
Washington, D.C.
Vincent van Gogh
Saint-RĂ©my
Auvers-sur-Oise
Paris
Pink Roses
National Gallery of Art
Washington, D.C.
Saint-RĂ©my
National Gallery of Art
complementary colors
still life
Metropolitan Museum of Art
New York
Auvers-sur-Oise

Vincent van Gogh
Voltaire
Candide
Arles
Sunflowers
still life

Vincent van Gogh
Netherlands

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