115:
in 1885, by which point neither
Stillfried nor Andersen was resident in Japan. Farsari held the bulk of the firm's negatives, only for them to be destroyed in a fire in 1886 along with all of Adolfo Farsari's own stock.
68:
photographer and nobleman Baron
Raimund von Stillfried became a resident of Yokohama in 1868, where it is believed he learned photography from Felice Beato. In 1871, he established his own photographic studio, called
232:
A Timely encounter: nineteenth-century photographs of Japan : an exhibition of photographs from the collections of the
Peabody Museum of Archaeology and Ethnology and the Wellesley College Museum
52:
between 1876 and 1885. The studio is noted for its portraits and landscapes that were often hand-coloured and presented in bound albums. The firm also produced photographic prints from negatives by
103:. In the subsequent years a number of legal battles and other entanglements ensued between the two, also involving Stillfried's brother, Franz von Stillfried. Around 1885,
399:"Stillfried & Andersen : Yokohama, Japan (fl.1870s-1880s) - Prince Henry of Prussia, Japan, 1879 [in Portraits of Royal Children Vol.25 1879-80]"
471:
Art & Artifice: Japanese
Photographs of the Meiji Era – Selections from the Jean S. and Frederic A. Sharf Collection at the Museum of Fine Arts, Boston
398:
107:
obtained a quantity of
Stillfried's original negatives, which Kusakabe included in some of his albums in the late 1880s and the 1890s. The firm of
543:
99:
The partnership between
Stillfried and Andersen was legally dissolved in 1878, though Andersen continued to run the studio under the same name of
382:
355:
299:
272:
240:
210:
180:
17:
136:
538:
41:
485:
Japanese
Exchanges in Art, 1850s to 1930s with Britain, continental Europe, and the USA: Papers and Research Materials
464:
Japanese
Exchanges in Art, 1850s to 1930s with Britain, continental Europe, and the USA: Papers and Research Materials
442:"Stillfried & Andersen, un album de transition - Japon, photographies anciennes conservées au Musée Guimet, Paris"
497:
Handy, Ellen. "Tradition, Novelty, and
Invention: Portrait and Landscape Photography in Japan, 1860s-1880s". In
129:
85:, under which name it was listed in 1875. Until 1885 the firm operated under both names interchangeably.
96:, which included photographs by Beato and Stillfried, as well as reprints of some of Beato's works.
92:
purchased the studio and stock of Felice Beato and in the same year or shortly thereafter published
37:
229:
Susan B. Taylor; Peabody Museum of
Archaeology and Ethnology; Wellesley College. Museum (1988).
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but by 1876, Andersen had formed a partnership with Stillfried and so the firm was renamed
511:
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143:
483:
Gartlan, Luke. "A Chronology of Baron Raimund von Stillfried-Ratenicz (1839-1911)". In
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21:
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A career of Japan : Baron Raimund von Stillfried and early Yokohama Photography (
532:
53:
16:
372:
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230:
478:
Mukashi, Mukashi: Le Japon de Pierre Loti, photographies par Beato et Stillfried
506:
Wilhelm Burger: Ein Welt- und Forschungsreisender mit der Kamera: 1844-1920
202:
Capturing Japan in Nineteenth-century New England Photography Collections
45:
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501:(ex. cat.; Cambridge, Massachusetts: Peabody Museum Press, 1988), 57.
417:
49:
15:
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After at least two visits to Japan in the early to mid-1860s,
499:
A Timely Encounter: Nineteenth-Century Photographs of Japan
73:. In 1875, Hermann Andersen was listed as an employee of
24:
print by Stillfried & Andersen, between 1862 and 1885
124:
Stillfried & Andersen photographs can be found in:
224:
222:
347:Felice Beato: A Photographer on the Eastern Road
508:(Vienna: Christian Brandstätter, 1984), 25-26.
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164:
162:
160:
8:
494:Leiden, The Netherlands : Brill, 2016).
473:(Boston: MFA Publications, 2004), 15-28, 37.
194:
192:
469:Dobson, Sebastian. "Yokohama Shashin". In
81:. Another incarnation of the firm was the
487:(Sydney: Power Publications, 2001), 125-.
205:. Ashgate Publishing, Ltd. pp. 65–.
525:, vol. 29 (New York: Grove, 1996), 663.
518:(New York: Abbeville Press, 1984), 172.
316:"Japan Gazette" Hong List and Directory
156:
288:Terry Satsuki Milhaupt (15 May 2014).
44:and Hermann Andersen that operated in
350:. Getty Publications. pp. 123–.
7:
377:. Knopf Doubleday Publishing Group.
175:. Tuttle Publishing. pp. 341–.
466:(Sydney: Power Publications, 2001).
344:Anne Lacoste; Felice Beato (2010).
267:. Tuttle Publishing. pp. 62–.
416:Canadian Centre for Architecture.
261:Terry Bennett (19 February 2013).
14:
294:. Reaktion Books. pp. 154–.
374:Japan: Photographs, 1854 to 1905
137:Canadian Centre for Architecture
544:Photography companies of Japan
516:A World History of Photography
172:Photography in Japan 1853-1912
83:Japan Photographic Association
34:Japan Photographic Association
1:
169:Terry Bennett (3 July 2012).
42:Baron Raimund von Stillfried
480:(Paris: Arthaud, 1984), 15.
318:of 1875. Gartlan, 142, 181.
94:Views and Costumes of Japan
560:
446:www.guimet-photo-japon.fr
199:Eleanor M. Hight (2011).
109:Stillfried & Andersen
101:Stillfried & Andersen
90:Stillfried & Andersen
79:Stillfried & Andersen
30:Stillfried & Andersen
291:Kimono: A Modern History
235:. Peabody Museum Press.
130:Royal Collection Trust
111:was finally bought by
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523:The Dictionary of Art
333:. Asia Society. 1979.
264:Early Japanese Images
19:
539:Photographic studios
371:C. Worswick (1979).
75:Stillfried & Co.
71:Stillfried & Co.
32:, also known as the
38:photographic studio
521:Turner, Jane, ed.
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504:Rosenberg, Gert.
384:978-0-394-50836-8
357:978-1-60606-035-3
301:978-1-78023-317-8
274:978-1-4629-1137-0
242:978-0-87365-810-2
212:978-1-4094-0498-9
182:978-1-4629-0708-3
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512:Rosenblum, Naomi
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54:Felice Beato
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28:The firm of
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120:Collections
40:founded by
533:Categories
457:References
427:2020-05-22
403:www.rct.uk
139:, Montreal
88:In 1877,
146:, Paris.
66:Austrian
46:Yokohama
36:, was a
60:History
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151:Notes
50:Japan
379:ISBN
352:ISBN
330:Asia
296:ISBN
269:ISBN
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177:ISBN
142:the
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128:the
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