411:, repertory theatre is based on the idea that each company maintains a number of productions that are performed on a rotating basis. Each production's life span is determined by its success with the audience. However, many productions remain in repertory for years as this approach presents each piece a few times in a given season, not enough to exhaust the potential audience pool. After the fall of the Soviet regime and the substantial diminution of government subsidy, the repertory practice has required re-examination.
65:
221:, or that follow Shaw's ideal of socially provocative theatre. However, Canadian repertory companies follow a model that differs somewhat from the years-long rotation repertory system found in Europe. In Canada, productions often stay on the repertory for one season, running in repertory with other productions in the same year. The actors are not employed full time long term, but instead work on contracts usually maximum 8 months long.
363:, which was set up as a regional repertory theatre concept that is free from commercial constraints in the choice of repertoire. It is aligned in objectives to the repertory and resident theatre movement that emerged in the United States in the 1960s. This sought to establish an alternative and decentralized theatre network outside of New York, one which would have
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now provides actors with work in the summer. There are many ways to rehearse repertory theatre. The most prolific
American repertory theatres are an example of that. Utah Shakespeare Festival rehearses two plays a day split between an eight hour period. This is common. Some theatres only rehearse one
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and actress, younger actors to play romantic roles, and the rest of the actors would be a variety of ages and body types. The acting ensemble was typically around twelve. This was most popular prior to the
Restoration. Post Restoration and into the nineteenth century, stock companies remained, but
251:
State-subsidized theatres on continental Europe have been suggested as the origin of the repertoire tradition. One of the earliest examples of this system is the Moscow Art
Theatre circa 1898. An even earlier example are the theatres of Germany. See the Deutsches Theater, a privately owned German
529:, maybe with a few friends seated in front to gauge reaction, then copious notes. In the evening, 8 o'clock opening night, followed by notes from the director, visits with friends from the audience and maybe a party nearby. The process would start all over again on Tuesday.
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Saturday: run through again, stop and go to test lighting and sound cues; costumes may be used if ready. Two shows today, including a matinée; the evening show closes the current play. After the last show, the set would be struck (taken down) by the crew - usually
103:. Previously, regional theatre relied on mostly London touring ensembles. During the time the theatre was being run by Annie Horniman, a wide variety of types of plays were produced. Horniman encouraged local writers who became known as the
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play a day and add shows into rotation as the season progresses, like The
American Shakespeare Center. They rehearse one play for a little over two weeks before it opens; then, they begin the next one. The length of rehearsal also varies.
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status and would be focused on the art of the theatre as well as the development of artists, craftsmen, and administrators. Publicly funded theatres that belong to this type have been receiving erratic support since the 1980s.
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Rotation
Repertory system is still the most commonly used business model of live theatre in Eastern and Central Europe, specifically in countries such as Austria, Serbia, Croatia, Slovenia, Slovakia and Czech Republic.
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Before the modern repertory system, acting ensembles were normally made up of the standard stock company and later the touring company. The stock company would usually consist of a leading man and lady, a
457:
A similar term, "weekly rep," denotes a
British movement started in the early 1900s that focused on shorter runs of a single new work, rather than having several plays ready to perform at any given time.
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Sunday: for actors, an opportunity to brush up on lines and moves, and for private rehearsals. However, for the crew it would mean putting up the new sets, hanging and focusing lights, and setting sound
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theatre companies are repertory in nature. College students and young professionals making up much of the acting company are supported by guest stars or actors who are further along in their careers.
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From the 1930s to the 1960s, two impresarios dominated the field of
British rep, mostly in the North. They were Harry Hanson and his Court players, and Frank H. Fortescue's Famous Players, with the
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of the moves for Act I, with a few questions from the actors, followed by the second performance of the current play (which would also occupy every evening up to and including
Saturday).
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they were joined and then replaced by traveling companies. These ensembles consisted of the stars and actors hired to play a very specific role as a single production toured around.
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Repertory theatre with mostly changing casts and longer-running plays, perhaps better classed as "provincial" or "non-profit" theatre, has made a big comeback in cities such as
359:. It was founded by actor Jasper Deeter in 1923. The present producing artistic director is actress and director Penelope Reed. Other notable repertory theatres include the
375:(APA) was one of the most successful repertory theatres in the United States, touring for four years and holding residencies in several cities before finally joining the
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theatre founded in 1883 to produce plays in rep. While variations appeared before, the modern repertory system did not become popular until the twentieth century.
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produces an in-house repertory season each summer, running from June until
September. Weekly repertory theatre is also produced by the Summer Theatre season at
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The
Vagabond Repertory Theatre Company was formed in March 2009 by artistic directors Nathaniel Fried and Ryan LaPlante, and currently resides and performs in
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is considered one of the most distinguished repertory theatres in the United States. Since its foundation in 1979, it has earned several awards including a
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Monday: in the morning, a run-through, usually without costumes (to save wear and tear), mainly for the technicals. In the afternoon: a "Full Perfect"
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Friday: run Act III, run through the entire play with no scripts in hand, and technicals – meaning lights and sound – to watch, and write down cues.
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companies, which performed multiple plays in rotation, combination companies used more elaborate and specialised scenery in their productions.
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in the South. When an actor joined one of their companies, it could mean "twice-nightly" shows, and a new play to learn every week. Actress
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The practice of repertory ("rep") is still seen in large cities. Actors now have the luxury of at least three weeks of
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Wednesday: run Act I of next week's play and start to block Act II, but break early because there would be a
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For weekly rep and for a typical three-act play, the actors' week would start on Tuesday, and go as follows:
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in which a resident company presents works from a specified repertoire, usually in alternation or rotation.
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In the United States, the repertory system has also found a base to compete with commercial theatre. Many
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30:"Repertory" redirects here. For the set of works one is ready to perform or are typically performed, see
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in smaller holiday districts, such as the "Straw Hat" players of Gravenhurst and Port Carling at
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founded the first modern repertory theatre in Manchester after withdrawing her support from the
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A bibliography of British repertory theatre with images, by Paul Iles and The Laughing Audience
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Harding, John, Staging Life: The Story of the Manchester Playwrights (Greenwich Exchange 2018)
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Today, repertory theatres employ a wide range of actors, who can play a variety of types.
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in New York City, where it was known for staging plays with modest prices. Currently, the
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Thursday: finish blocking Act II of next week's play, run Act II and block Act III.
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735:"What is Repertory Theatre? | Theatre Royal Windsor | live on stage in Berkshire"
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169:, however. Repertory can still be found in the UK in a variation of guises: in
931:. Public Theatre Between the Market and Democracy. Intellect. pp. 35–54.
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Theatre in which a resident company presents works from a specified repertoire
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In Germany, Schaubuhne and some other theatres run on a repertory system.
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228:. It shuttered in 2019. The old English-style repertory theatres such as
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include North America's largest classical repertory theatre company, the
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The Repertory Movement: A History of Regional Theatre in Great Britain
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236:'s Crest Theatre no longer exist—although they did have a version of
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rep. However, this is no longer possible, owing to restrictions from
131:. Actors who performed at the Gaiety early in their careers included
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British Library Theatre Archive Project - actors tell their stories
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63:
708:
The Repertory Movement: A History of Regional Theatre in Britain
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Examples of rep performers who went on to become well-known are
1059:"The Shows Must Go On: The Trials and Triumphs of Rotating Rep"
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are the world's most notable practitioners of this approach.
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play from the director, then a sit-down read-through of the
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1150:. Cambridge: Cambridge University Press. p. 250.
209:, founded in 1953 primarily to present productions of
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has told of her 50 consecutive weeks of doing that at
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Production Models: Reps, Groups and Production Houses
465:Tuesday: notes on previous night's opening of the
710:. London: Cambridge University Press. p. 1.
344:has a six-week-long rehearsal period compared to
57:, which are also called producing theatres, is a
1084:Continuum Companion to Twentieth Century Theatre
784:"Before the Beatles: The Birth of British Rock"
1173:"JUJAMCYN AWARD TO AMERICAN REPERTORY THEATER"
351:America's oldest resident repertory theatre,
8:
925:Klaic, Dragan (2012). "Production Models".
1148:The Cambridge History of American Theatre
837:. Cambridge University Press. p. 1.
769:The repertory theatre movement, 1907-1917
706:Rowell, George; Jackson, Anthony (1984).
1110:The Cambridge Paperback Guide to Theatre
907:. Stratford, Ontario, Canada. 2020-01-14
473:week's play with some discussion by the
232:'s CRT (Canadian Repertory Theatre) and
1107:Stanton, Sarah; Banham, Martin (1996).
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984:
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822:. New York: B. Blom. pp. 173–180.
772:(Ph.D. thesis). University of Warwick.
71:marking the site of the Gaiety theatre
1171:Mitgang, Herbert (26 November 1985).
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1027:"summer theatre | American theatre"
905:Stratford Festival Official Website
1086:. London: Continuum. p. 335.
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622:has recounted his time spent at
373:Association of Producing Artists
1221:Taking Our Amusements Seriously
107:of playwrights. They included
1:
1266:Theatre of the United Kingdom
1057:Miller, Stuart (2016-09-26).
766:Cameron, Alasdair F. (1983).
1271:Theatre in the United States
820:The Theatre of Max Reinhardt
346:Oregon Shakespeare Festival
101:Liverpool Repertory Theatre
1287:
1115:Cambridge University Press
381:American Repertory Theatre
29:
739:theatreroyalwindsor.co.uk
639:Artists Repertory Theatre
614:wrote about his start at
446:which performed only one
419:'s Maly Drama Theatre of
357:Rose Valley, Pennsylvania
348:'s eleven-week-long one.
187:Sheringham Little Theatre
1082:Chambers, Colin (2002).
626:rep in the early 1950s.
342:American Players Theatre
1031:Encyclopedia Britannica
833:Rowell, George (1984).
818:Carter, Huntly (1964).
859:https://greenex.co.uk/
87:in Dublin. Horniman's
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18:Stock company (acting)
937:10.2307/j.ctv9hj78n.7
629:There are many noted
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671:Summer stock theatre
490:of the current play.
1198:"Repertory theatre"
1196:Pallardy, Richard.
1144:Bigsby, Christopher
1003:"Deutsches Theater"
686:Theatre (structure)
651:Combination company
635:repertory companies
631:Resident companies
568:Christopher Plummer
440:combination company
211:William Shakespeare
1177:The New York Times
870:Murphy, Michelle.
413:Moscow Art Theatre
207:Stratford Festival
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1229:978-3-8383-7608-0
1219:Murray, Stephen.
946:978-1-84150-547-3
656:Community theatre
618:rep in 1939, and
365:non-profit-making
226:Kingston, Ontario
201:Organizations in
185:(four each). The
105:Manchester School
93:Citizens' Theatre
39:repertory theatre
16:(Redirected from
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337:Festival theatre
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1117:. pp.
985:|work=
885:14 November
508:apprentices
329:Kansas City
297:Los Angeles
277:Minneapolis
146:Players in
115:—writer of
69:Blue plaque
1255:Categories
1202:Britannica
1182:2018-08-03
1157:0521651794
1128:0521446546
1068:2021-11-01
1036:2021-10-29
1012:2021-10-28
968:2021-10-28
911:2020-01-14
901:"About Us"
745:2021-10-21
592:Judi Dench
520:equipment.
510:– and the
434:Weekly rep
389:Tony Award
387:(1982), a
289:Cincinnati
148:Folkestone
137:Basil Dean
32:Repertoire
987:ignored (
977:cite book
963:243133926
693:Footnotes
452:repertory
450:. Unlike
417:Lev Dodin
321:San Diego
301:Nashville
285:Milwaukee
167:rehearsal
43:repertory
1146:(1998).
676:Stagione
645:See also
616:Amersham
479:blocking
475:director
395:(1985).
305:New York
171:Sidmouth
99:and the
51:true rep
1261:Theatre
789:YouTube
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