178:
were in a form close to academism and the late echoes of the
Secession. The brief domination of form over color (1922–1925) was replaced by a period of artistic maturing, beginning with his arrival in Paris (1926). Joining the active local artistic mainstream, he turned away from the decorative and towards pursuing a purely visual interest. His formerly emphasized full-volume form was slowly disintegrating into colored surfaces. This significant turning point began with small nudes and still lifes painted in the studio of André Lhote, and the coloristic organization of his paintings was developed on the landscapes around the countryside Malakoff, Casisse and especially St. Tropez. The necessary refinement ended in the next, the Zagreb period (1933–1941) when Aralica rejoined the current trends in his home country. His technique, which was close to that of
194:. Finally, the Belgrade period, especially between 1951 and 1959, can be considered as his creative zenith. By painting lyrical atmospheres with broad and layered impastos on a series of landscapes from Rovinj, Belgrade and more often Lika, he departed from the confines of intimistic painting, only to develop it to a monumental whole of universal significance. Although Aralica's work was always in touch with current trends of European art, in a narrower sense it still belonged to the same climes as that of domestic coloristic painters, whose art drew its strength and inspiration from their own, native soil. He contributed to the further development of contemporary art in the second half of the twentieth century with a series of significant works painted in the years after World War II.
22:
215:
177:
from 1946 to 1948. In the same way, as we can differentiate between the stages of his life, we can distinguish four clearly distinct periods in his painting opus: the Munich, Prague, Paris, Zagreb, and
Belgrade periods. During his education in Munich portraits and nudes prevailed thematically, and
286:
158:
252:
306:
296:
301:
245:
105:
321:
203:
39:
311:
86:
43:
281:
58:
316:
238:
154:
150:
65:
291:
72:
32:
54:
276:
271:
173:
in 1941. He remained in
Belgrade for the rest of his life, with the exception of his stay in
79:
222:
265:
138:
21:
191:
183:
174:
187:
170:
130:
122:
179:
214:
166:
134:
162:
149:
The life of Stojan
Aralica can be followed through his studies in
126:
15:
182:, is particularly prominent in his seaside landscapes from
226:
46:. Unsourced material may be challenged and removed.
246:
8:
287:People from the Kingdom of Croatia-Slavonia
253:
239:
221:This article about a Serbian painter is a
159:École nationale supérieure des Beaux-Arts
106:Learn how and when to remove this message
7:
211:
209:
44:adding citations to reliable sources
14:
307:20th-century Serbian male artists
137:, 4 February 1980) was a Serbian
297:Burials at Belgrade New Cemetery
213:
20:
31:needs additional citations for
1:
302:20th-century Serbian painters
204:History of Painting in Serbia
153:(1909–1914), a brief stay in
225:. You can help Knowledge by
338:
208:
129:, 24 December 1883 – d.
322:European painter stubs
169:and his final move to
157:, advanced studies in
141:painter and academic.
312:Serbian male painters
317:Serbian artist stubs
40:improve this article
282:People from OtoÄŤac
234:
233:
165:, then period in
116:
115:
108:
90:
329:
292:Serbs of Croatia
255:
248:
241:
217:
210:
111:
104:
100:
97:
91:
89:
55:"Stojan Aralica"
48:
24:
16:
337:
336:
332:
331:
330:
328:
327:
326:
262:
261:
260:
259:
200:
147:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
335:
333:
325:
324:
319:
314:
309:
304:
299:
294:
289:
284:
279:
274:
264:
263:
258:
257:
250:
243:
235:
232:
231:
218:
207:
206:
199:
198:External links
196:
146:
143:
119:Stojan Aralica
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
334:
323:
320:
318:
315:
313:
310:
308:
305:
303:
300:
298:
295:
293:
290:
288:
285:
283:
280:
278:
275:
273:
270:
269:
267:
256:
251:
249:
244:
242:
237:
236:
230:
228:
224:
219:
216:
212:
205:
202:
201:
197:
195:
193:
189:
185:
181:
176:
172:
168:
164:
160:
156:
152:
144:
142:
140:
139:Impressionist
136:
132:
128:
124:
120:
110:
107:
99:
96:December 2020
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
227:expanding it
220:
148:
118:
117:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
277:1980 deaths
272:1883 births
266:Categories
66:newspapers
184:Dubrovnik
175:Stockholm
145:Biography
180:fauvists
171:Belgrade
131:Belgrade
192:KorÄŤula
80:scholar
188:Orebić
167:Zagreb
155:Prague
151:Munich
135:Serbia
82:
75:
68:
61:
53:
163:Paris
123:Ĺ kare
87:JSTOR
73:books
223:stub
127:Lika
121:(b.
59:news
161:in
42:by
268::
190:,
186:,
133:,
125:,
254:e
247:t
240:v
229:.
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
