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The open notes of the highest three strings may be played as stopped notes on the lowest three strings, offering advantages and disadvantages:
235:, the rapid alternation of two notes, are best between two stopped notes on one string, in which case it is limited to the interval of an
291:, such as the guitar, the pitch of a stopped note is determined by the left hand pressing (stopping) the string at one of the frets.
359:
321:
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118:
98:
though a bowed string instrumentalist, such as a violinist, "when unaccompanied, does not play consistently in either the
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55:
737:
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122:
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and accurate finger placement. The lack of frets, as on the guitar fretboard, does allow greater variability in
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337:, 224. quote in Kolinski, Mieczyslaw (Summer - Autumn, 1959). "A New Equidistant 12-Tone Temperament", p.210,
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258:: fingerings indicated above staff (i=1, m=2, r=3, p=4), strings below (G=IV, D=III, A=II, E=I). (
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by the player's left hand pressing (stopping) the string against the fingerboard.
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but creates difficulty in that bowed string instruments do not have
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128:
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Possible string technique and notation demonstrated on a bit of "
757:
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372:
74:
with the left hand, i.e. not an open string. This assists with
314:
Acoustic and MIDI Orchestration for the
Contemporary Composer
239:, or between stopped notes on two adjacent strings:
204:
Tone color is controllable, and may be more uniform
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817:
774:
756:
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628:
580:
517:
406:
38:whose pitch has been altered from the pitch of the
384:
339:Journal of the American Musicological Society
106:, but tends on the whole to conform with the
8:
158:
153:
201:Tone color may be brash, not blending well
121:". All the notes are fingered, requiring a
638:Bowed string instrument extended technique
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377:
369:
308:
306:
304:
133:The pitches of open strings on a violin.
150:
888:Category:Musical performance techniques
300:
185:Unlimited ability to adjust intonation
177:Vibrato and multi-expression available
16:Note type played on string instruments
7:
312:Andrea Pejrolo, Rich DeRosa (2007).
287:On plucked string instruments with
14:
283:C major chord for guitar (open ).
883:
882:
341:, Vol. 12, No. 2/3, pp. 210-214.
215:Notes are shorter when plucked
62:On bowed string instruments, a
1:
909:String performance techniques
226:are harder, but blend better
119:Twinkle, Twinkle, Little Star
19:For the horn technique, see
169:More technically demanding
82:, and sometimes additional
925:
222:
219:
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208:
203:
200:
192:
190:Notes are full and bright
189:
184:
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176:
173:
168:
165:
18:
878:
590:Piano extended techniques
220:Easier to play two notes
125:, except for the two D's.
827:Extended vocal technique
630:Bowed string instruments
193:Notes are slightly less
182:Essentially fixed pitch
333:Seashore, Carl (1938).
350:Cecil Forsyth (1982).
284:
271:
145:
126:
59:
282:
245:
212:notes sustain longer
174:No vibrato available
132:
116:
53:
784:Snare drum technique
605:Three-hand technique
552:Harmonica technique
527:Saxophone technique
444:Finger substitution
335:Psychology of Music
246:Violin tremolos on
532:Circular breathing
434:Extended technique
400:Musical techniques
285:
272:
146:
127:
78:, the addition of
60:
28:string instruments
896:
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233:Fingered tremolos
230:
229:
108:Pythagorean scale
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886:
885:
863:Related articles
842:Overtone singing
643:Violin technique
542:Flutter-tonguing
519:Wind instruments
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237:augmented fourth
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748:Prepared guitar
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648:Cello technique
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275:Plucked strings
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76:tone production
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733:String bending
730:
728:Hybrid picking
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610:Prepared piano
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595:Finger tapping
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499:Thumb position
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449:Finger vibrato
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264:Play midi file
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766:Prepared harp
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562:Slap tonguing
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360:0-486-24383-4
357:
353:
352:Orchestration
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322:0-240-52021-1
319:
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248:perfect fifth
244:
240:
238:
234:
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218:
211:
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180:
172:
166:Easy to play
164:
161:
156:
152:
149:
141:
131:
124:
120:
115:
111:
109:
105:
104:natural scale
101:
97:
93:
89:
85:
81:
77:
73:
69:
65:
57:
54:Violin First
52:
46:Bowed strings
45:
43:
41:
37:
33:
29:
22:
21:hand-stopping
853:Sprechgesang
851:
804:Stevens grip
794:Cymbal choke
743:Third bridge
663:Bartók pizz.
615:String piano
494:Stopped note
493:
414:Articulation
351:
346:
338:
334:
329:
316:, p.99-100.
313:
286:
231:
224:Double-stops
159:
154:
147:
92:ear training
90:, requiring
66:is a played
64:stopped note
63:
61:
32:stopped note
31:
25:
837:Death growl
819:Human voice
789:Burton grip
718:Flatpicking
713:Fingerstyle
708:Downpicking
675:Free bowing
557:Overblowing
469:Multiphonic
429:Double stop
256:major sixth
252:minor third
40:open string
832:Beatboxing
776:Percussion
620:Tack piano
567:Split tone
537:Embouchure
464:Intonation
96:intonation
58:Fingerings
847:Screaming
799:Drum roll
670:Col legno
658:Pizzicato
653:Bariolage
479:Pizzicato
459:Harmonics
454:Glissando
439:Fingering
354:, p.356.
210:Pizzicato
903:Category
690:Two bows
685:Spiccato
572:Tonguing
547:Growling
489:Slapping
484:Position
474:Phrasing
195:resonant
100:tempered
72:fingered
70:that is
56:Position
809:Rimshot
738:Tambour
723:Picking
680:Martelé
600:Luthéal
509:Vibrato
504:Tremolo
424:Damping
407:General
295:Sources
160:Stopped
102:or the
80:vibrato
700:Guitar
419:Bowing
358:
320:
254:, and
84:volume
870:Étude
582:Piano
289:frets
123:shift
88:frets
34:is a
758:Harp
356:ISBN
318:ISBN
155:Open
139:Play
68:note
36:note
30:, a
26:On
905::
303:^
250:,
110:"
392:e
385:t
378:v
362:.
324:.
270:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
