376:, who worked for Capitol Records in the early 1940s, believed that Walker recorded it for Capitol before the Eckstine/Hines song (March 1942), but that it was not released because of the unavailability of shellac and the recording ban. However, Walker's first single as a band leader, "Mean Old World", which was recorded in July 1942, was released in 1945 by Capitol. One sessionography places the recording of "Stormy Monday" on September 13, 1947, during his third session for Black & White Records. Blues writer
802:. However, according to music writer David Whiteis, "its propulsive, pop-tinged groove and Latimore's own jubilant vocal directness made this incarnation of the classic entirely his own". The song was not initially promoted as a potential hit single; however, radio audiences responded so positively that it became his first major hit. "Stormy Monday" eventually reached number 27 on the R&B chart as well as number 102 on the pop chart and is included on Latimore's self-titled debut album for Glades Records. The
579:"Stormy Monday" has become a standard of the blues and also has a broader appeal. In addition to being necessary for virtually all blues musicians, the song is known to performers in several other genres, who would not otherwise play any blues. Its popularity is such that one encyclopedia entry concludes, "What bluesman does not have his own version?" Billy Vera wrote "rest assured, as you read these notes, someone somewhere is performing 'Call It Stormy Monday'".
297:" and "I Got a Break, Baby" as one of the first artists for the Los Angeles-based record company. Music writer Bill Dahl described the songs as "the first sign of the T-Bone Walker that blues guitar aficionados know and love, his fluid, elegant riffs and mellow, burnished vocals setting a standard that all future blues guitarists would measure themselves by". Shortly thereafter, his recording career was interrupted by the
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260:"Stormy Monday" is one of the most popular blues standards, with numerous renditions. As well as being necessary for blues musicians, it is also found in the repertoires of many jazz, soul, pop, and rock performers. The song is included in the Grammy, Rock and Roll, and Blues Foundation halls of fame as well as the U.S. Library of Congress' National Recording Registry.
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400:, which gives the song its distinctive sound. Author Aaron Stang explained: "The real sound of this riff is based on starting each 9th chord a whole step (2 frets) above and sliding down. If we were to analyze this movement, the first chord is technically a 13th chord resolving down to a 9th chord". Guitarist
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There are conflicting accounts about the recording date for "Call It Stormy Monday (But
Tuesday Is Just as Bad)". In an interview, Walker claimed that he recorded the song in 1940 "just before the war" (the U.S. entered World War II December 7, 1941), but that it was not released because of war-time
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T-Bone Walker's 'Stormy Monday Blues' was supposed to be a 'throwaway' tune. We had already finished the album, and Bobby said, 'Hey, man, I want to do that tune. Let's do that tune, just for me'. We said, 'Okay', and we sat there and did it, just the rhythm section. I think it was two takes.
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My greatest musical debt is to T-Bone ...'Stormy Monday' was the first tune. 'They call it Stormy Monday', sang T-Bone, 'but
Tuesday's just as bad'. Yes, Lord! The first line, the first thrilling notes, the first sound of his guitar, and the attitude in his voice was riveting. I especially
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Walker made several different studio and live recordings of the song for various record companies during his career. In 1956, he recorded a version, titled "Call It Stormy Monday", with pianist Lloyd Glenn, bassist Billy
Hadnott, and drummer Oscar Bradley (Glenn and Bradley had performed for the
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The instrumentation of the song is typical of the group, consisting of vocals, two electric guitars, bass guitar, organ, and drums. It demonstrates a different style of music, however, from most Allman
Brothers pieces, due to its slow tempo. Duane Allman takes the first solo, with Gregg Allman's
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noted "if T-Bone had done nothing more in his career than write and record this one tune, his esteemed place in the history of
American music would be guaranteed". As an early electric blues guitar soloist, Walker influenced a generation of blues musicians. In several interviews, B.B. King has
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chart in 1942 and also reached number 23 in the magazine's pop chart. Credited to
Eckstine, Hines, and Bob Crowder, the composition features a big band arrangement with different lyrics and does not include the words "stormy" or "Monday". The fact that both Walker's and the Eckstine/Hines song
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for giving it the wrong title for his artists, including Bobby Bland's 1962 rendition, which appeared as "Stormy Monday Blues". Bland's version, which was an R&B and pop chart hit, was subsequently copied by other artists, who also used the incorrect title. As a result, Walker lost out on
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Due to its length, "Call It Stormy Monday (But
Tuesday Is Just as Bad)" is shortened to "Call It Stormy Monday" or most often "Stormy Monday". Confusingly, it is also sometimes referred to as "Stormy Monday Blues", the same title as the 1942 song by Billy Eckstine and Earl Hines. According to
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Walker also plays twelve bars of single-string guitar solo, which writer Lenny
Carlson has described as "remain largely in the middle register, but it contains some gems, particularly in the use of space, phrasing, and melodic development". The horn accompaniment has been compared to that of
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album in 1971. Their version is based on Bobby Bland's 1961 recording, but expanded to over eight minutes with improvised soloing. In the bottom of bar 8, they substituted the ♭III chord. Additionally, they substituted the V chord in bar 10 with a IVmin and the one in bar 12 with a V aug.
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The guitar chord line, it's a little guitar ninth chord figure. That was a unique thing and it became T-Bone's signature. And that chord line seems to have grabbed everybody because everybody plays it with that line in it. And it's almost like a law, that you have to, when you play 'Stormy
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royalties when his song was misnamed "Stormy Monday Blues" and the payments were forwarded to
Eckstine, Hines, and Crowder. Even though Latimore's 1973 hit version of the song was titled "Stormy Monday", the single incorrectly listed "Hines-Eckstine" as the composers.
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and his orchestra, but by 1940 was playing electric guitar and singing in his own small combos. His particular style of jazz-influenced blues guitar and showmanship, which included playing the guitar behind his neck and while doing the
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for April 30, 1949, the single remained a "strong seller" for Black & White, although it had been out since 1947. The article also announced
Capitol Records' purchase of all of Walker's Black & White released and unreleased
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The recording took place in Hollywood, California, and was produced by Black & White's Ralph Bass. "Stormy Monday" was performed in a "club combo" or West Coast-blues style with a small back-up band. The style, as heard in
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When Duke Records released Bland's version, it was inexplicably re-titled "Stormy Monday Blues". The single reached number five during a thirteen-week stay on the R&B chart. It was also included on Bland's 1962 album
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T-Bone Walker was one of the earliest musicians to use the electric guitar. After moving to Los Angeles around 1936, he began performing regularly in the clubs along Central Avenue, then the center of the city's
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245:, which was later used in many subsequent renditions. His version also incorrectly used the title "Stormy Monday Blues", which was copied and resulted in royalties being paid to songwriters other than Walker.
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chart on January 24, 1948, and reached number five during a six-week stay. It was T-Bone Walker's second highest charting single (1947's "Bobby Sox Blues" reached number three). According to an article in
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in 1971, with additional changes to the arrangement. Through the album's popularity and the group's concert performances, they brought "Stormy Monday" to the attention of rock audiences. Similarly,
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T-Bone Walker, he specifically gave his song the longer name to set it apart. However, trouble ensued when other artists began recording it using these shortened names. Walker blamed
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Rather than copy Walker's arrangement, Bland felt he had to do something different with the song. Most notably, his version features chord substitutions in bars seven through ten:
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became one of the Allman Brothers Band's most popular and enduring albums; for rock audiences, their "Stormy Monday" became the definitive version of the song.
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which "honor recordings of lasting qualitative or historical significance". The song was included as one of the "500 Songs That Shaped Rock and Roll" by the
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album chart. Additionally, "Stormy Monday" went to number 43 on the pop chart and Bland made his fourth appearance on the music variety television program
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According to music journalist Charles Shaar Murray, other musicians similarly inspired to take up the electric guitar upon hearing Walker's song include
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recordings and with it the four-year remainder of his recording contract. Two months later in June, Capitol reissued the single on their label.
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recorded his interpretation of the song in Nashville, Tennessee, in September 1961, during the same session that produced the song, "
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called it "one of the most influential records not only in blues history, but in guitar history". In 1991, it was inducted into the
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singers" and conclude with a prayer asking for the Lord's help because the singer's "Crazy about my baby, yeah send her back to me".
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recorded "Stormy Monday" in 1973. His rendering of the song as an uptempo, jazz-influenced piece evokes a 1962 recording by
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flies", a metaphor for payday, which allows for carousing on Saturday. The lyrics end with Sunday, "when the blues and
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Blues Hall of Fame in the "Classic of Blues Recording — Single or Album Track" category. Writing for the foundation,
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Black & White Records released "Call It Stormy Monday (But Tuesday Is Just as Bad)" in November 1947. It entered
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further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with
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Bland's Duke single includes a writer's credit for "A. Walker", while the LP lists Billy Eckstine and Earl Hines.
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This minor-chord progression had been used in several of Bland's songs, including his 1957 breakthrough number "
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and the diversion of shellac (a key material used in the manufacture of the then-standard ten-inch 78 rpm
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and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song.
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In 1983, T-Bone Walker's original "Call It Stormy Monday (But Tuesday Is Just as Bad)" was inducted into the
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was omitted from the issued version in 1971; it was restored to the song in the 1992 release of the
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Guitar Player Sessions: Licks & Lessons from the World's Greatest Guitar Players and Teachers
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structure for the song and it has been notated in 12/8 time in the key of G with a tempo of 66
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20th Century Masters – The Millennium Collection: The Best of the Allman Brothers Band
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of "sound recordings that are culturally, historically or aesthetically significant".
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Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century
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and blues music scene. He started as a singer and dancer with jazz and early
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All Music Guide to the Blues: The Experts' Guide to the Best Blues Recordings
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in 2017, noted the importance of "Stormy Monday" on his performing career.
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stated that "Stormy Monday" inspired him to begin playing electric guitar:
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noted that blues discographies do not show a recording date before 1947.
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1396:. Vol. 61, no. 18. New York City. April 30, 1949. p. 19.
1421:. Vol. 61, no. 24. New York City. June 11, 1949. p. 29.
392:, bassist Arthur Edwards, drummer Oscar Lee Bradley, and horn players
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The Voice of the Blues: Classic Interviews from Living Blues Magazine
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Live at the Atlanta International Pop Festival: July 3 & 5, 1970
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Carlson, Lenny (2006). "Stormy Monday". In Komara, Edward (ed.).
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concert hall in New York City was recorded and released on their
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converged a continuation of a trend used by earlier Mississippi
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Charles Wright & the Watts 103rd Street Rhythm Band songs
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Duane Allman at the Fillmore East, June 26, 1971 (late show)
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chord substitutions similar to Bobby Bland's 1961 rendition
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Billboard (November 3, 1945). "Advance Record Releases".
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began performing "Stormy Monday" with their early group,
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confusion regarding the songs' true titles and authorship
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California Soul: Music of African Americans in the West
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Manley Field House, Syracuse University, April 7, 1972
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B.B. King biographer David McGee referred to it as a "
1468:"T-Bone Walker: 'Call It Stormy Monday' – Appears On"
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Cogdell Djedje, Jacqueline; Meadow, Eddie S. (1998).
806:, in its statement about Latimore's induction to the
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United States National Recording Registry recordings
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conflicting information regarding the recording date
42:"Call It Stormy Monday (But Tuesday Is Just As Bad)"
30:"Stormy Monday" redirects here. For other uses, see
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An Evening with the Allman Brothers Band: First Set
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2811:An Evening with the Allman Brothers Band: 2nd Set
2459:Bobby Bland and B. B. King Together Again...Live
555:loved 'Stormy Monday'—and I still sing it today.
347:include "Stormy Monday" in the title has led to
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2908:Play All Night: Live at the Beacon Theatre 1992
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2880:S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71
1773:"Complete National Recording Registry Listing"
1709:"Grammy Hall of Fame Awards – Past Recipients"
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1495:"T-Bone Walker: 'Stormy Monday' – Appears On"
847:Blues Masters: The Very Best of T-Bone Walker
494:. A later recording of the song, which uses
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3054:Trouble No More: 50th Anniversary Collection
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1598:"T-Bone Walker: T-Bone Blues – Album Review"
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952:. London: Quantum Publishing. p. 421.
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1390:] Close B&W Deal for T-Bone Wax".
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881:Herzhaft, Gerard (1992). "Stormy Monday".
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1180:Driftin' Blues: The Best of Charles Brown
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1809:B.B. King: There is Always One More Time
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478:and is included on Walker's 1959 album,
309:. By 1946, Walker signed with producer
2194:"2017 Hall of Fame Inductees: Latimore"
2100:Introducing Jazz for the Rock Guitarist
1016:Dahl, Bill (1996). "T-Bone Walker". In
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249:recorded an extended version for their
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27:Blues standard written by T-Bone Walker
2894:Nassau Coliseum, Uniondale, NY: 5/1/73
2533:Ain't No Love in the Heart of the City
2315:The Greatest Jazz Concert in the World
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983:Stormy Monday: The T-Bone Walker Story
1741:"500 Songs That Shaped Rock and Roll"
528:National Recording Preservation Board
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7:
3515:Grammy Hall of Fame Award recipients
950:The Encyclopedia of Jazz & Blues
545:of a blues song". Singer and writer
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2452:Together for the First Time... Live
1948:Soul of the Man: Bobby "Blue" Bland
372:material restrictions. Journalist
307:U.S. war effort during World War II
1625:T-Bone Walker: Stormy Monday Blues
741:, and it later became part of the
286:, brought him to the attention of
25:
1415:"Advance Race Records Releases".
1251:"T-Bone Walker's 'Stormy Monday'"
707:, which reached number 53 on the
458:Most Played Juke Box Race Records
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2950:Warner Theatre, Erie, PA 7-19-05
989:Louisiana State University Press
721:The Allman Brothers Band version
1954:University Press of Mississippi
1216:21st Century Guitar Song Trax 3
293:In July 1942, Walker recorded "
3490:The Allman Brothers Band songs
2887:Macon City Auditorium: 2/11/72
2024:Skydog: The Duane Allman Story
1352:. Menomonee Falls, Wisconsin:
1311:"(They Call It) Stormy Monday"
1151:University of California Press
922:University of California Press
425:Walker uses a standard I-IV-V
32:Stormy Monday (disambiguation)
1:
2625:Jai Johanny "Jaimoe" Johanson
1349:Top R&B Singles 1942–1988
3209:Revival (Love Is Everywhere)
2866:American University 12/13/70
2859:Fillmore East, February 1970
2138:University of Illinois Press
1027:All Music Guide to the Blues
889:University of Arkansas Press
792:that was included on Rawls'
365:American Folk Blues Festival
214:" (commonly referred to as "
3146:In Memory of Elizabeth Reed
2852:Live at Ludlow Garage: 1970
536:National Recording Registry
3541:
3505:? and the Mysterians songs
3426:Summer Jam at Watkins Glen
3111:Ain't Wastin' Time No More
3086:Live at the Beacon Theatre
3012:A Decade of Hits 1969–1979
1082:; van Singel, Amy (2001).
987:. Baton Rouge, Louisiana:
887:. Fayetteville, Arkansas:
561:Clarence "Gatemouth" Brown
524:Rock and Roll Hall of Fame
74:"I Know Your Wig Has Gone"
29:
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3033:Stand Back: The Anthology
2915:Live from A&R Studios
2598:
2498:St. James Infirmary Blues
2286:Everyday I Have the Blues
2192:Blues Foundation (2017).
1384:"Walker to Cap; [
1283:Encyclopedia of the Blues
1186:. Hollywood, California:
884:Encyclopedia of the Blues
506:Recognition and influence
355:Recording and composition
315:Black & White Records
299:1942–44 musicians' strike
179:
46:
3153:Its Not My Cross to Bear
2998:The Road Goes on Forever
2713:The Allman Brothers Band
2592:The Allman Brothers Band
2399:Two Steps from the Blues
2061:. Nashville, Tennessee:
2059:The Allman Brothers Band
1952:. Jackson, Mississippi:
1944:Farley, Charles (2011).
678:
675:
672:
669:
660:
657:
654:
651:
648:
645:
642:
639:
247:The Allman Brothers Band
198:"Long Skirt Baby Blues"
3230:Straight from the Heart
2505:Turn On Your Love Light
2136:. Champaign, Illinois:
2132:Whiteis, David (2013).
1178:Hannusch, Jeff (1992).
1149:. Oakland, California:
920:. Oakland, California:
611:Turn On Your Love Light
332:and His Orchestra with
3019:Mycology: An Anthology
2929:Cream of the Crop 2003
2901:Boston Common, 8/17/71
2519:That's the Way Love Is
2434:Memphis Monday Morning
2098:Brown, Robert (2006).
1749:. 1995. Archived from
1717:. 1991. Archived from
1058:Whitburn 1988, p. 191.
730:
632:
557:
411:
368:
3385:The Allman Betts Band
3350:The Derek Trucks Band
3345:Derek and the Dominos
2818:Peakin' at the Beacon
2484:I'll Take Care of You
1843:Murray, Charles Shaar
1805:McGee, David (2005).
1680:(November 10, 2016).
1214:Stang, Aaron (1998).
916:Kelson, Jack (1999).
728:
394:John "Teddy" Bruckner
363:T-Bone Walker at the
362:
317:. Although there is
3380:Tedeschi Trucks Band
3330:The 31st of February
3072:Brothers of the Road
2790:Shades of Two Worlds
2776:Brothers of the Road
2741:Brothers and Sisters
2065:. 1971. Back cover.
1984:Rubin, Dave (1998).
1635:. 1968. Back cover.
1535:. 1959. Back cover.
1289:. pp. 933–934.
1090:. pp. 147–148.
1032:Miller Freeman Books
743:Allman Brothers Band
328:", a jazz single by
3525:T-Bone Walker songs
3269:Hoochie Coochie Man
3255:Done Somebody Wrong
3079:Live at Great Woods
2804:Where It All Begins
2550:The Beale Streeters
2477:Farther Up the Road
2262:Stormy Monday Blues
2134:Southern Soul-Blues
2079:cite AV media notes
2022:Poe, Randy (2006).
1914:cite AV media notes
1779:Library of Congress
1721:on January 22, 2011
1649:cite AV media notes
1577:. November 10, 2016
1549:cite AV media notes
977:Dance, Helen Oakley
857:. pp. 13, 10.
733:Brothers Duane and
687:Farther Up the Road
601:Bobby Bland version
583:Confusion over name
532:Library of Congress
526:in 1995. The U.S.
520:Grammy Hall of Fame
488:Stormy Monday Blues
449:Releases and charts
326:Stormy Monday Blues
243:chord substitutions
3500:Lee Michaels songs
3421:Joseph L. Campbell
3188:No One to Run With
2762:Enlightened Rogues
1992:. pp. 12–14.
1853:St. Martin's Press
808:Blues Hall of Fame
731:
714:American Bandstand
615:John "Jabo" Starks
369:
239:Bobby "Blue" Bland
184:"Bobby Sox Blues"
175:singles chronology
82:November 1947
3480:Bobby Bland songs
3452:
3451:
3360:Gregg Allman Band
3311:You Don't Love Me
2957:Down in Texas '71
2936:Fillmore West '71
2769:Reach for the Sky
2748:Win, Lose or Draw
2558:
2557:
2350:
2349:
2307:Super Black Blues
2166:– Album Overview"
2147:978-0-252-03479-4
2113:978-0-7390-2567-3
2063:Capricorn Records
2037:978-0-87930-891-9
2026:. San Francisco:
1999:978-0-87930-503-1
1988:. San Francisco:
1967:978-1-60473-919-0
1866:978-0-312-26563-2
1851:. New York City:
1828:978-0-87930-843-8
1813:. San Francisco:
1531:. New York City:
1317:. 17 January 2011
1296:978-0-415-92699-7
1285:. New York City:
1229:978-0-7692-6020-4
1164:978-0-520-20628-1
1097:978-0-415-93653-8
1086:. New York City:
1030:. San Francisco:
1018:Erlewine, Michael
1002:978-0-8071-2458-1
959:978-0-681-08644-9
931:978-0-520-22098-0
770:Fillmore Concerts
683:
682:
344:Harlem Hit Parade
303:phonograph record
226:performed in the
208:
207:
204:
203:
136:Black & White
16:(Redirected from
3532:
3495:The McCoys songs
3442:
3441:
3399:Related articles
3321:Associated bands
3290:Statesboro Blues
2825:Hittin' the Note
2727:At Fillmore East
2585:
2578:
2571:
2562:
2543:Related articles
2377:
2370:
2363:
2354:
2299:multiple artists
2297:Albums featuring
2240:
2233:
2226:
2217:
2211:
2210:
2208:
2206:
2189:
2183:
2182:
2180:
2178:
2158:
2152:
2151:
2129:
2118:
2117:
2095:
2089:
2088:
2082:
2074:
2055:At Fillmore East
2051:
2042:
2041:
2019:
2004:
2003:
1981:
1972:
1971:
1951:
1941:
1924:
1923:
1917:
1909:
1892:(Single label).
1886:
1880:
1877:
1871:
1870:
1839:
1833:
1832:
1812:
1802:
1791:
1790:
1788:
1786:
1769:
1763:
1762:
1760:
1758:
1737:
1731:
1730:
1728:
1726:
1705:
1699:
1698:
1696:
1694:
1674:
1659:
1658:
1652:
1644:
1633:BluesWay Records
1621:
1615:
1614:
1612:
1610:
1593:
1587:
1586:
1584:
1582:
1565:
1559:
1558:
1552:
1544:
1533:Atlantic Records
1521:
1512:
1511:
1509:
1507:
1491:
1485:
1484:
1482:
1480:
1464:
1458:
1457:
1455:
1453:
1437:
1431:
1430:
1412:
1406:
1405:
1381:
1372:
1371:
1340:
1327:
1326:
1324:
1322:
1307:
1301:
1300:
1278:
1269:
1268:
1266:
1264:
1247:
1234:
1233:
1211:
1200:
1199:
1198:. CDP-7-97989-2.
1175:
1169:
1168:
1148:
1138:
1127:
1126:
1108:
1102:
1101:
1076:
1059:
1056:
1050:
1049:
1013:
1007:
1006:
986:
973:
964:
963:
945:
936:
935:
913:
907:
906:
878:
867:
866:
841:Woolard, Steve;
838:
804:Blues Foundation
784:American singer
780:Latimore version
774:At Fillmore East
752:At Fillmore East
666:
665:
637:
605:American singer
575:Other renditions
512:Blues Foundation
492:Bluesway Records
484:Atlantic Records
431:beats per minute
427:twelve-bar blues
420:Kansas City jazz
251:first live album
228:West Coast blues
224:twelve-bar blues
222:. It is a slow
181:
180:
162:
152:
146:
125:
124:
120:
89:
87:
71:
51:
39:
21:
3540:
3539:
3535:
3534:
3533:
3531:
3530:
3529:
3485:Lou Rawls songs
3455:
3454:
3453:
3448:
3430:
3394:
3335:The Allman Joys
3322:
3316:
3304:Trouble No More
3242:
3098:
3059:
2982:
2976:
2843:
2837:
2704:
2702:
2696:
2682:Oteil Burbridge
2594:
2589:
2559:
2554:
2538:
2526:Goin' Down Slow
2491:I Pity the Fool
2464:
2439:
2406:Here's the Man!
2386:
2381:
2351:
2346:
2321:
2298:
2292:
2249:
2244:
2214:
2204:
2202:
2191:
2190:
2186:
2176:
2174:
2160:
2159:
2155:
2148:
2131:
2130:
2121:
2114:
2102:. Los Angeles:
2097:
2096:
2092:
2075:
2057:(Album notes).
2053:
2052:
2045:
2038:
2021:
2020:
2007:
2000:
1983:
1982:
1975:
1968:
1943:
1942:
1927:
1910:
1888:
1887:
1883:
1878:
1874:
1867:
1841:
1840:
1836:
1829:
1804:
1803:
1794:
1784:
1782:
1771:
1770:
1766:
1756:
1754:
1739:
1738:
1734:
1724:
1722:
1707:
1706:
1702:
1692:
1690:
1676:
1675:
1662:
1645:
1627:(Album notes).
1623:
1622:
1618:
1608:
1606:
1595:
1594:
1590:
1580:
1578:
1567:
1566:
1562:
1545:
1527:(Album notes).
1523:
1522:
1515:
1505:
1503:
1493:
1492:
1488:
1478:
1476:
1466:
1465:
1461:
1451:
1449:
1439:
1438:
1434:
1414:
1413:
1409:
1383:
1382:
1375:
1368:
1354:Record Research
1342:
1341:
1330:
1320:
1318:
1309:
1308:
1304:
1297:
1280:
1279:
1272:
1262:
1260:
1249:
1248:
1237:
1230:
1218:. Los Angeles:
1213:
1212:
1203:
1188:Aladdin Records
1177:
1176:
1172:
1165:
1140:
1139:
1130:
1110:
1109:
1105:
1098:
1078:
1077:
1062:
1057:
1053:
1046:
1015:
1014:
1010:
1003:
975:
974:
967:
960:
947:
946:
939:
932:
924:. p. 218.
915:
914:
910:
903:
880:
879:
870:
853:. Los Angeles:
840:
839:
820:
816:
782:
739:the Allman Joys
723:
704:Here's the Man!
691:Pee Wee Crayton
663:
662:
603:
585:
577:
508:
451:
357:
288:Capitol Records
277:bands, such as
266:
199:
194:
185:
158:
142:
122:
118:
117:
85:
83:
67:
35:
28:
23:
22:
15:
12:
11:
5:
3538:
3536:
3528:
3527:
3522:
3517:
3512:
3507:
3502:
3497:
3492:
3487:
3482:
3477:
3472:
3467:
3457:
3456:
3450:
3449:
3447:
3446:
3435:
3432:
3431:
3429:
3428:
3423:
3418:
3413:
3408:
3402:
3400:
3396:
3395:
3393:
3392:
3387:
3382:
3377:
3372:
3367:
3362:
3357:
3352:
3347:
3342:
3337:
3332:
3326:
3324:
3318:
3317:
3315:
3314:
3307:
3300:
3293:
3286:
3279:
3272:
3265:
3262:Heart of Stone
3258:
3250:
3248:
3244:
3243:
3241:
3240:
3233:
3226:
3219:
3212:
3205:
3198:
3191:
3184:
3181:Midnight Rider
3177:
3170:
3163:
3156:
3149:
3142:
3135:
3132:Good Clean Fun
3128:
3121:
3114:
3106:
3104:
3103:Original songs
3100:
3099:
3097:
3096:
3089:
3082:
3075:
3067:
3065:
3061:
3060:
3058:
3057:
3050:
3043:
3036:
3029:
3022:
3015:
3008:
3001:
2994:
2986:
2984:
2978:
2977:
2975:
2974:
2967:
2960:
2953:
2946:
2943:The Final Note
2939:
2932:
2925:
2918:
2911:
2904:
2897:
2890:
2883:
2876:
2869:
2862:
2855:
2847:
2845:
2839:
2838:
2836:
2835:
2828:
2821:
2814:
2807:
2800:
2793:
2786:
2779:
2772:
2765:
2758:
2751:
2744:
2737:
2730:
2723:
2720:Idlewild South
2716:
2708:
2706:
2698:
2697:
2695:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2659:
2654:
2652:Lamar Williams
2649:
2643:
2642:
2635:
2628:
2621:
2614:
2607:
2599:
2596:
2595:
2590:
2588:
2587:
2580:
2573:
2565:
2556:
2555:
2553:
2552:
2546:
2544:
2540:
2539:
2537:
2536:
2529:
2522:
2515:
2508:
2501:
2494:
2487:
2480:
2472:
2470:
2466:
2465:
2463:
2462:
2455:
2447:
2445:
2441:
2440:
2438:
2437:
2430:
2423:
2420:Years of Tears
2416:
2409:
2402:
2394:
2392:
2388:
2387:
2382:
2380:
2379:
2372:
2365:
2357:
2348:
2347:
2345:
2344:
2337:
2334:Mean Old World
2329:
2327:
2323:
2322:
2320:
2319:
2311:
2302:
2300:
2294:
2293:
2291:
2290:
2282:
2274:
2266:
2257:
2255:
2251:
2250:
2245:
2243:
2242:
2235:
2228:
2220:
2213:
2212:
2184:
2153:
2146:
2140:. p. 40.
2119:
2112:
2106:. p. 37.
2090:
2043:
2036:
2028:Backbeat Books
2005:
1998:
1990:Backbeat Books
1973:
1966:
1925:
1898:Glades Records
1881:
1872:
1865:
1834:
1827:
1815:Backbeat Books
1792:
1764:
1753:on May 2, 2007
1732:
1700:
1660:
1616:
1588:
1560:
1513:
1486:
1459:
1432:
1407:
1373:
1366:
1344:Whitburn, Joel
1328:
1315:Musicnotes.com
1302:
1295:
1270:
1235:
1228:
1201:
1182:(CD booklet).
1170:
1163:
1128:
1103:
1096:
1060:
1051:
1044:
1008:
1001:
965:
958:
937:
930:
908:
901:
868:
817:
815:
812:
781:
778:
722:
719:
681:
680:
677:
674:
671:
668:
659:
656:
653:
650:
647:
644:
641:
630:electric bass.
602:
599:
584:
581:
576:
573:
543:Mount Rushmore
507:
504:
476:Nesuhi Ertegun
450:
447:
402:Duke Robillard
386:Driftin' Blues
356:
353:
334:Billy Eckstine
295:Mean Old World
265:
262:
206:
205:
202:
201:
196:
187:
177:
176:
169:
168:
163:
155:
154:
147:
139:
138:
133:
127:
126:
115:
111:
110:
105:
99:
98:
95:
91:
90:
80:
76:
75:
72:
64:
63:
53:
52:
44:
43:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3537:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3501:
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3462:
3460:
3445:
3437:
3436:
3433:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3403:
3401:
3397:
3391:
3390:Thom Doucette
3388:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3366:
3363:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3327:
3325:
3319:
3312:
3308:
3305:
3301:
3298:
3297:Stormy Monday
3294:
3291:
3287:
3284:
3280:
3277:
3273:
3270:
3266:
3263:
3259:
3256:
3252:
3251:
3249:
3245:
3238:
3237:Whipping Post
3234:
3231:
3227:
3224:
3220:
3217:
3213:
3210:
3206:
3203:
3199:
3196:
3192:
3189:
3185:
3182:
3178:
3175:
3171:
3168:
3167:Little Martha
3164:
3161:
3157:
3154:
3150:
3147:
3143:
3140:
3136:
3133:
3129:
3126:
3122:
3119:
3115:
3112:
3108:
3107:
3105:
3101:
3095:
3094:
3090:
3088:
3087:
3083:
3081:
3080:
3076:
3074:
3073:
3069:
3068:
3066:
3062:
3056:
3055:
3051:
3049:
3048:
3044:
3042:
3041:
3037:
3035:
3034:
3030:
3028:
3027:
3023:
3021:
3020:
3016:
3014:
3013:
3009:
3007:
3006:
3002:
3000:
2999:
2995:
2993:
2992:
2988:
2987:
2985:
2979:
2973:
2972:
2968:
2966:
2965:
2961:
2959:
2958:
2954:
2952:
2951:
2947:
2945:
2944:
2940:
2938:
2937:
2933:
2931:
2930:
2926:
2924:
2923:
2919:
2917:
2916:
2912:
2910:
2909:
2905:
2903:
2902:
2898:
2896:
2895:
2891:
2889:
2888:
2884:
2882:
2881:
2877:
2875:
2874:
2870:
2868:
2867:
2863:
2861:
2860:
2856:
2854:
2853:
2849:
2848:
2846:
2842:Retrospective
2840:
2834:
2833:
2829:
2827:
2826:
2822:
2820:
2819:
2815:
2813:
2812:
2808:
2806:
2805:
2801:
2799:
2798:
2794:
2792:
2791:
2787:
2785:
2784:
2780:
2778:
2777:
2773:
2771:
2770:
2766:
2764:
2763:
2759:
2757:
2756:
2752:
2750:
2749:
2745:
2743:
2742:
2738:
2736:
2735:
2731:
2729:
2728:
2724:
2722:
2721:
2717:
2715:
2714:
2710:
2709:
2707:
2699:
2693:
2692:Jimmy Herring
2690:
2688:
2685:
2683:
2680:
2678:
2677:Marc Quiñones
2675:
2673:
2670:
2668:
2665:
2663:
2662:Warren Haynes
2660:
2658:
2655:
2653:
2650:
2648:
2647:Chuck Leavell
2645:
2644:
2641:
2640:
2636:
2634:
2633:
2629:
2627:
2626:
2622:
2620:
2619:
2615:
2613:
2612:
2608:
2606:
2605:
2601:
2600:
2597:
2593:
2586:
2581:
2579:
2574:
2572:
2567:
2566:
2563:
2551:
2548:
2547:
2545:
2541:
2534:
2530:
2527:
2523:
2520:
2516:
2513:
2509:
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2393:
2391:Studio albums
2389:
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2256:
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2248:
2247:T-Bone Walker
2241:
2236:
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2227:
2222:
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2201:
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2018:
2016:
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2012:
2010:
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2001:
1995:
1991:
1987:
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1963:
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1890:Stormy Monday
1885:
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1661:
1656:
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1630:
1629:T-Bone Walker
1626:
1620:
1617:
1605:
1604:
1599:
1592:
1589:
1576:
1575:
1570:
1564:
1561:
1556:
1550:
1542:
1538:
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1530:
1529:T-Bone Walker
1526:
1520:
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1514:
1502:
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1367:0-89820-068-7
1363:
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1197:
1193:
1190:. p. 4.
1189:
1185:
1184:Charles Brown
1181:
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1045:0-87930-424-3
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902:1-55728-252-8
898:
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890:
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869:
864:
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856:
855:Rhino Records
852:
851:T-Bone Walker
848:
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837:
835:
833:
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795:Stormy Monday
791:
787:
779:
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766:Thom Doucette
763:
757:
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748:
747:Fillmore East
744:
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624:Wayne Bennett
618:
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220:T-Bone Walker
217:
216:Stormy Monday
213:
197:
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183:
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174:
173:T-Bone Walker
170:
167:
164:
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156:
153:T-Bone Walker
149:Aaron Walker
148:
145:
144:Songwriter(s)
140:
137:
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132:
128:
116:
112:
109:
106:
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81:
77:
73:
70:
65:
62:
61:T-Bone Walker
58:
50:
45:
40:
37:
33:
19:
18:Stormy Monday
3470:1962 singles
3276:Mountain Jam
3202:Ramblin' Man
3091:
3084:
3077:
3070:
3064:Video albums
3052:
3045:
3038:
3031:
3024:
3017:
3010:
3003:
2996:
2989:
2983:and box sets
2981:Compilations
2969:
2964:Syria Mosque
2962:
2955:
2948:
2941:
2934:
2927:
2920:
2913:
2906:
2899:
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2878:
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2788:
2781:
2774:
2767:
2760:
2753:
2746:
2739:
2732:
2725:
2718:
2711:
2703:contemporary
2687:Derek Trucks
2639:Butch Trucks
2637:
2632:Berry Oakley
2630:
2623:
2618:Dickey Betts
2616:
2611:Gregg Allman
2609:
2604:Duane Allman
2602:
2511:
2457:
2450:
2432:
2425:
2418:
2411:
2404:
2397:
2340:
2313:
2305:
2284:
2278:Good Feelin'
2276:
2268:
2260:
2203:. Retrieved
2197:
2187:
2175:. Retrieved
2169:
2163:
2156:
2133:
2104:Alfred Music
2099:
2093:
2054:
2023:
1985:
1947:
1889:
1884:
1875:
1847:
1837:
1808:
1783:. Retrieved
1776:
1767:
1755:. Retrieved
1751:the original
1746:Rockhall.com
1744:
1735:
1723:. Retrieved
1719:the original
1712:
1703:
1691:. Retrieved
1685:
1624:
1619:
1607:. Retrieved
1601:
1596:Dahl, Bill.
1591:
1579:. Retrieved
1572:
1563:
1525:T-Bone Blues
1524:
1504:. Retrieved
1498:
1489:
1477:. Retrieved
1471:
1462:
1450:. Retrieved
1444:
1435:
1416:
1410:
1391:
1385:
1358:429, 45, 251
1348:
1319:. Retrieved
1314:
1305:
1282:
1261:. Retrieved
1254:
1220:Alfred Music
1215:
1179:
1173:
1144:
1112:
1106:
1083:
1054:
1025:
1021:
1011:
982:
949:
917:
911:
893:472–473, 356
883:
849:(CD notes).
846:
793:
783:
773:
769:
762:Dickey Betts
758:
750:
735:Gregg Allman
732:
712:
708:
702:
699:
695:Duane Allman
684:
633:
620:
613:". Drummer
604:
590:Duke Records
586:
578:
558:
553:
540:
509:
487:
480:T-Bone Blues
479:
472:
462:
454:
452:
424:
412:
407:
398:ninth chords
382:
370:
337:
324:Meanwhile, "
323:
292:
267:
259:
236:
215:
211:
209:
190:
36:
3475:Blues songs
3406:Discography
3323:and artists
3283:One Way Out
3247:Cover songs
3216:Seven Turns
2922:The Fox Box
2844:live albums
2832:One Way Out
2783:Seven Turns
2734:Eat a Peach
2705:live albums
2672:Allen Woody
2667:Johnny Neel
2444:Live albums
2384:Bobby Bland
2254:Solo albums
1956:. pp.
1817:. pp.
1785:October 21,
1757:October 21,
1725:October 21,
1693:February 9,
1678:O'Neal, Jim
1643:. BLS-6008.
1581:February 9,
1356:. pp.
1321:October 19,
1153:. pp.
1080:O'Neal, Jim
991:. pp.
891:. pp.
865:. R2 79894.
843:Vera, Billy
798:album with
607:Bobby Bland
569:Albert King
455:Billboard's
443:Delta blues
416:Count Basie
390:Lloyd Glenn
374:Dave Dexter
342:magazine's
160:Producer(s)
3465:1947 songs
3459:Categories
3365:Hour Glass
3355:Gov't Mule
3139:Hot 'Lanta
3125:Crazy Love
2991:Beginnings
2701:Studio and
2427:Sad Street
2270:Funky Town
2073:. SD2-802.
1855:. p.
1714:Grammy.org
1034:. p.
814:References
800:Les McCann
547:Billy Vera
516:Jim O'Neal
439:spirituals
378:Jim O'Neal
330:Earl Hines
311:Ralph Bass
305:) for the
275:jump-blues
264:Background
166:Ralph Bass
3375:Sea Level
3370:Les Brers
3223:Soulshine
2657:Dan Toler
2199:Blues.org
2177:April 24,
2030:. eBook.
1687:Blues.org
1609:April 23,
1574:Blues.org
1543:. 8020-2.
1506:April 23,
1479:April 23,
1452:April 23,
1427:0006-2510
1418:Billboard
1402:0006-2510
1393:Billboard
1287:Routledge
1263:April 21,
1123:0006-2510
1114:Billboard
1088:Routledge
790:Lou Rawls
709:Billboard
617:recalled
594:Don Robey
502:in 2008.
463:Billboard
418:'s 1930s
339:Billboard
237:In 1961,
232:B.B. King
3444:Category
3118:Blue Sky
2343:" (1947)
2336:" (1942)
2171:AllMusic
2164:Latimore
1906:24614436
1894:Latimore
1845:(2000).
1603:AllMusic
1500:AllMusic
1473:AllMusic
1446:AllMusic
1346:(1988).
1196:35283852
979:(1987).
863:44970744
845:(2000).
786:Latimore
664:♭
409:Monday.'
279:Les Hite
255:Latimore
94:Recorded
79:Released
3411:Members
3195:Pegasus
3174:Melissa
3160:Jessica
2469:Singles
2413:Dreamer
2326:Singles
2205:July 8,
2071:4696818
1908:. 1716.
1641:7792329
1541:6881022
1157:, 235.
1020:(ed.).
422:bands.
367:in 1972
200:(1947)
195:(1947)
186:(1946)
86:1947-11
84: (
3416:Museum
3005:Dreams
2318:(1975)
2310:(1969)
2289:(1969)
2281:(1969)
2273:(1968)
2265:(1968)
2144:
2110:
2069:
2034:
1996:
1964:
1960:–115.
1904:
1863:
1825:
1639:
1539:
1425:
1400:
1364:
1293:
1226:
1194:
1161:
1121:
1094:
1042:
999:
956:
928:
899:
861:
592:owner
567:, and
482:, for
468:master
404:added
284:splits
151:a.k.a.
114:Length
69:A-side
57:Single
1819:25–26
1777:U.S.
1258:Music
993:89–91
676:I–IV
658:I–ii
435:eagle
131:Label
108:Blues
103:Genre
3047:Gold
2207:2017
2179:2014
2142:ISBN
2108:ISBN
2085:link
2067:OCLC
2032:ISBN
1994:ISBN
1962:ISBN
1920:link
1902:OCLC
1861:ISBN
1823:ISBN
1787:2013
1759:2013
1727:2013
1695:2017
1655:link
1637:OCLC
1611:2014
1583:2017
1555:link
1537:OCLC
1508:2014
1481:2014
1454:2014
1423:ISSN
1398:ISSN
1362:ISBN
1323:2013
1291:ISBN
1265:2014
1224:ISBN
1192:OCLC
1159:ISBN
1119:ISSN
1092:ISBN
1040:ISBN
997:ISBN
954:ISBN
926:ISBN
897:ISBN
859:OCLC
679:I–V
667:iii
661:iii–
490:for
313:and
271:jazz
1958:111
1857:105
1387:sic
1256:NPR
1155:225
1036:261
772:.
670:ii
655:IV
652:IV
643:IV
628:Kay
500:NPR
59:by
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3093:40
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