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119:(mostly achieved with half-tints, golden, and silver colors), density of paint layers, graphic precision of details, fragile and somewhat pretentious delicacy of characters' postures and gestures, richness of their vestments, and complicated fantasy of landscape background.
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The works of art of the
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104:. Most of these icon painters, however, did not belong to the Stroganov school. They were icon painters from
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The
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45:(ΠΠΎΠ°Π½Π½ ΠΡΠ΅Π΄ΡΠ΅ΡΠ° Π°Π½Π³Π΅Π» ΠΏΡΡΡΡΠ½ΠΈ) by Prokopy Chirin as displayed at the
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The
Stroganov school owes its name to frequent mentioning of the
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Stroganov Moscow State
University of Arts and Industry
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108:and executed commissions by the
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426:Soviet nonconformism
314:Russian avant-garde
63:Π‘ΡΡΠΎΠ³Π°Π½ΠΎΠ²ΡΠΊΠ°Ρ ΡΠΊΠΎΠ»Π°
82:Yemelyan Moskvitin
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16:(Redirected from
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129:Igor Grabar
456:Categories
397:Paris Note
123:References
78:Stroganovs
363:Imaginism
406:Rayonism
336:The Five
117:palette
98:Nazariy
59:Russian
393:OBERIU
106:Moscow
100:, and
94:Istoma
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356:Zaum
176:Icon
110:tsar
67:icon
53:The
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
