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movement. In contrast, Strait ignored the trends and focused on traditional country music, "drawing deep on honky tonk tradition, undeniably rooted in Texas but willing to wander outside of the Lone Star State's borders". Strait displays his clear love for the music of Merle
Haggard on "Blame It on Mexico", produced with a "light production sheen" that makes it accessible and timely, and yet the singer's "delivery and attitude" make it "sound as pure country as the harder stuff". Erlewine observed:
368:, Strait confessed, "If I find out later on that I have to move, well, I'll certainly move. But I would hate to leave Texas." And finally, he insisted on remaining true to his identity, and refused to take off the hat, despite considerable pressure to do so. As unfashionable as it might have appeared in Nashville at the time, it was a part of his identity—of just being himself.
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474:—it showed how it was possible to be planted firmly in traditional country yet flexible enough to play softer stuff without losing that hardcore stance ... by blending the hardcore honky tonk, Western swing and Bakersfield country with a few melodic ballads that weren't designed for the barroom, he set the template for years and years of modern country.
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website, it received four out of five stars. In his review for AllMusic, Stephen Thomas
Erlewine noted how "startling" this debut album was during a time when country music was dominated by country-pop crossover songs, outlaw country anthems, the urban cowboy trend, and the Alabama-style country-rock
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In
January 1981, MCA Records offered Strait a single deal, agreeing to release one song as a single and provide the necessary promotion. If the single was successful in sales and radio play, then an album deal would be offered. On February 2, 1981, Groundhog Day, Strait entered The Waxworks recording
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was released in vinyl format. The front cover photo was taken by Tom Wilkes showing Strait wearing a cream-colored straw cowboy hat, a
Western shirt open at the neck, revealing a simple gold chain. Standing against a weathered fencepost, he's shown looking up with a "plaintive look in his eye". At a
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and his writing partner Frank Dycus. Producer Mevis first heard the song through his music publisher, Tom
Collins, who also sent it to Strait's new manager, Erv Woolsey, offering to finance a demo session if Strait would record the song. Woolsey listened to Dillon's rough demo of "Unwound" and knew
347:
recording studios in
Nashville with Mevis and a group of session musicians recording the remaining songs for his first album. This early decision to use session musicians on his recordings rather than his touring band set a pattern that he would continue to follow throughout his career. One of the
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I was shocked. I couldn't believe it. I mean, hearing your first record on the radio, when it was something that you had been trying to get to for so long, and then finally having it happen, it was wild. Here I was driving around the ranch there, and I'd hear it go up the chart, and I'm saying to
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performed a series of shows and performed the new material. While eager to help publicize the album, Strait had a few ground rules that would remain in place throughout his career. First, he insisted that his private life remain private, and that his wife and family not be involved in press
319:
immediately that the song could be a big hit and launch Strait's career. Woolsey and Strait agreed to record the song. Three additional songs were recorded during that
February recording session: "Blame It on Mexico", "Perfect Lie", and "Nobody in His Right Mind Would've Left Her".
285:—presented a sharp contrast to the dominating trends within country music at that time. The album includes the singles "Unwound", "Down and Out", and "If You're Thinking You Want a Stranger (There's One Coming Home)". The album peaked at number 26 on the US
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time when most country performers were wearing rhinestone outfits, leisure suits, and very few sporting cowboy hats, Strait comes across as "real country, plain and simple". The back cover photo of the vinyl album shows the singer inside
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384:, a Texas dance hall where he played during his early years. The photo was not included on the CD version. The back cover also contains track listing with songwriter credits, as well as music and production credits.
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Several days after "Unwound" made it onto the charts, MCA offered Strait a recording contract and gave the go-ahead to proceed with the album. In early June, Strait returned to
Nashville with the
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Hot
Country Singles chart the week of May 16. It soon made it into the top ten. Strait would later remember the experience of hearing his first record on the radio while working on his ranch in
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interviews and publicity events. Strait also insisted on remaining in Texas and not moving to the country music capital. In an early interview with
Nashville's
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to perform every night throughout the week of June 7 at the Reflections Ballroom at the Radison Hotel. That same week, Strait spent his days at the
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songs from the February session, "Blame It on Mexico", was rerecorded during the June sessions and included on the album.
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myself, "What's wrong with this picture? I've got a hit record. I need to go out on the road and go play some concerts."
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is "flat-out great, the beginning of a remarkable streak of continually satisfying albums from George Strait".
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gave the album a B+ rating, admiring Strait's "quiet honky tonk" sound and "pleasant baritone".
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1170:(liner notes). George Strait. Universal City, CA: MCA Records. 1981. pp. 1–2. MCAD–31087.
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was released on September 4, 1981 by MCA Records. To promote the album, Strait and the
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20th Century Masters – The Millennium Collection: The Best of George Strait
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The "Unwound" single was released by MCA on April 23, 1981 and entered the
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20th Century Masters – The Christmas Collection: The Best of George Strait
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studio in Berry Hill, Tennessee with producer Blake Mevis to record "
301:. The album was one of the first to be recorded and mixed digitally.
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If You're Thinking You Want a Stranger (There's One Coming Home)
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If You're Thinking You Want a Stranger (There's One Coming Home)
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693:"Every Time You Throw Dirt on Her (You Lose a Little Ground)"
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received positive reviews upon its release in 1981. On the
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Erlewine concluded that in addition to being influential,
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George Strait: The Story of Country's Living Legend
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1257:"George Strait Chart History (Top Country Albums)"
1836:The Cowboy Rides Away: Live from AT&T Stadium
314:", a song written by an unknown songwriter named
1180:: CS1 maint: others in cite AV media (notes) (
718:"She's Playing Hell Trying to Get Me to Heaven"
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1822:For the Last Time: Live from the Astrodome
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269:is the debut studio album by American
16:1981 studio album by George Strait
1509:If You Ain't Lovin', You Ain't Livin'
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1481:Does Fort Worth Ever Cross Your Mind
1276:"Top Country Albums – Year-End 1982"
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277:, released on September 4, 1981, by
77:The Waxworks (Berry Hill, Tennessee)
882:Glenn Meadows – digital mastering
849:Sherri Huffman – background vocals
840:Sudie Callaway – background vocals
14:
873:David DeBusk – assistant engineer
852:Diane Tidwell – background vocals
846:Arlene Harden – background vocals
744:"Her Goodbye Hit Me in the Heart"
418:
1790:Merry Christmas Wherever You Are
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876:Milan Bogdan – digital editing
843:Rita Figlio – background vocals
1783:Merry Christmas Strait to You!
1716:Latest Greatest Straitest Hits
867:Mike Poston – engineer, mixing
864:Bill Harris – engineer, mixing
786:– lead vocals, acoustic guitar
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1:
1765:Strait Out of the Box: Part 2
897:Sherri Halford – coordination
1265:. Retrieved August 1, 2021.
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870:Dan Dea – assistant engineer
1331:. New York: Citadel Press.
894:Katie Gillon – coordination
801:Jerry Shook – rhythm guitar
795:Jimmy Capps – rhythm guitar
789:Mitch Humphries – keyboards
52:September 4, 1981
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1868:The Cowboy Rides Away Tour
1572:Carrying Your Love with Me
1090:Erlewine, Stephen Thomas.
888:Simon Levy – art direction
798:Dave Kirby – rhythm guitar
792:Fred Newell – lead guitars
289:Top Country Albums chart.
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470:And that's the genius of
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250:Released: January 7, 1982
237:Released: August 28, 1981
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1695:Greatest Hits Volume Two
891:Tom Wilkes – photography
816:Mike Leech – bass guitar
224:Released: April 23, 1981
1663:Honky Tonk Time Machine
1614:Somewhere Down in Texas
967:US Top Country Albums (
549:"Honky Tonk Downstairs"
1656:Cold Beer Conversation
1600:The Road Less Traveled
1530:Chill of an Early Fall
861:Blake Mevis – producer
608:"I Get Along with You"
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98:Neotraditional country
83:(Nashville, Tennessee)
1829:Live at Texas Stadium
1709:Strait Out of the Box
1621:It Just Comes Natural
1586:Always Never the Same
1467:Strait from the Heart
372:Artwork and packaging
352:Release and promotion
345:Music City Music Hall
184:Strait from the Heart
81:Music City Music Hall
1894:George Strait albums
1863:Ace in the Hole Band
1670:Cowboys and Dreamers
1642:Here for a Good Time
1516:Beyond the Blue Neon
1502:Ocean Front Property
1389:Ace in the Hole Band
819:Clyde Brooks – drums
667:"Friday Night Fever"
565:"Blame It on Mexico"
393:Professional ratings
361:Ace in the Hole Band
341:Ace in the Hole Band
1853:Singles discography
1797:Fresh Cut Christmas
1443:John Michael Whitby
1327:Bego, Mark (2001).
1176:cite AV media notes
1118:Christgau, Robert.
858:– background vocals
825:Jerry Kroon – drums
822:Bob Gelotte – drums
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293:has been certified
1899:MCA Records albums
1858:Albums discography
1680:Compilation albums
1649:Love Is Everything
1579:One Step at a Time
1122:. Robert Christgau
932:Top Country Albums
920:Chart (1981–1982)
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388:Critical reception
1889:1981 debut albums
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1804:Classic Christmas
1551:Easy Come Easy Go
1488:Something Special
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283:Bakersfield sound
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108:Bakersfield sound
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1846:Related articles
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807:– rhythm guitar
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1702:Ten Strait Hits
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784:George Strait
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765:Total length:
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1744:22 More Hits
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1544:Pure Country
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1523:Livin' It Up
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1305:. Retrieved
1295:
1283:. Retrieved
1279:
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1252:
1247:Bego, p. 42.
1229:Bego, p. 40.
1215:Bego, p. 39.
1201:Bego, p. 41.
1167:
1152:Bego, p. 38.
1136:
1124:. Retrieved
1096:. Retrieved
1041:MCA Records
1027:MCA Records
1013:MCA Records
979:
968:
936:
856:Curtis Young
812:steel guitar
642:Down and Out
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232:Down and Out
205:
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37:Studio album
1814:Live albums
1413:Ron Huckaby
1401:Gene Elders
1320:Works cited
1047:MCAD–31087
1033:MCAC–27092
703:Tom Shapiro
593:David Wills
589:Blake Mevis
535:Frank Dycus
531:Dean Dillon
382:Gruene Hall
316:Dean Dillon
279:MCA Records
154:Blake Mevis
1883:Categories
1628:Troubadour
1435:Rick McRae
1427:Joe Manuel
1405:Terry Hale
1397:Mike Daily
1094:. AllMusic
1054:References
1019:MCA–5248
328:San Marcos
162:chronology
103:honky-tonk
56:1981-09-04
1307:March 18,
1303:. Discogs
1285:August 1,
1280:Billboard
1262:Billboard
1126:March 18,
1098:March 18,
1030:Cassette
969:Billboard
962:Position
937:Billboard
925:position
777:Personnel
509:Writer(s)
324:Billboard
305:Recording
287:Billboard
1005:Catalog
837:– fiddle
463:AllMusic
412:AllMusic
295:platinum
150:Producer
64:Recorded
49:Released
39: by
1558:Lead On
1002:Format
522:Unwound
312:Unwound
297:by the
273:artist
219:Unwound
202:Singles
188:(1982)
179:(1981)
54: (
1758:Icon 2
1335:
999:Label
980:
903:Charts
830:fiddle
750:Dillon
724:Dillon
673:Dillon
650:Dillon
614:Dillon
512:Length
406:Rating
403:Source
121:Length
72:Studio
1635:Twang
1038:1991
1024:1990
1010:1981
996:Year
769:27:51
753:Dycus
727:Wills
679:Mevis
676:Dycus
653:Dycus
617:Dycus
506:Title
204:from
138:Label
91:Genre
1751:Icon
1333:ISBN
1309:2014
1287:2021
1182:link
1128:2014
1100:2014
923:Peak
884:(CD)
878:(CD)
759:3:02
736:2:39
710:3:05
685:2:27
659:2:23
632:2:40
600:2:55
571:2:45
557:2:31
541:2:24
299:RIAA
1044:CD
1016:LP
974:18
943:26
930:US
741:10.
502:No.
452:B+
143:MCA
1885::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
