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thing sound like something out of a nightmare." "Pulp", the album's third track, is entirely built around a locked, repeating, uncomplicated drum loop; Green and
Broadrick play over the beats, which completely drive the track. Because the percussion on "Pulp" features little to no changes over its running time, Godflesh occasionally performed extended versions of it where they simply allowed the machine to continue. "Pulp" and "Christbait Rising" were issued together as a
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unusual compositional structure, with the first half comprising a disjointed, jagged rhythmic loop and the latter half being almost entirely high-pitched guitar feedback. Those swelling waves of noise transition into "Devastator" and "Mighty Trust
Krusher" (sometimes listed as two separate songs, sometimes listed as one combined track), the first composition on
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1269:, I didn't like it, but it made an impression on me that I can still recall today". In 1999, Isis covered the title track, beginning a long partnership between Turner and Broadrick. Broadrick reflected on the album as a highlight of his career by saying, "I'm really proud—even though it's been like an albatross around my neck—of the
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fourth song. Much of the track puts the squealing guitar of
Broadrick at the forefront, but significant portions of the second half descend into heavy, repeating percussive movements where all instruments double the drums. The sixth track and the first recorded for the album, "Head Dirt", displays an
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dismal tone was born from
Broadrick's troubled upbringing and from the oppressive Birmingham environment. About the album's desolate fury, he said, "there is a pure nihilism in there. Totally anti-everything. I couldn't come to terms with anything. It was all a struggle, and I just wanted to lash out
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EP as a set of bonus tracks. In April 2010, Broadrick remastered the album and compiled seventy minutes of extra material for a double-disc reissue that was released later that year on 21 June. The bonus disc contained original unreleased mixes of songs from the
Soundcheck sessions, live recordings
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agreed, also calling the drumming similar to a jackhammer. "Locust
Furnace" was originally designed as the album's closing track. The song itself is characterised by the drums and bass trading off with the vocals and guitar, and it concludes with Broadrick repeatedly shouting "furnace" as he grows
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described "Christbait Rising" by writing, "Drum machines clank and scrape by, creating an eerie cyber-racket, while
Broadrick and bassist G. Christian Green lay down impossibly heavy riffs on top. Broadrick's vocals—guttural and processed to sound like some sort of gigantic monster—make the whole
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is exceptionally slow, and the focus is placed on percussion and bass rather than vocals or traditional riffs. The style of guitar playing has been described as abrasive and deliberately grating, and the album is laden with factory sounds, stiff mechanical beats and overwhelming washes of noise.
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called the EP a "muscular, enveloping follow-up, and utterly worth hearing". "Dead Head", a frantic song with stretched vocals, even has a tone that
Sputnikmusic characterised as almost optimistic. Digby Pearson considered "Tiny Tears" one of his favorite Godflesh songs, and "Wound" would be
724:, "Life Is Easy", is another holdover from the mid-eighties Fall of Because demos. Broadrick's and Neville's guitars clash and scrape against each other, creating eerie cacophony before the bass and drums kick in. The album's eighth song, its title track, begins with a sample of convicted
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was met with positive reviews upon release, and its acclaim grew with time; several publications now list it as one of the best metal albums. Ned
Raggett of AllMusic praised Godflesh's ability to deliver the apocalyptic impact of metal without resorting to invocations of
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The
Birmingham sessions saw Broadrick and Green recording and mixing the first half of the album, while the Derby sessions (which yielded tracks six through ten) saw the temporary reincorporation of Neville into the band, this time as a second guitarist.
921:. By 1991 when Godflesh played in North America for the first time, the band was gaining "unexpected success" and "a loyal following". Neville performed with Godflesh during many of these shows, playing only on the songs which were recorded at the Derby
477:. This choice was at first made out of necessity since Broadrick could not play the beats he wanted acoustically (he described himself as " a great drummer"), but he came to embrace machine percussion and consider it a defining feature of Godflesh.
867:. In the United States, it was released the following year in December and was part of Earache's first push into the American market; it was deemed a success. While the vinyl and cassette versions contained ten songs, the CD release included the
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from the recording sessions with Neville as a second guitarist and the first rerecorded remnants of the Fall of Because project. This nine-minute stretch is dark, dismal and oppressive, with enigmatic, growled lyrics and sounds underlaid with
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523:. It accomplishes such a fusion through combining programmed, repetitive drum machine loops with Green's overdriven bass and Broadrick's distorted guitar. The vocals are sparse, guttural and bleak, and, according to Peter Buckley's
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and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release,
487:, "the most devastating drum machine ever employed". In a retrospective interview, Broadrick described the release as "one of the most alienating albums" he had ever made and referred to it as the band's landmark record.
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on the independent label Swordfish later that year. That EP, though described by critics as raw and unrefined, is considered one of the originating industrial metal releases and proved to be the foundation upon which
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497:"The bass sound and texture, this is an integral part of the Godflesh sound. People often say that the bass is so loud in Godflesh they'll barely find another band . And that's entirely intentional, obviously."
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352:) played together in a band known as Fall of Because. That group, formed in 1982, were less overtly heavy than what they would become as Godflesh, drawing musical and aesthetic influence from bands like
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for Godflesh. While "Streetcleaner 2" primarily builds upon and distorts "Streetcleaner", it also features deconstructed segments of "Pulp". It is one of Godflesh's earliest tracks to experiment with
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songs that Broadrick believed revealed melodies that had been lost in the original mixing process. On all releases, the album's cover is a still frame of a hallucination scene from the 1980
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was Godflesh's second release, proving to be one of the band's finest and most recognized albums and helping them to become one of the most influential industrial bands ever", and in 2013,
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Even the introduction of 'Like Rats', that little bit of feedback was, like, clearly an influence for me. I spent ten years just working on feedback alone, and I give the credit to
568:. After the brief noise introduction, "Like Rats" descends into an intense, scathing song with prominent percussion, driving bass and piercing guitar. The screamed vocals, which
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speaking during an interrogation. "Streetcleaner" proper is one of the album's faster, more aggressive songs; as AllMusic's Stephen Cook describes, it "pummel the listener with
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as "arguably the 1980s' most important piece of extreme music". AllMusic's Jason Birchmeier called it "a landmark album whose status has steadily grown in stature over time".
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Shortly after Fall of Because dissolved in 1987, Broadrick and Green reconvened without Neville and, in April 1988, renamed the project Godflesh. They released their debut
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445:, the label's head, urged the band to shelve the tracks and instead focus on putting out a complete studio album next. Broadrick and Green agreed and began recording
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Andy O'Connor called "spine-chilling" and "some of the angriest verses laid to tape", are harsh and regularly noted for their punchy efficacy. Eduardo Rivadavia of
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the first time by saying, "It honestly scared me. I was like, 'What the fuck is this?' It didn't even sound like music to me. Like, the first time I saw the
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279:. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical.
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in its latter segments, it is still dominated by machine drumming. According to Broadrick, the song's beat was his attempt to copy a rhythmic break in "
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proper. Broadrick employs clean singing rather than growls, and multiple critics have described the tone of the songs as "ethereal". Noel Gardner of
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1253:(better known as Prurient) credited the song "Like Rats", especially its noisy introduction, as a major influence on his musical experimentation.
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album by Godflesh, because it was made without any ambition, and it seemed to change a lot of things in music and have a really wide effect".
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begins with one of Godflesh's most well-known tracks, "Like Rats". The introduction of the song, and of the album at large, is a wall of
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840:, featured two songs entitled "Wounds" and "Streetcleaner 2". Both are extended songs that have been manipulated and altered, something
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469:, resulting in the album including material from three separate sessions. The entirety of the creative period was reinforced by an
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shortest pieces. Because they were recorded apart from the album, they are compositionally different, more focused on propulsive
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revisited by Godflesh multiple times on future releases. One such future release, Earache's 1990 reissue of the band's debut EP
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20th anniversary show in 2017. The Roadburn performance was recorded and released first through vinyl in 2013 as Godflesh's
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On some releases, tracks 6 and 7 on the first disc are combined into one song titled "Devastator/Mighty Trust Krusher".
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from 1989 to 1991. Many of these shows were under the Grindcrusher Tour umbrella, which included fellow Earache acts
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second track, "Christbait Rising", has been cited by several critics as another high point of the album, and
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is the seminal industrial-metal hybrid sound that bands all over the world are still trying to recreate".
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considered it, along with "Like Rats" and "Christbait Rising", one of his favorite pieces on the album.
4478:"'It's a Relationship Like One Would Have with a Sledgehammer: Very Singular' – The Return of Godflesh"
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has received a number of accolades and has been performed in its entirety by Godflesh twice (once at
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said, " is a fantastically produced and written record; every song is an opus". Roy Christopher of
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playing saxophone over "Pulp". Half of this session was released on the 2001 Godflesh compilation
392:. These early versions were eventually released on a wide scale in 1999 via the compilation album
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4541:"Neurosis on Working with Steve Albini, Locking Horns with Godflesh and Making Time Stand Still"
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also called the album "seminal" and claimed it as a major influence on his music, and in 2014,
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said that the album "was a game changer for everybody" that "forever changed heavy music", and
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named it one of Godflesh's five best songs. While this track does feature a riff-heavy guitar
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in 2013). Many other metal bands have cited the album as particularly influential, including
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David Browne emphasised how intense and frightening it was. In 1992, Luca Collepiccolo of
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4198:"Hospital Productions Announce 20th Anniversary Show Featuring Godflesh, Prurient, Regis"
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and death, and he highlighted the precision of the execution as particularly impressive.
622:"Like Rats" is an example of the album's blend of industrial programming and heavy metal.
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The Greenwood Encyclopedia of Rock History: The Grunge and Post-Grunge Years, 1991–2005
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3289:"Godflesh's 'Streetcleaner': Justin Broadrick, Nothing, Prurient on Revolutionary LP"
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2812:"Heavy Metal Techno: JK Flesh on Futurism, DIY Culture, and the Beauty of Non-Music"
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has been noted for its extreme weight and crushing aggression. Unlike the music of
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would fine-tune Godflesh's approach to the genre. After the underground success of
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Recorded in three distinct sessions and partially refined from pre-Godflesh demos,
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2250:"Justin Broadrick: Napalm Death – Godflesh – Techno Animal – Jesu – Pale Sketcher"
545:, a release for which Broadrick provided guitar shortly before starting Godflesh,
433:, the band played several shows across Europe and recorded a four-track EP titled
2598:"Artist on Artist: Justin Broadrick of Godflesh Talks to Producer Sanford Parker"
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Bird, Ashley, ed. (19 February 2005). "The 100 Best British Rock Albums Ever!".
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Kot, Greg (21 May 1992). "Technology Expands Skinny Puppy's Apocalyptic Sound".
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by means of production-emphasised bass, distorted guitar and, most importantly,
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4165:"Godflesh to Perform 'Streetcleaner' in its Entirety at Roadburn Festival 2011"
388:" were included on this demo, the first three of which would be rerecorded for
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954:, and the album has been performed by the band in its entirety twice: once at
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380:. Inspired by the dissonance of this music, the group recorded a demo called
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384:(1986). The songs "Devastator", "Mighty Trust Krusher", "Life Is Easy" and "
4650:"Devin Townsend: 'I Found Out About Playing Damnation Festival on Twitter'"
3191:"Exclusive Interview with Justin Broadrick on All Things Jesu and Godflesh"
943:, while the other two songs were only released through label compilations.
437:. Before they could release the EP on Swordfish, Godflesh were acquired by
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3998:(CD liner notes). Various artists. Pathological Records. 1989. PATH CD 1.
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3713:"My handwritten list of songs that were programmed on our Alesis HR16..."
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3252:"Photos/Review: Godflesh + Cut Hands + Pharmakon @ Irving Plaza, 4.10.14"
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labeled the album as legendary. In a retrospective review of the album,
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Bartkewitcz, Anthony (March 2007). "Vision: Escape: Justin Broadrick".
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4085:"Grind Madness at the BBC: The Earache Peel Sessions – Various Artists"
3569:"12 O'Clock Track: 'Christbait Rising' Is an Industrial Metal Landmark"
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bonus songs (the title track, "Wound", "Dead Head" and "Suction") are
283:
was supported by a series of concerts where Godflesh played alongside
4026:
Choosing Death: The Improbable History of Death Metal & Grindcore
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3491:"Watch Godflesh Deliver Crushing 'Like Rats' Performance in Brooklyn"
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368:) joined Fall of Because in 1984 and introduced Green and Neville to
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3158:"Justin Broadrick Interview: Godflesh, Growing Up and Anarcho-Punk"
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Carden, Andre (October 2010). "Godflesh: Streetcleaner (Earache)".
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Walczak, René (Autumn 1992). "Godflesh: Strength Through Purity".
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elements. Another track, "My Own Light", was recorded during the
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4961:"Music for the Dark: The 33 Best Industrial Albums of All Time"
643:"Dream Long Dead" showcases the repetitive weight of the album.
4749:"Isis – 'Streetcleaner' (Godflesh Cover) (Stereogum Premiere)"
3605:"Godflesh 'Streetcleaner' Receives Deluxe Double-Disc Reissue"
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Jason Pettigrew regarded the album as a masterpiece. In 2010,
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Collepiccolo, Luca (April 1992). "Godflesh – Into the Void".
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called the album one of the most menacing ever released, and
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sessions. On 27 August 1989, Godflesh performed a four-song
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4510:"Godflesh's 'Streetcleaner' to Be Reissued with Bonus Disc"
3397:"Architects of Rage: Godflesh on Streetcleaner – Interview"
1538:"The Best Metal Album from 40 Subgenres: Industrial Metal"
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percussion and ultra-demonic vocals", and Charlie Wood of
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Godflesh's best material, a common stance; Joe DiVita of
4907:"Terrorizer – 100 Most Important Albums of the Eighties"
4843:"Alternative Press – The 90 Greatest Albums of the '90s"
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Fisher, Mark (August 2010). "Godflesh – Streetcleaner".
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has cultivated a major following among other musicians.
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riffs and beats than the stark, industrial sterility of
4114:
Freeman, Phil (November 2019). "The Game of the Name".
3876:"Godflesh – Tiny Tears EP (Bonus Tracks; Earache 1989)"
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Godflesh toured Europe and North America in support of
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called the HR-16, specifically in regard to its use on
3071:(October 1989). "Godflesh – Streetcleaner (Earache)".
2930:"The Heaviest Albums Ever: The Albums Kerrang! Forgot"
785:"Dead Head" showcases the musical differences between
4376:"Revolver – The 69 Greatest Metal Albums of All Time"
3464:"Live Review: Neurosis + Godflesh, HMV Forum, London"
3094:"The 30 Most Underrated Hard Rock + Metal Guitarists"
1355:"200 Albums for the Year 2000: Essential Industrial"
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sessions but only saw release on label compilations.
527:, "misanthropic". Inspired by the harshness of early
2175:"Justin Broadrick on the Secret History of Godflesh"
1973:"Deadhead" (Original Demo Guitar & Machine 1988)
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considers it one of his landmark releases. In 2017,
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4781:"Interview: Justin Broadrick (Godflesh/Jesu), 2003"
1984:"Suction" (Original Demo Guitar & Machine 1988)
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2668:"Top 25 Industrial Rock + Metal Bands of All Time"
1441:"The Twenty Heaviest (Metal) Records of All Time"
585:Jonathan Horsley referred to it as "anthemic" and
260:helped define what industrial metal would become.
3127:"Godflesh Streetcleaner: My 33 1/3 Book Proposal"
2965:"The Twenty Heaviest (Metal) Records of All Time"
1521:"The 25 Greatest Debut Metal Albums of All Time"
3550:Vuk, Valcic. "Godflesh Revisits Streetcleaner".
3336:"The 25 Greatest Debut Metal Albums of All Time"
2634:"Justin Broadrick Talks the Rebirth of Godflesh"
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251:. It was released on 13 November 1989 through
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3817:"Live Report: Godflesh at The Garage, London"
3524:"Czar Issues Decree: Top Five Godflesh Songs"
1870:"Christbait Rising" (Original Unreleased Mix)
8:
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3092:DiVita, Joe; Hartmann, Graham; Ives, Brian.
3001:"Justin Broadrick – Biography & History"
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1558:"The 33 Best Industrial Albums of All Time"
1501:"The 100 Greatest Metal Albums of All Time"
1372:"100 Most Important Albums of the Eighties"
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950:tracks have remained a staple of Godflesh's
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3037:"The 100 Greatest Metal Albums of All Time"
2845:"Godflesh Streetcleaner (Combat/Earache..."
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2141:"Fall of Because – Biography & History"
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1892:"Dream Long Dead" (Original Unreleased Mix)
1395:"The 69 Greatest Metal Albums of All Time"
328:the 64th greatest metal album of all time.
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4811:"Alternative Press – Top 99 of '85 to '95"
4716:"Godflesh and the Horror of Everyday Life"
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1962:"Christbait Rising" (Rehearsal April 1989)
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409:HR-16, the model of drum machine used for
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4875:"Kerrang! – 200 Albums for the Year 2000"
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2700:"Justin Broadrick on... Justin Broadrick"
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863:was released on 19 November 1989 through
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3741:
3739:
3431:"The Best Metal Album from 40 Subgenres"
2788:
2786:
2427:
2425:
2281:
2279:
2277:
2206:
2204:
2202:
2097:
1951:"Dream Long Dead" (Rehearsal April 1989)
1836:
1756:
1617:
1587:
1510:
1427:
1418:"The 100 Best British Rock Albums Ever"
1341:
872:from 1990, rehearsals and demos of some
515:was one of the earliest albums to merge
3598:
3596:
3329:
3327:
2959:
2957:
2168:
2166:
2128:
1990:
1822:
1742:
1586:
1298:
1295:
1292:
4301:
4299:
4253:
4141:
4001:
3949:
3703:
3701:
3683:
3245:
3243:
3030:
3028:
3026:
2627:
2625:
2522:
2221:
2045:(credited to "Machine" on liner notes)
800:
650:
579:called the song "the genre standard",
267:is a weighty, bleak album that blends
4761:from the original on 22 February 2018
4695:from the original on 19 February 2018
4553:from the original on 22 February 2018
4425:from the original on 17 November 2017
4177:from the original on 19 February 2018
3407:from the original on 22 February 2018
3201:from the original on 20 February 2018
3011:from the original on 15 December 2017
2928:Yardley, Miranda (11 November 2011).
2632:Teitelman, Bram (23 September 2014).
2610:from the original on 14 December 2017
2262:from the original on 10 February 2018
1991:
1903:"Head Dirt" (Original Unreleased Mix)
1859:"Like Rats" (Original Unreleased Mix)
1823:
1743:
1332:"The 90 Greatest Albums of the '90s"
979:
243:is the debut studio album by English
7:
5350:Streetcleaner: Live at Roadburn 2011
4887:from the original on 23 October 2014
4589:Christopher, Roy (1 December 1997).
4231:Streetcleaner: Live at Roadburn 2011
3156:Horsley, Jonathan (7 October 2011).
2977:from the original on 15 January 2018
2942:from the original on 27 January 2018
2563:"Godflesh – Streetcleaner (Reissue)"
2325:"Godflesh – Biography & History"
1929:"Head Dirt" (Live Geneva Early 1990)
1235:and Godflesh's second album, 1992's
1182:also agreed with Gardner, writing, "
591:described it as "far-beyond-heavy".
5506:Albums produced by Justin Broadrick
4683:"Godflesh: Long Live the New Flesh"
4054:Thompson, David (1 December 1992).
3170:from the original on 15 August 2018
2214:(CD liner notes). Fall of Because.
2023:liner notes unless otherwise noted
1478:"The 100 Best Albums of the 1980s"
1093:
1000:
558:at every target I possibly could".
16:For the occupation or machine, see
4855:from the original on 31 March 2018
4823:from the original on 31 March 2018
4662:from the original on 1 August 2018
4622:"Devin Townsend Interview: Part 2"
4413:"The 100 Best Albums of the 1980s"
3305:from the original on 17 April 2018
2856:from the original on 20 March 2014
2810:O'Connor, Andy (10 October 2018).
2710:from the original on 23 April 2018
2472:"Godflesh – 'Tiny Tears' 12-inch?"
651:Problems playing these files? See
14:
4791:from the original on 19 June 2018
4714:Parks, Andrew (10 October 2014).
4490:from the original on 26 July 2018
4234:(Digital liner notes). Godflesh.
4210:from the original on 25 July 2018
4095:from the original on 26 July 2018
3886:from the original on 26 July 2018
3855:from the original on 27 June 2010
3796:from the original on 26 July 2018
3581:from the original on 26 July 2018
3503:from the original on 12 June 2018
3443:from the original on 12 June 2018
3348:from the original on 23 July 2018
3262:from the original on 26 July 2018
3049:from the original on 12 June 2018
2680:from the original on 26 July 2018
2644:from the original on 12 June 2018
2410:from the original on 12 June 2018
2366:from the original on 12 June 2018
2335:from the original on 12 June 2018
2301:from the original on 11 July 2018
2187:from the original on 12 June 2018
2151:from the original on 12 June 2018
1612:. Tracks 6 to 10 also written by
1578:"10 Essential Industrial Albums"
1299:
1038:
25:1989 studio album by Godflesh
4988:"10 Essential Industrial Albums"
4919:from the original on 15 May 2013
4520:from the original on 4 July 2018
4320:from the original on 4 July 2018
4242:from the original on 4 July 2018
3917:from the original on 4 July 2018
3786:"Grindcrusher – Various Artists"
3189:Jones, Cat (18 September 2013).
3106:from the original on 1 July 2018
2482:from the original on 5 July 2018
1881:"Pulp" (Original Unreleased Mix)
1112:
1107:
1102:
1097:
1092:
1052:
1047:
1042:
1037:
1019:
1014:
1009:
1004:
999:
946:Apart from these initial tours,
801:Problems playing this file? See
775:
633:
612:
4785:That Was Then/This Is Yesterday
4339:Roesgen, Jeff (13 April 2007).
3676:(Vinyl liner notes). Godflesh.
3334:O'Connor, Andy (9 April 2018).
2738:. Blackbeat Books. p. 38.
2732:; Maloof, Rich (1 April 2004).
1199:As well as impressing critics,
336:Before performing as Godflesh,
4306:Browne, David (January 1991).
4277:"5 Great Live Roadburn Albums"
3224:. EarPollution. Archived from
2843:Kot, Greg (21 February 1991).
1843:
1767:
1621:
93:, England and Square Dance in
1:
4591:"Godflesh: Heads Ain't Ready"
1592:" denotes an unordered list.
1172:"borders on perfection", and
970:Critical reception and legacy
449:in May 1989 at Soundcheck in
130:(vinyl and cassette releases)
4134:(CD liner notes). Godflesh.
3942:(CD liner notes). Godflesh.
3673:"Pulp" / "Christbait Rising"
3656:(CD liner notes). Godflesh.
2515:(CD liner notes). Godflesh.
1583:
1580:
1567:
1563:
1560:
1547:
1543:
1540:
1526:
1523:
1506:
1503:
1487:
1483:
1480:
1467:
1463:
1460:
1446:
1443:
1423:
1420:
1404:
1400:
1397:
1381:
1377:
1374:
1360:
1357:
1337:
1334:
1328:
1324:
1321:
1305:
3845:"Godflesh, 'Streetcleaner'"
3649:; Selzer, Jonathan (2010).
1940:"Pulp" (Rehearsal May 1989)
1458:"The Heaviest Albums Ever"
5527:
4341:"Godflesh - Streetcleaner"
4308:"Death Metal New Releases"
3374:"Godflesh – Streetcleaner"
2400:"Streetcleaner – Godflesh"
1604:All tracks are written by
1231:Jon Wiederhorn wrote that
713:of voices. Ned Raggett of
15:
5103:
3293:Jesu X Nothing X Prurient
2103:
2100:
2043:HR-16 rhythm programming
1980:
1969:
1958:
1947:
1936:
1925:
1910:
1899:
1888:
1877:
1866:
1855:
1847:
1838:2010 remaster second disc
1812:
1801:
1790:
1779:
1771:
1732:
1721:
1710:
1699:
1688:
1677:
1666:
1655:
1644:
1633:
1625:
1497:
1437:
1351:
1315:
1308:
987:
984:
199:
35:
5198:A World Lit Only by Fire
4023:Mudrian, Albert (2004).
3996:Pathological Compilation
1241:, influenced bands like
682:. Luca Cimarusti of the
506:on the bass in Godflesh.
332:Background and recording
314:, and Godflesh frontman
3907:"Slavestate – Godflesh"
2913:godflesh streetcleaner.
2882:The Rough Guide to Rock
2878:Buckley, Peter (2003).
2080:Ric Peet – engineering
1319:"Top 99 of '85 to '95"
5511:Earache Records albums
5311:F.O.D. (Fuck of Death)
5177:Songs of Love and Hate
4851:(125). December 1998.
2433:"Indie Hits 1980–1989"
1914:"Streetcleaner" (Live
1758:CD-only bonus tracks (
1703:"Mighty Trust Krusher"
906:
764:
601:
499:
417:
4056:Industrial Revolution
3680:. 1989. ICPROLP-0908.
3603:Necci, Marilyn Drew.
2735:The New Metal Masters
2356:"Godflesh – Godflesh"
2019:Credits adapted from
897:
763:
720:The seventh track on
696:"Dream Long Dead" is
600:
491:Composition and style
404:
5445:Avalanche Recordings
5375:Love and Hate in Dub
5061:(remastered release)
4465:(in Italian): 12–15.
4313:Entertainment Weekly
4236:Avalanche Recordings
3429:Rivadavia, Eduardo.
3341:Consequence of Sound
3295:. 4:08 minutes in.
3222:"Features: Godflesh"
2248:Nasrallah, Dimitri.
1516:Consequence of Sound
1160:Noel Gardner called
1143:Entertainment Weekly
1064:Entertainment Weekly
975:Professional ratings
960:Hospital Productions
571:Consequence of Sound
453:and Square Dance in
5418:Loopflesh/Fleshloop
5023:press release from
4728:on 18 November 2014
4256:cite AV media notes
4144:cite AV media notes
4004:cite AV media notes
3952:cite AV media notes
3724:on 24 December 2021
3686:cite AV media notes
3462:Horsley, Jonathan.
2999:Birchmeier, Jason.
2769:. Greenwood. 2006.
2525:cite AV media notes
2224:cite AV media notes
2086:Noel Summerville –
2066:Technical personnel
1839:
1763:
1648:"Christbait Rising"
976:
742:gradually hoarser.
680:Eric B. & Rakim
525:Rough Guide to Rock
290:Since its release,
5385:Compilation albums
5368:Slavestate Remixes
5265:Decline & Fall
5043:(original release)
4648:Yardley, Miranda.
4476:Pettigrew, Jason.
4163:Yardley, Miranda.
4138:. 2001. MOSH246CD.
3946:. 1990. MOSH 20CD.
3131:roychristopher.com
3125:Christopher, Roy.
2519:. 1989. MOSH 15CD.
2470:(22 August 2006).
2437:Cherry Red Records
2052:– bass, production
2035:– guitar, vocals,
1837:
1757:
1261:described hearing
1175:Alternative Press'
974:
907:
765:
691:promotional single
602:
418:
356:. Future frontman
277:machine percussion
5496:1989 debut albums
5483:
5482:
5062:
5044:
4996:. 18 October 2021
4944:. No. 1044.
4848:Alternative Press
4816:Alternative Press
4747:Nelson, Michael.
4681:Wiederhorn, Jon.
4483:Alternative Press
4238:. 2017. AREC028.
4060:Cleopatra Records
3567:Cimarusti, Luca.
3522:Macomber, Shawn.
3287:(16 April 2018).
2596:Cimarusti, Luca.
2354:Walters, Martin.
2289:(Press release).
2218:. 1999. INV 9042.
2216:Invisible Records
2120:
2119:
2083:
2077:
2061:
2046:
2001:
2000:
1833:
1832:
1753:
1752:
1670:"Dream Long Dead"
1596:
1595:
1311:Alternative Press
1134:Chicago Tribune's
1121:
1120:
890:Live performances
780:
638:
629:"Dream Long Dead"
617:
521:heavy metal music
296:Roadburn Festival
236:
235:
232:
231:
81:
76:
5518:
5428:Related articles
5400:In All Languages
5109:Justin Broadrick
5090:
5083:
5076:
5067:
5060:
5042:
5006:
5005:
5003:
5001:
4984:
4978:
4977:
4975:
4973:
4956:
4950:
4949:
4935:
4929:
4928:
4926:
4924:
4903:
4897:
4896:
4894:
4892:
4871:
4865:
4864:
4862:
4860:
4839:
4833:
4832:
4830:
4828:
4807:
4801:
4800:
4798:
4796:
4777:
4771:
4770:
4768:
4766:
4744:
4738:
4737:
4735:
4733:
4724:. Archived from
4711:
4705:
4704:
4702:
4700:
4678:
4672:
4671:
4669:
4667:
4645:
4639:
4638:
4636:
4634:
4617:
4611:
4610:
4608:
4606:
4597:. Archived from
4586:
4580:
4579:
4569:
4563:
4562:
4560:
4558:
4536:
4530:
4529:
4527:
4525:
4514:Blabbermouth.net
4506:
4500:
4499:
4497:
4495:
4473:
4467:
4466:
4458:
4452:
4451:
4441:
4435:
4434:
4432:
4430:
4421:. 24 June 2013.
4409:
4398:
4397:
4395:
4393:
4384:. Archived from
4372:
4363:
4362:
4360:
4358:
4349:. Archived from
4336:
4330:
4329:
4327:
4325:
4303:
4294:
4293:
4291:
4289:
4275:Bellino, Vince.
4272:
4266:
4265:
4259:
4251:
4249:
4247:
4226:
4220:
4219:
4217:
4215:
4193:
4187:
4186:
4184:
4182:
4160:
4154:
4153:
4147:
4139:
4132:In All Languages
4128:
4122:
4121:
4111:
4105:
4104:
4102:
4100:
4080:
4074:
4073:
4051:
4045:
4044:
4031:Bazillion Points
4020:
4014:
4013:
4007:
3999:
3992:
3986:
3985:
3968:
3962:
3961:
3955:
3947:
3933:
3927:
3926:
3924:
3922:
3902:
3896:
3895:
3893:
3891:
3871:
3865:
3864:
3862:
3860:
3843:Dunton, Creaig.
3840:
3834:
3833:
3831:
3829:
3812:
3806:
3805:
3803:
3801:
3781:
3775:
3774:
3760:
3754:
3753:
3743:
3734:
3733:
3731:
3729:
3723:
3718:. Archived from
3705:
3696:
3695:
3689:
3681:
3668:
3662:
3661:
3647:Broadick, Justin
3643:
3622:
3621:
3619:
3617:
3600:
3591:
3590:
3588:
3586:
3564:
3558:
3557:
3547:
3541:
3540:
3538:
3536:
3519:
3513:
3512:
3510:
3508:
3487:
3481:
3480:
3478:
3476:
3459:
3453:
3452:
3450:
3448:
3426:
3417:
3416:
3414:
3412:
3392:
3386:
3385:
3383:
3381:
3369:
3358:
3357:
3355:
3353:
3331:
3322:
3321:
3312:
3310:
3285:Fernow, Dominick
3281:
3272:
3271:
3269:
3267:
3247:
3238:
3237:
3235:
3233:
3217:
3211:
3210:
3208:
3206:
3186:
3180:
3179:
3177:
3175:
3153:
3147:
3146:
3144:
3142:
3133:. Archived from
3122:
3116:
3115:
3113:
3111:
3089:
3083:
3082:
3065:
3059:
3058:
3056:
3054:
3032:
3021:
3020:
3018:
3016:
2996:
2987:
2986:
2984:
2982:
2961:
2952:
2951:
2949:
2947:
2925:
2916:
2915:
2910:
2908:
2885:
2875:
2866:
2865:
2863:
2861:
2840:
2829:
2828:
2826:
2824:
2817:Electronic Beats
2807:
2801:
2800:
2790:
2781:
2780:
2763:
2757:
2756:
2754:
2752:
2726:
2720:
2719:
2717:
2715:
2696:
2690:
2689:
2687:
2685:
2663:
2654:
2653:
2651:
2649:
2629:
2620:
2619:
2617:
2615:
2593:
2580:
2579:
2577:
2575:
2558:
2535:
2534:
2528:
2520:
2509:
2492:
2491:
2489:
2487:
2464:
2453:
2452:
2450:
2448:
2439:. Archived from
2429:
2420:
2419:
2417:
2415:
2395:
2376:
2375:
2373:
2371:
2351:
2345:
2344:
2342:
2340:
2320:
2311:
2310:
2308:
2306:
2283:
2272:
2271:
2269:
2267:
2245:
2234:
2233:
2227:
2219:
2208:
2197:
2196:
2194:
2192:
2170:
2161:
2160:
2158:
2156:
2136:
2098:
2081:
2075:
2059:
2044:
2033:Justin Broadrick
1994:
1845:
1840:
1826:
1769:
1764:
1746:
1736:"Locust Furnace"
1623:
1618:
1606:Justin Broadrick
1301:
1281:
1192:magazine lauded
1180:Blabbermouth.net
1159:
1117:
1116:
1115:
1111:
1110:
1106:
1105:
1101:
1100:
1096:
1095:
1057:
1056:
1055:
1051:
1050:
1046:
1045:
1041:
1040:
1024:
1023:
1022:
1018:
1017:
1013:
1012:
1008:
1007:
1003:
1002:
977:
964:debut live album
958:and once at the
940:In All Languages
899:Justin Broadrick
820:
782:
781:
762:
702:
676:Microphone Fiend
665:
640:
639:
619:
618:
599:
556:
507:
504:Justin Broadrick
415:
358:Justin Broadrick
316:Justin Broadrick
273:industrial music
245:industrial metal
201:
200:
145:
142:
141:
137:
131:
128:
127:
123:
108:Industrial metal
79:
78:May–August 1989
70:
61:13 November 1989
40:
28:
5526:
5525:
5521:
5520:
5519:
5517:
5516:
5515:
5501:Godflesh albums
5486:
5485:
5484:
5479:
5423:
5405:
5380:
5355:
5337:
5270:
5217:
5143:
5099:
5094:
5058:Earache Records
5040:Earache Records
5025:Earache Records
5015:
5010:
5009:
4999:
4997:
4986:
4985:
4981:
4971:
4969:
4959:Sodomsky, Sam.
4958:
4957:
4953:
4937:
4936:
4932:
4922:
4920:
4905:
4904:
4900:
4890:
4888:
4873:
4872:
4868:
4858:
4856:
4841:
4840:
4836:
4826:
4824:
4809:
4808:
4804:
4794:
4792:
4779:
4778:
4774:
4764:
4762:
4746:
4745:
4741:
4731:
4729:
4721:Wondering Sound
4713:
4712:
4708:
4698:
4696:
4680:
4679:
4675:
4665:
4663:
4647:
4646:
4642:
4632:
4630:
4619:
4618:
4614:
4604:
4602:
4601:on 15 June 2018
4588:
4587:
4583:
4571:
4570:
4566:
4556:
4554:
4538:
4537:
4533:
4523:
4521:
4508:
4507:
4503:
4493:
4491:
4475:
4474:
4470:
4460:
4459:
4455:
4447:Chicago Tribune
4443:
4442:
4438:
4428:
4426:
4411:
4410:
4401:
4391:
4389:
4374:
4373:
4366:
4356:
4354:
4338:
4337:
4333:
4323:
4321:
4305:
4304:
4297:
4287:
4285:
4274:
4273:
4269:
4252:
4245:
4243:
4228:
4227:
4223:
4213:
4211:
4195:
4194:
4190:
4180:
4178:
4162:
4161:
4157:
4140:
4136:Earache Records
4130:
4129:
4125:
4113:
4112:
4108:
4098:
4096:
4083:Freeman, Phil.
4082:
4081:
4077:
4070:
4053:
4052:
4048:
4041:
4033:. p. 266.
4022:
4021:
4017:
4000:
3994:
3993:
3989:
3972:Reynolds, Simon
3970:
3969:
3965:
3948:
3944:Earache Records
3935:
3934:
3930:
3920:
3918:
3904:
3903:
3899:
3889:
3887:
3874:Nanos, Darren.
3873:
3872:
3868:
3858:
3856:
3842:
3841:
3837:
3827:
3825:
3815:Wood, Charlie.
3814:
3813:
3809:
3799:
3797:
3784:Cook, Stephen.
3783:
3782:
3778:
3762:
3761:
3757:
3745:
3744:
3737:
3727:
3725:
3707:
3706:
3699:
3682:
3670:
3669:
3665:
3658:Earache Records
3653:(2010 remaster)
3645:
3644:
3625:
3615:
3613:
3602:
3601:
3594:
3584:
3582:
3566:
3565:
3561:
3549:
3548:
3544:
3534:
3532:
3521:
3520:
3516:
3506:
3504:
3489:
3488:
3484:
3474:
3472:
3461:
3460:
3456:
3446:
3444:
3428:
3427:
3420:
3410:
3408:
3394:
3393:
3389:
3379:
3377:
3371:
3370:
3361:
3351:
3349:
3333:
3332:
3325:
3308:
3306:
3283:
3282:
3275:
3265:
3263:
3250:Parks, Andrew.
3249:
3248:
3241:
3231:
3229:
3228:on 12 June 2002
3219:
3218:
3214:
3204:
3202:
3188:
3187:
3183:
3173:
3171:
3155:
3154:
3150:
3140:
3138:
3137:on 15 June 2018
3124:
3123:
3119:
3109:
3107:
3091:
3090:
3086:
3069:Reynolds, Simon
3067:
3066:
3062:
3052:
3050:
3034:
3033:
3024:
3014:
3012:
2998:
2997:
2990:
2980:
2978:
2963:
2962:
2955:
2945:
2943:
2927:
2926:
2919:
2906:
2904:
2902:
2877:
2876:
2869:
2859:
2857:
2849:Chicago Tribune
2842:
2841:
2832:
2822:
2820:
2809:
2808:
2804:
2792:
2791:
2784:
2777:
2765:
2764:
2760:
2750:
2748:
2746:
2730:Newquist, H. P.
2728:
2727:
2723:
2713:
2711:
2698:
2697:
2693:
2683:
2681:
2665:
2664:
2657:
2647:
2645:
2631:
2630:
2623:
2613:
2611:
2595:
2594:
2583:
2573:
2571:
2561:Gardner, Noel.
2560:
2559:
2538:
2521:
2517:Earache Records
2511:
2510:
2495:
2485:
2483:
2476:Earache Records
2466:
2465:
2456:
2446:
2444:
2431:
2430:
2423:
2413:
2411:
2397:
2396:
2379:
2369:
2367:
2353:
2352:
2348:
2338:
2336:
2322:
2321:
2314:
2304:
2302:
2295:Earache Records
2287:"Godflesh 1991"
2285:
2284:
2275:
2265:
2263:
2247:
2246:
2237:
2220:
2210:
2209:
2200:
2190:
2188:
2172:
2171:
2164:
2154:
2152:
2139:Ankeny, Jason.
2138:
2137:
2130:
2125:
2105:
2096:
2017:
2002:
1992:
1834:
1824:
1754:
1744:
1725:"Streetcleaner"
1601:
1438:United Kingdom
1415:United Kingdom
1352:United Kingdom
1279:
1251:Dominick Fernow
1219:wrote, "1989's
1157:
1113:
1108:
1103:
1098:
1053:
1048:
1043:
1031:Chicago Tribune
1020:
1015:
1010:
1005:
972:
892:
865:Earache Records
858:
818:
808:
807:
799:
797:
796:
795:
794:
783:
776:
773:
766:
760:
755:
729:Henry Lee Lucas
700:
663:
658:
657:
649:
647:
646:
645:
644:
641:
634:
631:
625:
624:
623:
620:
613:
610:
603:
597:
554:
509:
501:
493:
439:Earache Records
413:
334:
253:Earache Records
227:
218:
209:
187:
178:J. K. Broadrick
148:
143:
139:
135:
134:
129:
125:
121:
120:
77:
53:
26:
21:
12:
11:
5:
5524:
5522:
5514:
5513:
5508:
5503:
5498:
5488:
5487:
5481:
5480:
5478:
5477:
5472:
5467:
5462:
5457:
5452:
5447:
5442:
5437:
5431:
5429:
5425:
5424:
5422:
5421:
5413:
5411:
5407:
5406:
5404:
5403:
5396:
5388:
5386:
5382:
5381:
5379:
5378:
5371:
5363:
5361:
5357:
5356:
5354:
5353:
5345:
5343:
5339:
5338:
5336:
5335:
5328:
5321:
5314:
5307:
5300:
5293:
5286:
5278:
5276:
5272:
5271:
5269:
5268:
5261:
5254:
5247:
5240:
5233:
5225:
5223:
5222:Extended plays
5219:
5218:
5216:
5215:
5208:
5201:
5194:
5187:
5180:
5173:
5166:
5159:
5151:
5149:
5145:
5144:
5142:
5141:
5136:
5131:
5129:Robert Hampson
5126:
5120:
5119:
5112:
5104:
5101:
5100:
5095:
5093:
5092:
5085:
5078:
5070:
5064:
5063:
5045:
5027:
5014:
5013:External links
5011:
5008:
5007:
4979:
4951:
4930:
4898:
4866:
4834:
4802:
4772:
4739:
4706:
4673:
4640:
4620:Lake, Daniel.
4612:
4581:
4564:
4539:Jahdi, Robin.
4531:
4501:
4468:
4453:
4436:
4399:
4388:on 2 June 2017
4364:
4346:Tiny Mix Tapes
4331:
4295:
4267:
4221:
4188:
4155:
4123:
4106:
4075:
4069:978-0963619303
4068:
4062:. p. 44.
4046:
4039:
4015:
3987:
3963:
3939:(1990 reissue)
3928:
3905:Raggett, Ned.
3897:
3866:
3835:
3807:
3776:
3755:
3735:
3697:
3678:Combat Records
3663:
3651:Streetcleaner
3623:
3592:
3574:Chicago Reader
3559:
3542:
3514:
3482:
3454:
3418:
3387:
3376:. Sputnikmusic
3359:
3323:
3273:
3239:
3212:
3181:
3148:
3117:
3084:
3060:
3035:Christe, Ian.
3022:
2988:
2973:. 4 May 2011.
2953:
2917:
2900:
2867:
2830:
2802:
2782:
2775:
2758:
2744:
2721:
2691:
2655:
2621:
2603:Chicago Reader
2581:
2536:
2493:
2468:Pearson, Digby
2454:
2443:on 8 June 2011
2421:
2398:Raggett, Ned.
2377:
2346:
2312:
2273:
2235:
2198:
2162:
2127:
2126:
2124:
2121:
2118:
2117:
2114:
2112:UK Indie Chart
2108:
2107:
2102:
2095:
2092:
2091:
2090:
2084:
2078:
2063:
2062:
2053:
2047:
2016:
2013:
2012:
2011:
1999:
1998:
1995:
1989:
1988:
1985:
1982:
1978:
1977:
1974:
1971:
1967:
1966:
1963:
1960:
1956:
1955:
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1949:
1945:
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1941:
1938:
1934:
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1908:
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1741:
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1737:
1734:
1730:
1729:
1726:
1723:
1719:
1718:
1715:
1714:"Life Is Easy"
1712:
1708:
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1549:
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1536:
1528:
1527:
1525:
1522:
1519:
1512:
1508:
1507:
1505:
1502:
1499:
1498:United States
1496:
1489:
1485:
1484:
1482:
1479:
1476:
1469:
1465:
1464:
1462:
1459:
1456:
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1445:
1442:
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1429:
1425:
1424:
1422:
1419:
1416:
1413:
1406:
1402:
1401:
1399:
1396:
1393:
1392:United States
1390:
1383:
1379:
1378:
1376:
1373:
1370:
1362:
1361:
1359:
1356:
1353:
1350:
1343:
1339:
1338:
1336:
1333:
1330:
1326:
1325:
1323:
1320:
1317:
1316:United States
1314:
1307:
1303:
1302:
1297:
1294:
1291:
1288:
1285:
1278:
1275:
1225:Devin Townsend
1209:Burton C. Bell
1119:
1118:
1089:
1086:Tiny Mix Tapes
1081:
1080:
1077:
1071:
1070:
1067:
1059:
1058:
1034:
1026:
1025:
996:
990:
989:
986:
982:
981:
971:
968:
891:
888:
883:Altered States
857:
854:
798:
784:
774:
769:
768:
767:
758:
757:
756:
754:
744:
685:Chicago Reader
648:
642:
632:
627:
626:
621:
611:
606:
605:
604:
595:
594:
593:
550:Thematically,
539:'s 1987 album
494:
492:
489:
422:self-titled EP
333:
330:
234:
233:
230:
229:
220:
211:
197:
196:
189:
188:
186:
185:
180:
174:
172:
166:
165:
156:
150:
149:
147:
146:
132:
117:
115:
111:
110:
105:
99:
98:
89:Soundcheck in
87:
83:
82:
67:
63:
62:
59:
55:
54:
49:
42:
41:
33:
32:
24:
18:street sweeper
13:
10:
9:
6:
4:
3:
2:
5523:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5493:
5491:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5441:
5440:List of songs
5438:
5436:
5433:
5432:
5430:
5426:
5420:
5419:
5415:
5414:
5412:
5408:
5402:
5401:
5397:
5395:
5394:
5390:
5389:
5387:
5383:
5377:
5376:
5372:
5370:
5369:
5365:
5364:
5362:
5358:
5352:
5351:
5347:
5346:
5344:
5340:
5333:
5329:
5326:
5322:
5319:
5315:
5312:
5308:
5305:
5304:Crush My Soul
5301:
5298:
5294:
5291:
5287:
5284:
5280:
5279:
5277:
5273:
5267:
5266:
5262:
5260:
5259:
5255:
5253:
5252:
5248:
5246:
5245:
5241:
5239:
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5234:
5232:
5231:
5227:
5226:
5224:
5220:
5214:
5213:
5209:
5207:
5206:
5202:
5200:
5199:
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5193:
5192:
5188:
5186:
5185:
5181:
5179:
5178:
5174:
5172:
5171:
5167:
5165:
5164:
5160:
5158:
5157:
5156:Streetcleaner
5153:
5152:
5150:
5148:Studio albums
5146:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5121:
5118:
5117:
5113:
5111:
5110:
5106:
5105:
5102:
5098:
5091:
5086:
5084:
5079:
5077:
5072:
5071:
5068:
5059:
5055:
5051:
5050:
5049:Streetcleaner
5046:
5041:
5037:
5033:
5032:
5031:Streetcleaner
5028:
5026:
5022:
5021:
5020:Streetcleaner
5017:
5016:
5012:
4995:
4994:
4989:
4983:
4980:
4968:
4967:
4962:
4955:
4952:
4948:. p. 22.
4947:
4943:
4942:
4934:
4931:
4918:
4914:
4913:
4908:
4902:
4899:
4886:
4882:
4881:
4876:
4870:
4867:
4854:
4850:
4849:
4844:
4838:
4835:
4822:
4818:
4817:
4812:
4806:
4803:
4790:
4786:
4782:
4776:
4773:
4760:
4756:
4755:
4750:
4743:
4740:
4727:
4723:
4722:
4717:
4710:
4707:
4694:
4690:
4689:
4684:
4677:
4674:
4661:
4657:
4656:
4651:
4644:
4641:
4629:
4628:
4623:
4616:
4613:
4600:
4596:
4595:Slap Magazine
4592:
4585:
4582:
4577:
4576:
4568:
4565:
4552:
4548:
4547:
4542:
4535:
4532:
4519:
4515:
4511:
4505:
4502:
4489:
4485:
4484:
4479:
4472:
4469:
4464:
4457:
4454:
4449:
4448:
4440:
4437:
4424:
4420:
4419:
4414:
4408:
4406:
4404:
4400:
4387:
4383:
4382:
4377:
4371:
4369:
4365:
4353:on 4 May 2007
4352:
4348:
4347:
4342:
4335:
4332:
4319:
4315:
4314:
4309:
4302:
4300:
4296:
4284:
4283:
4278:
4271:
4268:
4263:
4257:
4241:
4237:
4233:
4232:
4225:
4222:
4209:
4205:
4204:
4199:
4196:Bowe, Miles.
4192:
4189:
4176:
4172:
4171:
4166:
4159:
4156:
4151:
4145:
4137:
4133:
4127:
4124:
4119:
4118:
4110:
4107:
4094:
4090:
4086:
4079:
4076:
4071:
4065:
4061:
4057:
4050:
4047:
4042:
4036:
4032:
4028:
4027:
4019:
4016:
4011:
4005:
3997:
3991:
3988:
3983:
3979:
3978:
3973:
3967:
3964:
3959:
3953:
3945:
3941:
3938:
3932:
3929:
3916:
3912:
3908:
3901:
3898:
3885:
3881:
3880:Just a Visual
3877:
3870:
3867:
3854:
3850:
3846:
3839:
3836:
3824:
3823:
3818:
3811:
3808:
3795:
3791:
3787:
3780:
3777:
3772:
3768:
3767:
3759:
3756:
3752:(318): 70–71.
3751:
3750:
3742:
3740:
3736:
3722:
3717:
3714:
3710:
3704:
3702:
3698:
3693:
3687:
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3675:
3672:
3667:
3664:
3659:
3655:
3652:
3648:
3642:
3640:
3638:
3636:
3634:
3632:
3630:
3628:
3624:
3612:
3611:
3606:
3599:
3597:
3593:
3580:
3576:
3575:
3570:
3563:
3560:
3555:
3554:
3546:
3543:
3531:
3530:
3525:
3518:
3515:
3502:
3498:
3497:
3492:
3486:
3483:
3471:
3470:
3465:
3458:
3455:
3442:
3438:
3437:
3432:
3425:
3423:
3419:
3406:
3402:
3398:
3391:
3388:
3375:
3368:
3366:
3364:
3360:
3347:
3343:
3342:
3337:
3330:
3328:
3324:
3320:
3318:
3317:Streetcleaner
3304:
3300:
3299:
3294:
3290:
3286:
3280:
3278:
3274:
3261:
3257:
3253:
3246:
3244:
3240:
3227:
3223:
3220:Teppo, Mark.
3216:
3213:
3200:
3196:
3192:
3185:
3182:
3169:
3165:
3164:
3159:
3152:
3149:
3136:
3132:
3128:
3121:
3118:
3105:
3101:
3100:
3095:
3088:
3085:
3080:
3076:
3075:
3070:
3064:
3061:
3048:
3044:
3043:
3042:Rolling Stone
3038:
3031:
3029:
3027:
3023:
3010:
3006:
3002:
2995:
2993:
2989:
2976:
2972:
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2966:
2960:
2958:
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2941:
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2924:
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2918:
2914:
2903:
2897:
2893:
2889:
2884:
2883:
2874:
2872:
2868:
2855:
2851:
2850:
2846:
2839:
2837:
2835:
2831:
2819:
2818:
2813:
2806:
2803:
2798:
2797:
2789:
2787:
2783:
2778:
2772:
2768:
2762:
2759:
2747:
2741:
2737:
2736:
2731:
2725:
2722:
2709:
2705:
2701:
2695:
2692:
2679:
2675:
2674:
2669:
2666:DiVita, Joe.
2662:
2660:
2656:
2643:
2639:
2638:Metal Insider
2635:
2628:
2626:
2622:
2609:
2605:
2604:
2599:
2592:
2590:
2588:
2586:
2582:
2570:
2569:
2564:
2557:
2555:
2553:
2551:
2549:
2547:
2545:
2543:
2541:
2537:
2532:
2526:
2518:
2514:
2513:Streetcleaner
2508:
2506:
2504:
2502:
2500:
2498:
2494:
2481:
2477:
2473:
2469:
2463:
2461:
2459:
2455:
2442:
2438:
2434:
2428:
2426:
2422:
2409:
2405:
2401:
2394:
2392:
2390:
2388:
2386:
2384:
2382:
2378:
2365:
2361:
2357:
2350:
2347:
2334:
2330:
2326:
2323:Prato, Greg.
2319:
2317:
2313:
2300:
2296:
2292:
2288:
2282:
2280:
2278:
2274:
2261:
2257:
2256:
2251:
2244:
2242:
2240:
2236:
2231:
2225:
2217:
2213:
2207:
2205:
2203:
2199:
2186:
2182:
2181:
2176:
2169:
2167:
2163:
2150:
2146:
2142:
2135:
2133:
2129:
2122:
2115:
2113:
2110:
2109:
2101:Chart (1989)
2099:
2093:
2089:
2085:
2082:(tracks 6–14)
2079:
2074:
2071:Pete Gault –
2070:
2069:
2068:
2067:
2060:(tracks 6–10)
2057:
2054:
2051:
2048:
2042:
2038:
2034:
2031:
2030:
2029:
2028:
2024:
2022:
2021:Streetcleaner
2014:
2009:
2008:
2007:
2006:
1996:
1993:Total length:
1986:
1983:
1979:
1975:
1972:
1968:
1964:
1961:
1957:
1953:
1950:
1946:
1942:
1939:
1935:
1931:
1928:
1924:
1920:
1917:
1913:
1909:
1905:
1902:
1898:
1894:
1891:
1887:
1883:
1880:
1876:
1872:
1869:
1865:
1861:
1858:
1854:
1841:
1828:
1825:Total length:
1818:
1815:
1811:
1807:
1804:
1800:
1796:
1793:
1789:
1785:
1782:
1778:
1765:
1761:
1748:
1745:Total length:
1738:
1735:
1731:
1727:
1724:
1720:
1716:
1713:
1709:
1705:
1702:
1698:
1694:
1691:
1687:
1683:
1680:
1676:
1672:
1669:
1665:
1661:
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1654:
1650:
1647:
1643:
1639:
1636:
1632:
1619:
1616:
1615:
1611:
1607:
1599:Track listing
1598:
1591:
1577:
1575:
1574:
1570:
1566:
1557:
1555:
1554:
1550:
1546:
1537:
1535:
1534:
1530:
1529:
1520:
1518:
1517:
1513:
1509:
1500:
1495:
1494:
1493:Rolling Stone
1490:
1486:
1477:
1475:
1474:
1470:
1466:
1457:
1455:
1454:
1450:
1449:
1440:
1435:
1434:
1430:
1426:
1417:
1414:
1412:
1411:
1407:
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1394:
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1388:
1384:
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1364:
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1354:
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1344:
1340:
1331:
1327:
1318:
1313:
1312:
1304:
1289:
1286:
1283:
1282:
1276:
1274:
1272:
1271:Streetcleaner
1268:
1264:
1263:Streetcleaner
1260:
1256:
1252:
1248:
1244:
1240:
1239:
1234:
1233:Streetcleaner
1230:
1226:
1222:
1221:Streetcleaner
1218:
1217:Slap Magazine
1214:
1210:
1206:
1202:
1201:Streetcleaner
1197:
1195:
1194:Streetcleaner
1191:
1190:
1185:
1184:Streetcleaner
1181:
1177:
1176:
1171:
1170:Streetcleaner
1167:
1163:
1162:Streetcleaner
1156:
1155:
1150:
1146:
1144:
1139:
1136:
1135:
1130:
1125:
1124:Streetcleaner
1090:
1088:
1087:
1083:
1082:
1078:
1076:
1073:
1072:
1068:
1066:
1065:
1061:
1060:
1035:
1033:
1032:
1028:
1027:
997:
995:
992:
991:
983:
980:Review scores
978:
969:
967:
965:
961:
957:
956:Roadburn 2011
953:
949:
948:Streetcleaner
944:
942:
941:
936:
932:
928:
924:
923:Streetcleaner
920:
916:
912:
911:Streetcleaner
904:
903:Streetcleaner
900:
896:
889:
887:
885:
884:
879:
875:
870:
866:
862:
861:Streetcleaner
855:
853:
851:
850:Streetcleaner
847:
843:
839:
834:
833:
828:
827:Streetcleaner
824:
817:
816:Streetcleaner
813:
806:
804:
792:
791:Streetcleaner
788:
772:
752:
748:
745:
743:
740:
739:
734:
730:
727:
726:serial killer
723:
722:Streetcleaner
718:
716:
712:
707:
706:Streetcleaner
699:
698:Streetcleaner
694:
692:
687:
686:
681:
677:
673:
669:
662:
661:Streetcleaner
656:
654:
630:
609:
592:
590:
589:
584:
583:
578:
574:
572:
567:
563:
562:Streetcleaner
559:
553:
552:Streetcleaner
548:
547:Streetcleaner
544:
543:
538:
534:
533:Streetcleaner
530:
526:
522:
518:
514:
513:Streetcleaner
508:
505:
498:
490:
488:
486:
485:Streetcleaner
482:
481:
476:
472:
468:
467:Streetcleaner
464:
458:
456:
452:
448:
447:Streetcleaner
444:
443:Digby Pearson
440:
436:
432:
428:
427:Streetcleaner
423:
412:
411:Streetcleaner
408:
403:
399:
397:
396:
391:
390:Streetcleaner
387:
383:
379:
375:
371:
367:
363:
359:
355:
351:
347:
343:
339:
331:
329:
327:
326:Streetcleaner
323:
322:
321:Rolling Stone
317:
313:
309:
305:
301:
297:
293:
292:Streetcleaner
288:
286:
282:
281:Streetcleaner
278:
274:
270:
266:
265:Streetcleaner
261:
259:
258:Streetcleaner
254:
250:
246:
242:
241:
240:Streetcleaner
226:
225:
221:
217:
216:
215:Streetcleaner
212:
208:
207:
203:
202:
198:
194:
190:
184:
181:
179:
176:
175:
173:
171:
167:
164:
160:
157:
155:
151:
144:(CD releases)
133:
119:
118:
116:
112:
109:
106:
104:
100:
96:
92:
88:
84:
75:bonus tracks)
74:
68:
64:
60:
56:
52:
47:
43:
39:
34:
31:Streetcleaner
29:
23:
19:
5470:Cable Regime
5460:Napalm Death
5416:
5398:
5393:Life Is Easy
5391:
5373:
5366:
5360:Remix albums
5348:
5263:
5256:
5249:
5242:
5235:
5228:
5210:
5203:
5196:
5189:
5182:
5175:
5168:
5161:
5155:
5154:
5124:Paul Neville
5114:
5107:
5048:
5030:
5019:
4998:. Retrieved
4991:
4982:
4970:. Retrieved
4964:
4954:
4939:
4933:
4921:. Retrieved
4910:
4901:
4889:. Retrieved
4878:
4869:
4857:. Retrieved
4846:
4837:
4825:. Retrieved
4814:
4805:
4793:. Retrieved
4784:
4775:
4763:. Retrieved
4752:
4742:
4730:. Retrieved
4726:the original
4719:
4709:
4697:. Retrieved
4686:
4676:
4664:. Retrieved
4653:
4643:
4631:. Retrieved
4625:
4615:
4603:. Retrieved
4599:the original
4594:
4584:
4573:
4567:
4555:. Retrieved
4544:
4534:
4522:. Retrieved
4504:
4492:. Retrieved
4481:
4471:
4462:
4456:
4445:
4439:
4427:. Retrieved
4416:
4390:. Retrieved
4386:the original
4379:
4355:. Retrieved
4351:the original
4344:
4334:
4322:. Retrieved
4311:
4286:. Retrieved
4280:
4270:
4244:. Retrieved
4230:
4224:
4212:. Retrieved
4201:
4191:
4179:. Retrieved
4168:
4158:
4131:
4126:
4115:
4109:
4097:. Retrieved
4078:
4055:
4049:
4025:
4018:
3995:
3990:
3981:
3977:Melody Maker
3975:
3966:
3940:
3936:
3931:
3919:. Retrieved
3900:
3888:. Retrieved
3879:
3869:
3857:. Retrieved
3838:
3826:. Retrieved
3820:
3810:
3798:. Retrieved
3779:
3770:
3764:
3758:
3747:
3726:. Retrieved
3721:the original
3674:
3671:
3666:
3654:
3650:
3614:. Retrieved
3610:RVA Magazine
3608:
3583:. Retrieved
3572:
3562:
3553:Rock-A-Rolla
3551:
3545:
3533:. Retrieved
3527:
3517:
3505:. Retrieved
3494:
3485:
3473:. Retrieved
3467:
3457:
3445:. Retrieved
3434:
3409:. Retrieved
3400:
3390:
3378:. Retrieved
3350:. Retrieved
3339:
3316:
3314:
3307:. Retrieved
3296:
3292:
3264:. Retrieved
3255:
3230:. Retrieved
3226:the original
3215:
3203:. Retrieved
3184:
3172:. Retrieved
3161:
3151:
3139:. Retrieved
3135:the original
3130:
3120:
3108:. Retrieved
3097:
3087:
3078:
3074:Melody Maker
3072:
3063:
3051:. Retrieved
3040:
3013:. Retrieved
2979:. Retrieved
2968:
2944:. Retrieved
2933:
2912:
2905:. Retrieved
2888:Rough Guides
2881:
2858:. Retrieved
2847:
2821:. Retrieved
2815:
2805:
2794:
2766:
2761:
2749:. Retrieved
2734:
2724:
2712:. Retrieved
2703:
2694:
2682:. Retrieved
2671:
2646:. Retrieved
2637:
2612:. Retrieved
2601:
2572:. Retrieved
2566:
2512:
2484:. Retrieved
2445:. Retrieved
2441:the original
2412:. Retrieved
2368:. Retrieved
2349:
2337:. Retrieved
2303:. Retrieved
2264:. Retrieved
2253:
2212:Life Is Easy
2211:
2189:. Retrieved
2178:
2173:Bennett, J.
2153:. Retrieved
2076:(tracks 1–5)
2065:
2064:
2056:Paul Neville
2026:
2025:
2020:
2018:
2004:
2003:
1783:"Tiny Tears"
1759:
1692:"Devastator"
1614:Paul Neville
1603:
1589:
1571:
1551:
1531:
1514:
1491:
1471:
1451:
1431:
1408:
1385:
1365:
1345:
1309:
1287:Publication
1270:
1262:
1255:Aaron Turner
1236:
1232:
1228:
1220:
1216:
1213:Fear Factory
1200:
1198:
1193:
1187:
1183:
1173:
1169:
1165:
1161:
1152:
1148:
1141:
1132:
1123:
1122:
1084:
1075:Sputnikmusic
1062:
1029:
947:
945:
938:
935:Kevin Martin
927:Peel session
922:
915:Napalm Death
910:
908:
902:
881:
873:
868:
860:
859:
849:
837:
830:
826:
815:
811:
809:
790:
786:
750:
746:
736:
721:
719:
705:
697:
695:
683:
678:" (1988) by
667:
660:
659:
586:
580:
576:
569:
561:
560:
551:
546:
540:
537:Napalm Death
532:
524:
512:
510:
500:
496:
484:
478:
475:drum machine
466:
462:
459:
446:
434:
430:
426:
419:
410:
395:Life Is Easy
393:
389:
381:
346:Paul Neville
335:
325:
319:
308:Fear Factory
291:
289:
285:Napalm Death
280:
264:
262:
257:
239:
238:
237:
222:
214:
213:
204:
80:(main album)
72:
46:Studio album
22:
5475:Anti-Social
5435:Discography
5342:Live albums
5184:Us and Them
5139:Ted Parsons
5116:B. C. Green
4699:18 February
4357:11 February
4181:18 February
3890:19 February
3849:Brainwashed
3828:17 December
3660:. MOSH1501.
3535:17 November
3475:24 February
3372:K., Simon.
3256:Self-Titled
3205:19 February
2890:. pp.
2714:24 February
2704:Self-Titled
2648:26 February
2568:The Quietus
2266:19 February
2073:engineering
2050:G. C. Green
1918:Early 1990)
1805:"Dead Head"
1681:"Head Dirt"
1637:"Like Rats"
1610:G. C. Green
1245:, Isis and
1168:wrote that
1154:The Quietus
931:BBC Radio 1
901:performing
878:Ken Russell
832:The Quietus
771:"Dead Head"
608:"Like Rats"
511:Musically,
374:Sonic Youth
366:programming
338:G. C. Green
269:heavy metal
183:G. C. Green
5490:Categories
5465:Painkiller
5244:Cold World
5237:Slavestate
5000:18 October
4912:Terrorizer
4655:Terrorizer
4170:Terrorizer
4120:(429): 42.
4040:1935950169
3859:14 January
3766:Propaganda
3709:Green, Ben
3195:MetalSucks
3174:9 February
3015:9 February
2935:Terrorizer
2901:1858284570
2823:10 October
2776:0313329818
2745:0879308044
2291:Nottingham
2123:References
2037:production
1760:Tiny Tears
1453:Terrorizer
1367:Terrorizer
1229:Revolver's
874:Tiny Tears
869:Tiny Tears
812:Tiny Tears
803:media help
787:Tiny Tears
747:Tiny Tears
733:jackhammer
653:media help
531:material,
517:industrial
463:Tiny Tears
451:Birmingham
435:Tiny Tears
416:percussion
300:live album
224:Slavestate
195:chronology
91:Birmingham
73:Tiny Tears
5325:Post Self
5251:Merciless
5205:Post Self
4966:Pitchfork
4754:Stereogum
3937:Godflesh
3716:Instagram
3401:Trebuchet
2106:position
2088:mastering
2058:– guitar
2015:Personnel
1816:"Suction"
1553:Pitchfork
1293:Accolade
1277:Accolades
952:set lists
919:Nocturnus
823:hard rock
810:The four
693:in 1989.
672:breakdown
582:Decibel's
386:Merciless
382:Extirpate
378:Discharge
360:(guitar,
97:, England
5283:Slateman
5230:Godflesh
5170:Selfless
5097:Godflesh
5056:through
5054:Bandcamp
5038:through
5036:Bandcamp
4993:Revolver
4941:Kerrang!
4917:Archived
4885:Archived
4880:Kerrang!
4853:Archived
4821:Archived
4795:2 August
4789:Archived
4759:Archived
4732:17 March
4693:Archived
4688:Revolver
4666:1 August
4660:Archived
4633:1 August
4578:: 68–74.
4551:Archived
4518:Archived
4488:Archived
4423:Archived
4381:Revolver
4318:Archived
4240:Archived
4208:Archived
4175:Archived
4117:The Wire
4093:Archived
4089:AllMusic
3915:Archived
3911:AllMusic
3884:Archived
3853:Archived
3794:Archived
3790:AllMusic
3773:: 40–41.
3749:The Wire
3579:Archived
3556:: 28–29.
3501:Archived
3496:Revolver
3441:Archived
3436:Loudwire
3405:Archived
3395:Kailas.
3346:Archived
3303:Archived
3298:Revolver
3260:Archived
3199:Archived
3168:Archived
3104:Archived
3099:Loudwire
3047:Archived
3009:Archived
3005:AllMusic
2975:Archived
2940:Archived
2854:Archived
2708:Archived
2678:Archived
2673:Loudwire
2642:Archived
2608:Archived
2480:Archived
2408:Archived
2404:AllMusic
2364:Archived
2360:AllMusic
2333:Archived
2329:AllMusic
2299:Archived
2297:. 1991.
2260:Archived
2255:Exclaim!
2185:Archived
2149:Archived
2145:AllMusic
2027:Godflesh
1573:Revolver
1533:Loudwire
1410:Kerrang!
1387:Revolver
1347:Kerrang!
1290:Country
1247:Converge
1205:Neurosis
1166:Loudwire
1138:Greg Kot
994:AllMusic
838:Godflesh
751:Godflesh
749:and the
715:AllMusic
588:Revolver
577:Loudwire
566:feedback
480:Loudwire
431:Godflesh
354:the Cure
304:Neurosis
249:Godflesh
206:Godflesh
193:Godflesh
170:Producer
66:Recorded
58:Released
51:Godflesh
48: by
5297:Xnoybis
5275:Singles
5258:Messiah
4972:19 June
4923:25 July
4891:25 July
4859:25 July
4827:25 July
4765:26 July
4627:Decibel
4605:25 July
4575:Decibel
4557:25 July
4524:25 July
4494:25 July
4429:25 July
4392:25 July
4324:25 July
4282:Decibel
4246:25 July
4214:24 July
4099:26 July
3921:26 July
3800:26 July
3616:25 July
3585:25 July
3529:Decibel
3507:25 July
3469:Decibel
3447:25 July
3411:25 July
3380:25 July
3352:25 July
3309:25 July
3266:25 July
3232:28 July
3163:Decibel
3141:25 July
3110:25 July
3053:25 July
2981:25 July
2946:25 July
2907:25 July
2860:25 July
2751:25 July
2684:25 July
2614:25 July
2574:25 July
2486:25 July
2447:25 July
2414:25 July
2370:25 July
2339:25 July
2305:11 July
2191:25 July
2155:25 July
1794:"Wound"
1267:Melvins
905:in 2011
856:Release
846:ambient
793:proper.
753:reissue
711:samples
668:Decibel
228:(1991)
219:(1989)
210:(1988)
159:Earache
5410:Splits
5318:Ringer
5290:Mothra
4463:Blast!
4288:8 June
4066:
4037:
3728:6 June
2898:
2799:(203).
2773:
2742:
2094:Charts
2041:Alesis
1916:Geneva
1851:Length
1775:Length
1659:"Pulp"
1629:Length
1149:Blast!
988:Rating
985:Source
842:common
819:'s
701:'s
664:'s
555:'s
473:HR-16
471:Alesis
441:, and
414:'s
407:Alesis
362:vocals
350:guitar
344:) and
324:named
163:Combat
114:Length
86:Studio
5212:Purge
5191:Hymns
5134:Brain
4450:: 84.
3984:: 38.
3822:Clash
3081:: 37.
2005:Notes
1997:69:50
1943:12:20
1848:Title
1829:66:22
1772:Title
1749:52:21
1626:Title
1568:2021
1548:2019
1511:2018
1488:2017
1468:2013
1428:2011
1405:2005
1382:2002
1342:2000
1329:1998
1306:1995
1296:Rank
1284:Year
1158:'
1129:Satan
880:film
738:Clash
529:Swans
455:Derby
370:Swans
271:with
247:band
154:Label
103:Genre
95:Derby
69:1988
5455:Loop
5450:Jesu
5332:Nero
5163:Pure
5002:2021
4974:2019
4946:EMAP
4925:2018
4893:2018
4861:2018
4829:2018
4797:2018
4767:2018
4734:2018
4701:2018
4668:2018
4635:2018
4607:2018
4559:2018
4546:Fact
4526:2018
4496:2018
4431:2018
4418:Fact
4394:2018
4359:2024
4326:2018
4290:2018
4262:link
4248:2018
4216:2018
4203:Fact
4183:2018
4150:link
4101:2018
4064:ISBN
4035:ISBN
4010:link
3958:link
3923:2018
3892:2018
3861:2019
3830:2018
3802:2018
3730:2020
3692:link
3618:2018
3587:2018
3537:2018
3509:2018
3477:2018
3449:2018
3413:2018
3382:2018
3354:2018
3311:2018
3268:2018
3234:2018
3207:2018
3176:2018
3143:2018
3112:2018
3055:2018
3017:2018
2983:2018
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