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as a troubled married couple. Their marital problems are partially a consequence of Spain's rapidly modernizing consumer society. Saura explains that his film is "the study of the crisis in a seemingly developed society, the crisis of the modern
Spaniard who, underneath the new veneer, is still a
238:. Fernando (Cebrián) is a successful industrialist; however, he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), who he believes is having an affair with his best friend, Antonio (Galiardo).
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medieval man, who still has working within him the old taboos and moral repressions from his religious past." The film is experimental in nature, whereby Saura moved away from several of the formulas of his previous two films,
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The "Stress" Is on
Geraldine Chaplin. The New York Times. pp. 13. 26 November 1967. Retrieved on 30 July 2011
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I was very constrained by story and I wanted to unbind myself. So, I made
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764:(2022)
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