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String Quartets (Schoenberg)

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151: 228: 1686: 301:. On setting George, Schoenberg himself later wrote, "I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before. … New sounds were produced, a new kind of melody appeared, a new approach to expression of moods and characters was discovered." 331: 1710: 69:). Finally, several string quartets exist in fragmentary form. These include String Quartet in F major (before 1897), String Quartet in D minor (1904), String Quartet in C major (after 1904), String Quartet Movement (1926), String Quartet (1926), String Quartet in C major (after 1927) and String Quartet No. 5 (1949). 169:
A large work consisting of one movement which lasts longer than 45 minutes, Schoenberg's First String Quartet was his first assured masterpiece, and it was the real beginning of his reputation as a composer. Begun in the summer of 1904 and completed in September 1905, this quartet is remarkable for
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This string quartet in four movements is Schoenberg's earliest extant work of large scale: average duration of recorded performances is about 27 minutes. Completed in 1897, it was premiered privately on March 17, 1898, and publicly later that same year on December 20 in Vienna. It was published
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This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist
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In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (
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The Fourth String Quartet of 1936 is very much representative of Schoenberg's late style. Also this quartet was commissioned by Mrs. Coolidge. The slow movement opens with a long unison
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minor, though from a Schenkerian perspective, "in spite of the decisive bass reading, the upper voice fails to unfold a fundamental line from the structural
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structures typical of string quartet writing up to that period, he favored asymmetrical phrases that build themselves into larger cohesive groups.
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Peles, Stephen. "Interpretations of Sets in Multiple Dimensions: Notes on the Second Movement of Arnold Schoenberg's String Quartet Number 3".
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on March 2, 1927, though the work had already been completed by this time, and its première was given in Vienna on September 19, 1927, by the
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Catherine Dale, "Schoenberg's Concept of Variation Form: A Paradigmatic Analysis of 'Litanei' from the Second String Quartet, Op. 10",
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Kanons und kontrapunktische Sätze – Vierstimmiger Spiegelkanon für Streichquartett (A Dur) GA A 18.33 Kanon (vermutlich um 1930/35)
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gave him much advice and criticism during the composition of this work. Zemlinsky even showed an early draft of it to
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in all four instruments while the finale has the character of a march, similar to the last movement of Schoenberg's
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structure, Schoenberg makes use of another innovation, which he called "musical prose." Instead of balanced
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in F which now exists as a separate piece. Schoenberg substituted the Intermezzo at Zemlinsky's suggestion.
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Frisch, Walter (Summer 1988). "Thematic Form and the Genesis of Schoenberg's D-Minor Quartet, Opus 7".
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Schoenberg's Third String Quartet dates from 1927, after he had worked out the basic principles of his
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which appear again and again in many different guises. Besides his extension of tonality and tight
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Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg’s Early Works
983:, "Historical Legitimacy", included booklet. Praga Digitals PRD 250 112 HMCD 90. Prague. 181:, bearing the key of D minor, though it stretches this to its limit with the thoroughly 1595: 1254: 962: 908: 591: 294: 275: 253: 213: 22: 1724: 1583: 1477: 1032: 355: 298: 209: 198: 194: 171: 83: 1077: 1662: 1457: 938:, 22, nos. 1 & 2 (Fall/Winter 1983 – Spring/Summer 1984): 303–52. pp. 303–304. 244: 31: 62:), a Scherzo in F major (1897), and later a Four-part Mirror Canon in A major ( 1600: 652: 632: 265: 121: 1051:. Translated by Eugene Hartzell. Hamburg: Deutsche Grammophon. pp. 9–80. 857: 110:, whom Schoenberg very much admired. It was given the old master's approval. 1634: 1234: 354:
The latter two movements of the Second String Quartet are set to poems from
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Schoenberg, Berg, Webern: The String Quartets. A Documentary Study
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Burkholder, J. Peter. 1999. "Schoenberg the Reactionary". In
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pictured at right . It also carries a small collection of
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Bereft of desire, I surrender myself to the great breath.
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Quartal harmony from Schoenberg's First String Quartet.
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In the ecstasy of consecration where the fervent cries
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According to Schoenberg, when he showed the score to
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Take love away from me, and give me your happiness!
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The second movement quotes the Viennese folk song, "
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New York: Oxford University Press. p. 29. 533:So that I scarcely recognize them, and you bright 362:(The Seventh Ring), which was published in 1907. 839:The Atonal Music of Arnold Schoenberg, 1908–1923 540:In order, after the frenzy of warring confusion, 538:Are now extinguished completely in deeper flames 446:Still active flames are glowing inside my heart; 416:Deep is the sadness that gloomily comes over me, 874:118, No. 1 (1993): 94-120, citation on 101–102. 531:And trees and paths that I once loved fade away 82:major (1933): a recomposition of a work by the 1751:Classical musical works published posthumously 782:Oxford and New York: Oxford University Press. 547:With unfathomable thanks and unnamable praise; 526:The faces that once turned to me in friendship 504:Der boden schĂĽffert weiss und weich wie molke. 1736:Twelve-tone compositions by Arnold Schoenberg 1194: 515:Ich bin ein dröhnen nur der heiligen stimme. 501:Die nur umfängt auf fernsten bergesschlĂĽpfen. 466:Die freundlich eben noch sich zu mir drehten. 8: 1543: 1533: 1523: 1513: 1503: 1465: 1455: 1434: 1418: 1408: 1398: 1371: 1283: 1262: 1252: 1242: 1232: 1066:Mineola, New York: Dover Publications, Inc. 423:The shrines are empty, only anguish is full. 99:posthumously in 1966 (Faber Music, London). 511:In einem meer kristallnen glanzes schwimme— 471:Dass ich sie kaum mehr kenne und du lichter 1781:Musical settings of poems by Stefan George 1201: 1187: 1179: 566:The land looks white and smooth like whey. 545:I lose myself in tones, circling, weaving, 497:Dann seh ich wie sich duftige nebel lĂĽpfen 492:Im rausch der weihe wo inbrĂĽnstige schreie 464:Mir blassen durch das dunkel die gesichter 377:Leer sind die schreine, voll nur die qual. 375:Lang war die reise, matt sind die glieder, 256:, with soprano Rona Israel-Kolatt, in 2007 1756:Compositions that use extended techniques 1349:Concerto for String Quartet and Orchestra 1313:Begleitungsmusik zu einer Lichtspielscene 1174:International Music Score Library Project 662:The string quartet is in four movements: 616:The string quartet is in four movements: 487:Dem grossen atem wunschlos mich ergebend. 483:Ich löse mich in tönen, kreisend, webend, 476:Bist nun erloschen ganz in tiefern gluten 421:Long was the journey, my limbs are weary, 304:The string quartet is in four movements: 278:, in 1908. It was first performed by the 113:The string quartet is in four movements: 74:Concerto for String Quartet and Orchestra 1059:". PhD Dissertation. Western University. 888:. Oxford University Press. p. 315. 872:Journal of the Royal Musical Association 513:Ich bin ein funke nur vom heiligen feuer 407:Nimm mir die liebe, gib mir dein glĂĽck! 402:Innerst im grunde wacht noch ein schrei. 390:Schwach ist mein atem rufend dem traume, 382:Hart war gestritten, starr ist mein arm. 372:Ein tret ich wieder, Herr! in dein haus. 149: 1705: 686: 577:I am only a whisper of the holy voice. 473:Geliebter schatten—rufer meiner qualen— 469:Und bäum und wege die ich liebte fahlen 392:Hohl sind die hände, fiebernd der mund. 370:Tief ist die trauer die mich umdĂĽstert, 1786:Chamber music compositions with vocals 967:The Collected Essays of Milton Babbitt 542:To reappear in a pious display of awe. 535:Beloved shadow—summoner of my anguish— 485:UngrĂĽndigen danks und unbenamten lobes 478:Um nach dem taumel streitenden getobes 385:Gönne die ruhe schwankenden schritten, 321:"Litanei", langsam ("Litany", slow), E 263: 823: 556:Of women praying in the dust implore: 506:Ich steige ĂĽber schluchten ungeheuer. 494:In staub geworfner beterinnen flehen: 438:my hands are hollow, my mouth fevers. 436:Weak is my breath, calling the dream, 428:The battle was hard, my arm is stiff. 405:Töte das sehnen, schliesse die wunde! 380:Durstende zunge darbt nach dem weine. 177:Unlike his later works, this work is 138:The original second movement was the 7: 1746:Lists of string quartets by composer 1047:Rauchhaupt, Ursula von, ed. (1971). 886:Music in the Early Twentieth Century 508:Ich fĂĽhle wie ich ĂĽber letzter wolke 480:Mit einem frommen schauer anzumuten. 462:Ich fĂĽhle luft von anderem planeten. 448:in my deepest insides a cry awakens. 441:Lend your coolness, douse the fires, 433:for my hungry gums break your bread! 431:Grudge peace to my staggering steps, 395:Leih deine kĂĽhle, lösche die brände. 499:In einer sonnerfĂĽllten klaren freie 490:Mich ĂĽberfährt ein ungestĂĽmes wehen 400:Gluten im herzen lodern noch offen, 1741:Chamber music by Arnold Schoenberg 1095:"String Quartet in D major (1897)" 747:"Canons and contrapuntal settings" 575:I am only a spark of the holy fire 451:Kill the longing, close the wound! 418:Again I step, Lord, in your house. 397:Tilge das hoffen, sende das licht! 387:Hungrigem gaume bröckle dein brot! 14: 1619:Arnold Schönberg Complete Edition 26:, distributed over his lifetime: 1791:Song cycles by Arnold Schoenberg 1708: 1685: 1684: 552:A tempestuous wind overwhelms me 329: 318:Sehr rasch (Very brisk), D minor 264:Problems playing this file? See 242: 238:String Quartet No. 2, movement 4 1731:Compositions for string quartet 1041:Schoenberg, the String Quartets 528:Pale in the darkness before me. 524:I feel air from another planet. 426:My thirsty tongue desires wine. 28:String Quartet No. 1 in D minor 605:The piece was commissioned by 568:I climb over enormous ravines. 559:Then I see a filmy mist rising 1: 1526:Das Buch der hängenden Gärten 1064:String Quartets nos. 1 and 2. 722:"Scherzo fĂĽr Streichquartett" 659:written about the same time. 573:In a sea of crystal radiance— 561:In a sun-filled, open expanse 443:rub out hope, send the light! 170:its density and intensity of 63: 56: 1170:String Quartet No. 4, Op. 37 1166:String Quartet No. 3, Op. 30 1162:String Quartet No. 2, Op. 10 696:"Presto fĂĽr Streichquartett" 647:String Quartet No. 4, Op. 37 582:String Quartet No. 3, Op. 30 220:String Quartet No. 2, Op. 10 174:with only four instruments. 1158:String Quartet No. 1, Op. 7 799:Schoenberg, Arnold (1984). 146:String Quartet No. 1, Op. 7 1807: 1411:Sechs kleine KlavierstĂĽcke 1062:Schoenberg, Arnold. 1997. 884:Taruskin, Richard (2009). 607:Elizabeth Sprague Coolidge 297:, using poetry written by 1682: 1300:Five Pieces for Orchestra 1216: 981:String Quartets nos. 1, 2 979:Barbier, Pierre E. 1997. 935:Perspectives of New Music 596:String Quartet in A minor 94:String Quartet in D major 48:, Op. 30 (1927), and the 36:String Quartet No. 2 in F 1306:Variations for Orchestra 988:Schoenberg and his World 950:Arnold Schönberg Center. 836:Simms, Bryan R. (2000). 720:Eike FeĂź (3 July 2018). 694:Eike FeĂź (3 July 2018). 456: 364: 72:Schoenberg also wrote a 1603:(Relatives by marriage) 1151:Arnold Schönberg Center 1138:Arnold Schönberg Center 1125:Arnold Schönberg Center 1112:Arnold Schönberg Center 1099:Arnold Schönberg Center 751:Arnold Schönberg Center 726:Arnold Schönberg Center 700:Arnold Schönberg Center 667:Allegro molto, Energico 104:Alexander von Zemlinsky 1650:Second Viennese School 1544: 1534: 1524: 1514: 1504: 1486:A Survivor from Warsaw 1466: 1456: 1435: 1419: 1409: 1399: 1372: 1320:Chamber Symphony No. 2 1294:Chamber Symphony No. 1 1284: 1263: 1253: 1243: 1233: 1147:"String Quartet No. 4" 1134:"String Quartet No. 3" 1121:"String Quartet No. 2" 1108:"String Quartet No. 1" 948:Streichquartett Nr. 4. 231: 166: 88:George Frideric Handel 16:The Austrian composer 1674:Twelve-tone technique 1555:Four Orchestral Songs 1286:Pelleas und Melisande 1039:Harrison, Max. 1999. 588:twelve-tone technique 284:Marie Gutheil-Schoder 230: 153: 1640:Developing variation 1368:(Opp. 7, 10, 30, 37) 1265:Von heute auf morgen 1219:List of compositions 1132:Camille Crittenden. 1076:Stolz, Nolan. 2008. 1055:Roy, Adam J. 2021. " 627:Theme and Variations 291:O du lieber Augustin 128:Theme and Variations 124:(Andantino grazioso) 102:Schoenberg's friend 50:String Quartet No. 4 46:String Quartet No. 3 1645:Expressionist music 1245:Die glĂĽckliche Hand 1119:Therese Muxeneder. 776:MacDonald, Malcolm. 309:Mäßig (Moderate), F 189:music, such as the 1437:Zwei KlavierstĂĽcke 1421:FĂĽnf KlavierstĂĽcke 1401:Drei KlavierstĂĽcke 1145:Mirjam Schlemmer. 1106:Matthias Schmidt. 635:(Allegro moderato) 232: 167: 130:(Andante con moto) 1776:1936 compositions 1771:1927 compositions 1766:1908 compositions 1761:1905 compositions 1696: 1695: 1210:Arnold Schoenberg 913:Arnold Schoenberg 849:978-0-19-535185-9 360:Der siebente Ring 252:Performed by the 247: 183:extended tonality 52:, Op. 37 (1936). 44:, Op. 10 (1908), 18:Arnold Schoenberg 1798: 1713: 1712: 1711: 1704: 1688: 1687: 1656:Schönberg Family 1549: 1539: 1529: 1519: 1509: 1471: 1468:Die Jakobsleiter 1461: 1440: 1424: 1414: 1404: 1377: 1289: 1268: 1258: 1248: 1238: 1203: 1196: 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Retrieved 699: 689: 661: 650: 615: 604: 600:12-tone sets 585: 520: 519: 458: 457: 412: 411: 366: 365: 359: 353: 303: 288: 280:RosĂ© Quartet 272: 207: 176: 168: 137: 112: 101: 97: 71: 54: 49: 45: 35: 27: 21: 15: 1579:Eric Randol 1516:Vier Lieder 1475:Prelude to 1462:(1900–1911) 1330:Concertante 67: 1933 60: 1895 1725:Categories 1601:Luigi Nono 1277:Orchestral 682:References 653:recitative 633:Intermezzo 459:EntrĂĽckung 266:media help 122:Intermezzo 34:7 (1905), 1635:Atonality 1472:(1917–22) 1259:(1930–32) 1235:Erwartung 1033:194093809 858:252600219 824:Muxeneder 86:composer 1690:Category 1669:Students 1558:, Op. 22 1550:, Op. 21 1540:, Op. 20 1530:, Op. 15 1489:, Op. 46 1481:, Op. 44 1441:, Op. 33 1431:, Op. 25 1425:, Op. 23 1415:, Op. 19 1405:, Op. 11 1384:, Op. 26 1345:, Op. 42 1339:, Op. 36 1322:, Op. 38 1316:, Op. 34 1308:, Op. 31 1302:, Op. 16 1269:, Op. 32 1249:, Op. 18 1239:, Op. 17 1081:Eunomios 965:. 2003. 911:. 1996. 629:(Adagio) 622:Moderato 338:♭ 324:♭ 312:♯ 187:Romantic 185:of late 79:♭ 39:♯ 1611:Related 1584:Marlena 1573:Gertrud 1520:, Op. 2 1510:, Op. 1 1378:, Op. 4 1359:Chamber 1296:, Op. 9 1290:, Op. 5 923:. p. 89 780:Brahms. 757:1 April 731:1 April 705:1 April 676:Allegro 521:Rapture 367:Litanei 199:motivic 140:Scherzo 133:Allegro 84:Baroque 1701:Portal 1566:Family 1449:Choral 1351:(1933) 1070:  1031:  1025:831435 1023:  994:  973:  919:  892:  856:  846:  807:  786:  778:2001. 670:Comodo 413:Litany 335:" or G 214:Wagner 203:phrase 195:themes 1630:6-Z44 1497:Vocal 1226:Opera 1029:S2CID 1021:JSTOR 673:Largo 639:Rondo 341:major 315:minor 179:tonal 42:minor 1625:6-20 1068:ISBN 992:ISBN 971:ISBN 917:ISBN 890:ISBN 854:OCLC 844:ISBN 805:ISBN 784:ISBN 759:2023 733:2023 707:2023 350:Text 160:Play 76:in B 32:Opus 1013:doi 594:'s 1727:: 1168:, 1164:, 1160:, 1149:. 1136:. 1123:. 1110:. 1097:. 1027:. 1019:. 1009:41 1007:. 852:. 763:, 749:. 724:. 698:. 613:. 286:. 90:. 64:c. 57:c. 30:, 1703:: 1202:e 1195:t 1188:v 1153:. 1140:. 1127:. 1114:. 1101:. 1035:. 1015:: 898:. 860:. 826:. 813:. 761:. 735:. 709:. 268:.

Index

Arnold Schoenberg
string quartets
Opus
Concerto for String Quartet and Orchestra
Baroque
George Frideric Handel
Alexander von Zemlinsky
Johannes Brahms
Intermezzo
Theme and Variations
Scherzo

Play
orchestration
tonal
extended tonality
Romantic
quartal harmony
themes
motivic
phrase
Gustav Mahler
Wagner
String Quartet No. 2, movement 4
Carmel Quartet
media help
Richard Gerstl
Rosé Quartet
Marie Gutheil-Schoder
O du lieber Augustin

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