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1019:. Musically, the song was a group composition. It is largely fuelled by vocal harmonies and interchanging lead vocals by Lagerberg and Blom. The album closes with "The Old Man Wafwer", which is the only instrumental track Tages ever recorded. The composition is split into two section, one which uses an arrangement of brass instruments played by Lasse Samuelson's Orchestra which leads into a riff on the accordion played by Henriksson. The second part is based on
1250:. Despite praising the production and recording, the critic was slightly disappointed in the string arrangement, comparing it unfavourably to a contemporary record by the Swedish Radio Symphony Orchestra. The critic described some of the lyrics as "stiff or awkward", particularly in "People Without Faces". Despite the criticism, the critic called the album "worthvile" and considered it one of the best Swedish album as of lately. In
1471:. He positively reviews Tages' decision to use folk instruments rather than looking elsewhere for inspiration, stating that this was radical for its time. Tyler believes that the album was groundbreaking as it "fused tradiitonal Swedish instruments" with "psych-pop", and ends the review by stating that it is as "important as any album by the Beatles". According to journalist Andres Lokko, the thing that distinguished
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503:, a song which Tages' biographer Kjell Wiremark considers one of the first "true psychedelic works" in Sweden. Lagerberg and Henriksson worked as a songwriting duo, where Lagerberg wrote most of the lyrical content and Henriksson composed the music. Wiremark attributes the band's sound to drummer Lasse Svensson, who joined the band during the early recording sessions for
1231:, writing that several of them easily "get stuck in your head". The critic said that pretentiousness sometimes ruins the immersion, and criticized Tages for the inclusion of folk instruments, stating that "they were lost in the forest of gimmicks". The critic did praise some of the lyrics, believing that Tages "have found the importance of lyrics as well as music".
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promotional material, depicting Tages' members jamming or rehearsing. The photos were allegedly shot during drummer Lasse
Svensson's first rehearsal with the band on 22 January 1967, but this has never been confirmed by Hirsch or the band. The cover was a departure from the group's three previous albums by being a straightforward picture of the band.
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was upon original release only issued in Sweden and
Denmark. After having two singles, "I'm Going Out" and "Treat Her Like a Lady", chart in the Danish top ten, Parlophone believed that the band were big enough to warrant a release of their album in Denmark. There, it was issued in January 1968. The
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contains "florid-pop psychedelia" with "productional gimmicks", whimsical songwriting and "soul and orchestration in the arrangements". He says there are no bad tracks on the album which is composed "of approaches that were in fashion". He ends the review by praising
Henriksson's work, stating that
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Their studio time at
Europafilm lapsed on 8 October, with only a press conference on 7 October interrupting the recording sessions. At the press conference, Tages revealed that Parlophone had arranged work permits for the band in the United Kingdom, and the members flew to London on 9 October. They
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is Tages' most personal album. Svensson said Tages "were trying to find new ways" with the album, something they succeeded with. He praised the inclusion of folk musicians which "makes the album unique, possibly the first of its kind" and applauded the general songwriting and production effort. In
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song which heavily features Lasse
Samuelson's Orchestra playing brass instruments. The flute which persists during the instrumental break keeps it connected with the album's folk sound. The lyrics are about love from the perspective of a longing narrator. "It's in a Dream" was written by Lagerberg
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without the involvement of any band members, as it was written by
Henriksson and the 19-year-old producer Bengt Palmers. Wiremark calls it the album's most "conventionally psychedelic song" due to the usage of backmasked guitar by Töpel. The song features two lead vocalists: Blom sings during the
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Almost immediately following the recording of "She's Having a Baby Now", Tages embarked on a tour of Sweden. Tages did not enter a studio during the entire summer, which was the most hectic part of the tour. The next recording session occurred in August, and produced another song aimed for single
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song. When the summer tour ended in August, Tages had a chance to incorporate and write new material into their repertoire. The first session aimed specifically at a new album release was held on 1 October at
Europafilm, which was booked almost exclusively for Tages for a week, which was done to
870:"I Left My Shoes at Home" was written by Blom and Larsson. The song is about Blom as he sits in a park without shoes, because he had forgot his shoes under the table in his living room. It features a moody and abrasive piano opening line performed by Larsson. The band is accompanied on brass by
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took them and that they were shot in
Gothenburg, but the location is disputed; according to Brandels and Wrigholm, the cover was taken at the Pop-In club, while Wiremark say that it was taken at another club, Jazzen. Hirsch was hired by Parlophone to take a set of photos that could be used in
497:. The sound also resulted from Tages' willingness to experiment in the studio, largely made possible by Henriksson. In addition to producing, Henriksson wrote several tracks for Tages, including "You're too Incomprehensible", which appears on the band's third studio album
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Danish and
Swedish issues share the same cover, which was printed in Sweden, but feature different discs, pressed in their respective countries. Swedish-printed copies of the album were also distributed in Norway and Finland, where the band were relatively well known.
1203:, where the in-house reviewer, Håkan Sandén, was an admirer of Tages. Sandén said he initially was disappointed by the album but nevertheless thought it was "phenomonal". He said that despite Tages' ability to "borrow" aspects from their favourite bands,
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like a woman. The midpoint of side one provides a change as the focus switches from songs written and sung by
Lagerberg to songs written and sung by Blom. The first of these is "People Without Faces", which is mixed low and has a melody accompanied by a
514:, Tages' fourth studio album, were entirely dependent on whether or not accompanying singles would become hits or not. In June 1967, Parlophone released "She's Having a Baby Now" as Tages' third single on that label, with "Sister's Got a Boyfriend" from
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among fans of 1960s pop music in Sweden. With the renewed attention, it began to receive widespread acclaim and was seen as a major influence on folk-rock fusion. For their usage of Swedish folk musicians, Tages were seen as pioneers by many critics.
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and the band's failure to crack the English music market. This culminated with him leaving the band in the summer of 1968 to focus on a solo career, leaving the rest of the band as a quartet. In retrospect, Blom argued that Tages should have recorded
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Lead vocalist Blom became disillusioned with Tages as he was largely considered a secondary member by 1968, overshadowed by Lagerberg who by this point was the band's artistical driving force. Blom criticized Parlophone for their failure to promote
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and Henriksson. The song is characterized by a piano riff performed by Henriksson, which repeats after the verses and choruses, and Töpel's lead guitar recorded through a Leslie speaker. Lyrically, the song tackles peace through metaphors involving
1511:, the album could not have been more "aptly named". The critic states that the album "reveals itself" with repeated listens and is a "finely crafted piece of work" and a "treat", despite that Tages never made it big outside of Sweden. In 2010,
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as "a record in a palpable thrall" compared to the "nascent psych-pop" from the United Kingdom. The critic singles out "Have You Seen Your Brother Lately" and "She's Having a Baby Now" for praise, considering them "punchier" equaivalents to
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was released. The technician was Björn Almstedt, a veteran engineer and a personal favourite of Henriksson. The result was satisfactory enough that Almstedt was chosen as the record's engineer during all the recording sessions in Stockholm.
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was the first release in a row of singles and albums by Tages with disastrous commercial but superb critical reception. After "Treat Her Like a Lady", most singles by the band were ignored by the major newspapers; the following single,
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the album features "unique production tricks" which increase its appeal. Due to the variety of genres, Wrigholm says the album is not "plagiated from Beatles nor any other English bands", while stating that it is a product of its time.
857:. The song was allegedly written during the night before the recording session as Tages did not have any other songs ready. Wiremark states that "Like a Woman" lyrically features Lagerberg singing about how a sixteen year old moves and
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from the Swedish Radio Symphony Orchestra. The lyrics were personal for Blom, who was tired of his grandparents. The song makes references to an older generation with nothing better to do than "complaining on a television show".
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Side two opens with the song "Seeing with Love". It was largely written by Lagerberg but credited to the entire band because he thought the creative process in the studio made it a group composition. The song features some of
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was a suggestion by Blom who thought it was an internationally viable name. The name was chosen as a nod to Henriksson for his work in producing the album, and to the amount of effort and editing the recording sessions took.
953:'s more complex arrangements regarding both the brass performances and vocal harmonies, the latter of which have echo applied through a mechanical process. The song features session musician Janne Kling, who contributes the
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whom saw hits due to his production work. The group members also wanted to leave their earlier sound due to insecurity in their songwriting along with the fact that "Sleep Little Girl" was ravaged in the Swedish press.
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Tages' single releases from 1966 marked a return to folk music while also retaining their hard-edged sound established by "The One for You". Their first single release of 1966, "So Many Girls", composed by bassist
270:, Tages began working on their follow-up to it. Hampered by a long summer tour, the album was largely recorded between October and November 1967 with sessions spanning back to April. It was primarily recorded at
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did not sell as well as Parlophone and Tages wanted, and the latter were shocked when the album failed to become a big seller in Sweden. Unlike their two first albums, which sold well enough to become certified
2665:, Parlophone gave the band access to "better financial resources, studio time and a wider promotion, both nationally and internationally". Additionally, this allowed the band to become "label-mates" with
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gave the album a brief, positive review, stating that it is a well-produced and well-performed album by musicians who "very well know what they are doing". The critic called the gatefold cover unique.
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in no way plagiarizes them. He said he heard influences from the Beatles and that the inclusion of Swedish folk tones was great. He called the album "excellent throughout" and praised the album cover.
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in London, where two of the album's tracks were recorded. One single was released from the album, "She's Having a Baby Now" and the sessions also produced the non-album single "Treat Her Like a Lady".
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during his first few years and took great inspiration from staying there. He and Lagerberg spent an increasing amount of time in Henriksson's parents' summer cottage, located in the small village of
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began to support the recording of pop albums financially. After Blom's departure, Tages would do one final attempt at international success, after they recorded the similarly folk-inspired album
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did receive positive reviews in the press, with many publications highlighting the inclusion of folk music and the production efforts of Henriksson. Largely ignored shortly after release,
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766:. As was common in Swedish pop music at the time, Tages viewed lyrics as an afterthought to the music, because most Swedish teenagers buying the records had a limited grasp of English.
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alienated Tages' teenage fans. At the same time, Tages were considered too much of a pop band for an older generation that might have enjoyed the album, but refrained from buying it.
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and features Kling's flute playing throughout, while Svensson's drums have a major part in the arrangement. The title was taken from a man who lived on Vaverön, an island in the lake
1084:(1965). One of the photos in the inlay depicts Henriksson, included on request by Tages' band members. There is a picture of the fiddler Hubert Westerman as a homage to Dalarna. The
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and folk instruments before Tages' members enter with their instruments, was meant to set the tone for the rest of the album. "It's My Life", which follows, bases its sound on a
278:, Stockholm with Anders Henriksson producing. The band took a break in recording the album in October for a tour of England organized by Parlophone, which allowed them access to
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is "carefully arranged and produced", the songs found on the album "do not live up to their British influences". Therefore, Unterberger states that it is not surprising that
482:. "In My Dreams" was released as a single and was one of the earliest examples where folk music was integrated in a song by a commercially successful pop band in Sweden.
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sounds "pretty close to a mid-60's British group", which he attributes to Tages' ability and willingness to adapt to the current musical climate. While he says that
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of Tages' 1968 singles. The same bonus tracks are present on the album's first international release in 2010 on RPM Records, at the initiative of Tyler. In 2015,
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riff which complements the somewhat introspective lyrics by Lagerberg. The track has prominent vocal harmonies and a chorus where the backing vocalists sing in a
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went on a three weeks long tour during which they attempted to have a breakthrough on the English market. After the tour, the band and Henriksson recorded at the
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relieve band members from stress; no performances or tours were conducted during this week and the band members could come and go from the studio as they wished.
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931:"Seeing With Love", is one of the band's more complex songs, which features several complex brass and vocal arrangements along with backmasking on the drums.
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s tracks. The other material on the album, mostly the tracks not composed by Lagerberg and Henriksson, seek influences elsewhere which with the inclusion of
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He and the producer got very much involved. But we went too far away from what the sixteen and seventeen year old girls, who bought the records, liked.
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1451:, stating that it is the best Swedish album of the 1960s. He says that Tages were "progressing forward" with the album and that it is "as striking" as
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use instruments present in "ancient Swedish history", and generally used in genres not connected to pop music. Henriksson saw it as a tribute to the
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mirroring the melody line. The following track, "Created by You", is the first and only composition not related to the band, having been written by
802:"Have You Seen Your Brother Lately", the album opener, has been considered the group's prime example in their fusion of Swedish folk music and rock.
455:" (1965). Their producer Anders Henriksson was key in this musical change. Henriksson had a history in producing a wide array of bands, including
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were written by either guitarist Töpel or journalist Hans Sidén, both of whom had written liner notes for previous albums by the band. The title
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478:, was released. It features a songs with influences from folk along with rhythm and blues as well as "In My Dreams", which heavily features
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placed it as number 35 on its list of the 100 best original Swedish albums, where it was the only one by a Swedish pop band of the 1960s.
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The following song, "What's the Time", was written by Blom and Larsson but sung by Lagerberg. The song deviates the most from the rest of
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opens with the song "Have You Seen Your Brother Lately". The name of the song came as an accident after Lagerberg misread the title of
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during the 1980s and has seen retrospective critical acclaim. In 1997, it was ranked the 36th best Swedish album of all time by the
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Tages returned to Sweden by the end of October and entered Europafilm on 11, 12, 14, and 16 November to finish the remainder of
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in Stockholm, which was Tages' and Henriksson's preferred studio, during a nightly session between 17 and 18 April 1967, before
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Writing credits adapted from original 1967 release. Track lengths and vocals according the liner notes of the 1998 re-issue of
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rather than any Beatles album, while simultaneously believing Tages deserves the same cult status as the Zombies have. He says
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was sporadic across 1967, with most of it completed in the autumn. The single track "She's Having a Baby Now" was recorded at
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was aired on SVT's only national channel on 31 May 1968. Despite positive reviews of the show, it did not increase sales for
330:, creating an unprecedented fusion. Several songs on the album have controversial lyrical content. Studio techniques include
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which was the present trend", and that Tages refrained from using influences from India because of the Beatles doing it.
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to songs from the album, including "Have You Seen Your Brother Lately", "Like a Woman" and "Seeing with Love". The name
973:, guitarist of the band Science Poption, who gave Tages the song on 4 October 1967 during the recording of the programme
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830:" (1966). Henriksson found Lagerberg's error amusing enough to compose a melody around it.The song, which opens with a
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1656:, which collected all of Tages' recorded output. The first dedicated re-release of the album came in 1998 when it was
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on 4 December 1967 in a limited pressing of 5000 copies. Despite being marketed as Tages' international breakthrough,
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cover. The inlay of the gatefold depicts the band members during the recording process of the album. Their faces are
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during the choruses, after which a "battle between strings and guitars", as Wiremark describes it, occurs during an
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barely sold the 5000 initial copies that were printed. According to Wrigholm, the commercial failure was because
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On original release, Henriksson and Palmers are credited under the pseudonyms F. Akon and F. Zome, respectively.
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According to Lagerberg, the band members were stressed in EMI's studio, feeling inferior to their British peers
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live in Gothenburg, Tages had begun abandoning their folk roots in favour of a sound much more oriented toward
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fell into obscurity as the musical directions in Sweden changed into heavier rock and the political movement
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cover, which depicts Tages' members during the recording process of the album. Upon original release for the
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with work from the Beatles, stating that both took inspiration from the same sources which lead him to call
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and producer Henriksson, but features songwriting credits from all band members, particularly lead vocalist
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A major reason for Tages' sound during this time was that Tages' contract with the Gothenburg-based label
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We got all the studio time we wanted; suddenly we weren't working under the same stress as before.
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Cashing in on "Treat Her Like a Lady" and the Christmas rush that was to come, Parlophone issued
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2648:"In My Dreams" was Tages' most commercially successful recording, reaching number one on both
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from contemporary albums, both Swedish and international, is "the confidence and usage in the
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and Kvällstoppen. Tages released the follow-up "Treat Her Like a Lady" with "Wanting" from
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issued the album on vinyl, featuring a different layout compared to the original release.
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failed to sell: they were artistical highpoints which did not appeal to record buyers.
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Though sometimes cited as the first Swedish pop album released with a gatefold cover,
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981:(SVT). The ballad features sporadic appearances of a flute and Henriksson on celesta.
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were taken during the same photo session. It is generally accepted that photographer
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312:. Musically, it experiments with the psychedelia found on Tages' previous two albums
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Sandén, Håkan (27 December 1967). "Äntligen ett nytt album av Tages: så låter det".
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at position 36 on a list of the best Swedish albums of all time. The music magazine
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should be listened to by "every pop musician" and considered their "holy heirloom".
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showcases Tages' "ever growing musical ambitions" and complimented the songwriting.
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showcases Tages experimenting with psychedelic sounds, including techniques such as
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Lagerberg and Henriksson wrote and rehearsed the majority of their contributions to
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Catalogue number PMCS 316. The Swedish and Danish releases share catalogue numbers.
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for a week in February 1968. Wrigholm says these failures were for the same reason
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on the B-side. It was Tages' biggest commercial failure since their 1966 release "
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372:. It was the group's last album with Blom, and their last under the name Tages.
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The gatefold inlay feature the band members superimposed over the album's title
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in London in 1969; for this release the band was renamed to Blond which made
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received favourable reviews. Reviews appeared in both major publications and
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through multitracking. The song's ending features a performance on the
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Anders Henriksson – producer, technician, lead vocals (
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a "magnificent period piece". According to a staff review in 2017 for
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was not re-issued in full until 1994, when it was released on the CD
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in Swedish pop music at the time, primarily for songs which required
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on the B-side, on 26 September; it charted on both Swedish charts.
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This article is about the Tages album. For the type of album, see
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of Dalarna. Svensson ways the usage of Swedish folk music was a "
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2698:, as they were expensive for the teenagers buying those records.
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The summer tours were the most hectic for Swedish bands, as the
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3959:"Nya LP-skivor av Ola & Janglers, Tages, Tom & Mick mm"
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Personnel according to the liner notes of the 1998 re-issue of
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Dahlström, Mattias (Summer 2013). "De Bästa Svenska Albumen".
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featured a gatefold cover and was released four months before
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in London together with technicians Ken Scott and Jeff Jarrat.
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can be traced to their origins in 1963, when they formed as a
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to Lagerberg's lead vocals. On the track Henriksson plays an
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lead during the chorus. "She Is a Man" is lyrically about a
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4127:"The 50 best psychedelic rock albums of the Summer of Love"
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Despite not being credited upon original release in 1967,
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3385:
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3159:
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2857:
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2853:
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2847:
2845:
2843:
2841:
2839:
2837:
828:
Have You Seen Your Mother, Baby, Standing in the Shadow?
2878:
2876:
2874:
2872:
2870:
2835:
2833:
2831:
2829:
2827:
2825:
2823:
2821:
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3741:
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3297:
3295:
510:
According to Lagerberg, the recording and release of
4106:
4104:
4102:
4100:
4831:
4817:
4737:
4719:
4673:
2946:
2707:There is a common misconception that all tracks on
2142:
2128:
1921:
1907:
1714:
1700:
1410:has received acclaim by reviewers. In a review for
468:, was the first in which the band were inspired by
252:is the fifth and final studio album by the Swedish
213:
166:
156:
144:
128:
100:
84:
76:
68:
55:
41:
4159:Theander, Martin (Summer 2010). "Tages - Studio".
2520:'s Spelmanslag – violins, fiddles (
678:. Henriksson had lived in the Swedish province of
2403:Lasse Svensson – drums, percussion
1058:was the first album by Tages to be released in a
666:in the late summer of 1967. Henriksson's home in
587:release, "Treat Her Like a Lady", a cover of the
300:. It was largely written at Henriksson's home in
4808:There's a Blind Man Playin' Fiddle in the Street
4469:Stora Popboken – Svensk Rock & Pop 1954–1969
4407:Tio i Topp – med de utslagna "på försök" 1961–74
4270:
4214:
3856:
3844:
3805:
3793:
3776:
3764:
3699:
3603:
3479:
3448:
3406:
3362:
3262:
3250:
3226:
3197:
3178:
3131:
3086:
3074:
3033:
3021:
2985:
2894:
2500: – classical string instruments (
2153:There's a Blind Man Playin' Fiddle in the Street
1633:. In the 1980s, the album was spreading through
1587:There's a Blind Man Playin' Fiddle in the Street
264:in Sweden. Following the success of their album
1113:
538:
451:and hard rock, evident on their fourth single "
2283:B-side of "I Read You Like an Open Book", 1968
1445:as a "groundbreaking riposte" to the Beatles'
1303:
722:Folk instruments are present on about half of
645:on the tracks, including piano, organ and the
4592:
2732:
2730:
1011:. Lead vocalist Blom describes the lyrics as
340:was Tages' first album to be released with a
288:was largely conceived and written by bassist
8:
2794:
2792:
2790:
2788:
2786:
2784:
2690:
2688:
2682:were generally only open during this season.
1479:that characterizes so much of the content".
1374:
1341:
4426:Eric Hallberg presenterar Kvällstoppen i P3
4361:Boken om Tages: frĂĄn Avenyn till Abbey Road
4359:Brandels, Göran; Wrigholm, Lennart (2012).
4037:
1622:the last album recorded under Tages' name.
493:1966, which allowed the band to move on to
4912:Psychedelic rock albums by Swedish artists
4892:Albums produced by Ron Richards (producer)
4599:
4585:
4577:
2623:
2621:
2619:
2617:
2615:
1278:
1004:"She's Having a Baby Now" revolves around
608:" and "It's in a Dream", on 23–25 October.
47:
38:
4405:Hallberg, Eric; Henningsson, Ulf (2012).
1515:magazine critic Martin Theander compared
409:group. The group's three first singles, "
4337:
4253:
4173:
3832:
3730:
3662:
3638:
3615:
3573:
3556:
3537:
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3510:
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2973:
2958:
2925:
2906:
2882:
2861:
2765:
2763:
2382: – rhythm guitar, piano (
2122:
1901:
1694:
1573:was Tages' final album with lead singer
1043:The front and back cover photographs of
4294:(in Swedish). 17 April 2015. p. 67
4238:
4226:
4087:PP (14 August 2010). "Tages - Studio".
4008:"Tages jul-LP är ett mindre mästerverk"
3820:
3650:
3433:
3238:
2780:
2694:Pop albums in Sweden were aimed at the
2635:co-produced the two tracks recorded at
2611:
2319:
2108:
1887:
3993:Göteborgs Handels- och Sjöfartstidning
3882:(in Swedish). No. 52. p. 24.
2124:1998 and 2010 CD re-issue bonus tracks
1672:received its first vinyl re-issue for
1253:Göteborgs Handels- och Sjöfartstidning
1074:, which was a reference and homage to
938:
809:
705:According to vocalist Blom, tracks on
304:and at his parents' summer cottage in
4515:"Studio Review by Richie Unterberger"
4154:
4152:
4150:
4121:
4119:
4110:
4082:
4080:
4078:
4076:
4054:
4052:
4050:
4048:
4046:
3979:
3977:
3975:
3951:
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3947:
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3921:
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3895:
3893:
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3865:
3745:
3718:
3674:
3588:
3498:
3467:
3301:
3274:
3098:
2510: – brass instruments (
2320:
2109:
1888:
1448:Sgt. Pepper's Lonely Hearts Club Band
1284:
734:. As with their previous two albums,
7:
3984:Svensson, Henning (3 January 1968).
1527:". Despite this, Theander says that
1227:. The reviewer praised the songs on
578:" and "It's in a Dream" were cut at
421:" (both 1965) all shared a sound of
4907:Folk rock albums by Swedish artists
1723:"Have You Seen Your Brother Lately"
1531:has a place reserved right next to
1305:
1213:was reviewed by a staff writer for
883:verses and Henriksson provides the
788:"Have You Seen Your Brother Lately"
4472:(in Swedish). Premium Publishing.
4409:(in Swedish). Premium Publishing.
4363:(in Swedish). Premium Publishing.
2554: – violin, fiddle (
2537: – violin, fiddle (
1461:and "much more hard-hitting" than
1097:Release and commercial performance
25:
2720:Some critics have used the term "
1376:
1343:
522:", as it failed to chart on both
260:, released on 4 December 1967 on
4016:(in Swedish): 7. 8 January 1968.
2498:Swedish Radio Symphony Orchestra
2248:"I Read You Like an Open Book" (
2220:B-side of "Fantasy Island", 1968
1395:
1390:
1385:
1380:
1375:
1357:
1352:
1347:
1342:
1324:
1319:
1314:
1309:
1304:
1246:praised most of the material on
1223:was less "odd and strange" than
961:and the Swedish folk instrument
939:Problems playing this file? See
921:
810:Problems playing this file? See
792:
701:inspired the theme of the album.
631:Swedish Radio Symphony Orchestra
4505:(CD). RPM Retrodisc. Retro 874.
4378:Englund, Magnus (Summer 1988).
3956:Staff, ed. (19 December 1967).
3926:Staff, ed. (17 December 1967).
2947:Hallberg & Henningsson 2012
2453: – co-producer (
2417:), harmony and backing vocals (
2386:), harmony and backing vocals (
2372:), harmony and backing vocals (
2368: – lead vocals (
2358: – lead vocals (
4565:"Tages: Makalös grej i Götet…"
4380:"An interview with Tommy Blom"
2661:According to rhythm guitarist
2129:
1908:
1701:
1499:debut album from the same year
1256:, Henning Svensson wrote that
604:. Tages recorded two tracks, "
36:1967 studio album by Tages
1:
4443:Lokko, Andres (30 May 2014).
4285:"Nysläpp på Record Store Day"
4059:Tyler, Kieron (August 2017).
2711:were recorded at EMI Studios.
2561:Janne Kling –
1652:, a part of the 3-CD box-set
629:or brass sections, which the
4271:Brandels & Wrigholm 2012
4215:Brandels & Wrigholm 2012
3857:Brandels & Wrigholm 2012
3845:Brandels & Wrigholm 2012
3806:Brandels & Wrigholm 2012
3794:Brandels & Wrigholm 2012
3777:Brandels & Wrigholm 2012
3765:Brandels & Wrigholm 2012
3700:Brandels & Wrigholm 2012
3604:Brandels & Wrigholm 2012
3480:Brandels & Wrigholm 2012
3449:Brandels & Wrigholm 2012
3407:Brandels & Wrigholm 2012
3363:Brandels & Wrigholm 2012
3263:Brandels & Wrigholm 2012
3251:Brandels & Wrigholm 2012
3227:Brandels & Wrigholm 2012
3198:Brandels & Wrigholm 2012
3179:Brandels & Wrigholm 2012
3132:Brandels & Wrigholm 2012
3087:Brandels & Wrigholm 2012
3075:Brandels & Wrigholm 2012
3034:Brandels & Wrigholm 2012
3022:Brandels & Wrigholm 2012
2986:Brandels & Wrigholm 2012
2895:Brandels & Wrigholm 2012
2362:), rhythm guitar, percussion
1610:a year later, when Sweden's
1148:In a last effort to promote
4536:Tages – This One's For You!
4199:(in Swedish) (69): 102–103.
2508:Lasse Samuelson's Orchestra
975:Julgransplundring med Tages
872:Lasse Samuelson's Orchestra
80:17 April – 16 November 1967
4933:
4563:Wrigholm, Lennart (1991).
28:
4614:
4069:. No. 8. p. 20.
3912:(in Swedish). p. 25.
2669:, who Tages looked up to.
2277:
2244:
2214:
2172:
2147:
2139:
2136:
2133:
2078:
2038:"She's Having a Baby Now"
2034:
2008:
1982:
1963:
1926:
1918:
1915:
1912:
1853:
1831:"I Left My Shoes at Home"
1827:
1808:
1773:
1747:
1719:
1711:
1708:
1705:
1660:and issued on CD through
1441:, Kieron Tyler describes
1292:
1289:
1164:was a nod to Dalarna and
977:, a Christmas special on
241:
230:"She's Having a Baby Now"
224:
209:
174:
46:
4548:Wiremark, Kjell (1998).
4533:Wiremark, Kjell (1994).
2724:" to describe the album.
1544:Swedish Musicians' Union
1275:Retrospective assessment
1267:, the critic wrote that
697:The Swedish province of
534:Recording and production
370:Swedish Musicians' Union
4902:Psychedelic folk albums
4466:Olofsson, Hans (1995).
4424:Hallberg, Eric (1993).
2806:(liner notes). Sweden:
1189:Upon original release,
846:in the style of French
754:used by lead guitarist
4499:Tyler, Kieron (2010).
3987:"Tages med gedigen LP"
3929:"LP-skivor till julen"
1812:"People Without Faces"
1578:
1482:In 2010, a critic for
1117:
1040:
910:
781:
702:
583:
542:
398:
334:on guitars and drums.
4801:Dancing in the Street
4428:(in Swedish). Drift.
4163:(in Swedish) (4): 22.
1569:
1038:
1021:musical improvisation
988:, as it is an upbeat
909:
780:
696:
653:Songs and composition
639:multi-instrumentalist
573:
383:
364:started to receive a
296:and rhythm guitarist
4760:Don't Turn Your Back
3779:, pp. 291, 296.
3181:, pp. 286, 290.
2747:Ola and the Janglers
2602:Notes and references
2082:"The Old Man Wafwer"
1280:Professional ratings
1185:Contemporary reviews
1015:and as criticism of
997:, while alluding to
643:keyboard instruments
419:Don't Turn Your Back
18:Studio (Tages album)
4887:Tages (band) albums
4788:Crazy 'Bout My Baby
4554:(CD) (in Swedish).
4539:(CD) (in Swedish).
4511:Unterberger, Richie
4388:(7). Archived from
4318:Bear Family Records
4013:Hudiksvalls Tidning
3808:, p. 295, 297.
3409:, pp. 185–186.
2751:Pictures and Sounds
2250:Single A-side, 1968
2178:Single A-side, 1968
2157:Single A-side, 1968
2125:
1904:
1697:
1678:Bear Family Records
1654:This One's for You!
1625:After the release,
1612:Ministry of Culture
1501:. The critic calls
1281:
1264:Hudiksvalls Tidning
1013:social pornographic
979:Sveriges Television
750:electric guitar, a
520:Crazy 'Bout My Baby
425:along with melodic
354:Sveriges Television
233:Released: June 1967
4917:Baroque pop albums
4850:Balladen om killen
4486:on 21 October 2020
4435:9-789-16-302-14-04
3365:, p. 193–196.
2976:, pp. 77, 89.
2176:"Fantasy Island" (
2123:
1930:"Seeing with Love"
1902:
1695:
1579:
1533:Odessey and Oracle
1454:Odessey and Oracle
1416:Richie Unterberger
1279:
1180:Critical reception
1041:
1017:family separations
917:"Seeing With Love"
911:
876:instrumental break
824:the Rolling Stones
782:
732:string instruments
703:
584:
470:Swedish folk music
399:
328:Swedish folk music
272:Europafilm Studios
4897:Parlophone albums
4869:
4868:
4844:Tages discography
4746:Sleep Little Girl
4558:. 7243 4942852 2.
4450:Svenska Dagbladet
4416:978-91-89136-89-2
4370:978-91-89136-88-5
3938:(in Swedish): 27.
3935:Svenska Dagbladet
3618:, pp. 35–36.
2652:and Kvällstoppen.
2598:
2597:
2588:
2584:
2576:
2568:
2557:
2540:
2523:
2513:
2503:
2486:
2479:
2472:
2456:
2446:
2438:
2430:
2424:
2420:
2416:
2399:
2389:
2385:
2375:
2371:
2361:
2330:
2329:
2284:
2251:
2221:
2179:
2158:
2119:
2118:
2012:"It's in a Dream"
1986:"What's the Time"
1898:
1897:
1729:Anders Henriksson
1477:Nordic folk music
1406:Retrospectively,
1404:
1403:
1240:The reviewer for
1234:Svenska Dagbladet
1031:Artwork and title
1009:teenage pregnancy
926:
797:
623:session musicians
445:Lightnin' Hopkins
411:Sleep Little Girl
245:
244:
205:
204:
162:Anders Henriksson
16:(Redirected from
4924:
4832:Related articles
4753:I Should Be Glad
4601:
4594:
4587:
4578:
4572:
4559:
4544:
4529:
4527:
4525:
4506:
4495:
4493:
4491:
4482:. Archived from
4462:
4460:
4458:
4439:
4420:
4401:
4399:
4397:
4374:
4341:
4335:
4329:
4328:
4326:
4324:
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4257:
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4224:
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4212:
4201:
4200:
4197:
4183:
4177:
4171:
4165:
4164:
4156:
4145:
4144:
4142:
4140:
4123:
4114:
4108:
4095:
4094:
4084:
4071:
4070:
4061:"Tages - Studio"
4056:
4041:
4038:Unterberger 2012
4035:
4018:
4017:
4004:
3998:
3997:
3996:(in Swedish): 8.
3989:
3981:
3970:
3969:
3961:
3953:
3940:
3939:
3931:
3923:
3914:
3913:
3905:
3897:
3884:
3883:
3873:
3860:
3854:
3848:
3842:
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3554:
3541:
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3514:
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3496:
3483:
3477:
3471:
3465:
3452:
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3410:
3404:
3393:
3387:
3378:
3372:
3366:
3360:
3354:
3348:
3342:
3336:
3305:
3299:
3290:
3284:
3278:
3272:
3266:
3260:
3254:
3248:
3242:
3236:
3230:
3224:
3213:
3207:
3201:
3195:
3182:
3176:
3167:
3161:
3152:
3146:
3135:
3129:
3114:
3108:
3102:
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2995:
2989:
2983:
2977:
2971:
2962:
2956:
2950:
2944:
2929:
2923:
2910:
2909:, pp. 9–10.
2904:
2898:
2892:
2886:
2880:
2865:
2859:
2812:
2811:
2796:
2770:
2767:
2758:
2743:
2737:
2734:
2725:
2718:
2712:
2705:
2699:
2696:Christmas market
2692:
2683:
2676:
2670:
2659:
2653:
2646:
2640:
2625:
2586:
2582:
2574:
2566:
2555:
2553:
2538:
2536:
2521:
2511:
2501:
2484:
2477:
2470:
2469:Björn Almstedt (
2454:
2444:
2436:
2428:
2422:
2418:
2414:
2397:
2387:
2383:
2373:
2369:
2359:
2345:
2323:
2282:
2281:"Halcyon Days" (
2249:
2219:
2177:
2156:
2131:
2126:
2112:
1967:"Created by You"
1910:
1905:
1891:
1703:
1698:
1674:Record Store Day
1400:
1399:
1398:
1394:
1393:
1389:
1388:
1384:
1383:
1379:
1378:
1362:
1361:
1360:
1356:
1355:
1351:
1350:
1346:
1345:
1329:
1328:
1327:
1323:
1322:
1318:
1317:
1313:
1312:
1308:
1307:
1282:
1219:, who said that
1125:
928:
927:
908:
799:
798:
779:
550:
480:wind instruments
449:rhythm and blues
415:I Should Be Glad
401:Tages' roots in
234:
231:
176:
175:
140:
139:
135:
115:psychedelic folk
51:
39:
21:
4932:
4931:
4927:
4926:
4925:
4923:
4922:
4921:
4872:
4871:
4870:
4865:
4856:Platina Records
4827:
4813:
4781:I'll Be Doggone
4767:The One for You
4733:
4715:
4669:
4648:Freddie Skantze
4627:Göran Lagerberg
4610:
4605:
4575:
4562:
4547:
4532:
4523:
4521:
4509:
4498:
4489:
4487:
4480:
4465:
4456:
4454:
4442:
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4404:
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4057:
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4021:
4006:
4005:
4001:
3983:
3982:
3973:
3955:
3954:
3943:
3925:
3924:
3917:
3903:"Nya LP-skivor"
3899:
3898:
3887:
3875:
3874:
3863:
3855:
3851:
3843:
3839:
3831:
3827:
3819:
3812:
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3792:
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3775:
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3763:
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3405:
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3381:
3373:
3369:
3361:
3357:
3349:
3345:
3337:
3308:
3300:
3293:
3285:
3281:
3273:
3269:
3261:
3257:
3249:
3245:
3237:
3233:
3225:
3216:
3208:
3204:
3196:
3185:
3177:
3170:
3162:
3155:
3147:
3138:
3130:
3117:
3109:
3105:
3097:
3093:
3085:
3081:
3073:
3064:
3056:
3052:
3044:
3040:
3032:
3028:
3024:, p. 290+.
3020:
3016:
3008:
3004:
2996:
2992:
2984:
2980:
2972:
2965:
2957:
2953:
2945:
2932:
2924:
2913:
2905:
2901:
2893:
2889:
2881:
2868:
2860:
2815:
2798:
2797:
2782:
2773:
2768:
2761:
2744:
2740:
2735:
2728:
2719:
2715:
2706:
2702:
2693:
2686:
2677:
2673:
2660:
2656:
2647:
2643:
2626:
2613:
2604:
2599:
2547:
2530:
2492:Other musicians
2471:1–2, 4–9, 11–12
2426:
2419:2–3, 5, 7–8, 11
2366:Göran Lagerberg
2336:
2331:
2321:
2313:
2301:
2267:
2234:
2207:
2195:
2120:
2110:
2097:
2071:
2059:
2024:
1998:
1953:
1899:
1889:
1881:
1869:
1843:
1798:
1763:
1737:
1733:Göran Lagerberg
1686:
1616:The Lilac Years
1564:
1513:Rock & Roll
1414:, music critic
1396:
1391:
1386:
1381:
1358:
1353:
1348:
1325:
1320:
1315:
1310:
1277:
1187:
1182:
1127:
1119:
1099:
1066:over the words
1033:
946:
945:
937:
935:
934:
933:
932:
929:
922:
919:
912:
906:
901:
817:
816:
808:
806:
805:
804:
803:
800:
793:
790:
783:
777:
772:
660:
655:
627:string quartets
552:
544:
536:
489:had expired on
487:Platina Records
466:Göran Lagerberg
453:The One for You
439:. After seeing
378:
290:Göran Lagerberg
237:
232:
229:
228:
200:
198:The Lilac Years
193:
184:
137:
133:
132:
124:
92:
72:4 December 1967
64:
37:
34:
23:
22:
15:
12:
11:
5:
4930:
4928:
4920:
4919:
4914:
4909:
4904:
4899:
4894:
4889:
4884:
4874:
4873:
4867:
4866:
4864:
4863:
4858:
4853:
4846:
4841:
4835:
4833:
4829:
4828:
4821:
4819:
4815:
4814:
4812:
4811:
4804:
4797:
4795:Miss Mac Baren
4791:
4784:
4777:
4770:
4763:
4756:
4749:
4741:
4739:
4735:
4734:
4732:
4731:
4723:
4721:
4717:
4716:
4714:
4713:
4706:
4699:
4692:
4685:
4677:
4675:
4671:
4670:
4668:
4667:
4664:
4661:
4658:
4655:
4654:Lasse Svensson
4652:
4649:
4645:
4644:
4637:
4630:
4623:
4615:
4612:
4611:
4606:
4604:
4603:
4596:
4589:
4581:
4574:
4573:
4569:Now & then
4560:
4551:Tages – Studio
4545:
4530:
4507:
4502:Tages – Studio
4496:
4478:
4463:
4440:
4434:
4421:
4415:
4402:
4392:on 5 June 2020
4375:
4369:
4355:
4353:
4350:
4348:
4345:
4343:
4342:
4330:
4305:
4275:
4273:, p. 307.
4258:
4243:
4231:
4219:
4217:, p. 213.
4202:
4189:Sonic Magazine
4178:
4166:
4146:
4135:. 17 June 2017
4115:
4096:
4072:
4042:
4019:
3999:
3971:
3941:
3915:
3885:
3861:
3859:, p. 211.
3849:
3847:, p. 208.
3837:
3825:
3810:
3798:
3796:, p. 296.
3781:
3769:
3767:, p. 291.
3750:
3735:
3733:, p. 140.
3723:
3704:
3702:, p. 198.
3679:
3667:
3655:
3643:
3620:
3608:
3606:, p. 196.
3593:
3578:
3561:
3542:
3530:
3515:
3503:
3484:
3482:, p. 195.
3472:
3453:
3451:, p. 194.
3438:
3426:
3411:
3394:
3379:
3367:
3355:
3343:
3306:
3291:
3279:
3267:
3255:
3243:
3231:
3229:, p. 189.
3214:
3202:
3200:, p. 177.
3183:
3168:
3153:
3136:
3134:, p. 193.
3115:
3103:
3091:
3089:, p. 153.
3079:
3077:, p. 152.
3062:
3050:
3038:
3036:, p. 284.
3026:
3014:
3002:
2990:
2978:
2963:
2951:
2949:, p. 370.
2930:
2911:
2899:
2887:
2866:
2813:
2779:
2772:
2771:
2759:
2738:
2726:
2713:
2700:
2684:
2671:
2654:
2641:
2610:
2603:
2600:
2596:
2595:
2591:
2590:
2559:
2542:
2525:
2515:
2505:
2489:
2488:
2481:
2474:
2460:
2459:
2458:
2448:
2405:
2404:
2401:
2391:
2377:
2376:), bass guitar
2363:
2343:
2335:
2332:
2328:
2327:
2324:
2318:
2317:
2314:
2312:
2311:
2308:
2304:
2302:
2300:
2299:
2297:Peter Frampton
2294:
2288:
2286:
2279:
2275:
2274:
2271:
2268:
2266:
2265:
2262:
2259:
2255:
2253:
2246:
2242:
2241:
2238:
2235:
2233:
2232:
2229:
2225:
2223:
2218:"To Be Free" (
2216:
2212:
2211:
2208:
2206:
2205:
2202:
2198:
2196:
2194:
2193:
2190:
2187:
2183:
2181:
2174:
2170:
2169:
2166:
2163:
2160:
2149:
2145:
2144:
2141:
2138:
2135:
2132:
2121:
2117:
2116:
2113:
2107:
2106:
2103:
2098:
2096:
2095:
2092:
2089:
2085:
2083:
2080:
2076:
2075:
2072:
2070:
2069:
2066:
2062:
2060:
2058:
2057:
2054:
2051:
2048:
2045:
2041:
2039:
2036:
2032:
2031:
2028:
2025:
2023:
2022:
2019:
2015:
2013:
2010:
2006:
2005:
2002:
1999:
1997:
1996:
1993:
1989:
1987:
1984:
1980:
1979:
1976:
1973:
1968:
1965:
1961:
1960:
1957:
1954:
1952:
1951:
1946:
1945:Lasse Svensson
1943:
1940:
1937:
1933:
1931:
1928:
1924:
1923:
1920:
1917:
1914:
1911:
1900:
1896:
1895:
1892:
1886:
1885:
1882:
1880:
1879:
1876:
1872:
1870:
1868:
1867:
1864:
1860:
1858:
1857:"She Is a Man"
1855:
1851:
1850:
1847:
1844:
1842:
1841:
1838:
1834:
1832:
1829:
1825:
1824:
1821:
1818:
1813:
1810:
1806:
1805:
1802:
1799:
1797:
1796:
1791:
1788:
1784:
1782:
1775:
1771:
1770:
1767:
1764:
1762:
1761:
1758:
1754:
1752:
1751:"It's My Life"
1749:
1745:
1744:
1741:
1738:
1736:
1735:
1730:
1726:
1724:
1721:
1717:
1716:
1713:
1710:
1707:
1704:
1693:
1685:
1682:
1666:A- and B-sides
1650:Fantasy Island
1563:
1560:
1402:
1401:
1372:
1364:
1363:
1339:
1331:
1330:
1301:
1295:
1294:
1291:
1287:
1286:
1276:
1273:
1195:teen magazines
1186:
1183:
1181:
1178:
1112:
1098:
1095:
1032:
1029:
1006:out-of-wedlock
999:child soldiers
936:
930:
920:
915:
914:
913:
904:
903:
902:
900:
897:
864:string quartet
840:counter-melody
807:
801:
791:
786:
785:
784:
775:
774:
773:
771:
768:
752:Leslie speaker
659:
656:
654:
651:
641:, played most
635:Lars Samuelson
537:
535:
532:
491:New Year's Eve
395:Sveriges Radio
377:
374:
366:cult following
346:Christmas rush
243:
242:
239:
238:
236:
235:
225:
222:
221:
211:
210:
207:
206:
203:
202:
195:
186:
172:
171:
164:
163:
160:
154:
153:
148:
142:
141:
130:
126:
125:
123:
122:
117:
112:
106:
104:
98:
97:
86:
82:
81:
78:
74:
73:
70:
66:
65:
60:
53:
52:
44:
43:
35:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4929:
4918:
4915:
4913:
4910:
4908:
4905:
4903:
4900:
4898:
4895:
4893:
4890:
4888:
4885:
4883:
4880:
4879:
4877:
4862:
4859:
4857:
4854:
4851:
4847:
4845:
4842:
4840:
4837:
4836:
4834:
4830:
4825:
4820:
4816:
4809:
4805:
4802:
4798:
4796:
4792:
4789:
4785:
4782:
4778:
4775:
4771:
4768:
4764:
4761:
4757:
4754:
4750:
4747:
4743:
4742:
4740:
4736:
4730:
4729:
4725:
4724:
4722:
4718:
4712:
4711:
4707:
4705:
4704:
4700:
4698:
4697:
4693:
4691:
4690:
4686:
4684:
4683:
4679:
4678:
4676:
4674:Studio albums
4672:
4665:
4662:
4659:
4656:
4653:
4650:
4647:
4646:
4643:
4642:
4638:
4636:
4635:
4634:Danne Larsson
4631:
4629:
4628:
4624:
4622:
4621:
4617:
4616:
4613:
4609:
4608:Tages / Blond
4602:
4597:
4595:
4590:
4588:
4583:
4582:
4579:
4571:(in Swedish).
4570:
4566:
4561:
4557:
4553:
4552:
4546:
4542:
4538:
4537:
4531:
4520:
4516:
4512:
4508:
4504:
4503:
4497:
4485:
4481:
4479:9-197-1894-48
4475:
4471:
4470:
4464:
4452:
4451:
4446:
4441:
4437:
4431:
4427:
4422:
4418:
4412:
4408:
4403:
4391:
4387:
4386:
4381:
4376:
4372:
4366:
4362:
4357:
4356:
4351:
4346:
4340:, p. 17.
4339:
4338:Wrigholm 1991
4334:
4331:
4319:
4315:
4309:
4306:
4293:
4292:
4286:
4279:
4276:
4272:
4267:
4265:
4263:
4259:
4255:
4254:Wiremark 1998
4250:
4248:
4244:
4241:, p. 14.
4240:
4235:
4232:
4229:, p. 20.
4228:
4223:
4220:
4216:
4211:
4209:
4207:
4203:
4198:
4195:
4190:
4182:
4179:
4175:
4174:Wiremark 1998
4170:
4167:
4162:
4155:
4153:
4151:
4147:
4134:
4133:
4132:BrooklynVegan
4128:
4122:
4120:
4116:
4112:
4107:
4105:
4103:
4101:
4097:
4093:. p. 14.
4092:
4091:
4083:
4081:
4079:
4077:
4073:
4068:
4067:
4062:
4055:
4053:
4051:
4049:
4047:
4043:
4039:
4034:
4032:
4030:
4028:
4026:
4024:
4020:
4015:
4014:
4009:
4003:
4000:
3995:
3994:
3988:
3980:
3978:
3976:
3972:
3968:(in Swedish).
3967:
3966:
3960:
3952:
3950:
3948:
3946:
3942:
3937:
3936:
3930:
3922:
3920:
3916:
3911:
3910:
3904:
3900:Staff (ed.).
3896:
3894:
3892:
3890:
3886:
3881:
3880:
3879:Bildjournalen
3872:
3870:
3868:
3866:
3862:
3858:
3853:
3850:
3846:
3841:
3838:
3835:, p. 50.
3834:
3833:Wiremark 1994
3829:
3826:
3823:, p. 16.
3822:
3817:
3815:
3811:
3807:
3802:
3799:
3795:
3790:
3788:
3786:
3782:
3778:
3773:
3770:
3766:
3761:
3759:
3757:
3755:
3751:
3748:, p. 11.
3747:
3742:
3740:
3736:
3732:
3731:Olofsson 1995
3727:
3724:
3721:, p. 10.
3720:
3715:
3713:
3711:
3709:
3705:
3701:
3696:
3694:
3692:
3690:
3688:
3686:
3684:
3680:
3676:
3671:
3668:
3665:, p. 29.
3664:
3663:Wiremark 1994
3659:
3656:
3652:
3647:
3644:
3641:, p. 45.
3640:
3639:Wiremark 1994
3635:
3633:
3631:
3629:
3627:
3625:
3621:
3617:
3616:Wiremark 1994
3612:
3609:
3605:
3600:
3598:
3594:
3590:
3585:
3583:
3579:
3576:, p. 43.
3575:
3574:Wiremark 1994
3570:
3568:
3566:
3562:
3559:, p. 22.
3558:
3557:Wrigholm 1991
3553:
3551:
3549:
3547:
3543:
3540:, p. 42.
3539:
3538:Wiremark 1994
3534:
3531:
3528:, p. 41.
3527:
3526:Wiremark 1994
3522:
3520:
3516:
3513:, p. 40.
3512:
3511:Wiremark 1994
3507:
3504:
3500:
3495:
3493:
3491:
3489:
3485:
3481:
3476:
3473:
3469:
3464:
3462:
3460:
3458:
3454:
3450:
3445:
3443:
3439:
3436:, p. 13.
3435:
3430:
3427:
3424:, p. 37.
3423:
3422:Wiremark 1994
3418:
3416:
3412:
3408:
3403:
3401:
3399:
3395:
3392:, p. 36.
3391:
3390:Wiremark 1994
3386:
3384:
3380:
3377:, p. 35.
3376:
3375:Wiremark 1994
3371:
3368:
3364:
3359:
3356:
3353:, p. 13.
3352:
3351:Wiremark 1994
3347:
3344:
3340:
3339:Wiremark 1998
3335:
3333:
3331:
3329:
3327:
3325:
3323:
3321:
3319:
3317:
3315:
3313:
3311:
3307:
3303:
3298:
3296:
3292:
3289:, p. 18.
3288:
3287:Wrigholm 1991
3283:
3280:
3276:
3271:
3268:
3265:, p. 75.
3264:
3259:
3256:
3253:, p. 55.
3252:
3247:
3244:
3240:
3235:
3232:
3228:
3223:
3221:
3219:
3215:
3211:
3210:Wiremark 1994
3206:
3203:
3199:
3194:
3192:
3190:
3188:
3184:
3180:
3175:
3173:
3169:
3166:, p. 19.
3165:
3164:Wrigholm 1991
3160:
3158:
3154:
3151:, p. 38.
3150:
3149:Wiremark 1994
3145:
3143:
3141:
3137:
3133:
3128:
3126:
3124:
3122:
3120:
3116:
3113:, p. 34.
3112:
3111:Wiremark 1994
3107:
3104:
3100:
3095:
3092:
3088:
3083:
3080:
3076:
3071:
3069:
3067:
3063:
3060:, p. 23.
3059:
3058:Wiremark 1994
3054:
3051:
3048:, p. 11.
3047:
3046:Wrigholm 1991
3042:
3039:
3035:
3030:
3027:
3023:
3018:
3015:
3012:, p. 13.
3011:
3010:Wrigholm 1991
3006:
3003:
3000:, p. 10.
2999:
2998:Wrigholm 1991
2994:
2991:
2988:, p. 26.
2987:
2982:
2979:
2975:
2974:Hallberg 1993
2970:
2968:
2964:
2960:
2959:Wiremark 1994
2955:
2952:
2948:
2943:
2941:
2939:
2937:
2935:
2931:
2928:, p. 54.
2927:
2926:Hallberg 1993
2922:
2920:
2918:
2916:
2912:
2908:
2907:Wrigholm 1991
2903:
2900:
2897:, p. 11.
2896:
2891:
2888:
2884:
2883:Wiremark 1998
2879:
2877:
2875:
2873:
2871:
2867:
2863:
2862:Wiremark 1998
2858:
2856:
2854:
2852:
2850:
2848:
2846:
2844:
2842:
2840:
2838:
2836:
2834:
2832:
2830:
2828:
2826:
2824:
2822:
2820:
2818:
2814:
2809:
2805:
2801:
2795:
2793:
2791:
2789:
2787:
2785:
2781:
2778:
2777:
2766:
2764:
2760:
2756:
2752:
2748:
2742:
2739:
2733:
2731:
2727:
2723:
2717:
2714:
2710:
2704:
2701:
2697:
2691:
2689:
2685:
2681:
2675:
2672:
2668:
2664:
2663:Danne Larsson
2658:
2655:
2651:
2645:
2642:
2638:
2634:
2630:
2624:
2622:
2620:
2618:
2616:
2612:
2609:
2608:
2601:
2594:
2580:
2572:
2564:
2560:
2551:
2546:
2545:Pekkos Gustaf
2543:
2534:
2529:
2526:
2519:
2516:
2509:
2506:
2499:
2496:
2495:
2494:
2493:
2483:Jeff Jarrat (
2482:
2475:
2468:
2467:
2466:
2465:
2461:
2452:
2449:
2442:
2434:
2412:
2411:
2410:
2409:
2402:
2395:
2392:
2388:3, 5, 7–8, 11
2381:
2380:Danne Larsson
2378:
2367:
2364:
2357:
2354:
2353:
2352:
2351:
2347:
2346:
2342:
2341:
2333:
2325:
2322:Total length:
2315:
2309:
2306:
2305:
2303:
2298:
2295:
2293:
2290:
2289:
2287:
2280:
2276:
2272:
2269:
2263:
2260:
2257:
2256:
2254:
2247:
2243:
2239:
2236:
2230:
2227:
2226:
2224:
2217:
2213:
2209:
2203:
2200:
2199:
2197:
2191:
2188:
2185:
2184:
2182:
2175:
2171:
2167:
2164:
2161:
2154:
2150:
2146:
2127:
2114:
2111:Total length:
2104:
2102:
2099:
2093:
2090:
2087:
2086:
2084:
2081:
2077:
2073:
2067:
2064:
2063:
2061:
2055:
2052:
2049:
2046:
2043:
2042:
2040:
2037:
2033:
2029:
2026:
2020:
2017:
2016:
2014:
2011:
2007:
2003:
2000:
1994:
1991:
1990:
1988:
1985:
1981:
1977:
1974:
1972:
1969:
1966:
1962:
1958:
1955:
1950:
1947:
1944:
1941:
1938:
1935:
1934:
1932:
1929:
1925:
1906:
1893:
1890:Total length:
1883:
1877:
1874:
1873:
1871:
1866:Bengt Palmers
1865:
1862:
1861:
1859:
1856:
1852:
1848:
1845:
1839:
1836:
1835:
1833:
1830:
1826:
1822:
1819:
1817:
1814:
1811:
1807:
1803:
1800:
1795:
1794:Danne Larsson
1792:
1789:
1786:
1785:
1783:
1780:
1776:
1772:
1768:
1765:
1759:
1756:
1755:
1753:
1750:
1746:
1742:
1739:
1734:
1731:
1728:
1727:
1725:
1722:
1718:
1699:
1692:
1691:
1684:Track listing
1683:
1681:
1679:
1675:
1671:
1667:
1663:
1659:
1655:
1651:
1647:
1643:
1640:
1637:and became a
1636:
1635:word of mouth
1632:
1628:
1623:
1621:
1617:
1613:
1609:
1604:
1598:
1596:
1592:
1588:
1583:
1576:
1572:
1568:
1561:
1559:
1557:
1553:
1549:
1545:
1542:In 1997, the
1540:
1538:
1534:
1530:
1526:
1522:
1518:
1514:
1510:
1509:
1508:BrooklynVegan
1504:
1500:
1496:
1491:
1487:
1486:
1480:
1478:
1474:
1470:
1466:
1465:
1460:
1456:
1455:
1450:
1449:
1444:
1440:
1438:
1432:
1429:
1425:
1421:
1417:
1413:
1409:
1373:
1371:
1370:
1366:
1365:
1340:
1338:
1337:
1333:
1332:
1302:
1300:
1297:
1296:
1288:
1285:Review scores
1283:
1274:
1272:
1270:
1266:
1265:
1259:
1255:
1254:
1249:
1245:
1244:
1238:
1236:
1235:
1230:
1226:
1222:
1218:
1217:
1212:
1208:
1206:
1202:
1201:
1200:Bildjournalen
1196:
1192:
1184:
1179:
1177:
1175:
1171:
1167:
1163:
1159:
1155:
1151:
1146:
1144:
1140:
1136:
1131:
1126:
1123:
1116:
1111:
1108:
1104:
1096:
1094:
1091:
1087:
1083:
1082:
1081:My Generation
1077:
1073:
1069:
1065:
1061:
1057:
1053:
1050:
1049:Walter Hirsch
1046:
1037:
1030:
1028:
1026:
1022:
1018:
1014:
1010:
1007:
1002:
1000:
996:
991:
987:
982:
980:
976:
972:
968:
964:
960:
956:
952:
944:
942:
918:
898:
896:
894:
890:
886:
881:
877:
873:
868:
865:
860:
856:
855:Danne Larsson
851:
849:
845:
841:
837:
833:
829:
825:
821:
815:
813:
789:
769:
767:
765:
761:
760:reverberation
757:
753:
749:
745:
741:
737:
733:
729:
725:
720:
718:
714:
713:
708:
700:
695:
691:
689:
685:
681:
677:
673:
669:
665:
657:
652:
650:
648:
644:
640:
636:
632:
628:
624:
620:
615:
614:
610:
607:
603:
599:
593:
590:
581:
577:
572:
568:
565:
561:
557:
551:
548:
547:Danne Larsson
541:
533:
531:
529:
525:
521:
517:
513:
508:
506:
502:
501:
496:
492:
488:
483:
481:
477:
476:
471:
467:
461:
458:
454:
450:
446:
442:
438:
434:
433:
428:
424:
420:
416:
412:
408:
404:
396:
392:
391:
386:
382:
375:
373:
371:
367:
363:
359:
355:
351:
347:
343:
339:
335:
333:
329:
325:
321:
317:
316:
311:
307:
303:
299:
298:Danne Larsson
295:
291:
287:
283:
281:
277:
273:
269:
268:
263:
259:
255:
251:
250:
240:
227:
226:
223:
220:
216:
212:
208:
199:
196:
192:
191:
187:
183:
182:
178:
177:
173:
169:
165:
161:
159:
155:
152:
149:
147:
143:
131:
127:
121:
118:
116:
113:
111:
108:
107:
105:
103:
99:
95:
90:
87:
83:
79:
75:
71:
67:
63:
58:
54:
50:
45:
40:
32:
27:
19:
4824:Like a Woman
4726:
4709:
4708:
4701:
4694:
4687:
4680:
4666:Mats Landahl
4660:Björn Linder
4657:Anders Nordh
4651:Tommy Tausis
4641:Anders Töpel
4639:
4632:
4625:
4618:
4568:
4550:
4535:
4522:. Retrieved
4501:
4488:. Retrieved
4484:the original
4468:
4455:. Retrieved
4453:(in Swedish)
4448:
4425:
4406:
4394:. Retrieved
4390:the original
4383:
4360:
4333:
4321:. Retrieved
4308:
4296:. Retrieved
4289:
4278:
4256:, p. 3.
4239:Englund 1988
4234:
4227:Englund 1988
4222:
4187:
4181:
4176:, p. 4.
4169:
4160:
4137:. Retrieved
4130:
4088:
4064:
4011:
4002:
3991:
3963:
3933:
3907:
3877:
3852:
3840:
3828:
3821:Englund 1988
3801:
3772:
3726:
3677:, p. 7.
3670:
3658:
3653:, p. 5.
3651:Englund 1988
3646:
3611:
3591:, p. 5.
3533:
3506:
3501:, p. 4.
3475:
3470:, p. 6.
3434:Englund 1988
3429:
3370:
3358:
3346:
3341:, p. 2.
3304:, p. 8.
3282:
3277:, p. 3.
3270:
3258:
3246:
3241:, p. 8.
3239:Englund 1988
3234:
3212:, p. 7.
3205:
3106:
3101:, p. 1.
3094:
3082:
3053:
3041:
3029:
3017:
3005:
2993:
2981:
2961:, p. 4.
2954:
2902:
2890:
2885:, p. 1.
2864:, p. 5.
2803:
2775:
2774:
2754:
2750:
2741:
2716:
2708:
2703:
2674:
2657:
2649:
2644:
2633:Ron Richards
2606:
2605:
2592:
2491:
2490:
2463:
2462:
2451:Ron Richards
2407:
2406:
2394:Anders Töpel
2370:1–3, 7, 9–11
2349:
2348:
2339:
2337:
2101:instrumental
2100:
1971:Claes Dieden
1949:Anders Töpel
1779:Like a Woman
1689:
1687:
1669:
1653:
1649:
1645:
1644:
1626:
1624:
1619:
1615:
1607:
1602:
1599:
1594:
1590:
1581:
1580:
1570:
1555:
1551:
1547:
1541:
1536:
1532:
1528:
1524:
1520:
1516:
1512:
1506:
1502:
1489:
1483:
1481:
1472:
1462:
1452:
1446:
1442:
1436:
1434:Writing for
1433:
1427:
1423:
1419:
1418:states that
1407:
1405:
1367:
1334:
1268:
1262:
1257:
1251:
1247:
1241:
1239:
1232:
1228:
1224:
1220:
1214:
1210:
1209:
1204:
1198:
1197:, including
1190:
1188:
1173:
1169:
1161:
1153:
1149:
1147:
1142:
1138:
1129:
1128:
1118:
1114:
1106:
1102:
1100:
1089:
1079:
1072:Futura Black
1067:
1064:superimposed
1055:
1054:
1044:
1042:
1027:in Dalarna.
1003:
985:
983:
974:
971:Claes Dieden
950:
947:
889:transvestite
879:
869:
852:
819:
818:
756:Anders Töpel
743:
739:
735:
723:
721:
710:
706:
704:
686:by the lake
675:
663:
661:
618:
616:
612:
609:
606:Like a Woman
594:
585:
576:Like a Woman
574:The tracks "
563:
555:
553:
543:
539:
527:
523:
515:
511:
509:
504:
498:
484:
473:
462:
441:Howlin' Wolf
437:Kvällstoppen
430:
400:
388:
385:Roger Wallis
361:
357:
352:, airing on
349:
337:
336:
319:
313:
285:
284:
265:
248:
247:
246:
218:
197:
189:
188:
179:
57:Studio album
31:Studio album
26:
4882:1967 albums
4818:Other songs
4696:Extra Extra
4663:Björn Töpel
4524:25 February
4490:25 December
4457:25 December
4396:21 December
4385:Ugly Things
4323:31 December
4291:Aftonbladet
4192: [
4161:Rock N Roll
4139:29 December
3965:Aftonbladet
2810:. PMCS 316.
2667:the Beatles
2637:EMI Studios
2629:the Hollies
2548: [
2531: [
2512:5, 7, 9, 12
2476:Ken Scott (
2464:Technicians
2264:Adrian Moar
2231:Björn Töpel
2140:Lead vocals
1919:Lead vocals
1712:Lead vocals
1662:EMI Records
1658:re-mastered
1525:Sgt. Pepper
1523:"a Swedish
1495:David Bowie
1469:the Hollies
1459:The Zombies
1243:Aftonbladet
1166:Beatlemania
1158:lip syncing
1135:gold albums
1086:liner notes
893:trans woman
848:bal-musette
736:Extra Extra
602:EMI Records
598:EMI Studios
589:Lesley Gore
580:EMI Studios
413:" (1964), "
332:backmasking
315:Extra Extra
280:EMI Studios
110:Baroque pop
96:, Stockholm
4876:Categories
4861:Kebnekajse
4774:Bloodhound
4620:Tommy Blom
4556:Parlophone
4543:. 4751382.
4347:References
4111:Lokko 2014
3746:Tyler 2010
3719:Tyler 2010
3675:Tyler 2010
3589:Tyler 2010
3499:Tyler 2010
3468:Tyler 2010
3302:Tyler 2010
3275:Tyler 2010
3099:Tyler 2010
2808:Parlophone
2776:References
2650:Tio i Topp
2585:), flute (
2421:), piano (
2408:Production
2360:4–6, 8, 11
2356:Tommy Blom
2258:Henriksson
2186:Henriksson
2091:Henriksson
2018:Henriksson
1878:Henriksson
1863:Henriksson
1816:Tommy Blom
1787:Henriksson
1757:Henriksson
1639:cult album
1591:Tio i Topp
1575:Tommy Blom
1488:described
1467:(1967) by
1457:(1968) by
1122:Tommy Blom
995:Robin Hood
941:media help
812:media help
748:backmasked
672:Sollentuna
582:in London.
560:Europafilm
524:Tio i Topp
495:Parlophone
457:the Shanes
432:Tio i Topp
403:folk music
387:reviewing
376:Background
294:Tommy Blom
262:Parlophone
170:chronology
151:Parlophone
94:Europafilm
4090:The Times
3909:Expressen
2722:folk rock
2680:folkparks
2631:producer
2579:spilĂĄpipa
2441:accordion
2429:1–3, 9–10
2374:2–3, 5, 7
2334:Personnel
2310:Lagerberg
2292:Andy Bown
2270:Lagerberg
2261:Lagerberg
2228:Lagerberg
2204:Lagerberg
2189:Lagerberg
2165:Lagerberg
2162:Lagerberg
2137:Writer(s)
2094:Lagerberg
2068:Lagerberg
2047:Lagerberg
2027:Lagerberg
2021:Lagerberg
2001:Lagerberg
1956:Lagerberg
1939:Lagerberg
1916:Writer(s)
1801:Lagerberg
1790:Lagerberg
1766:Lagerberg
1760:Lagerberg
1740:Lagerberg
1709:Writer(s)
1546:magazine
1485:The Times
1464:Butterfly
1369:The Times
1216:Expressen
1170:Dalamania
1162:Dalamania
1154:Dalamania
1078:'s album
1001:and war.
963:spilĂĄpipa
844:accordion
836:hard rock
427:folk rock
423:soft rock
350:Dalamania
4703:Contrast
4519:AllMusic
4513:(2012).
2802:(1967).
2749:' album
2571:crumhorn
2528:PĂĄl Olle
2053:Svensson
1903:Side two
1696:Side one
1439:magazine
1412:AllMusic
1299:AllMusic
1225:Contrast
1060:gatefold
990:soul-pop
959:crumhorn
899:Side two
885:falsetto
826:' song "
770:Side one
764:feedback
740:Contrast
684:Tällberg
668:Tureberg
658:Overview
564:Contrast
554:Work on
528:Contrast
516:Contrast
505:Contrast
500:Contrast
390:Contrast
342:gatefold
320:Contrast
306:Tällberg
302:Tureberg
267:Contrast
181:Contrast
158:Producer
91:, London
77:Recorded
69:Released
59: by
4839:Members
4738:Singles
4689:Tages 2
4352:Sources
4314:"Tages"
4298:8 April
2587:8–9, 12
2563:cornett
2518:Skansen
2502:4–5, 12
2433:celesta
2427:organ (
2423:6, 8–11
2340:Studio.
2192:Larsson
2050:Larsson
1995:Larsson
1942:Larsson
1840:Larsson
1690:Studio.
1550:placed
1548:Topp 40
1076:the Who
955:cornett
724:Studio'
717:gimmick
712:spelmän
699:Dalarna
680:Dalarna
647:celesta
475:Tages 2
417:" and "
407:skiffle
310:Dalarna
219:Studio
215:Singles
201:(1969)
194:(1967)
185:(1967)
4710:Studio
4476:
4432:
4413:
4367:
2804:Studio
2755:Studio
2709:Studio
2593:
2143:Length
1922:Length
1715:Length
1670:Studio
1646:Studio
1627:Studio
1620:Studio
1608:Studio
1603:Studio
1595:Studio
1582:Studio
1571:Studio
1562:Legacy
1552:Studio
1537:Studio
1529:Studio
1521:Studio
1517:Studio
1503:Studio
1490:Studio
1473:Studio
1443:Studio
1428:Studio
1424:Studio
1420:Studio
1408:Studio
1293:Rating
1290:Source
1269:Studio
1258:Studio
1248:Studio
1229:Studio
1221:Studio
1211:Studio
1205:Studio
1191:Studio
1174:Studio
1150:Studio
1143:Studio
1139:Studio
1130:Studio
1124:(1988)
1107:Studio
1103:Studio
1090:Studio
1068:Studio
1056:Studio
1045:Studio
1025:Siljan
986:Studio
967:fiddle
951:Studio
880:Studio
820:Studio
744:Studio
707:Studio
688:Siljan
676:Studio
664:Studio
619:Studio
556:Studio
549:(2012)
512:Studio
362:Studio
358:Studio
338:Studio
324:Nordic
286:Studio
276:Bromma
249:Studio
190:Studio
129:Length
120:vispop
85:Studio
42:Studio
4728:Tages
4682:Tages
4196:]
2800:Tages
2607:Notes
2552:]
2535:]
2485:3, 10
2478:3, 10
2455:3, 10
2445:2, 12
2350:Tages
2326:12:20
2134:Title
2115:17:22
2056:Töpel
1913:Title
1894:13:15
1706:Title
1631:progg
1556:Sonic
891:or a
859:loves
728:brass
670:, in
258:Tages
256:band
217:from
168:Tages
146:Label
102:Genre
62:Tages
4526:2021
4492:2022
4474:ISBN
4459:2022
4430:ISBN
4411:ISBN
4398:2022
4365:ISBN
4325:2022
4300:2023
4141:2022
4066:Mojo
2567:1, 7
2556:1, 7
2539:1, 7
2437:4, 8
2316:2:16
2307:Blom
2273:2:40
2240:2:59
2237:Blom
2210:2:28
2201:Blom
2168:1:57
2105:4:13
2088:Blom
2074:2:04
2065:Blom
2044:Blom
2030:2:42
2004:2:10
1992:Blom
1978:2:41
1975:Blom
1959:3:32
1936:Blom
1884:2:34
1875:Blom
1849:1:38
1846:Blom
1837:Blom
1823:1:56
1820:Blom
1804:2:21
1769:2:36
1743:2:10
1437:Mojo
1336:Mojo
832:fade
762:and
738:and
730:and
633:and
443:and
435:and
393:for
326:and
318:and
254:rock
4720:EPs
4541:EMI
2577:),
2569:),
2439:),
2431:),
2425:),
2278:17.
2245:16.
2215:15.
2173:14.
2155:" (
2148:13.
2130:No.
2079:12.
2035:11.
2009:10.
1909:No.
1702:No.
1497:'s
274:in
89:EMI
4878::
4567:.
4517:.
4447:.
4382:.
4316:.
4288:.
4261:^
4246:^
4205:^
4194:sv
4149:^
4129:.
4118:^
4099:^
4075:^
4063:.
4045:^
4022:^
4010:.
3990:.
3974:^
3962:.
3944:^
3932:.
3918:^
3906:.
3888:^
3864:^
3813:^
3784:^
3753:^
3738:^
3707:^
3682:^
3623:^
3596:^
3581:^
3564:^
3545:^
3518:^
3487:^
3456:^
3441:^
3414:^
3397:^
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