Knowledge (XXG)

Studs Lonigan

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Catholic neighborhood of Chicago's South Side. Drawing on lacerating personal experience, Farrell wrote about people who were victims of injurious social circumstances and of their own spiritual and intellectual shortcomings. He depicted human frustration, ignorance, cruelty, violence, and moral degeneration with sober, relentless veracity....Despite his Marxist leanings, Farrell's fiction is not that of a reformer, or a doctrinaire theorist, but rather the patient humorless representation of ways of life and states of mind he abhors….Farrell’s place in American letters, however, as certainly the most industrious and probably the most powerful writer in the naturalistic tradition stemming from
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No writer has described a specific area of American society so thoroughly and comprehensively as Farrell did in the seven novels of Studs Lonigan and Danny O'Neill (1932-43). A consummate realist in viewpoint and method, he turned repeatedly in his fiction to the subject he knew best, the Irish
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to create a portrait of an average American slowly destroyed by the "spiritual poverty" of his environment. Both Chicago and the Catholic Church of that era are described at length and faulted. Farrell describes Studs sympathetically as Studs slowly deteriorates, changing from a tough but
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that "it’s an honorable low-budget effort by a group of people trying to break the Hollywood molds, and there are a few passages of daring editing that indicate what the film was aiming for. It’s an underfinanced American attempt at
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The entire miniseries is housed at the University of Georgia's Peabody Collection. The University has made the series available online by using the keyword "Studs Lonigan" in the search box.
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wrote the adaptation of the trilogy. The miniseries preserves the novel's tragic ending but humanizes Studs Lonigan's family and friends to a very considerable degree.
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Fanning, Charles, and Ellen Skerrett. "James T. Farrell and Washington Park: The Novel as Social History."
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fundamentally good-hearted, adventurous teenage boy to an embittered, physically shattered alcoholic.
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Onkey, Lauren. "James Farrell's Studs Lonigan Trilogy and the Anxieties of Race."
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Farrell wrote these three novels at a time of national despair. During the
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Rosenthal, T. G. "Studs Lonigan and the Search for an American Tragedy."
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and lead to a political and economic overhaul of the American system.
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Weathers, Glenda B. "The Territorial Imperative in 'Studs Lonigan'."
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William McCann, "Farrell, James Thomas" in John A. Garraty, ed.,
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for Outstanding Art Direction for a Limited Series or a Special.
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The trilogy was adapted into a minor 1960 film and a 1979
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Shiffman, Daniel. "Ethnic Competitors in Studs Lonigan."
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ranked the Studs Lonigan trilogy 29th on its list of the
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Branch, Edgar M. "Studs Lonigan: Symbolism and Theme."
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100 best English-language novels of the 20th century
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Index


Irving Lerner
Philip Yordan
Frank Gorshin
Jack Nicholson
Venetia Stevenson
Haskell Wexler
Verna Fields
Jerry Goldsmith
United Artists
James T. Farrell
Young Lonigan
The Young Manhood of Studs Lonigan
Judgment Day
Modern Library
100 best English-language novels of the 20th century
television miniseries
Great Depression
capitalism
Irish-American
South Side
Chicago
B movie
Irving Lerner
Christopher Knight
Frank Gorshin
Venetia Stevenson
Jack Nicholson
Pauline Kael
I Vitelloni

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