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Succubus (film)

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331: 345:, murdered her husband after he built her a palace. Later, at the club, Pierce watches Lorna from a distance before approaching her at her table, addressing her as the Countess. She rebuffs him, and tells William and his friends that she does not know the man. In another dream, Lorna brings her friend, Bella, to visit a dilapidated seaside castle where she resides. She takes Bella to a room full of 310:
acts that end with simulated murders, which shock and titillate the club patrons. She is overseen by her manager, William Francis Mulligan, an American who "discovered" Lorna and helped her forge her nightclub act. After performing at the club one night, Lorna returns home and is visited by William,
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is that it is strikingly different from anything Jesús Franco has directed either before or since." The review complimented that the "utilisation of an obviously low budget is relatively accomplished. In all other respects, however, the film is an absurdly hit-or-miss affair with scenes that have a
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Lorna accompanies William to Berlin. Unbeknownst to her, William meets with Pierce, with whom he has been in cahoots; the two have conspired to manipulate Lorna. Lorna, in a trance-like state, enacts the sadomasochistic club act in she and William's rented apartment. Held captive for the act are a
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William returns to Lisbon and enters his apartment there, where he finds a nude Lorna lounging on his couch. She asks him to kiss her, which he obliges, before she plunges a knife through his neck. Pierce appears and drives Lorna to the harbor, where he promises her that his power will "bring her
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Lorna has a bizarre dream in which she is a countess who is running late to a dinner party being held for her at her castle. She travels there by trolley, and is met by Pierce, a mysterious man who feels he has manifested Lorna as a "disciple of evil" and a devil on earth to do his bidding. Lorna
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The following day, Lorna and William stroll through the city together and stumble upon a funeral wake where numerous women mourn in the street. A curious Lorna approaches the body in the chapel and removes a shawl covering the dead man's face. She is horrified to see the man—who has been stabbed
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in various period dresses, and seduces her before bludgeoning her with a statue. Bella attempts to flee before several of the mannequins come to life, after which Lorna stabs her to death. Lorna awakens from the nightmare to find her apartment largely empty, as she has made plans to relocate to
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was Franco's first film made entirely outside of Spain. During production, the German backers for the film fell out, leading to the producer contacting Pier A. Caminnecci to finance the film. The film was released in West Germany in April 1968, and was subsequently acquired by
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man and woman with whom Lorna has performed in her club act. William looks on as Lorna stabs the man to death before killing the woman, who pleads for her life. William calls Lorna's name, breaking her trance, and she flees upstairs where gunfire erupts, and she screams.
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sought out financial backing in Germany. Franco became frustrated with the production rules and censorship in Spain, stating that even if he had an entirely Spanish crew, he would have to film in Spain to receive the co-production funding, and that for
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as just a sex and horror film, other might see more" and that "there will be a split opinion about pic's artistic outcome, but its technical side can't be disputed" noting "excellent color photography, it has several fascinating optical effects."
567:, noting that the film could not decide if it wanted "to be a bare-breasted exploitation movie or a nice, erotic horror story about a demented lady of bizarre sexual tastes" referring to the film as "being a bit of a drag". In a review for the 327:. Lorna goes into a trancelike state where she begins writhing on the floor in front of the guests, who, under the influence of the drug, approach her like animals, crawling along the floor. 435:, "the censors had taken their red pen and crossed everything out, even the title". The title for the film was found at the home of Pier A. Caminnecci, where Franco found a book titled 233: 1398: 585:
as one of the worst films of the year, referring to it as "a flat-out bomb. It left you stunned and reeling. There was literally nothing of worth in it. Even the girl was ugly."
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through the eye—resembles the Admiral Kapp from her nightmare. Later, she accompanies William to a party held by psychiatrist Ralf, where the partygoers indulge in
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contacted Pier A. Caminnecci, who took an interest in actress Reynaud and agreed to finance the film. An affair later occurred between the two.
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The film was shot in Lisbon and West Berlin. While filming was in progress, the German financial backers pulled out of the film. Producer
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was the first opportunity I had to make a film the way I wanted to make it. I'm rather astonished that the film did as well as it did.
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murders. As she begins to suffer violent, surreal nightmares, it is suggested that Lorna may be under mind control by a man who may be
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game with one another, repeating names of famous writers and artists, before Lorna stabs him through the eye socket.
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panned the film as "another sleazy piece of European-made sexploitation, arty to the point of incoherence."
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noted that after the film's showing it received substantial word-of-mouth for its sex and horror sequences.
481:. Franco claimed in interviews that he wrote the screenplay for this film, and edited it with Adrian Hoven. 449: 1688: 1328: 1308: 1115: 1009: 677: 600:
certain bizarre appeal (shop window dummies coming to life) juxtaposed with others of crushing banality."
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in 2009 with Franco in attendance. The print of the film shown was borrowed from American director
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Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960–1980
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It was released in West Germany on April 19, 1968 and was a financial success.
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William recounts a story to Lorna about a countess who, under the influence of
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was cast in the film after being introduced to Franco by her husband, actor
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Hans. (April 24, 1968). "Film Reviews: Necromonicon - Getraeumtte Sueaden (
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nightclub who performs fictionalized acts that involve erotically charged
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described the film as one that "may stir controversy" as "many will see
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meets with a man named Admiral Kapp, and the two engage in a
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Murderous Passions: The Delirious Cinema of Jesús Franco
736: 734: 840: 838: 836: 834: 832: 807: 805: 803: 790: 788: 786: 784: 782: 306:, Lorna Green works as a nightclub dancer who performs 1640: 1229: 216: 208: 198: 174: 164: 150: 140: 132: 110: 76: 66: 58: 48: 38: 21: 534:and released in the United States under the title 1399:Eugenie… The Story of Her Journey into Perversion 489: 712: 710: 708: 706: 704: 702: 700: 1185: 997: 995: 8: 1002:"Necronomicon-Getraumte Sunden (Succubus)". 1028:"'Succubus' Opens at Beverly Hills Theater" 271:. It follows Lorna Green, a performer at a 1192: 1178: 1170: 27: 18: 1036:. p. 26 – via Newspapers.com. 893:. p. 83 – via Newspapers.com. 751: 749: 422:After working on several productions in 858:"Festspiele / Berlin: Punkt zum Sitzen" 823: 740: 661: 844: 811: 794: 412:Américo Coimbra as The crucified actor 366:." The two enter the castle together. 667: 665: 514:was shown at trade shows at the 17th 33:West German theatrical release poster 7: 883:Sylvester, Robert (April 25, 1969). 632:The film was originally released on 516:Berlin International Film Festival 477:The film features a jazz score by 14: 1469:Dracula, Prisoner of Frankenstein 757:"Necronomicon - Geträumte Sünden" 673:"Necronomicon - Geträumte Sünden" 442:After finishing work on his film 1549:Love Letters of a Portuguese Nun 503:on working outside of Spain for 459:. After securing funding, model 532:American International Pictures 292:American International Pictures 242:Necronomicon – Geträumte Sünden 1704:Films directed by Jesús Franco 1489:A Virgin Among the Living Dead 1008:. Vol. 40, no. 468. 455:with an eight-page script for 1: 1699:Films about spirit possession 1479:La venganza del Doctor Mabuse 542:meant. The film was shown at 409:Pier A. Caminnecci as Hermann 1259:The Sadistic Baron von Klaus 1048:"Succubus (1967) - Releases" 1439:The Devil Came from Akasava 1137:. Strange Attractor Press. 400:Nathalie Nort as Bella Olga 385:as William Francis Mulligan 362:peace," and deems her his " 1760: 1619:Mansion of the Living Dead 1239:Queen of the Tabarin Club 1207: 1133:Thrower, Stephen (2015). 530:The film was acquired by 26: 1359:Marquis de Sade: Justine 681:. London. Archived from 638:Anchor Bay Entertainment 183:April 19, 1968 1539:Ilsa, the Wicked Warden 1429:The Castle of Fu Manchu 636:on October 27, 1998 by 159:Aquila Film Enterprises 1724:Films about mannequins 1719:Films shot in Portugal 1694:Films about nightmares 1329:The Blood of Fu Manchu 1309:Lucky, the Inscrutable 1110:Shipka, Danny (2011). 1010:British Film Institute 678:British Film Institute 496: 445:Lucky, the Inscrutable 338: 311:who spends the night. 241: 1459:She Killed in Ecstasy 1369:Two Undercover Angels 1005:Monthly Film Bulletin 648:as bonus features by 592:Monthly Film Bulletin 334:Lorna and William in 333: 1714:Films shot in Berlin 1609:Oasis of the Zombies 1559:Women in Cellblock 9 1299:Attack of the Robots 1289:The Diabolical Dr. Z 1279:Dr. Orloff's Monster 1249:The Awful Dr. Orloff 1012:. 1973. p. 254. 1709:Films set in Lisbon 1684:German horror films 1641:Collaborative works 1220:Unrealized projects 966:(August 20, 1969). 890:New York Daily News 685:on February 7, 2009 453:Karl-Heinz Mannchen 191: (West Germany) 1744:1960s German films 1499:Lorna the Exorcist 1269:Rififi in the City 1060:on August 14, 2016 942:The New York Times 935:(April 26, 1969). 864:(29). 10 July 1967 767:on August 29, 2019 564:The New York Times 561:wrote a review in 450:production manager 339: 54:Pier A. Caminnecci 1739:West German films 1729:The Devil in film 1679:1968 horror films 1661: 1660: 1519:Barbed Wire Dolls 1349:The Girl from Rio 1144:978-1-907222-31-3 1125:978-0-7864-4888-3 1114:. Jefferson, NC: 1033:Los Angeles Times 973:Chicago Sun Times 621:Los Angeles Times 587:David McGillivray 554:Critical response 548:Quentin Tarantino 250: 224: 223: 1751: 1654: 1633: 1623: 1613: 1603: 1593: 1583: 1573: 1563: 1553: 1543: 1533: 1523: 1513: 1503: 1493: 1483: 1473: 1463: 1453: 1443: 1433: 1423: 1413: 1409:The Bloody Judge 1403: 1393: 1383: 1373: 1363: 1353: 1343: 1333: 1323: 1313: 1303: 1293: 1283: 1273: 1263: 1253: 1243: 1222: 1215: 1194: 1187: 1180: 1171: 1148: 1129: 1097: 1096: 1094: 1092: 1085:Blue Underground 1076: 1070: 1069: 1067: 1065: 1056:. Archived from 1044: 1038: 1037: 1026:(May 10, 1969). 1020: 1014: 1013: 999: 990: 989: 987: 985: 980:on April 3, 2016 976:. 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Index


Jesús Franco
Adrian Hoven
Janine Reynaud
Jack Taylor
Michel Lemoine
Howard Vernon
Franz X. Lederle
Jerry Van Rooyen
Constantin Film
‹See Tfd›
German
lit.
Jesús Franco
Janine Reynaud
Jack Taylor
Adrian Hoven
Michel Lemoine
Lisbon
sadomasochistic
Satan
American International Pictures
Lisbon
sadomasochistic
word association
LSD

Satan
mannequins
Berlin

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