Knowledge (XXG)

Summer's Last Will and Testament (Lambert)

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had died just over a week before, and the sombre mood of the country was undoubtedly inimical to a work replete with references to plague, disease and death, and to the persistent aura of fatalism which affected much of Lambert's music. Although this tepid response could well have been anticipated
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provided support, ostensibly with the choral parts, but also with advice on the composition. Lambert inscribed the vocal score he gave to Greenbaum: "To Hyam Greenbaum (who as far as I remember wrote most of this work) from Constant Lambert".
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The piece lasts about 55 minutes. It was dedicated "to Florence", his then wife Florence Chuter (aka Florence Kaye), whom he had married in 1931. A limited edition of the two-piano score, with six drawings by
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was written between 1932 and 1935, a period in which Lambert was busy with his conducting and orchestration duties with Sadler's Wells, conducting the London premiere of
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under the circumstances, Lambert considered he had failed as a composer, and completed only two major works in the remaining sixteen years of his life.
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critic said the 1992 recording had made available to the public "a masterpiece buried for far too long".
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also exist, and there were two notable revivals broadcast during the 1980s and 1990s by the
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as frontispieces to the main movements, was issued by Oxford University Press in 1946.
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For the 1937 vocal score, the orchestral part was arranged for piano four-hands by
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called it "one of the undiscovered treasures of the English choral repertoire".
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has had only one complete commercial recording. This was released in 1992 by
87: 623: 386: 41: 211: 729:"Lambert: Pomona, Music For Orchestra, Etc / De ... | Buy from ArkivMusic" 510: 45: 36:, written between 1932 and 1935, and premiered in 1936. It is scored for 29: 695: 48:
solo also featured in the last of its seven movements. It is based on
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were conducted by the composer. The concert was sparsely attended.
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David Mason Greene, Greene's Biographical Encyclopedia of Composers
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Grove's Dictionary of Music and Musicians, 5th ed, 1954,
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The penultimate movement, the Rondo burlesca subtitled
56:, written around 1592. Lambert considered the work his 443:"Constant Lambert - Summer's Last Will and Testament" 659: 610:Nash, Thomas; Lambert, Constant (1 January 1937). 306:, the Leeds Festival Chorus, and baritone soloist 686:"21 Jan 1986 Concert Royal Festival Hall, London" 343:City of Birmingham Symphony Chorus and Orchestra 399:Lisa Hardy, The British Piano Sonata 1870–1945 183:Autumn hath all the Summer's fruitful treasure 112:The work was premiered at the Queen's Hall in 318:. Palmer's liner notes compare the plague to 104:Lambert's friend, the conductor and composer 8: 329:Tapes of a 1965 broadcast conducted by Sir 310:. The recording session took place in the 649:Volume XXVIII, Issue 2, April 1947, p. 197 337:and Brighton Festival Chorus conducted by 694:. Bright Festival Chorus. Archived from 408: 406: 484:Constant Lambert, Beyond the Rio Grande 381: 379: 377: 373: 565: 563: 561: 555:, Vol. 28, No. 2 (Apr., 1947), p. 197 477: 475: 426: 424: 422: 420: 283:. 300 numbered copies were produced. 199:(orchestra, baritone solo and chorus) 7: 782:Adaptations of works by Thomas Nashe 497:Palmer, Christopher (1 April 1974). 225:is scored for the following forces: 14: 772:Compositions by Constant Lambert 674:from the original on 2022-05-25. 661:"Obituaries: Christopher Palmer" 445:. www.musicweb-international.com 292:Summer's Last Will and Testament 223:Summer's Last Will and Testament 151:Summer's Last Will and Testament 84:Summer's Last Will and Testament 69:Summer's Last Will and Testament 21:Summer's Last Will and Testament 197:Adieu, farewell earth's bliss! 1: 304:English Northern Philharmonia 63:In 1949, Lambert said to Sir 100:), and completing his book 71:the best of all my work". 798: 468:, The Guardian, 7 May 2005 341:(10 May 1986), and by the 176:Trip and go, heave and ho! 362:English Chamber Orchestra 181:Madrigal con ritornelli: 160:Madrigal con ritornelli: 157:Intrata (orchestra alone) 124:and the baritone soloist 50:the play of the same name 169:Spring, the sweet Spring 670:. UK. 27 January 1995. 644:'Reviews of Music', in 616:Oxford University Press 597:Oxford University Press 534:. www.bach-cantatas.com 431:Music Web International 206:is also an allusion to 79:Background and premiere 314:, and was produced by 212:story of the same name 185:(orchestra and chorus) 178:(orchestra and chorus) 171:(orchestra and chorus) 164:(orchestra and chorus) 122:BBC Symphony Orchestra 118:The Philharmonic Choir 364:, released in 2007). 335:BBC Concert Orchestra 93:The Seven Deadly Sins 777:Works based on plays 731:. www.arkivmusic.com 116:on 29 January 1936. 757:Choral compositions 553:Music & Letters 511:10.1093/ml/LV.2.241 717:BBC Genome Project 573:. Hyperion Records 499:"Reviews of Books" 349:(5 October 1999). 316:Christopher Palmer 162:Fair Summer droops 698:on 20 August 2018 646:Music and Letters 503:Music and Letters 300:David Lloyd-Jones 192:(orchestra alone) 96:(under the title 789: 741: 740: 738: 736: 725: 719: 714: 708: 707: 705: 703: 682: 676: 675: 663: 656: 650: 641: 635: 634: 632: 630: 607: 601: 600: 589: 583: 582: 580: 578: 567: 556: 550: 544: 543: 541: 539: 528: 522: 521: 519: 517: 494: 488: 482:Lloyd, Stephen. 479: 470: 461: 455: 454: 452: 450: 439: 433: 428: 415: 410: 401: 396: 390: 383: 296:Hyperion Records 188:Rondo burlesca: 149:The sections of 65:Frederick Ashton 34:Constant Lambert 797: 796: 792: 791: 790: 788: 787: 786: 747: 746: 745: 744: 734: 732: 727: 726: 722: 715: 711: 701: 699: 684: 683: 679: 667:The Independent 658: 657: 653: 642: 638: 628: 626: 609: 608: 604: 591: 590: 586: 576: 574: 569: 568: 559: 551: 547: 537: 535: 530: 529: 525: 515: 513: 496: 495: 491: 480: 473: 462: 458: 448: 446: 441: 440: 436: 429: 418: 411: 404: 397: 393: 384: 375: 370: 345:, conducted by 331:Malcolm Sargent 312:Leeds Town Hall 308:William Shimell 302:conducting the 289: 277:Archibald Jacob 220: 208:Edgar Allan Poe 147: 81: 17: 12: 11: 5: 795: 793: 785: 784: 779: 774: 769: 764: 759: 749: 748: 743: 742: 720: 709: 677: 651: 636: 602: 584: 557: 545: 523: 505:(2): 241–242. 489: 471: 456: 434: 416: 402: 391: 372: 371: 369: 366: 358:Norman Del Mar 339:Norman Del Mar 288: 285: 281:Michael Ayrton 273: 272: 269: 266: 263: 260: 257: 254: 251: 248: 245: 242: 239: 236: 233: 230: 219: 216: 201: 200: 193: 186: 179: 172: 165: 158: 146: 143: 139:Michael Ayrton 106:Hyam Greenbaum 80: 77: 73:Malcolm Arnold 15: 13: 10: 9: 6: 4: 3: 2: 794: 783: 780: 778: 775: 773: 770: 768: 767:1936 cantatas 765: 763: 760: 758: 755: 754: 752: 730: 724: 721: 718: 713: 710: 697: 693: 692: 687: 681: 678: 673: 669: 668: 662: 655: 652: 648: 647: 640: 637: 625: 621: 617: 613: 606: 603: 598: 594: 588: 585: 572: 566: 564: 562: 558: 554: 549: 546: 533: 527: 524: 512: 508: 504: 500: 493: 490: 487: 485: 478: 476: 472: 469: 467: 466:Lost in music 464:Mike Ashman, 460: 457: 444: 438: 435: 432: 427: 425: 423: 421: 417: 414: 409: 407: 403: 400: 395: 392: 388: 382: 380: 378: 374: 367: 365: 363: 359: 355: 350: 348: 344: 340: 336: 332: 327: 325: 321: 317: 313: 309: 305: 301: 297: 293: 286: 284: 282: 278: 270: 267: 264: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 229:baritone solo 228: 227: 226: 224: 218:Orchestration 217: 215: 213: 209: 205: 198: 194: 191: 187: 184: 180: 177: 173: 170: 166: 163: 159: 156: 155: 154: 152: 144: 142: 140: 134: 131: 130:King George V 127: 126:Roy Henderson 123: 119: 115: 110: 107: 103: 99: 95: 94: 89: 85: 78: 76: 74: 70: 66: 61: 59: 55: 51: 47: 43: 39: 35: 31: 27: 23: 22: 733:. 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Index

masque
cantata
Constant Lambert
chorus
orchestra
baritone
the play of the same name
Thomas Nashe
magnum opus
Frederick Ashton
Malcolm Arnold
Kurt Weill
The Seven Deadly Sins
Hyam Greenbaum
London
The Philharmonic Choir
BBC Symphony Orchestra
Roy Henderson
King George V
Michael Ayrton
Edgar Allan Poe
story of the same name
Archibald Jacob
Michael Ayrton
Hyperion Records
David Lloyd-Jones
English Northern Philharmonia
William Shimell
Leeds Town Hall
Christopher Palmer

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