679:' years, with limber jazz-fusion songs and easygoing grooves featuring lyrics about the over-prescription of medication." Laurence Green of SOAS University of London called it the best Japanese city pop album, saying, "In the midst of the floaty electric piano chords and noodling organ lines, it lays out a playground of musicianship in which Ohnuki can deliver some of the most irresistibly catchy top lines in the City Pop sub-genre." Time (Is) in
547:, known for the legend of the ships being stranded and entangled with algae. Gölz said that it is a highlight of the second half and created some of the record's most fascinating musical textures: "Through fast, shrill synthesizer tremolos and from conspicuous high tones, the song creates a lost, nautical ambient atmosphere, short piano melodies create a sense of secluded wanderlust —a striking contrast to the hitherto urban ambience."
430:," Ohnuki said, "the record company was not too keen on it, and also around that time the contracted agency dissolved, then there were none of others around me, leaving only Sakamoto and me. So, "I'll make it as I like!" I felt that way, regardless of whether the sales would well or not." According to her, just then, came so-called
506:
wrote that the groove on this number "is alive, and the play of piano, drums and brass sounds dynamic, but the vocals of Ohnuki carry a formless melancholy in itself." According to Ohnuki, she has lived in Tokyo for a long time, been always particular about the city and the town, has sung such songs,
434:
or crossover, she was listening to it all the time, and she ended up being interested in the sound production and being sound oriented entirely. "In spite of I was a vocalist after all, I forgot about singing a little," she said, "I wonder if the sound was a little too noticeable, but I think it was
683:
wrote, "I won't go as far to say it's the 'definitive' City Pop album, but for a genre with very little to offer outside watered-down jazz funk clichés and folk pastiches, it's the closest you'll ever get to 'definitive'," and added, "To languor in decades of obscurity without so much as seeing
407:, and also that the most talked-about musicians at the time would participate. On the other hand, they were thinking about adding a something like "authentic" flavor to it. At such time, in April 1977, a four-day benefit concert entitled the "Rolling Coconut Review" in Tokyo was held, and since
403:-flavored than the first album which was closer to Sugar Babe. In those days, crossover was established and everyone was influenced more or less, so this direction was set naturally in the meeting for album production. It was decided that all songs would be arranged by
31:
537:"Dare no Tame ni" (誰のために; literally: "For Whom") – According to Ohnuki, it's exactly a feeling of "a cry from the weak"—an appeal to the fact that you can't be recognized without a status or an honor and describes how much you can stick to your belief.
507:
and though it's often said that the loneliness, still she likes the city. However here, denies and criticizes the bright lights in the city. This is a her favorite song, and she said, "'Tokai' has a good arrangement, . It's a bit like Stevie Wonder."
422:
They decided to call in Parker from New York for 26 days from May 13 to June 6, and all the arrangements had to be completed before the drummer entered the studio. As a result, it was made in the shortest time among the albums that Ohnuki has made.
731:"Heya" (部屋; literally: "Room"), the above single's coupling song, never previously appeared on any albums. This is an Ohnuki's favorite song, "I wanted to write the lyrics with the watercolor-like image such as red, the color of the sun," she said.
540:"Silent Screamer" – This song is about the desire to escape, too and it's strong that an image of driving a car at a breakneck speed. According to Ohnuki, back then, the energy was quite full and at least in the music, she wanted to run wild.
497:"Nani mo Iranai" (何もいらない; literally: "I don't need anything") – Back then, Ohnuki was negative about the society and the surrounding environment, and she felt like washing away the whole world like rain and starting over from the beginning.
550:"Furiko no Yagi" (振子の山羊; literally: "Goat of the Pendulum") – The music was composed by Sakamoto and has the intro part by symphonic orchestra. It is symbolically described that things like end-time of humankind and the reincarnation.
669:
gave birth to the album, it seems timeless in its pure beauty, yet so clearly shaped by the aesthetic conceptions of the time, which was able to only come about in exactly this line-up." Writing for
2250:"It's unbelievable to think we were all just 20-year-olds, because of how good everything sounds," Ohnuki looked back over the musicians playing on the album, and added, "Well, except the singing. "
2813:
510:"Karappo no Isu" (からっぽの椅子; literally: "Empty Chair") – A song about the loneliness in living alone, which was sung at Sugar Babe's last concert, too. It was made with the image of slow numbers in
249:
494:
Jon
Blistein wrote, "the funkiest song you'll ever hear about neurotic patients and the doctors all too happy to feed their angst with lots and lots of prescription drugs."
611:
Compared to her first album which drew a certain amount of attention, sales were lackluster. However, after that the album recognized as a masterpiece at the dawn of
3411:
461:
in unison with soothing harmonies and a smoking hot band laying down grooves bound to worm its way into your head, and it has the capability to experiment with the
1731:
2918:
2280:
723:
700:
was remastered and reissued in a limited edition as one of "Taeko Ohnuki CROWN YEARS Paper Sleeve
Collection". It was supervised by Ohnuki and included mini-
291:
3568:
2805:
808:
394:
168:
3657:
571:
described that there's something about the cover art that presents a quiet, comfortable confidence, resting pretty in a chic, distinctly
Japanese
534:
which Ohnuki liked. She said that it too, is a song which is critical, or raises a question and that it focuses on the desire to be natural.
3457:
383:
2332:
Romanized
Japanese was available for many of credits on the liner notes, therefore in that case it was based on that representations.
3074:
1114:
575:
of white, and its unadorned style has utterly modernist in outlook, and yet somehow also avant-garde, primitive in its simplicity.
728:" was released as a single on 5 July 1977, and was recorded by a different arrangement and players from the track on the album.
3662:
671:
2982:
485:"Kusuri wo Takusan" (くすりをたくさん; literally: "A Lot of Medicine") – A song criticizing the over-prescription of medicine.
2221:
873:
219:
482:"Summer Connection" – The opening number, "energetic and uplifting." The lyrics were written in the image of summer.
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244:
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form and could afford to take risks with deep cuts such as the delicate ambiance of 'Sargasso Sea' and the
457:
pointed out that the album benefits from two things: "it has the infectious catchiness of your regular old
803:
639:
435:
a good album in those days. Also
Sakamoto really put a lot of effort into it and made good arrangements".
389:
163:
415:
band's stage. "Oh, this is it!" they got excited and had negotiation on the participation of the drummer
2275:
1997:
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718:
378:
286:
3477:
2299:
3652:
1940:
1912:
3498:
1122:
3524:[Not Achieving Something, but for the Future, Taeko Ohnuki Talks about Her View of Life].
1775:
1745:
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on the spot. Kuniyoshi said it became a critical factor in determining the result of this album.
188:
3328:"Ōnuki Taeko Toribyūto Arubamu～Tribute to Taeko Onuki～ [Dejipakku Shiyō] [2CD]"
1806:
1794:
3396:
3101:
1831:
1726:
647:
638:, the album attracted the interest worldwide. The people playing on the album—including a pre-
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3277:
3258:
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3646:
3519:"Ōnuki Taeko ga kataru, nanika o nasu node wanaku mirai e tsunageru to iu jinseikan"
3416:
3312:
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834:
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487:
3518:
3604:
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3572:
3554:
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3350:
2323:
Limited to 500 copies, it was re-pressed in 2016 and reached the 6th press in 2019.
2216:
1837:
1225:
927:
839:
697:
544:
408:
342:
206:
158:
43:
2647:
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2629:
2627:
2611:
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361:. Despite being a commercial failure, with low sales at the time of its release,
1109:
705:
635:
445:
coupled with "Tokai" and "Kusuri wo
Takusan" was released as a limited edition.
431:
350:
341:(stylized in all caps) is the second studio album by Japanese singer-songwriter
116:
3327:
3293:
2087:
1981:
675:, Patrick St. Michel said that the album "proved to be a landmark in Japan's '
572:
354:
3558:
2226:
878:
224:
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2990:
798:
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666:
631:
619:
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458:
412:
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participated in it, Kuniyoshi and others attended it in order to watch that
3334:
2976:] (monthly magazine) (in Japanese). Vol. 3, no. 4. ステディ出版 .
612:
358:
124:
3631:
3549:
reissue booklet) (in
Japanese). Ohnuki Taeko. PANAM ⁄ CROWN. CRCP-20409.
3412:"City Pop: Why Does the Soundtrack to Tokyo's Tech Boom Still Resonate?"
3636:
3458:"Taeko Ohnuki – Sunshower [*The* best Japanese City Pop album]"
3439:
3330:大貫妙子トリビュート・アルバム～Tribute to Taeko Onuki～ [デジパック仕様] [2CD]
665:
to Come"—city pop—out of the zeitgeist. "The mixture of jazz, funk and
502:
462:
3437:[City Pop - The Soundtrack to The Japanese Economic Miracle].
3119:
3053:
2961:
Anon. (October 30, 1983). "MUSICIAN FILE Ōnuki Taeko Tettei kenkyū"
3036:
3007:
662:
346:
38:
708:, three bonus tracks, and liner notes newly written by herself.
511:
470:
3618:] (7" 45 rpm vinyl) (in Japanese). PANAM ⁄ CROWN. CRK-1021.
3333:[Ohnuki Taeko Tribute Album —Tribute To Taeko Ohnuki— [
3599:(CD reissue booklet) (in Japanese). PANAM ⁄ CROWN. CRCP-20409.
1162:
399:
label. According to the producer Seiji
Kuniyoshi, it was more
3435:"Ciry Pop - der Soundtrack zum japanischen Wirtschaftswunder"
3478:"Taeko Onuki of Sugar Babe on Her Journey in Japanese Music"
345:, released on July 25, 1977. The album combines elements of
3259:"SUNSHOWER [kami jaketto shiyō] [gentei]"
3240:"Gurei Sukaizu～Sanshawā [2CD] [saihatsu]"
626:
delivery and city pop became popular among artists of the
2541:
2539:
2537:
1996:
Seiji
Kuniyoshi, Natsuko Harada (PROMAX), Masami Hikasa,
2885:, "Onuki Taeko Tribute Album —Tribute To Taeko Onuki— "
688:, and only goes to show how ahead of its time it is ."
377:
was Ohnuki's second solo album following the breakup of
3299:[Oto no Bouquet —Taeko Onuki Cover Collection—]
2965:[Musician File: Taeko Ohnuki Intensive Study].
2415:
2413:
2411:
1977:
Yoshiro Nagato (BELIEVE IN MAGIC) – creative direction
684:
widespread reappraisal is unbecoming of an album like
1871:
Ryuichi
Sakamoto – musical direction and arrangements
2754:
2752:
2750:
2509:
2507:
514:, but Ohnuki didn't mean to make it completely jazz.
1433:
1416:
1328:
1317:
1248:
1240:
1074:"Taeko Ohnuki CROWN YEARS Paper Sleeve Collection".
661:that in this album, Ohnuki distilled the "Shape of
268:
205:
176:
157:
149:
133:
115:
88:
65:
50:
37:
23:
2434:
2432:
2430:
2428:
2241:Taeko Ohnuki (2015) "Tokai" / "Kusuri wo Takusan".
2130:Onuki Taeko Tribute Album —Tribute To Taeko Onuki—
734:"Kouryou" (荒涼; literally: "Bleakness") by lyrics:
524:"Law Of Nature" – It was composed in the image of
500:"Tokai" (都会; literally: "City") – Yannick Gölz of
2855:, "Oto no Bouquet —Taeko Onuki Cover Collection—"
543:"Sargasso Sea" – A song sang on the theme of the
365:slowly garnered critical acclaim and attention.
2785:
2723:
2651:
2633:
2615:
388:in 1975, and her last original album under the
1993:Kyoko Ooki (NIPPON CROWN) – design cooperation
1909:Tsunehide Matsuki – electric guitar (track 11)
1803:– drums (tracks 1–8, 10), tambourine (track 3)
2989:(in Japanese). ローソンエンタテインメント . Archived from
2894:
2879:
2864:
2849:
2738:
2708:
2681:
2666:
2561:
2057:Oto no Bouquet —Taeko Onuki Cover Collection—
746:that Ohnuki participated as a guest vocalist.
742:, was included in Masataka Matsutoya's album
8:
3035:(in Japanese). ローソンエンタテインメント. Archived from
2934:) (in Japanese). 大貫妙子. PANAM ⁄ CROWN. ZP-29.
2477:, pp. 96–107, "Talking About My Songs".
2471:
2387:
3587:(LP) (in Japanese). PANAM ⁄ CROWN. GW-4029.
1990:Sakae Yoshimoto (BELIEVE IN MAGIC) – design
1900:Ryuichi Sakamoto – keyboards (tracks 11–12)
1877:Hiroko Horigami, Masako Hikasa – assistance
3242:グレイ・スカイズ～サンシャワー [2CD] [再発]
2545:
2529:
2134:(大貫妙子トリビュート・アルバム —Tribute to Taeko Onuki—)
754:
582:
29:
20:
3476:St. Michel, Patrick (December 22, 2017).
3261:SUNSHOWER [紙ジャケット仕様] [限定]
2419:
2363:
1962:Ryusuke Seto – Acoustic Guitar (track 13)
1710:Credits adapted per album's liner notes.
2901:
2792:
2770:
2696:
2588:
2576:
2557:
2525:
2486:
2016:
1987:Takashi Kubo (NIPPON CROWN) – production
1413:
1311:
1234:
615:and reissued repeatedly in the country.
473:fusion 'Furiko no Yagi' to back it up."
2344:
2209:
3394:
3375:[Erika. (Rika Nishie) cover Album
3099:
3080:[Taeko Ohnuki - Latest News].
2838:
2834:
2600:
2498:
2402:
2375:
2351:
1931:Nov Saitoh – percussion (tracks 11–13)
1077:Digitally remastered, limited edition.
3456:Green, Laurence (February 23, 2018).
2774:
2758:
2513:
588:
18:1977 studio album by Taeko Ohnuki
7:
3541:Kuniyoshi, Seiji (October 3, 2007).
3294:""Oto no Būke" Ōnuki Taeko Kavāshū"
2816:from the original on August 29, 2020
2438:
2393:, pp. 68–95, "FILE Interview".
2310:(夜の旅人 —Endless Flight—; literally:
2035:
1772:– guitar (tracks 1, 3, 5, 6, 8, 10)
770:
3245:[Grey Skies – SUNSHOWER ]
2040:
1840:– background vocal (tracks 1–2, 4)
1834:– background vocal (tracks 1–2, 4)
1816:– percussion (tracks 1–3, 5–8, 10)
778:
315:Released: August 8, 2015
14:
3517:Kaneko, Atsutake (July 1, 2016).
3499:"Review: Taeko Onuki - Sunshower"
3278:"SUNSHOWER [Blu-spec CD]"
2942:Yoru no Tabibito —Endless Flight—
2300:Yoru no Tabibito —Endless Flight—
1797:– bass (tracks 1, 3, 5, 6, 8, 10)
744:Yoru no Tabibito —Endless Flight—
654:—also contributed to its status.
3372:Erika.（西恵利香）cover Album 「unjour」
2804:Ohnuki, Taeko (August 8, 2020).
1959:Haruomi Hosono – Bass (track 13)
1906:– electric guitar (tracks 11–12)
1125:#82 (September 4, 2017
299:Released: July 5, 1977
3560:Grey Skies (Taeko Ohnuki album)
2950:Night Traveler —Endless Flight—
2312:Night Traveler —Endless Flight—
1210:Numbered gatefold 2LP reissue.
373:Recorded and released in 1977,
312:""Tokai" / "Kusuri wo Takusan""
3658:1970s Japanese-language albums
3521:大貫妙子が語る、何かを成すのではなく未来へ繋げるという人生観
3497:Time (Is) (February 6, 2018).
3221:"Sanshawā [saihatsu]"
3075:"Ōnuki Taeko - Saishin Nyūsu"
2806:"｢SUNSHOWER｣ HQ SOUND EDITION"
1417:
1318:
1268:"くすりをたくさん (Kusuri wo takusan)"
1241:
1:
3410:Blistein, Jon (May 2, 2019).
3084:(in Japanese). Archived from
1956:– keyboards, vocal (track 13)
1880:Kazuhiro Sato – art direction
1165:record shop limited edition.
108:TOYO KASEI, Tokyo (mastering)
3482:Red Bull Music Academy Daily
3060:(in Japanese). ローソンエンタテインメント
3027:Anon. (September 28, 2016).
3014:(in Japanese). ローソンエンタテインメント
2687:, "Grey Skies – SUNSHOWER "
1937:– acoustic guitar (track 12)
1874:Shinich Tanaka – engineering
1755:– guitar (tracks 1–2, 4, 10)
892:September 21, 1984
672:Red Bull Music Academy Daily
630:-based microgenres known as
3212:(in Japanese). シーディージャーナル .
3052:Anon. (February 19, 2019).
2939:Anon. (November 25, 1977).
2140:December 18, 2013
3679:
2952:] (LP) (in Japanese).
1974:Taeko Ohnuki – supervision
1883:Tohru Ohnuki – photography
1868:Taeko Ohnuki – co-producer
1852:Seiji Kuniyoshi – producer
1301:"からっぽの椅子 (Karappo no isu)"
1224:All tracks are written by
1123:Oricon Weekly Albums Chart
1087:December 8, 2010
784:
567:scholar Laurence Green of
201:Taeko Ohnuki (co-producer)
3609:Tokai / Kusuri wo Takusan
3383:(in Japanese). シャイニングウィル
3006:Anon. (August 24, 2016).
2956:. PANAM ⁄ CROWN. GW-4033.
2639:, "Grey Skies/Sunshower".
2262:The Shape of Jazz to Come
2046:
2039:
2034:
2031:
2028:
2025:
2022:
2019:
1736:– keyboards (tracks 1, 5)
1723:– keyboards (tracks 1–10)
1678:
1658:
1638:
1618:
1598:
1578:
1558:
1538:
1518:
1498:
1478:
1458:
1438:
1430:
1427:
1424:
1421:
1389:
1375:
1361:
1351:"誰のために (Dare no tame ni)"
1347:
1333:
1325:
1322:
1297:
1286:
1279:"何もいらない (Nani mo iranai)"
1275:
1264:
1253:
1245:
1191:HMV record shop edition.
1172:October 8, 2016
1052:October 3, 2007
777:
774:
769:
766:
763:
760:
757:
596:
593:
569:SOAS University of London
330:
279:
264:
213:
28:
3616:City / A Lot of Medicine
3611:
3520:
3484:. Red Bull Music Academy
3371:
3329:
3295:
3260:
3241:
3222:
3076:
2969:
2962:
2944:
2922:
1894:Musicians (bonus tracks)
1828:– saxophone (tracks 4–5)
1393:"振子の山羊 (Furiko no yagi)"
1143:August 2, 2014
77:– June 6, 1977
3420:. Penske Business Media
2981:Anon. (July 10, 2014).
2177:June 19, 2013
2097:June 25, 2008
2067:March 2, 2008
1791:– bass (tracks 2, 4, 7)
973:July 21, 1993
917:July 21, 1990
824:July 25, 1977
788:July 25, 1977
738:and music/arrangement:
54:July 25, 1977
3557:(September 25, 1976).
3146:"Grey Skies/Sunshower"
3058:HMV Record Shop ONLINE
3033:HMV Record Shop ONLINE
3012:HMV Record Shop ONLINE
2987:HMV Record Shop ONLINE
2963:MUSICIAN FILE 大貫妙子徹底研究
2917:Anon. (July 5, 1977).
1950:– drums (tracks 12–13)
1742:– guitar (tracks 3, 6)
1045:, two-in-one reissue.
1043:Grey Skies / SUNSHOWER
1023:May 21, 1997
998:May 21, 1995
966:, two-in-one reissue.
964:Grey Skies / SUNSHOWER
944:May 21, 1991
885:, two-in-one reissue.
640:Yellow Magic Orchestra
69:May 13, 1977
3433:Gölz, Yannik (n.d.).
3264:[SUNSHOWER ]
2945:夜の旅人 —Endless Flight—
2274:Taeko Ohnuki (1977) "
1922:– bass (tracks 11–12)
1826:Yasuaki 'Sec' Shimizu
642:Ryuichi Sakamoto and
3528:(in Japanese). CINRA
3401:: CS1 maint: year (
3280:[SUNSHOWER ]
3226:[SUNSHOWER ]
3208:Anon. (n.d). 新譜情報 .
3106:: CS1 maint: year (
1822:– trombone (track 8)
584:Professional reviews
3663:Nippon Crown albums
3607:(August 25, 2015).
3595:(October 3, 2007).
3381:shining.shop-pro.jp
3223:サンシャワー [再発]
3088:on October 12, 2007
1642:"Summer Connection"
1462:"Kusuri wo Takusan"
1442:"Summer Connection"
1314:
1257:"Summer Connection"
1237:
696:In 2007, the album
585:
105:Sound City (mixing)
98:Crown Studio, Tokyo
3639:(list of releases)
3114:Anon. (n.d). 作品 .
2954:Masataka Matsutoya
2295:Masataka Matsutoya
2061:(音のブーケ 大貫妙子 カヴァー集)
1954:Masataka Matsutoya
1928:– drums (track 11)
1889:2007 remastered CD
1801:Christopher Parker
1785:– guitar (track 7)
1695:Masataka Matsutoya
1691:Masataka Matsutoya
1409:2007 remastered CD
1312:
1235:
1232:except where noted
740:Masataka Matsutoya
692:2007 remastered CD
657:Gölz described in
583:
426:"When it comes to
3567:) (in Japanese).
2928:Summer Connection
2276:Summer Connection
2196:
2195:
1998:Kennichi Makimura
1832:Tatsuro Yamashita
1759:Tsunehide Matsuki
1702:
1701:
1582:"Silent Screamer"
1562:"Dare no Tame ni"
1405:
1404:
1365:"Silent Screamer"
1308:
1307:
1216:
1215:
719:Summer Connection
648:Tatsuro Yamashita
609:
608:
334:
333:
287:Summer Connection
260:
259:
95:Sound City, Tokyo
3670:
3619:
3600:
3588:
3583:(July 5, 1977).
3576:
3550:
3537:
3535:
3533:
3513:
3511:
3509:
3493:
3491:
3489:
3472:
3470:
3468:
3452:
3450:
3448:
3429:
3427:
3425:
3406:
3400:
3392:
3390:
3388:
3361:
3359:
3357:
3346:
3344:
3342:
3323:
3321:
3319:
3308:
3306:
3304:
3296:「音のブーケ」大貫妙子カヴァー集
3289:
3287:
3285:
3273:
3271:
3269:
3254:
3252:
3250:
3235:
3233:
3231:
3201:
3199:
3197:
3186:
3184:
3182:
3171:
3169:
3167:
3156:
3154:
3152:
3141:
3139:
3137:
3111:
3105:
3097:
3095:
3093:
3069:
3067:
3065:
3048:
3046:
3044:
3039:on July 29, 2017
3023:
3021:
3019:
3002:
3000:
2998:
2993:on June 24, 2015
2977:
2957:
2935:
2904:
2892:
2886:
2877:
2871:
2862:
2856:
2847:
2841:
2832:
2826:
2825:
2823:
2821:
2801:
2795:
2791:, "SUNSHOWER".;
2783:
2777:
2768:
2762:
2756:
2745:
2736:
2730:
2721:
2715:
2706:
2700:
2694:
2688:
2679:
2673:
2664:
2658:
2649:
2640:
2631:
2622:
2613:
2604:
2598:
2592:
2586:
2580:
2574:
2568:
2567:, "SUNSHOWER ".
2555:
2549:
2543:
2532:
2523:
2517:
2511:
2502:
2496:
2490:
2484:
2478:
2469:
2442:
2436:
2423:
2417:
2406:
2400:
2394:
2385:
2379:
2373:
2367:
2361:
2355:
2349:
2333:
2330:
2324:
2321:
2315:
2308:
2292:
2286:
2284:
2272:
2266:
2257:
2251:
2248:
2242:
2239:
2233:
2230:
2214:
2190:shiningwill-n-1
2184:
2182:
2169:
2147:
2145:
2122:Ryuichi Sakamoto
2118:Yasuyuki Okamura
2104:
2102:
2074:
2072:
2042:
2037:
2017:
2006:
1980:Masao Nakazato (
1949:
1926:Shuichi Murakami
1921:
1864:
1815:
1784:
1771:
1754:
1735:
1721:Ryuichi Sakamoto
1628:Ryuichi Sakamoto
1622:"Furiko no Yagi"
1522:"Karappo no Isu"
1482:"Nani mo Iranai"
1419:
1414:
1397:Ryuichi Sakamoto
1320:
1315:
1243:
1238:
1230:Ryuichi Sakamoto
1179:
1177:
1150:
1148:
1132:
1130:
1118:
1094:
1092:
1059:
1057:
1030:
1028:
1005:
1003:
980:
978:
951:
949:
924:
922:
899:
897:
882:
860:
858:
831:
829:
812:
795:
793:
780:
772:
755:
727:
586:
565:Japanese studies
563:based on white,
493:
405:Ryuichi Sakamoto
398:
387:
323:
322:
320:
313:
307:
306:
304:
297:
295:
253:
228:
215:
214:
197:
172:
145:
144:
140:
84:
82:
76:
74:
61:
59:
33:
21:
3678:
3677:
3673:
3672:
3671:
3669:
3668:
3667:
3643:
3642:
3627:
3622:
3613:
3603:
3591:
3579:
3553:
3540:
3531:
3529:
3522:
3516:
3507:
3505:
3496:
3487:
3485:
3475:
3466:
3464:
3455:
3446:
3444:
3432:
3423:
3421:
3409:
3393:
3386:
3384:
3373:
3368:
3355:
3353:
3349:
3340:
3338:
3331:
3326:
3317:
3315:
3311:
3302:
3300:
3297:
3292:
3283:
3281:
3276:
3267:
3265:
3262:
3257:
3248:
3246:
3243:
3238:
3229:
3227:
3224:
3219:
3195:
3193:
3189:
3180:
3178:
3174:
3165:
3163:
3159:
3150:
3148:
3144:
3135:
3133:
3129:
3118:(in Japanese).
3098:
3091:
3089:
3078:
3072:
3063:
3061:
3051:
3042:
3040:
3026:
3017:
3015:
3005:
2996:
2994:
2980:
2971:
2967:Myūjikku Sutedi
2964:
2960:
2946:
2938:
2932:7" 45 rpm vinyl
2924:
2920:Samā Konekushon
2916:
2912:
2907:
2893:
2889:
2878:
2874:
2863:
2859:
2848:
2844:
2833:
2829:
2819:
2817:
2803:
2802:
2798:
2784:
2780:
2769:
2765:
2757:
2748:
2737:
2733:
2722:
2718:
2714:, "SUNSHOWER "
2707:
2703:
2695:
2691:
2680:
2676:
2665:
2661:
2650:
2643:
2632:
2625:
2614:
2607:
2599:
2595:
2587:
2583:
2575:
2571:
2556:
2552:
2546:St. Michel 2017
2544:
2535:
2530:St. Michel 2017
2524:
2520:
2512:
2505:
2497:
2493:
2485:
2481:
2470:
2445:
2437:
2426:
2418:
2409:
2401:
2397:
2386:
2382:
2374:
2370:
2362:
2358:
2350:
2346:
2342:
2337:
2336:
2331:
2327:
2322:
2318:
2302:
2293:
2289:
2278:
2273:
2269:
2258:
2254:
2249:
2245:
2240:
2236:
2224:
2215:
2211:
2206:
2201:
2180:
2178:
2163:
2143:
2141:
2137:
2100:
2098:
2070:
2068:
2064:
2015:
2010:
2000:
1970:
1965:
1943:
1935:Chuei Yoshikawa
1915:
1896:
1891:
1886:
1858:
1848:
1843:
1820:Shigeharu Mukai
1809:
1795:Tsugutoshi Goto
1778:
1761:
1748:
1740:Kazumi Watanabe
1729:
1716:
1708:
1703:
1542:"Law of Nature"
1411:
1406:
1337:"Law of Nature"
1309:
1221:
1198:August 8, 2020
1175:
1173:
1146:
1144:
1136:
1128:
1126:
1112:
1090:
1088:
1080:
1055:
1053:
1026:
1024:
1001:
999:
976:
974:
947:
945:
920:
918:
895:
893:
876:
856:
854:
827:
825:
806:
791:
789:
753:
751:Release history
721:
714:
694:
652:Yasuaki Shimizu
581:
557:
521:
491:
479:
451:
392:
381:
371:
326:
318:
316:
314:
311:
310:
302:
300:
298:
289:
284:
283:
255:
247:
239:
230:
222:
200:
191:
185:Seiji Kuniyoshi
166:
142:
138:
137:
129:
111:
101:
80:
78:
72:
70:
57:
55:
46:
19:
12:
11:
5:
3676:
3674:
3666:
3665:
3660:
3655:
3645:
3644:
3641:
3640:
3626:
3625:External links
3623:
3621:
3620:
3601:
3589:
3577:
3551:
3538:
3514:
3494:
3473:
3462:animewondering
3453:
3430:
3407:
3369:Anon. (n.d.).
3365:
3364:
3363:
3362:
3347:
3324:
3309:
3290:
3274:
3255:
3236:
3214:
3213:
3205:
3204:
3203:
3202:
3187:
3172:
3157:
3142:
3124:
3123:
3112:
3073:Anon. (n.d.).
3070:
3049:
3024:
3003:
2978:
2958:
2936:
2913:
2911:
2908:
2906:
2905:
2887:
2872:
2857:
2842:
2827:
2796:
2778:
2763:
2746:
2744:, "SUNSHOWER "
2731:
2729:, "SUNSHOWER".
2716:
2701:
2689:
2674:
2672:, "SUNSHOWER "
2659:
2657:, "SUNSHOWER".
2641:
2623:
2621:, "SUNSHOWER".
2605:
2593:
2581:
2569:
2550:
2533:
2518:
2503:
2491:
2479:
2443:
2424:
2420:Time (Is) 2018
2407:
2395:
2380:
2368:
2364:Kuniyoshi 2007
2356:
2343:
2341:
2338:
2335:
2334:
2325:
2316:
2287:
2267:
2252:
2243:
2234:
2208:
2207:
2205:
2202:
2200:
2197:
2194:
2193:
2191:
2188:
2185:
2175:
2170:
2157:
2156:
2154:
2151:
2148:
2138:
2136:
2135:
2132:
2126:
2124:
2114:
2113:
2111:
2108:
2105:
2095:
2090:
2084:
2083:
2081:
2078:
2075:
2065:
2063:
2062:
2059:
2053:
2051:
2048:
2044:
2043:
2038:
2033:
2030:
2027:
2024:
2021:
2014:
2013:Cover versions
2011:
2009:
2008:
1994:
1991:
1988:
1985:
1978:
1975:
1971:
1969:
1966:
1964:
1963:
1960:
1957:
1951:
1941:Tatsuo Hayashi
1938:
1932:
1929:
1923:
1913:Akihiro Tanaka
1910:
1907:
1904:Shigeru Suzuki
1901:
1897:
1895:
1892:
1890:
1887:
1885:
1884:
1881:
1878:
1875:
1872:
1869:
1866:
1853:
1849:
1847:
1844:
1842:
1841:
1835:
1829:
1823:
1817:
1804:
1798:
1792:
1789:Haruomi Hosono
1786:
1773:
1756:
1743:
1737:
1724:
1717:
1715:
1712:
1707:
1704:
1700:
1699:
1696:
1693:
1688:
1686:Yumi Matsutoya
1683:
1680:
1676:
1675:
1672:
1669:
1666:
1663:
1660:
1656:
1655:
1652:
1649:
1646:
1643:
1640:
1636:
1635:
1632:
1629:
1626:
1623:
1620:
1616:
1615:
1612:
1609:
1606:
1603:
1602:"Sargasso Sea"
1600:
1596:
1595:
1592:
1589:
1586:
1583:
1580:
1576:
1575:
1572:
1569:
1566:
1563:
1560:
1556:
1555:
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1549:
1546:
1543:
1540:
1536:
1535:
1532:
1529:
1526:
1523:
1520:
1516:
1515:
1512:
1509:
1506:
1503:
1500:
1496:
1495:
1492:
1489:
1486:
1483:
1480:
1476:
1475:
1472:
1469:
1466:
1463:
1460:
1456:
1455:
1452:
1449:
1446:
1443:
1440:
1436:
1435:
1432:
1429:
1426:
1423:
1420:
1412:
1410:
1407:
1403:
1402:
1399:
1394:
1391:
1387:
1386:
1383:
1380:
1379:"Sargasso Sea"
1377:
1373:
1372:
1369:
1366:
1363:
1359:
1358:
1355:
1352:
1349:
1345:
1344:
1341:
1338:
1335:
1331:
1330:
1327:
1324:
1321:
1310:
1306:
1305:
1302:
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1284:
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1277:
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1272:
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1262:
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1255:
1251:
1250:
1247:
1244:
1228:, arranged by
1222:
1220:
1217:
1214:
1213:
1211:
1208:
1207:CRJ-1016/1017
1205:
1202:
1199:
1195:
1194:
1192:
1189:
1186:
1183:
1180:
1169:
1168:
1166:
1160:
1157:
1154:
1151:
1140:
1139:
1137:
1135:
1134:
1120:
1106:
1104:
1101:
1098:
1095:
1084:
1083:
1081:
1079:
1078:
1075:
1071:
1069:
1066:
1063:
1060:
1049:
1048:
1046:
1040:
1037:
1034:
1031:
1020:
1019:
1017:
1015:
1012:
1009:
1006:
995:
994:
992:
990:
987:
984:
981:
970:
969:
967:
961:
958:
955:
952:
941:
940:
938:
936:
933:
930:
925:
914:
913:
911:
909:
906:
903:
900:
889:
888:
886:
870:
867:
864:
861:
850:
849:
847:
845:
842:
837:
832:
821:
820:
818:
816:
813:
801:
796:
786:
782:
781:
776:
773:
768:
765:
762:
759:
752:
749:
748:
747:
736:Yumi Matsutoya
732:
729:
713:
710:
693:
690:
644:Haruomi Hosono
607:
606:
603:
599:
598:
595:
591:
590:
580:
577:
559:Regarding the
556:
553:
552:
551:
548:
541:
538:
535:
520:
517:
516:
515:
508:
498:
495:
483:
478:
475:
450:
447:
370:
367:
332:
331:
328:
327:
325:
324:
308:
280:
277:
276:
266:
265:
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261:
258:
257:
241:
232:
211:
210:
203:
202:
199:
198:
186:
182:
180:
174:
173:
161:
155:
154:
151:
147:
146:
135:
131:
130:
128:
127:
121:
119:
113:
112:
110:
109:
106:
102:
100:
99:
96:
92:
90:
86:
85:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
3675:
3664:
3661:
3659:
3656:
3654:
3651:
3650:
3648:
3638:
3634:
3633:
3629:
3628:
3624:
3617:
3612:都会 / くすりをたくさん
3610:
3606:
3605:Ohnuki, Taeko
3602:
3598:
3594:
3593:Ohnuki, Taeko
3590:
3586:
3582:
3581:Ohnuki, Taeko
3578:
3574:
3570:
3566:
3562:
3561:
3556:
3555:Ohnuki, Taeko
3552:
3548:
3544:
3539:
3527:
3523:
3515:
3504:
3500:
3495:
3483:
3479:
3474:
3463:
3459:
3454:
3442:
3441:
3436:
3431:
3419:
3418:
3417:Rolling Stone
3413:
3408:
3404:
3398:
3382:
3378:
3374:
3367:
3366:
3352:
3348:
3336:
3332:
3325:
3314:
3310:
3298:
3291:
3279:
3275:
3263:
3256:
3244:
3237:
3225:
3218:
3217:
3216:
3215:
3211:
3210:CDJournal.com
3207:
3206:
3192:
3188:
3177:
3173:
3162:
3158:
3147:
3143:
3132:
3128:
3127:
3126:
3125:
3121:
3117:
3113:
3109:
3103:
3087:
3083:
3079:
3077:大貫妙子 – 最新ニュース
3071:
3059:
3055:
3050:
3038:
3034:
3030:
3025:
3013:
3009:
3004:
2992:
2988:
2984:
2979:
2975:
2968:
2959:
2955:
2951:
2947:
2943:
2937:
2933:
2929:
2925:
2921:
2915:
2914:
2909:
2903:
2902:Anon.(d) n.d.
2899:
2897:
2891:
2888:
2884:
2882:
2876:
2873:
2869:
2867:
2861:
2858:
2854:
2852:
2846:
2843:
2840:
2836:
2831:
2828:
2815:
2811:
2807:
2800:
2797:
2794:
2793:Anon.(a) 2016
2790:
2788:
2782:
2779:
2776:
2772:
2771:Anon.(b) 2016
2767:
2764:
2760:
2755:
2753:
2751:
2747:
2743:
2741:
2735:
2732:
2728:
2726:
2720:
2717:
2713:
2711:
2705:
2702:
2698:
2693:
2690:
2686:
2684:
2678:
2675:
2671:
2669:
2663:
2660:
2656:
2654:
2648:
2646:
2642:
2638:
2636:
2630:
2628:
2624:
2620:
2618:
2612:
2610:
2606:
2602:
2597:
2594:
2590:
2589:Anon.(c) 1977
2585:
2582:
2578:
2577:Anon.(a) 1977
2573:
2570:
2566:
2564:
2559:
2558:Anon.(a) n.d.
2554:
2551:
2547:
2542:
2540:
2538:
2534:
2531:
2527:
2526:Blistein 2019
2522:
2519:
2515:
2510:
2508:
2504:
2500:
2495:
2492:
2488:
2487:Blistein 2019
2483:
2480:
2476:
2474:
2468:
2466:
2464:
2462:
2460:
2458:
2456:
2454:
2452:
2450:
2448:
2444:
2440:
2435:
2433:
2431:
2429:
2425:
2421:
2416:
2414:
2412:
2408:
2404:
2399:
2396:
2392:
2390:
2384:
2381:
2377:
2372:
2369:
2365:
2360:
2357:
2353:
2348:
2345:
2339:
2329:
2326:
2320:
2317:
2313:
2309:
2306:
2301:
2296:
2291:
2288:
2282:
2277:
2271:
2268:
2264:
2263:
2256:
2253:
2247:
2244:
2238:
2235:
2231:
2228:
2223:
2218:
2213:
2210:
2203:
2198:
2192:
2189:
2186:
2176:
2174:
2171:
2167:
2162:
2159:
2158:
2155:
2153:RZCM-59438/9
2152:
2149:
2139:
2133:
2131:
2128:
2127:
2125:
2123:
2119:
2116:
2115:
2112:
2109:
2106:
2096:
2094:
2091:
2089:
2086:
2085:
2082:
2079:
2076:
2066:
2060:
2058:
2055:
2054:
2052:
2049:
2045:
2029:Release date
2018:
2012:
2007:– cooperation
2004:
1999:
1995:
1992:
1989:
1986:
1984:) – mastering
1983:
1979:
1976:
1973:
1972:
1967:
1961:
1958:
1955:
1952:
1947:
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1219:Track listing
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601:
600:
592:
589:Review scores
587:
578:
576:
574:
570:
566:
562:
561:cover artwork
554:
549:
546:
542:
539:
536:
533:
532:
527:
526:Todd Rundgren
523:
522:
518:
513:
509:
505:
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499:
496:
490:
489:
488:Rolling Stone
484:
481:
480:
476:
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468:
464:
460:
456:
453:Time (Is) of
448:
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3608:
3596:
3584:
3559:
3542:
3532:September 7,
3530:. Retrieved
3525:
3508:September 7,
3506:. Retrieved
3503:Sputnikmusic
3502:
3488:September 7,
3486:. Retrieved
3481:
3467:September 7,
3465:. Retrieved
3461:
3447:September 7,
3445:. Retrieved
3438:
3424:September 7,
3422:. Retrieved
3415:
3387:September 7,
3385:. Retrieved
3380:
3376:
3356:September 7,
3354:. Retrieved
3341:September 7,
3339:. Retrieved
3318:September 7,
3316:. Retrieved
3303:September 7,
3301:. Retrieved
3284:September 7,
3282:. Retrieved
3268:September 7,
3266:. Retrieved
3249:September 7,
3247:. Retrieved
3230:September 7,
3228:. Retrieved
3209:
3196:September 7,
3194:. Retrieved
3181:September 7,
3179:. Retrieved
3166:September 7,
3164:. Retrieved
3151:September 7,
3149:. Retrieved
3136:September 7,
3134:. Retrieved
3115:
3092:September 7,
3090:. Retrieved
3086:the original
3082:NIPPON CROWN
3081:
3064:September 7,
3062:. Retrieved
3057:
3043:September 7,
3041:. Retrieved
3037:the original
3032:
3018:September 7,
3016:. Retrieved
3011:
2997:September 7,
2995:. Retrieved
2991:the original
2986:
2974:Music Steady
2973:
2966:
2949:
2941:
2927:
2919:
2910:Bibliography
2900:, "unjour";
2895:
2890:
2880:
2875:
2870:, "Summerin"
2865:
2860:
2850:
2845:
2830:
2818:. Retrieved
2809:
2799:
2786:
2781:
2766:
2739:
2734:
2724:
2719:
2709:
2704:
2697:Anon.(a) n.d
2692:
2682:
2677:
2667:
2662:
2652:
2634:
2616:
2596:
2584:
2572:
2562:
2553:
2521:
2494:
2482:
2473:Music Steady
2472:
2398:
2389:Music Steady
2388:
2383:
2371:
2359:
2347:
2328:
2319:
2311:
2298:
2290:
2270:
2260:
2255:
2246:
2237:
2220:
2217:Taeko Ohnuki
2212:
2172:
2129:
2092:
2056:
1838:Taeko Ohnuki
1776:Kohichi Hara
1746:Kenji Ohmura
1709:
1290:"都会 (Tokai)"
1226:Taeko Ohnuki
1223:
1042:
963:
872:
869:GWX-159/160
743:
712:Bonus tracks
706:paper sleeve
695:
685:
681:Sputnikmusic
680:
670:
658:
656:
622:adjusted to
617:
610:
602:Sputnikmusic
558:
545:Sargasso Sea
529:
501:
486:
455:Sputnikmusic
454:
452:
437:
427:
425:
421:
417:Chris Parker
374:
372:
362:
343:Taeko Ohnuki
337:
336:
335:
273:
243:
235:
234:
218:
207:Taeko Ohnuki
44:Taeko Ohnuki
39:Studio album
15:
3653:1977 albums
3443:(in German)
3337:] ]
3313:"Summerin'"
3191:"SUNSHOWER"
3176:"SUNSHOWER"
3161:"SUNSHOWER"
3131:"SUNSHOWER"
3116:ORICON NEWS
2970:ミュージック・ステディ
2839:Ohnuki 2007
2835:Ohnuki 1977
2787:ORICON NEWS
2725:ORICON NEWS
2653:ORICON NEWS
2635:ORICON NEWS
2617:ORICON NEWS
2601:Ohnuki 1977
2499:Kaneko 2016
2403:Ohnuki 2015
2376:Ohnuki 2007
2352:Ohnuki 1976
2303: [
2279: [
2225: [
2164: [
2110:RZCD-45913
2026:Appearance
2001: [
1944: [
1916: [
1859: [
1856:Akira Ikuta
1810: [
1779: [
1762: [
1749: [
1730: [
1113: [
1110:Blu-spec CD
1103:CRCP-20462
1068:CRCP-20409
1039:CRCP-188/9
989:CRCP-30012
960:CRCP-28047
935:CRCP-28009
883:/ SUNSHOWER
877: [
807: [
722: [
650:as well as
636:future funk
438:In 2015, a
393: [
382: [
351:smooth jazz
290: [
248: [
223: [
192: [
189:Akira Ikuta
167: [
3647:Categories
3575:. GW-4023.
2923:サマー・コネクション
2820:August 29,
2775:Anon. 2019
2759:Anon. 2014
2514:Green 2018
2340:References
2222:Grey Skies
2181:2013-06-19
2144:2013-12-18
2101:2008-06-25
2088:Asako Toki
2080:CXCA-1225
2071:2008-03-02
2023:Artist(s)
1982:ONKIO HAUS
1968:Production
1865:– producer
1846:Production
1807:Nov Saitoh
1176:2016-10-08
1147:2014-08-02
1129:2017-09-04
1091:2010-12-08
1056:2007-10-03
1027:1997-05-21
1002:1995-05-21
977:1993-07-21
948:1991-05-21
921:1990-07-21
896:1984-09-21
874:Grey Skies
828:1977-07-25
792:1977-07-25
646:both, and
573:minimalism
379:Sugar Babe
369:Background
319:2015-08-08
303:1977-07-05
274:Sunshower
220:Grey Skies
209:chronology
81:1977-06-06
73:1977-05-13
58:1977-07-25
3632:Sunshower
3597:SUNSHOWER
3585:SUNSHOWER
3543:SUNSHOWER
3526:CINRA.NET
2896:CDJournal
2881:CDJournal
2866:CDJournal
2851:CDJournal
2810:HMV Japan
2740:CDJournal
2710:CDJournal
2683:CDJournal
2668:CDJournal
2563:CDJournal
2204:Footnotes
2093:Summerin'
1714:Musicians
1706:Personnel
1682:"Kouryou"
1188:CRT-1080
1182:Cassette
1159:CRJ-1011
1014:CRCP-141
844:DCT-2196
686:Sunshower
677:New Music
632:vaporwave
624:streaming
620:pop music
579:Reception
467:classical
428:Sunshower
413:jazz-funk
401:crossover
375:Sunshower
363:Sunshower
338:Sunshower
236:Sunshower
24:Sunshower
3397:cite web
3351:"unjour"
3335:digipack
3102:cite web
2814:Archived
2439:Gölz n.d
2047:"Tokai"
1727:Yuh Imai
1431:Arranger
908:GW-4107
835:Cassette
815:GW-4029
704:replica
613:city pop
459:pop song
440:7" vinyl
359:city pop
245:MIGNONNE
178:Producer
153:Japanese
150:Language
125:City pop
66:Recorded
51:Released
41: by
3637:Discogs
3440:laut.de
3379:].
2930:] (
2898:n.d.(8)
2883:n.d.(7)
2868:n.d.(6)
2853:n.d.(5)
2789:n.d.(5)
2742:n.d.(4)
2727:n.d.(4)
2712:n.d.(3)
2685:n.d.(2)
2670:n.d.(1)
2655:n.d.(3)
2637:n.d.(2)
2619:n.d.(1)
2565:n.d.(3)
2297:(1977)
2219:(1976)
2179: (
2142: (
2099: (
2069: (
2036:Catalog
2032:Format
1502:"Tokai"
1174: (
1145: (
1127: (
1089: (
1054: (
1025: (
1000: (
975: (
946: (
919: (
894: (
855: (
826: (
790: (
771:Catalog
764:Format
758:Region
659:laut.de
555:Artwork
503:laut.de
469:-meets-
463:pop art
317: (
301: (
270:Singles
256:(1978)
240:(1977)
231:(1976)
79: (
71: (
56: (
3377:unjour
3120:Oricon
3054:"News"
3029:"News"
3008:"News"
2983:"News"
2173:unjour
2161:Erika.
2050:COUCH
1671:
1668:
1665:
1662:"Heya"
1651:
1648:
1645:
1631:
1625:
1611:
1608:
1605:
1591:
1588:
1585:
1571:
1568:
1565:
1551:
1548:
1545:
1531:
1528:
1525:
1511:
1508:
1505:
1491:
1488:
1485:
1471:
1468:
1465:
1451:
1448:
1445:
1434:Length
1425:Lyrics
1382:
1368:
1354:
1340:
1329:Length
1313:Side B
1249:Length
1236:Side A
1204:CROWN
1185:PANAM
1156:PANAM
1100:PANAM
1065:PANAM
1036:PANAM
1011:PANAM
986:PANAM
957:PANAM
932:PANAM
905:PANAM
866:PANAM
785:Japan
767:Label
628:sample
597:Rating
594:Source
531:Utopia
519:Side B
492:'s
477:Side A
443:single
432:fusion
134:Length
89:Studio
3614:[
3573:CROWN
3569:PANAM
2972:[
2948:[
2926:[
2307:]
2283:]
2229:]
2199:Notes
2168:]
2020:Song
2005:]
1948:]
1920:]
1863:]
1814:]
1783:]
1770:]
1753:]
1734:]
1428:Music
1422:Title
1326:Music
1323:Title
1246:Title
1117:]
881:]
840:CROWN
811:]
804:PANAM
775:Note
761:Date
726:]
663:J-Pop
605:4.7/5
449:Songs
409:Stuff
397:]
390:PANAM
386:]
347:J-pop
294:]
272:from
252:]
227:]
196:]
171:]
164:PANAM
159:Label
117:Genre
3534:2019
3510:2019
3490:2019
3469:2019
3449:2019
3426:2019
3403:link
3389:2019
3358:2019
3343:2019
3320:2019
3305:2019
3286:2019
3270:2019
3251:2019
3232:2019
3198:2019
3183:2019
3168:2019
3153:2019
3138:2019
3108:link
3094:2019
3066:2019
3045:2019
3020:2019
2999:2019
2822:2020
2475:1983
2391:1983
2259:See
2150:2CD
2041:Ref.
1698:3:45
1674:3:24
1654:4:12
1634:5:40
1614:2:47
1594:3:32
1574:5:30
1554:3:47
1534:5:34
1514:5:10
1494:4:01
1474:4:09
1454:4:30
1401:5:40
1385:2:46
1371:3:31
1357:5:30
1343:3:46
1304:5:35
1293:5:09
1282:4:00
1271:4:07
1260:4:29
1033:2CD
954:2CD
863:2LP
857:1984
853:1984
779:Ref.
634:and
512:jazz
471:funk
357:and
355:rock
3635:at
2187:CD
2107:CD
2077:CD
1679:13.
1659:12.
1639:11.
1619:10.
1418:No.
1319:No.
1242:No.
1201:LP
1163:HMV
1153:LP
1097:CD
1062:CD
1008:CD
983:CD
902:LP
667:pop
618:As
528:'s
3649::
3571:/
3565:LP
3547:CD
3501:.
3480:.
3460:.
3414:.
3399:}}
3395:{{
3104:}}
3100:{{
3056:.
3031:.
3010:.
2985:.
2837:;
2812:.
2808:.
2773:;
2749:^
2644:^
2626:^
2608:^
2560:;
2536:^
2528:;
2506:^
2446:^
2427:^
2410:^
2314:).
2305:ja
2285:".
2281:ja
2227:ja
2166:ja
2003:ja
1946:ja
1918:ja
1861:ja
1812:ja
1781:ja
1768:de
1766:;
1764:ja
1751:ja
1732:ja
1599:9.
1579:8.
1559:7.
1539:6.
1519:5.
1499:4.
1479:3.
1459:2.
1439:1.
1390:5.
1376:4.
1362:3.
1348:2.
1334:1.
1298:5.
1287:4.
1276:3.
1265:2.
1254:1.
1133:).
1115:ja
928:CD
879:ja
809:ja
799:LP
724:ja
702:LP
698:CD
395:ja
384:ja
353:,
349:,
292:ja
250:ja
225:ja
194:ja
169:ja
143:00
139:44
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