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Hurley's compositional style is an "unusual, unique voice highly individualistic." Her work "defines two opposing characteristics of the post-minimalist style – lyricism and rhythmic drive . . .” The 1992 piece "Gallery Music for Harp" examples this by engaging the listener with "a strong
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introductory flourish" developing into "gentle, otherworldly sounds.” This alternation between opposites is observed again in a review of "Vermont Poems" and its harmonic reliance on "shifts between unisons and dissonants"
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of Los
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The UCLA Senate obituary for Page
Ackerman University Librarian, Emerita, makes reference to Palevsky's effort in paragraph seven of that document.
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and older compositional vehicles such as the chamber opera. Hurley wrote one such opera based on the lives of
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The range of the instruments used by Hurley is broad, including ancient and subtle instruments such as the
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Please help to demonstrate the notability of the topic by citing
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Review of
Vermont Poems, Susan Hurley, Chorus! Magazine
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Lawrence Vittes, LA Reader, January 31, 1992, p. 37
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