Knowledge (XXG)

Susan Sto Helit

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654:, though still resentful of having been born Death's granddaughter and attempting to avoid too much contact with the supernatural world, she appears to have accepted and even embraced her heritage: she admits, albeit grudgingly, that she is not completely human, frequently uses her powers to provide teaching aids, and views herself as an exception to the rules of normal human society, as evidenced by her willingness to investigate the personal papers of her employer, Madame Frout, without her knowledge. 184:. Being both human and supernatural, Susan is frequently and reluctantly forced away from her attempts at normal life to do battle with malign supernatural forces or to take on her grandfather's job in his absence. Death tends to rely on her in his battles against the Auditors of Reality, particularly in situations where he has no power or influence. As the series progresses, she also begins to take on roles educating children, so that, as Pratchett mentions in 42: 926:
Stationery Cupboard, and dimming the lighting to velvety darkness, both rather romantic gestures. Also, Myria (later known as Unity) bluntly questioned Susan as to whether or not she had romantic intentions in regard to the boy, to which Susan responded with the defensive attitude she usually reserves for her fondness of chocolates.
521:, she becomes completely human and finds herself bereft of her inherited gifts upon entering the Tooth Fairy's castle. This is because the laws of reality within the castle are based on the beliefs of children, which do not include a concept of death; hence the part of Susan which is derived from Death does not exist there. In 833:'s long history, for example, might be sufficiently vivid and detailed to make the parent think that the description could not have been improved upon if the child had actually seen the battle at first hand—which in fact they have, given the flexibility of time and space Susan has inherited from her grandfather. 315:
and Terry Pratchett himself have described her as being "attractive in a skinny way". Her hair is pure white, but with a streak of black running through it from end to end. Although its natural state is a frizzy mass reminiscent of a dandelion, it rearranges its style of its own accord depending on
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who attempts to destroy the Hogfather using teeth found at the Tooth Fairy's castle to control children. Death cannot enter the Tooth Fairy's castle because it is constructed from the imaginations of children, who have no concept of death, and therefore arranges for Susan to foil their plan instead.
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nature, as she enjoys listening to the sound of children playing while she is reading, but always positions herself at such a distance that she is unable to hear what the children are saying, lest she find it unsettling. Because of this insight, she has a knack for putting problem children (such as
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as a sixteen-year-old pupil at the Quirm College for Young Ladies, shortly after the deaths of her parents. Initially blaming Death for not saving them, she has come to accept that he is able only to grant them an eternal moment in his domain, which they have refused. After graduating — and despite
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that not be around in another few decades". She has yet to demonstrate much affection for others, though her relationship with her grandfather, once strained, improves over the course of the series. Despite this, she finds herself unable to trust him completely because of the way he occasionally
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Her approach in other areas is also unusual. For example, in her role as a governess she has found that her charges' reading progress has been greatly enhanced by using interesting books which are slightly too difficult for them, and which therefore present something of a challenge. Parents have
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ended with an unspecified "perfect moment" between Susan and Lobsang Ludd, the new anthropomorphic personification of Time. Though the moment itself was not described, Ludd caught her attention by levitating metallic silver and gold stars and setting them spinning about near the ceiling of the
642:, she is seen to be making an immense effort to remain 'normal', carefully limiting her use of her inherited powers and forcing herself to act in as 'human' a way as possible. She mentions having great difficulty in remembering things which other humans take for granted, such as the purpose of 478:
and History. Unfortunately, this caused the teachers of these subjects to believe that Susan was not attending their classes, and she was reported to the headmistress on several occasions. She solved this problem by using her power to erase the headmistress' memory of her supposed misconduct.
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vacancy is created. Susan is sucked in, as Death's manservant Albert puts it, forcing her to assume the role. At first she desires to use her power to help humanity, but as the book progresses she comes to realise that she is powerless to interfere, and discovers the inevitability of death and
474:, who are used to such things, are still able to see her if they concentrate and she is not actively trying to avoid their specific notice. During her time at Quirm College, she unconsciously used this power to avoid being asked questions in subjects in which she had no interest, such as 733:
She has expressed a fondness for children, as long as they are "not raw"; hopefully meaning that although the idea of having children herself does not appeal to her, she enjoys spending time with those of other people. She also demonstrates an insight into the more disturbing aspects of
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Susan once again comes into conflict with the Auditors, who are now attempting to stop time altogether. She is forced to find the son of Time, whom Death cannot influence or even see, because, being only mostly human, the boy is not subject to death. Susan is aided in her mission by
868:(which, while not used as a blunt object, was magical much like Death's scythe). Neither character openly acknowledges her magical powers. Both tend toward being actively insulted when reminded of their use. The link between Susan and Mary Poppins is explicitly alluded to in 619:) even existed. This is not surprising, given the fact that her parents had informed her from a very early age that there were no such things as the Soul Cake Duck, the Hogfather or the Tooth Fairy. It has even been suggested that her parents chose to name her 747:
As the novels progress, Susan proves to be quite good at handling small children, a skill that is attributed to her sensible and practical nature. This is reflected in her novel approach to children's problems. When a child complains about a
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Susan's most obvious character trait is being sensible, an attribute carefully cultivated by her parents as a counterbalance to the influence of her grandfather. Initially, this manifested itself as a refusal to admit the
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Due in part to her education at Quirm College for Young Ladies, Susan possesses various practical skills, some of which contribute to her success as a governess and later a teacher: she is accomplished in the fields of
864:"), took children on magical adventures (Susan does so to teach geography), introduced children to supernatural creatures (Susan employs such beings as guest speakers, including her own grandfather), and had a magic 802:'. When other adults point out that children should find these exercises too advanced, Susan acknowledges this, but points out that she hasn't told the children this and so far they seem not to be bothered about it. 525:, Susan finds herself unable to walk through walls while time is being held in stasis. She speculates that the energy of the glass clock which is holding time static is in some way interfering with her power. 303:, a sweeper and definitely not a Monk of Time, and Myria LeJean/Unity, a former Auditor who has become human. Time's husband, Wen the Eternally Surprised, describes her as "helpfulness personified". 776:
she uses for this task, although as word of Susan has quickly spread among the city's resident monsters, she lately has only needed to deal with newcomers. Her practical nature is quite similar to
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that she finds it difficult to relate to other humans on a personal level because the supernatural parts of her mind tend to view mortal creatures as nothing more than "a temporary collection of
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In following with her practical outlook on life, Susan does not have a great deal of patience with people who behave in an inefficient or unfocussed fashion. She also has a certain distrust for
825:, subjects which children often find rather dull, has particularly captured her class's attention. Parents generally see the occasional need to clean their children's clothing of dried-in 410:
even though she cannot directly interpret its speech, and has the ability to use her grandfather's voice to command or intimidate others. This speech is indicated, similar to Death's, "
486:, she is able to acknowledge the enormous size of the rooms in Death's Domain, whereas most humans can only deal with the incomprehensible vastness by pretending it is not there; 287:
After removing all of the Auditors' human agents from the Tooth Fairy's country, Susan saves the Hogfather from being destroyed by a group of Auditors who have taken the forms of
1893: 1888: 1504: 417:"; however, unlike those of her grandfather, the words which Susan speaks in this voice are often (if not always) enclosed within quotation marks, particularly in 650:
and how to forget things, but argues that, if she were to abandon this struggle, and give herself fully to her supernatural side, she would lose her humanity. In
760:, most parents would go to great lengths to carefully explain to the child that there is no monster. Susan, on the other hand, simply hands the child a suitable 567:
Despite coming from a technically purely human background, Susan has inherited abilities from her adoptive Grandfather through more-than-conventional means: her
506:' reconstruction of the shattered timeline. The latter novel also reveals that Susan possesses a sort of hyperawareness of the world around her, in that she is " 443:. In order to keep her from going insane, her mind represses much of the knowledge provided by this memory, but even so, parts of it occasionally permeate her 363:
have remarked upon, and despite her relative youth, she projects a sense of great age. She possesses a birthmark on her cheek that shows itself only when she
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She possesses a unique perspective on life, in that she lacks the normal human ability to ignore things which do not fit in with a logical world-view: in
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of the school in which she teaches. In the television special, her Look is shown as being able to turn her face into something rather similar to a skull.
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or ground-in swamp mud as more than compensated for by the broad education being received. A child's description of one of the classic battles from
676:, and may in fact be a characteristic inherited from Death, who made most of the decorations for his Domain black. She has an intense fixation on 695:" (her grandfather also possessed a distinct lack of talent in the field of music, making several unsuccessful attempts to learn how to play the 466:, Susan can make herself completely unnoticeable to ordinary people if she so chooses, though anyone who "can see what's really there", such as 1903: 1499: 817:, Susan is sufficiently successful as to have parents clamouring in large numbers to have their child included in her class. Her approach to 1630: 993: 379:. She also has a Look (always capitalised) which can be rather disconcerting, even to those in authority, such as her grandfather and the 1187: 623:
specifically because of the sensible and conventional connotations of the name. This upbringing has instilled in her a certain lack of
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Latterly, she accepts that she is part of the same world as the Hogfather and the Tooth Fairy—she just wishes she weren't. Indeed, in
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knowledge of the nature of Death's work, which gives her considerable assistance during her brief time doing her grandfather's job in
1913: 1141: 1066: 1037: 1690: 1615: 1104:'Algebra ... far too difficult for seven-year olds!' 'Yes, but I didn't tell them and so far they haven't found out,' said Susan 860:. Mary Poppins also had a very similar attitude while actively encouraging positive imagination (Susan tends to say things like " 283: 271:. She is released from the position following the return of her grandfather, who breaks the rules in order to save the rock star 1584: 1529: 1524: 1908: 1444: 1676: 975: 50: 1883: 1115:"... suddenly the school had a waiting list. Parents were fighting to get their children enrolled in Miss Susan's class." 1715: 727: 628: 1534: 1370: 1589: 1579: 1544: 1458: 1451: 1669: 1494: 1285: 857: 711:
were not encouraged to any degree, making it more of an environmentally instilled trait than an inherited one.
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Despite only being Death's Granddaughter by adoption, Susan has inherited certain of his abilities: she can "
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as a reader, since it may be argued that children under ten do not necessarily need to be able to spell '
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which may stem from her relationship with Death is the fact that she is, by her own admission, "not very
1697: 1559: 1472: 1405: 635:" She can be relied upon to keep her head in a crisis, something she tends to view as a character flaw. 452: 326: 1519: 1310: 894: 336: 517:
On various occasions, unusual circumstances have rendered some or all of Susan's powers useless: In
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page 389: 'Of course she has,' said the monk, smiling at Susan. 'She is helpfulness personified.'
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Death takes a holiday from his work in an attempt to forget his more troubling memories, and a
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to children, combined with her no-nonsense style and almost magical flair for stick-like
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Susan has, on several occasions, demonstrated rather unusual attitudes toward school and
402:." As well as being able to find any living creature, Susan can sense whether or not an 1789: 1723: 1640: 1275: 1165: 1054: 799: 553: 425: 376: 218: 375:, she complains that, as Death's granddaughter, she should have been born with better 41: 1877: 1758: 1620: 1415: 1350: 1345: 1330: 1320: 958: 945: 879: 814: 672:). This fixation is not as extreme as that which her mother possessed for the colour 503: 444: 360: 345: 229:
they leave Death's domain and become Duke and Duchess of Sto Helit, taking the motto
180: 115: 188:, she has "ended up, via that unconscious evolution that dogs characters, a kind of 1852: 1810: 1437: 1395: 1380: 1260: 1245: 830: 806: 612: 380: 448: 494:
and young children to see things which are invisible to most people, such as the
1390: 1290: 1230: 704: 668:, in that most of her childhood drawings were done in this colour (mentioned in 624: 538: 530: 495: 398: 272: 263: 159: 1280: 1270: 1129: 708: 658: 561: 475: 413: 341: 1763: 1748: 1743: 1315: 1305: 1205: 948: 898:, Pratchett describes Susan as "rather chilly", and Susan herself admits in 837: 822: 735: 715: 677: 244: 174: 150: 55: 31: 661:, disliking its attempts to oversimplify an inherently complicated world. 1240: 865: 841: 753: 722:, she cites school as one of the greatest obstacles to education, and in 643: 590: 584: 580: 572: 436: 364: 403: 970: 818: 749: 549: 268: 243:
being Duchess of Sto Helit — she begins a teaching career, first as a
845: 810: 761: 696: 681: 576: 568: 431: 356: 300: 703:). This may be the result of her aforementioned upbringing in which 1385: 826: 700: 692: 665: 647: 534: 502:, she is able to identify the historical anomalies created by the 1235: 915:
Though Susan was previously infatuated with rocker Imp Y Celyn (
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She'd sworn that if she did indeed ever find herself dancing on
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clothing, which he feels fits well with her job as a nanny in
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while she is working. Susan's hair is an inverted homage to
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Real children don't go hoppity-skip unless they're on drugs
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with which to assault the monster, or, in the event of an
537:(priding herself on her ability to mentally calculate the 162:, and has a number of his abilities. She appears in three 1080: 1078: 355:
Susan has a very striking physical presence, which both
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those who try to get around her rules) in their place.
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and born in Death's family. In the novels, it is said "
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aware of every step of the rocks beneath feet and the
233:: "Don't Fear the Reaper." Susan is their only child. 207:, Death's daughter via adoption, who is introduced in 154:
series of fantasy novels. She is the granddaughter of
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is human. She can understand the intentions of the
1845: 1819: 1798: 1777: 1714: 1654: 1608: 1482: 1429: 1213: 991:She appears as a young child in the computer game, 882:, she'd beat herself to death with her own umbrella 106: 98: 90: 85: 75: 63: 24: 786:, though the two are used in different fashions. 1092:(paperback ed.). Corgi Books. p. 120. 772:, etc., from a wide area have come to dread the 664:She appears to have a preference for the colour 490:reveals that she shares the ability of witches, 255:. She insists on being addressed as Miss Susan. 684:in it), one about which she is very defensive. 16:Character in Terry Pratchett's Discworld novels 311:Susan is a "slightly built young woman"; both 1181: 633:Apparently the poet had liked them very much. 589:some things were inherited through more than 8: 1505:The Science of Discworld III: Darwin's Watch 1466:A Collegiate Casting-Out of Devilish Devices 1356:The Amazing Maurice and His Educated Rodents 1510:The Science of Discworld IV: Judgement Day 1188: 1174: 1166: 726:, she compares being educated to having a 593:...some things were inherited through the 40: 1020:. J S. pp. 279–. GGKEY:YXQ48LZSF29. 768:monster, assaults it herself. Monsters, 1600:Tiffany Aching's Guide to Being a Witch 1006: 583:into Death's family; whereas Susan was 371:, and which glow when she is angry. In 316:Susan's mood; it tends to form a tight 1894:Fictional characters with precognition 1889:Literary characters introduced in 1994 1500:The Science of Discworld II: The Globe 21: 455:insights into forthcoming events. In 7: 545:, and has considerable knowledge of 393:walk through walls and live outside 1631:Discworld II: Missing Presumed...!? 994:Discworld II: Missing Presumed...!? 282:the Auditors employ Mr Teatime, an 1899:Fictional characters who use magic 1570:The Unseen University Cut Out Book 907:manipulates her into helping him. 251:, and then as a schoolteacher, in 14: 790:reservations about her choice of 428:, which includes the ability to " 1014:Terry Pratchett (1 March 1999). 615:side of the world (beyond basic 1585:The Wit and Wisdom of Discworld 1525:The Unseen University Challenge 1161:Discworld & Pratchett Wiki 856:), can be seen as a parody of 144:, is a fictional character in 1: 1904:Fictional dukes and duchesses 627:; her personal appraisal of " 979:the character was played by 498:, monsters and bogeymen; in 424:Susan has inherited Death's 330:, in which she wore a black 1535:The Streets of Ankh-Morpork 728:communicable sexual disease 597:...some things were in the 552:. She is also a competent 447:, generally manifesting as 334:wig with white streaks. In 1930: 973:live-action adaptation of 930:Appearances in other media 872:, when Susan states that " 462:Like Death or experienced 217:, who was briefly Death's 1590:The Folklore of Discworld 1580:Once More* with Footnotes 1545:A Tourist Guide to Lancre 1459:Death and What Comes Next 1452:The Sea and Little Fishes 575:into Death's family; her 203:Susan is the daughter of 39: 29: 1914:Fictional schoolteachers 1495:The Science of Discworld 844:(e.g. her grandfather's 1646:Discworld: Ankh-Morpork 1515:The Pratchett Portfolio 1490:The Discworld Companion 1059:The Discworld Companion 556:, being versed in four 236:Susan is introduced in 140:), once referred to as 113:(adoptive grandfather) 86:In-universe information 1858:Games of the Discworld 957:, Susan was voiced by 911:Romantic relationships 805:Using her powers as a 687:Another aspect of her 680:(provided there is no 629:a poem about daffodils 606:Personality and traits 571:, Ysabell, was merely 1909:Fictional governesses 1575:The Discworld Diaries 1560:The Discworld Almanak 1473:A Blink of the Screen 1406:I Shall Wear Midnight 327:Bride of Frankenstein 1884:Discworld characters 1555:Nanny Ogg's Cookbook 1520:The Art of Discworld 1421:The Shepherd's Crown 1134:The Art of Discworld 895:The Art of Discworld 397:and be a little bit 387:Powers and abilities 337:The Art of Discworld 186:The Art of Discworld 1778:Races and creatures 1705:The Amazing Maurice 1684:The Colour of Magic 1655:Films and TV series 1616:The Colour of Magic 1226:The Light Fantastic 1221:The Colour of Magic 1061:. London: Golancz. 850:field hockey sticks 307:Physical appearance 210:The Light Fantastic 19:Fictional character 1540:The Discworld Mapp 1445:Theatre of Cruelty 1401:Unseen Academicals 1371:Monstrous Regiment 1336:The Fifth Elephant 1326:The Last Continent 836:Susan's role as a 646:, the way to fall 231:Non Temetis Messor 51:2006 TV adaptation 1871: 1870: 1832:Unseen University 1769:Granny Weatherwax 1376:A Hat Full of Sky 1301:Interesting Times 778:Granny Weatherwax 324:'s appearance in 131: 130: 1921: 1739:Moist von Lipwig 1595:The World of Poo 1530:The Wyrdest Link 1366:The Wee Free Men 1286:Lords and Ladies 1202: 1201: 1190: 1183: 1176: 1167: 1148: 1147: 1126:Pratchett, Terry 1122: 1116: 1113: 1107: 1106: 1086:Pratchett, Terry 1082: 1073: 1072: 1051:Pratchett, Terry 1047: 1041: 1028: 1022: 1021: 1011: 981:Michelle Dockery 792:General Tacticus 743:Teaching methods 558:swimming strokes 472:Mustrum Ridcully 416: 313:Mustrum Ridcully 225:. At the end of 64:First appearance 49:as Susan in the 47:Michelle Dockery 44: 22: 1929: 1928: 1924: 1923: 1922: 1920: 1919: 1918: 1874: 1873: 1872: 1867: 1863:Lie-to-children 1841: 1815: 1794: 1773: 1754:Susan Sto Helit 1710: 1650: 1636:GURPS Discworld 1604: 1565:Where's My Cow? 1478: 1425: 1266:Moving Pictures 1256:Guards! Guards! 1209: 1199:Terry Pratchett 1197: 1196: 1194: 1157: 1152: 1151: 1144: 1124: 1123: 1119: 1114: 1110: 1100: 1084: 1083: 1076: 1069: 1049: 1048: 1044: 1029: 1025: 1013: 1012: 1008: 1003: 989: 967: 942: 937: 932: 913: 890: 854:fireplace poker 774:fireplace poker 745: 718:in general: In 608: 579:, Mort, merely 411: 389: 344:draws Susan in 322:Elsa Lanchester 309: 201: 146:Terry Pratchett 134:Susan Sto Helit 123: 118: 114: 80:Terry Pratchett 59: 25:Susan Sto Helit 20: 17: 12: 11: 5: 1927: 1925: 1917: 1916: 1911: 1906: 1901: 1896: 1891: 1886: 1876: 1875: 1869: 1868: 1866: 1865: 1860: 1855: 1849: 1847: 1843: 1842: 1840: 1839: 1834: 1829: 1823: 1821: 1817: 1816: 1814: 1813: 1808: 1802: 1800: 1796: 1795: 1793: 1792: 1790:Nac Mac Feegle 1787: 1781: 1779: 1775: 1774: 1772: 1771: 1766: 1761: 1756: 1751: 1746: 1741: 1736: 1731: 1726: 1724:Tiffany Aching 1720: 1718: 1712: 1711: 1709: 1708: 1701: 1694: 1687: 1680: 1673: 1666: 1658: 1656: 1652: 1651: 1649: 1648: 1643: 1641:Discworld Noir 1638: 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136:(also spelled 129: 128: 108: 104: 103: 100: 96: 95: 92: 88: 87: 83: 82: 77: 73: 72: 65: 61: 60: 45: 37: 36: 27: 26: 18: 15: 13: 10: 9: 6: 4: 3: 2: 1926: 1915: 1912: 1910: 1907: 1905: 1902: 1900: 1897: 1895: 1892: 1890: 1887: 1885: 1882: 1881: 1879: 1864: 1861: 1859: 1856: 1854: 1851: 1850: 1848: 1844: 1838: 1835: 1833: 1830: 1828: 1825: 1824: 1822: 1820:Organisations 1818: 1812: 1809: 1807: 1804: 1803: 1801: 1797: 1791: 1788: 1786: 1783: 1782: 1780: 1776: 1770: 1767: 1765: 1762: 1760: 1759:Lord Vetinari 1757: 1755: 1752: 1750: 1747: 1745: 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1721: 1719: 1717: 1713: 1707: 1706: 1702: 1700: 1699: 1695: 1693: 1692: 1688: 1686: 1685: 1681: 1679: 1678: 1674: 1672: 1671: 1667: 1665: 1664: 1660: 1659: 1657: 1653: 1647: 1644: 1642: 1639: 1637: 1634: 1632: 1629: 1627: 1624: 1622: 1621:Discworld MUD 1619: 1617: 1614: 1613: 1611: 1607: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1561: 1558: 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1143:0-575-07511-2 1139: 1135: 1131: 1127: 1121: 1118: 1112: 1109: 1105: 1101: 1095: 1091: 1090:Thief of Time 1087: 1081: 1079: 1075: 1070: 1068:0-575-05764-5 1064: 1060: 1056: 1052: 1046: 1043: 1039: 1038:0-552-14840-7 1035: 1032: 1031:Thief of Time 1027: 1024: 1019: 1018: 1010: 1007: 1000: 998: 996: 995: 986: 984: 982: 978: 977: 972: 964: 962: 960: 959:Debra Gillett 956: 955: 950: 947: 946:Cosgrove Hall 939: 934: 929: 927: 924: 923:Thief of Time 920: 919: 910: 908: 905: 901: 900:Thief of Time 897: 896: 888:Relationships 887: 885: 883: 881: 877: 871: 867: 863: 859: 855: 851: 847: 843: 839: 834: 832: 828: 824: 820: 816: 815:schoolteacher 812: 808: 803: 801: 800:disembowelled 797: 793: 787: 785: 784: 779: 775: 771: 767: 763: 759: 756:or under the 755: 751: 742: 740: 737: 731: 729: 725: 721: 717: 712: 710: 706: 702: 698: 694: 690: 685: 683: 679: 675: 671: 667: 662: 660: 655: 653: 652:Thief of Time 649: 645: 641: 636: 634: 630: 626: 622: 618: 614: 605: 603: 601: 600: 596: 592: 586: 582: 578: 574: 570: 565: 563: 559: 555: 551: 548: 544: 541:of 27.4), is 540: 536: 532: 526: 524: 523:Thief of Time 520: 515: 513: 511: 505: 504:History Monks 501: 500:Thief of Time 497: 493: 489: 485: 480: 477: 473: 469: 465: 460: 458: 454: 450: 446: 445:consciousness 442: 438: 434: 433: 430:remember the 427: 422: 420: 415: 409: 408:Death of Rats 405: 401: 400: 396: 386: 384: 382: 378: 374: 370: 366: 362: 358: 353: 351: 347: 343: 339: 338: 333: 329: 328: 323: 319: 314: 306: 304: 302: 297: 296:Thief of Time 292: 290: 285: 281: 276: 274: 270: 265: 261: 256: 254: 253:Thief of Time 250: 246: 241: 240: 234: 232: 228: 224: 220: 216: 212: 211: 206: 198: 196: 194: 191: 187: 183: 182: 181:Thief of Time 177: 176: 171: 170: 165: 161: 158:, the Disc's 157: 153: 152: 147: 143: 139: 135: 126: 121: 117: 116:Death of Rats 112: 109: 105: 101: 97: 93: 89: 84: 81: 78: 74: 71: 70: 66: 62: 58: 57: 52: 48: 43: 38: 34: 33: 28: 23: 1853:Boots theory 1811:Ankh-Morpork 1753: 1703: 1696: 1691:Going Postal 1689: 1682: 1675: 1670:Wyrd Sisters 1668: 1661: 1471: 1438:Troll Bridge 1396:Making Money 1381:Going Postal 1311:Feet of Clay 1246:Wyrd Sisters 1204: 1133: 1120: 1111: 1103: 1089: 1058: 1045: 1030: 1026: 1016: 1009: 992: 990: 974: 968: 952: 943: 922: 916: 914: 899: 893: 891: 873: 869: 861: 858:Mary Poppins 835: 831:Ankh-Morpork 807:teaching aid 804: 795: 788: 781: 765: 746: 732: 723: 719: 713: 686: 669: 663: 656: 651: 639: 637: 632: 613:supernatural 609: 588: 566: 564:techniques. 560:and several 543:multilingual 527: 522: 518: 516: 507: 499: 487: 483: 481: 461: 456: 449:premonitions 440: 429: 423: 418: 392: 390: 381:headmistress 372: 368: 361:Lobsang Ludd 354: 349: 335: 325: 310: 295: 293: 279: 277: 264:metaphysical 259: 257: 252: 248: 237: 235: 230: 226: 222: 221:in the book 208: 202: 193:Mary Poppins 185: 179: 173: 167: 163: 149: 141: 137: 133: 132: 67: 54: 30: 1837:The Witches 1483:Other books 1391:Wintersmith 1361:Night Watch 1291:Men at Arms 1231:Equal Rites 1136:. Golancz. 965:Live action 827:bloodstains 705:imagination 689:personality 625:romanticism 539:square root 531:Mathematics 496:tooth fairy 437:instinctive 273:Imp Y Celyn 160:Grim Reaper 142:Susan Death 1878:Categories 1827:City Watch 1716:Characters 1663:Soul Music 1296:Soul Music 1281:Small Gods 1271:Reaper Man 1130:Paul Kidby 1001:References 954:Soul Music 935:Television 918:Soul Music 720:Soul Music 709:creativity 670:Soul Music 659:philosophy 562:lifesaving 484:Soul Music 476:Literature 441:Soul Music 435:", and an 414:small caps 377:cheekbones 373:Soul Music 342:Paul Kidby 260:Soul Music 239:Soul Music 219:apprentice 169:Soul Music 76:Created by 69:Soul Music 1806:Discworld 1799:Locations 1764:Sam Vimes 1749:Rincewind 1744:Nanny Ogg 1698:The Watch 1677:Hogfather 1626:Discworld 1341:The Truth 1316:Hogfather 1306:Maskerade 1206:Discworld 1017:Hogfather 976:Hogfather 949:animation 940:Animation 870:Hogfather 838:caregiver 823:geography 796:Campaigns 783:headology 736:childhood 724:Hogfather 716:education 678:chocolate 644:doorknobs 640:Hogfather 585:conceived 547:Discworld 519:Hogfather 488:Hogfather 457:Hogfather 453:intuitive 419:Hogfather 350:Hogfather 346:Edwardian 280:Hogfather 249:Hogfather 245:governess 199:Character 175:Hogfather 164:Discworld 151:Discworld 138:Sto-Helit 122:(father) 56:Hogfather 35:character 32:Discworld 1251:Pyramids 1241:Sourcery 1132:(2004). 1088:(2002). 1057:(1994). 876:rooftops 866:umbrella 842:weaponry 770:bogeymen 754:cupboard 699:and the 591:genetics 512:overhead 399:immortal 284:assassin 166:novels: 127:(mother) 971:Sky One 969:In the 944:In the 819:history 809:in her 752:in the 750:monster 693:musical 631:" is, " 581:married 573:adopted 554:swimmer 550:culture 492:wizards 464:witches 365:blushes 332:beehive 269:destiny 205:Ysabell 125:Ysabell 91:Species 1785:Dwarfs 1214:Novels 1140:  1096:  1065:  1036:  846:scythe 811:career 766:actual 762:weapon 697:violin 682:nougat 648:asleep 577:father 569:mother 468:Albert 432:future 404:entity 357:Lu-Tze 301:Lu-Tze 213:, and 178:, and 107:Family 102:Female 99:Gender 1846:Other 1729:Death 1609:Games 1411:Snuff 1386:Thud! 1321:Jingo 904:atoms 878:with 813:as a 701:banjo 666:black 621:Susan 617:magic 599:bones 535:Logic 510:stars 247:, in 156:Death 111:Death 94:Human 1261:Eric 1236:Mort 1138:ISBN 1094:ISBN 1063:ISBN 1034:ISBN 852:, a 821:and 707:and 674:pink 595:soul 533:and 395:time 369:Mort 359:and 289:dogs 227:Mort 223:Mort 215:Mort 190:Goth 120:Mort 1734:Hex 1203:'s 951:of 921:), 892:In 884:." 780:'s 758:bed 602:." 514:." 470:or 451:or 412:by 318:bun 294:In 278:In 258:In 195:". 148:'s 53:of 1880:: 1128:; 1102:. 1077:^ 1053:; 997:. 983:. 961:. 848:, 794:' 421:. 352:. 340:, 172:, 1468:" 1464:" 1461:" 1457:" 1454:" 1450:" 1447:" 1443:" 1440:" 1436:" 1189:e 1182:t 1175:v 1146:. 1071:.

Index

Discworld
Actress Michelle Dockery in character as Susan Sto Helit in a promotional shot for the SkyOne adaption of Hogfather.
Michelle Dockery
2006 TV adaptation
Hogfather
Soul Music
Terry Pratchett
Death
Death of Rats
Mort
Ysabell
Terry Pratchett
Discworld
Death
Grim Reaper
Soul Music
Hogfather
Thief of Time
Goth
Mary Poppins
Ysabell
The Light Fantastic
Mort
apprentice
Soul Music
governess
metaphysical
destiny
Imp Y Celyn
assassin

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