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attitudes that she argued pervade contemporary progressive discourse. Michael
Fischbach in a review argued that Linfield is not an historian and makes serious errors of historical fact, while bringing her personal views to bear on the topic. She expects Palestinians, and leftist critics of Israel's
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policies, to forego aspirations for a
Palestinian return from exile to their country, while justifying the appropriateness of precisely the same assertion for Jews in the case of Zionism's identical claim of a right of return.
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Kaszynski, Elizabeth. “The Cruel
Radiance: Photography and Political Violence.” Rhetoric and Public Affairs, vol. 18, no. 4, 2015, pp. 787–790. JSTOR, www.jstor.org/stable/10.14321/rhetpublaffa.18.4.0787.
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in New York City. She danced as a student in productions of the ballets Don
Quixote, A Midsummer Night's Dream and in the Royal Ballet's New York production of The Nutcracker under the directorship of
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263:"The Left's Favorite Dirty Word; In her new book, 'The Lion's Den,' Susie Linfield examines the historical antecedents to the left's Jewish problem (book review)"
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Love, Paul (2 December 2010). "Why the camera never lies idle (book review)". Times Higher
Education.
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171:(2011), was a finalist for the National Book Critics Circle Award in Criticism and won the
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Kaufmann, David (4 November 2011). "The Ethics of (Looking at) Photography (book review)".
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in New York City. Then earned a bachelor's degree in
American history at
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The Lions' Den: Zionism and the Left from Hannah Arendt to Noam
Chomsky,
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The Lions' Den: Zionism and the Left from Hannah Arendt to Noam
Chomsky
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After college she moved to Boston where she ran the feminist newspaper
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Between the ages of 8 and 15 Linfield was a student at
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The Cruel
Radiance: Photography and Political Violence
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360:witness to atrocity susie linfield article
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415:School of American Ballet alumni
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48:Ethical Culture Fieldston School
261:Mikics, David (29 March 2019).
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64:Wages for Housework
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