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Super Bowl XXXVI halftime show

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1035: 537:. U2 were the first international act to be the sole performer for a Super Bowl halftime show. McCarthy said: "we were looking for a band that would help capture and lift the spirit of America and the world. With U2 we found what we were looking for." Regarding the show's content, he added: "This year, we're looking to make it more relevant and meaningful, rather than dropping a rock concert in the middle of a football game. We're looking to provide entertainment that's memorable and inspiring." U2's booking was in line with the NFL recasting the Super Bowl entertainment under the theme "Heroes, Hope, and Homeland". McCarthy said, "With the events of September 11th, we've redefined and refocused the game presentation, and the theme is celebration and the human spirit and the values of freedom, and also to everyday heroes". 521:. Many were skeptical of the idea, and the NFL debated for several days whether to book U2. Some argued against an Irish act paying tribute to the victims of an American tragedy, while a television executive mentioned that a past U2 television special had drawn low ratings. Goodell was immediately on board with the idea of U2, and while Tagliabue was initially uncertain, he ultimately came around and decided to book them. Greg Hagglund, vice president and executive producer of CCE, met with U2 in Las Vegas during a stop on their Elevation Tour to have a brainstorming session about the show. He said that Bono "had such a grasp of what he wanted and what we and the NFL felt was appropriate". 450: 439: 807: 271: 29: 476:", a scrolling list of the names of the 9/11 victims appeared on screen. Collins witnessed fans becoming emotional at that moment, and realised U2 would make an ideal replacement for the halftime show. In a meeting the following day, Collins and two other league officials who had attended the concert discussed its poignancy and unanimously agreed with the idea of booking U2. NFL spokesperson Brian McCarthy said, "we certainly like the music, but we like the message that U2 carries, which is responsibility to others and a sense of freedom". Collins called 609: 639:
called it "the biggest special event we've ever done". CCE employed 45 full-time staff members to work on the halftime show, in addition to contractors, stagehands, and volunteers. The halftime show ran for 23 minutes; setup and disassembly of the stage on the field required five-to-six minutes each, leaving the band between 11–12 minutes to perform. Hagglund called it an "unbelievable challenge". Producer Dennis M. Despie oversaw the show from a location 200 feet above the stage. Sergeant
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that day. During rehearsals, it was debated whether to project the victims' names onto a scrim behind the stage or not; the projection was not powerful enough to be seen across the ceiling. Ultimately, the scrim was adopted, but to some, the effect did not look good. After the Friday rehearsal just two days before the Super Bowl, one NFL executive remained cynical about the show's prospects, saying, "This is going to be the worst halftime show ever."
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1,590 kg); in total, the stage weighed 50,000 pounds (23,000 kg). The sections of the stage were wheeled onto the field by a team of 250 volunteers, who were split into groups of ten and blended in with the rest of the on-field audience after completing the stage assembly. The wheels of each stage segment had soft tires to avoid damaging the playing surface.
704:. The lighting system at ground level comprised 30 VL2416 fixtures, 12 VL5 fixtures, and 30 VL5Arc fixtures, and was controlled by Willy McLachlan with a Virtuoso console. Bruce Ramus operated the lighting. U2's halftime set required three times more cabling and lighting than the previous three Super Bowls in New Orleans combined. 830:
were exposed, he began to panic. He said: "All one person has to do is pull the wire, and I'm off air. I would hear nothing. Off the air in front of a billion people!" Bono said that his smirking facial reaction was a reflection of his fear at that moment; he admitted that he was "swaggering with the
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CCE's Special Events Group in St. Louis was responsible for managing the timing and technical aspects of the show, as well as managing talent. Hagglund produced the performance and coordinated with the special events department. The NFL set financial and creative terms for the halftime show. Hagglund
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A few weeks before the game, a major production issue arose when organizers discovered they were unable to power the projectors that would scroll the victims' names across the domed ceiling of the Superdome. Collins was irate and demanded organizers resolve the problem, stating, "The only reason Paul
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occurred in the United States; four passenger airliners were hijacked by al-Qaeda terrorists and crashed in New York City and near Washington, D.C., killing nearly 3,000 people. CCE and SFX postponed ticket sales out of respect for the tragedy. Many artists cancelled tours of North America altogether
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said: "The real deal was an inspired bit of rock from U2 as the halftime entertainment. Here's a quick pop quiz: Has the halftime show ever been good? Ever? Pencils down. Correct answer: Not in our lifetime. And yet, U2's live breath of fresh air and dramatic, emotional spectacle that paid homage to
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said that U2 was a "perfect fit" for the occasion, calling them "a group clearly used to big events, big crowds and big statements". He praised the decision to perform the uplifting "Where the Streets Have No Name" and Bono's revelation of the American flag in his jacket lining, saying it was "as if
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to work on the logistical aspects of the halftime show, particularly the process of building and disassembling the stage on the field in the mandated amount of time. After arriving in New Orleans on January 30, the band rehearsed in the Superdome and participated in a 20-minute press conference
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telethon to benefit the attack victims. The Elevation Tour was the top-earning North American tour of 2001 with a gross of US$ 109.7 million, the second-highest ever at the time for a North American tour. Globally, it grossed US$ 143.5 million from 2.18 million tickets sold, making it
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praised the performance for being "thrilling" with "urgent, powerful renditions" of the songs and for its tribute to the 9/11 victims. Boedeker said the halftime show "elevated the patriotic Fox broadcast" and was "mercifully simpler than the usually overproduced halftimes". Kevin C. Johnson of the
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report published days before the Super Bowl claimed that the band would perform "Walk On". It was confirmed that the band would perform three songs, but they did not announce in advance which ones. The websites for U2 and the NFL stated that they would play at least one track from a list consisting
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had reached an agreement with the NFL to sponsor the halftime show for the third consecutive year. The deal was reportedly worth more than US$ 3 million. On November 30, the NFL announced that CCE had been selected to produce the halftime show, and on December 2, the league announced
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counterprogramming "couldn't have been any more bloated or exploitative than U2's oddly out-of-place halftime performance". He said the fault did not lie with U2 themselves but that "it nevertheless seemed odd: An Irish band singing about transcending society's oppressive values before a list of
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ranked it first, saying that U2 "gave a sentimental, cathartic performance that went from celebration to elegy and back... By embracing the nation's still-fresh pain, the band transcended the game, making the performance the only one that stands on its own as a cultural event." Sean Merriman of
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criticised the halftime show for not paying enough reverence to the 9/11 victims when displaying their names, saying: "Instead U2 played to a screaming crowd that was bouncing up and down, completely oblivious to the banner memorializing the dead. That should have been a solemn moment, not the
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for the band's 2001 Elevation Tour. Between 2,000 and 3,000 winners of a Clear Channel radio promotion were selected to be on field for the performance, 400 of whom occupied the inside of the heart. The stage comprised 22 interlocking pieces varying in weight from 700 to 3,500 pounds (320 to
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ranked U2's performance the third-best Super Bowl halftime, saying that the group "managed to pull off the impossible — performing a touching tribute to a moment at the time still too big and too new to fully process, but doing so without sacrificing an ounce of showmanship or delving into
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ranked it the second-best halftime show, saying, "U2 delivered the kind of bald sentimentality that both attracts and repels legions of fans and detractors, though it's tough not to appreciate the raw power of the performance" during the tribute to the September 11 victims. In 2014,
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called the show an "unqualified success" and U2's performance "crowd-rousing". He said, "when you have U2 as your headliner and only act, you've got a guaranteed winner on your hands". Despite scepticism about U2's decision to play the Super Bowl halftime show, Chris Willman of
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said: "Many Roman numerals down the road, I'll still remember those shimmering moments when the banner dropped, U2 played loud, live and intimate, and the names of those lost in the Sept. 11 attacks glowed in the dark, lit by spotlights and projected onto the crowd." Ed Bark of
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An NFL representative said one factor in the league's decision to select CCE to produce the halftime show was its ability to use its vast media holdings, which included 1,200 radio stations, to promote the event. To increase interest in the Super Bowl in the weeks preceding it,
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and was watched by 82.9 million viewers in 40.2 million households in the US. It received generally positive reviews from critics, who praised the band's performance and the poignancy of the 9/11 tribute. In the week following U2's performance, sales of their 2000 album
973:, U2's halftime show drew a 38.3 rating, equating to 40.2 million households and 82.9 million viewers in the United States. The performance lost only 4.4 percent of viewers from the previous half hour of the football game. NBC's counterprogramming, a 839:". Towards the end of the song, the scrim was released to the ground, and the names continued to scroll and be projected onto the interior of the Superdome. At the conclusion of the song, Bono opened his leather jacket to reveal an American flag in the lining. 1043: 942:
said: "Once U2 took the makeshift stage, all my compunctions vanished. The three-song mini-set was nothing us fans hadn't seen before, but somehow, sharing it with the rest of America... made the moment more galvanizing, familiar or not." Eric Deggans of the
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manufactured by E/T/C Audiovisuel and supplied by Fourth Phase Image Systems Group; they were the same type of projectors used during the band's Elevation Tour. The victims' names were projected across the interior of the Superdome, as well as onto a Kabuki
1130:". He added: "Only U2 could have made this so grandiose, yet so emotionally direct. Grown men wept buckets. Every daft ambition U2 ever had, every lofty claim they ever made, they earned ." Sheffield later re-ranked the performance to second-best in 2023. 1174:
ranked U2's Super Bowl concert 17th on a list of the best televised musical performances since 2000; he called it "one of the few times when the Super Bowl halftime show actually felt important as a virtual town square where people go to feel less alone".
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secured the rights to the video footage of U2's halftime performance, and included it as a bonus feature in DVD copies of the official Patriots Super Bowl championship video; it was the first Super Bowl championship video to feature a halftime show.
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Organisers said that most of the musical performers at Super Bowl XXXVI would pre-record their performances to reduce the possibility of technical problems. U2, however, said they intended to play live for the halftime show. When asked if he would
228:". During the latter two songs, U2's tribute to the September 11 victims was reprised, as their names were projected onto a vertical scrim behind the stage and across the interior of the Superdome. At the end of the performance, lead singer 207:
was originally booked as the halftime performer, but after the September 11 attacks, it was decided that a different artist would be needed to set the tone required. U2 were selected as the replacement after several executives from the
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U2 and other musical acts at the Super Bowl were unpaid for their performances, as the NFL covered only travel expenses and accommodations in New Orleans. An NFL insider said, "We would have paid U2, but they didn't want any money."
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called the performance "electrifying" and said about the tribute, "The roaring crowd reaction dwarfed anything produced by the game itself until the Patriots' thrilling victory on a last-second field goal." Hal Boedeker of
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that U2 would perform. Super Bowl XXXVI marked the first time that CCE was involved in a Super Bowl halftime show; most of the previous halftime shows had been produced by the television networks, with the exception of
402:, the executive of special events for the NFL, completed booking the original entertainment lineup for Super Bowl XXXVI by August 2001. The billing would have featured performers from a diverse range of musical genres: 695:
Much of the same lighting equipment from the Elevation Tour was used for the halftime show. In partnership with Williams, lighting directors Bob Dicksinon and Ted Wells used two lighting systems with luminaires by
299: 835:", during which the scrim was raised behind the stage, onto which a scrolling list of names of the 9/11 victims were projected. This segment segued into the third and final song, the band's 1987 hit single " 331:
in the wake of the attacks, but on September 17, CCE and SFX announced that the Elevation Tour would continue as planned and that tickets would go on sale for various shows starting September 21.
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announced a third leg of U2's Elevation Tour, consisting of a return trip to North America. Tickets for the shows were scheduled to go on sale on September 15, but the day after the announcement, the
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Tagliabue approved this was because of the names going across the roof." A generator was ultimately located, allowing the projection to proceed. Around January 21, 2002, production crews arrived at
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said that the halftime show "managed to strike the right mood of patriotism, pride and solemnity." He added: "It was theater, yes – but on a grand scale. Given the occasion, it was grand indeed."
212:(NFL) attended one of their October 2001 concerts in New York City and were emotionally impacted by the band's tribute to the attack victims, whose names were projected across the ceiling of 3285: 3072: 580:
contest to award a Super Bowl XXXVI trip package to one of its members and a guest. The package included access to the inside of U2's heart-shaped stage during their halftime performance.
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said of the band's tribute to the 9/11 victims, "To some, it may have seemed rather a garish memorial, but in a strangely affecting way, it worked, and respectfully." Tim Goodman of the
826:". For the first verse, Bono walked with a cameraman through the on-field crowd to reach the stage. While doing so, fans started slapping Bono on the back. Realising the wires for his 735:
sets and two Sennheiser EM 1046 receiver units (each capable of eight channels). Stoffo, who had worked on seven prior Super Bowls, was responsible for managing issues related to
700:. The one suspended above the stage featured 38 VL2416 fixtures, 24 VL5 fixtures, 210 VL5Arc fixtures, and 18 VL7 fixtures, and it was controlled by Victor Fable with a Virtuoso 2431: 863:
rated U2's performance "Four stars all the way", saying that it "sure beat other recent Super Bowl halves that tried to telescope the wide world of pop". Phillip B. Wilson of
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called the band's performance "perfect for the occasion" and said, "I praise you, NFL, selfishly, for giving me 11 terrific minutes at halftime of a great event".
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ranked it number one, saying, "While other halftime shows may have been more entertaining, none of them have had as much meaning as this one." Brian Mansfield of
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was commercially and critically successful. It debuted at number one in 32 countries and sold 10 million copies by December 2001. The record's lead single, "
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accompanied the band's live performance as a precaution. Despie said it was required as a "technical protection" against "the risk of a show going down". An
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VerTec speaker system was suspended above the stage, while their portable V-DOSC cart speaker system was wheeled onto the field at ground level. All-
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On September 25, 2006, U2 once again performed at the Superdome in New Orleans as part of entertainment for an NFL football game. For the
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and was not travelling, and she decided to pull out of the Super Bowl after realising her show would not fit the mood that was required.
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increased in the US by 142 percent. In 2006, U2 returned to the Superdome as the entertainment for another NFL game, performing with
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placed it first on his list, saying, "U2 created one of the truly great live-TV rock & roll moments of all time, up there with '
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U2 during a post-9/11 concert in October 2001: Bono hugs an American flag, and the video screens begin to list the victims' names
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Playmates, drew only a 5.6 rating, equating to 5.9 million households. In the week following U2's Super Bowl performance,
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The Super Bowl was expected to draw 130 million viewers in the United States and 800 million worldwide. According to
465: 314:, in March 2001. The first two legs sold out all 83 concerts across North America and Europe and grossed US$ 105 million. 134: 5384: 4844: 4777: 4725: 4720: 4715: 4280: 4196: 4080: 3940: 3725: 3670: 3623: 3603: 3598: 2901: 1316:
Rodman, Sarah (February 22, 2001). "A 'Beautiful' day for U2, Steely Dan; Old rockers steal thunder from Eminem at Grammys".
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gave the halftime show a "B" rating and called it a "touching tribute" to the victims of September 11. Roger Catlin of the
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chart from number 66 to 25. Additionally, sales doubled for three of the group's older albums, resulting in jumps on the
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to demonstrate beneath his rock star exterior, he's with his U.S. fans on this most American of days". Tom Shales of
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was tasked with finding a replacement for the halftime show. On October 25, 2001, he attended a U2 concert at
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ranked it first, calling it "one of the most moving musical tributes of all time". Other publications such as the
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most annoying smirk ever seen. You just think: That guy is such a prat!" The band's second song was the elegiac "
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for all entertainment for the fans in attendance. James Stoffo of Orlando's Professional Wireless supplied the
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Cassidy, Hilary (January 21, 2002). "NFL marketing game plan: Highlight connection fans have with football".
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called it: "the greatest halftime show in the history of sporting events. Hands down." John Smyntek of the
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Durando, Stu (February 3, 2002). "Rock band U2 feels fortunate to perform in a 'most American' setting".
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Hettrick, Scott (February 28, 2002). "Patriot games a hit: Super bowl VHS, DVD orders tops for sports".
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the victims of Sept. 11 was both daringly bombastic and also pretty damn cool." David Bianculli of the
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The following day, Bono met with several executives of the NFL, including Collins, Steeg, commissioner
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Berger, Jerry (January 23, 2002). "Historian wants street named Easton; Jesuit artifacts are moving".
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The stage, which featured a heart shape with an open center, was replicated from the one designed by
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On the fifth anniversary of the September 11 attacks, U2's halftime performance was re-aired on the
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U2's performance is considered by critics to be one of the best Super Bowl halftime shows. In 2019,
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Goodman, Dean (31 December 2001). "By scaling down, U2 rises to the top of 2001 concert circuit".
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sold 46,000 copies (a 142-percent increase) in the United States, causing it to jump on the
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Johnson, Kevin C. (February 4, 2002). "With U2 in the house, it's a patriotic, 'Beautiful Day".
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coordinated security for the halftime show. Jim McClellan served as a co-executive producer.
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Star Staff and News Services (December 6, 2001). "U2 to perform at Super Bowl's halftime".
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the year's highest-grossing tour overall. U2 was named "Band of the Year" by the magazines
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Johnson, Kevin C. (February 1, 2002). "U2 is only half of the big show in Sunday's game".
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Waddell, Ray (September 15, 2001). "U2 to Return to North America for Tour's Second Leg".
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and Catherine Owens created the projections, while Brian Beasley operated the projectors.
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Grossman, Andrew (February 5, 2002). "Super Bowl thriller drives Fox to ratings glory".
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Moody, Nekesa Mumbi (January 31, 2002). "Slew of music stars to perform at Super Bowl".
192:, which had occurred in the United States five months earlier. The show was produced by 5278: 5257: 5105: 5085: 5055: 4662: 4595: 4532: 4433: 4337: 4182: 3905: 3884: 3863: 3484: 2548: 2301: 2053: 1948: 1770: 1521: 1504: 1467: 676: 573: 498: 486: 311: 275: 236: 185: 5363: 5252: 5242: 5193: 5188: 5075: 4984: 4942: 4927: 4922: 4322: 4252: 4004: 3496: 3465: 3178: 3169: 3142: 3133: 2962: 2857: 2057: 1845: 1716:
Waddell, Ray (February 2, 2002). "Super Bowl Boasts 'Greatest Musical Lineup' Ever".
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Carter, Bill (December 17, 2001). "NBC to Try to Take Many Eyes Off the Ball".
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Toland, Jennifer (February 2, 2002). "U2 sure to bowl them over at halftime".
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called it "probably the most moving Super Bowl halftime performance to date".
832: 761: 728: 640: 577: 258:. Many critics have ranked U2's performance at Super Bowl XXXVI among the top 221: 197: 177: 4700: 4025: 3829: 3528: 3258:"Super Bowl XLV: Power Ranking the 15 Best Halftime Performances in History" 3234: 3202:"Are you not entertained? Ranking the top 10 best Super Bowl halftime shows" 3111: 2906: 2037: 1212: 1200: 1141: 1107: 1061: 697: 655: 551: 399: 247: 216:. During their halftime performance, the band played their 2000 hit single " 173: 61: 3489: 3016:"Super Bowl halftime shows: Ranking the best and worst of the 21st century" 2987:"Super Bowl halftime shows ranked: Prince, U2, Rihanna — and Usher on deck" 2165:
McHugh, Catherine (January–February 2005). "Focus on Technical Directors".
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found added resonance with American audiences, as the album climbed on the
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Wilson, Phillip B. (February 4, 2002). "Phillip B. Wilson's Report Card".
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reached number 14 after selling 7,000 units (a 144-percent increase); and
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Mehring, James (February 11, 2008). "The Big Business of the Big Game".
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Stanton, Barry (January 31, 2002). "Scene & heard: In New Orleans".
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as the performer. Using a heart-shaped stage replicated from their 2001
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Waddell, Ray (June 23, 2001). "U2 on Career High with Elevation Tour".
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people killed in America's most devastating attack". Ed Sherman of the
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Catlin, Roger (February 4, 2002). "U2: Perfect Fit For The Hurry-Up".
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reached number 2 after selling 14,000 units (a 154-percent increase);
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Deggans, Eric (February 4, 2002). "Boring ads only add to jingoism".
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both used the band's songs in television commercials advertising the
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Bark, Ed (February 6, 2002). "'Malcolm' fumbles in post-Bowl slot".
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Chang, Richard (February 3, 2002). "11 minutes ends a year's work".
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U2's halftime show performance received generally positive reviews.
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ATK AudioTek Corp. coordinated the audio aspects of the show. Their
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and proposed an extravagant show that would incorporate elements of
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Lynch, Joe; Weatherby, Taylor; Dailey, Hannah (January 18, 2023).
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The names of the 9/11 victims were projected by twelve 7-kilowatt
654: 607: 513:. Bono was enthusiastic about the prospect of being involved in a 269: 688:
measuring 120 feet (37 m) high by 60 feet (18 m) wide.
5350: 3800: 2840: 2654:
Sherman, Ed (February 4, 2002). "Pats give Pat a Super finale".
1482:
Altavilla, John (September 19, 2001). "NFL Preserves 16 Games".
811: 491: 229: 4611: 3761: 3532: 1203:
performed four songs during a pre-game show: Green Day's song "
2304:(February 2, 2002). "Super Bowl score: McCartney, Carey, U2". 2220: 708: 534: 4607: 2812:"Super Bowl Halftime Shows: Who Got the Biggest Sales Bumps?" 2546:
Bark, Ed (February 4, 2002). "Sunday becomes Patriots' Day".
2486:
Bianculli, David (February 4, 2002). "A Super-charged show".
600:
at the same time that Fox would broadcast the halftime show.
232:
opened his jacket to reveal an American flag in the lining.
3788: 3174:"Every Super Bowl Halftime Show, Ranked From Worst to Best" 2773:
High, Kamau (October 11, 2008). "Super Bowl, Super Sales".
2768:. Vol. 114, no. 8. February 23, 2002. p. 60. 1998:. Vol. 11, no. 46. December 10, 2001. p. 25. 822:. The show began with U2 performing their 2000 hit single " 281: 181: 81: 2844:. Vol. 22, no. 7. February 18, 2002. p. 4. 2751:
Mayfield, Geoff (February 23, 2002). "Over the counter".
2324:
Smyntek, John (February 4, 2002). "Super Bowl Sideshow".
1076:
ranked it sixth-best as of 2018. In 2024, Levi Weaver of
1046:
Bono's jacket from the halftime show, on display in the
3374:"The Best Music Performances On TV Since 2000, Ranked" 3138:"Super Bowl Halftime Shows Ranked: From Worst to Best" 1711: 1709: 1707: 1705: 1500:"NFL reschedules Super Bowl for Feb. 3 in New Orleans" 763:
Clips of Super Bowl XXXVI halftime show and commentary
3757: 1427:
Waddell, Ray (March 14, 2009). "Kissing the Future".
1093:
ranked it the second-best of the 21st century, while
3401:"2002 Super Bowl halftime tribute to 9/11 to re-air" 3343:"Why U2's Super Bowl halftime show was the greatest" 2379:(February 8, 2002). "Patriotic thoughts parade by". 1465:
Lewis, Nick (February 3, 2002). "Super Bowl Stars".
472:
in New York City. During the band's performance of "
294:", was a worldwide hit, and in February 2001 it won 5313: 5287: 5271: 5205: 5181: 5119: 4998: 4976: 4951: 4875: 4825: 4802: 4786: 4768: 4746: 4688: 4647: 4517: 4457: 4426: 4376: 4290: 4160: 4049: 3996: 3957: 3841: 3739: 3566: 1538:Weiss, Joanna (February 2, 2002). "Flag football". 749: 107: 97: 87: 77: 67: 53: 45: 35: 4991:" (2018), "Ya No Quiero Ná" (2019), "Bulla" (2020) 3488: 3071: 2985: 2199:. Vol. 36, no. 4. April 2002. p. 4. 2102:"The Untold Truth of the Super Bowl Halftime Show" 300:Best Rock Performance by a Duo or Group with Vocal 274:U2 performing in Berlin in July 2001 during their 2721:"Ratings for Super Bowl Seem on a Slippery Slope" 1789:"E-Trade once again plays the Super Bowl ad game" 645:Metropolitan Police Department, City of St. Louis 585:counterprogramming move against the halftime show 4466:Pride: The Royal Philharmonic Orchestra Plays U2 719:InnovaSon Grand Live console that served as the 659:The heart-shaped stage from U2's Elevation Tour 524:On November 27, 2001, it was reported that 391:from January 27, 2002, to February 3. 3107:"The Biggest Super Bowl Halftime Shows, Ranked" 2902:"10 best Super Bowl Halftime shows of all time" 2280:"Pops conductor says stars aligned with Pats". 1941: 1939: 1675: 1673: 1671: 1533: 1531: 164:, which took place on February 3, 2002, at the 4487:In the Name of Love: Artists United for Africa 3230:"Ranking the 5 best Super Bowl halftime shows" 2669: 2667: 1811:"E-Trade back at Super Bowl, Verizon in 'MNF'" 1195:' first home game back at the Superdome since 663:was replicated for their halftime performance. 4623: 4081:Hasta la Vista Baby! U2 Live from Mexico City 3773: 3544: 2565:"Other than game, U2 delivers finest moments" 2432:"For Patriots Everywhere, a Super Super Bowl" 2188: 2186: 2184: 2182: 2180: 2178: 2126: 2124: 1741: 1739: 1737: 1735: 1733: 1731: 1729: 375:As a result of the September 11 attacks, the 152:, known through corporate sponsorship as the 8: 4151:From the Ground Up: Edge's Picks from U2360° 1601: 1599: 21: 4211:U2 Go Home: Live from Slane Castle, Ireland 4169:U2 Live at Red Rocks: Under a Blood Red Sky 4109:U2 Go Home: Live from Slane Castle, Ireland 3747:Up with People's halftime show performances 3519:: CS1 maint: numeric names: authors list ( 1656:. Vol. 120, no. 4. pp. 42–49 1597: 1595: 1593: 1591: 1589: 1587: 1585: 1583: 1581: 1579: 1460: 1458: 562:" to include football footage. The NFL and 310:. The band embarked on a concert tour, the 5116: 4872: 4783: 4630: 4616: 4608: 4590: 3780: 3766: 3758: 3551: 3537: 3529: 2171:. Vol. 4, no. 1. pp. 12–15. 1682:"N.F.L.'s fine-tuning captures a new mood" 793:I Still Haven't Found What I'm Looking For 766:– via the NFL's official channel on 20: 5395:February 2002 events in the United States 3439:Bono: In Conversation with Michka Assayas 2365:. Vol. 372, no. 1. pp. 3+. 2095: 2093: 1431:. Vol. 121, no. 10. p. 19. 1348:. Vol. 113, no. 37. p. 12. 1275:. Vol. 113, no. 25. p. 97. 554:re-shot the music videos for U2's songs " 2873:"15 memorable Super Bowl halftime shows" 2861:. Vol. 274, no. 65. p. 8. 2779:. Vol. 120, no. 41. p. 8. 2757:. Vol. 114, no. 8. p. 55. 2319: 2317: 1992:"Clear Channel Makes Super Bowl Music". 1859:"Woodson sets mark with tenth TD pick". 1722:. Vol. 114, no. 5. p. 34. 1641: 1639: 1637: 1635: 1359: 1357: 1355: 1105:ranked it second-best overall. In 2021, 494:and conveyed the NFL's proposal to him. 3044:"The 13 Best Super Bowl Halftime Shows" 2041:. Vol. 43, no. 3. p. 14. 1261: 4494:Even Better Than the Real Thing Vol. 3 4389:1987 Vaillancourt Fountain performance 3512: 2719:Sandomir, Richard (February 5, 2002). 2529:"Winners and losers from Super Bowl". 2244:. Vol. 22, no. 3. p. 98 2013: 2011: 2009: 2007: 2005: 1648:"Bland Bands, Nip Slips and 3-D Bebop" 1620:from the original on November 20, 2023 746: 556:Stuck in a Moment You Can't Get Out Of 154:E-Trade Super Bowl XXXVI Halftime Show 5390:Aftermath of the September 11 attacks 4274:Innocence + Experience: Live in Paris 3228:Mansfield, Brian (January 28, 2015). 3105:Schneck, Anthony (February 5, 2021). 3070:O'Connor, Roisin (February 2, 2020). 2900:Dowling, Stephen (January 31, 2020). 2810:Caulfield, Keith (February 1, 2013). 2460:"The biggest upset -- game beats ads" 1809:Bernstein, Andy (September 3, 2001). 1556:"Janet Jackson Cancels European Tour" 1296:. 4 December 2001. sec. Sports, p. 2. 7: 3014:Harrington, Jim (February 2, 2018). 2611:"Did U2 sell out at the Super Bowl?" 2100:Vigliotti, Jake (January 13, 2017). 1385:Grossberg, Josh (27 December 2001). 16:Halftime show of the 2002 Super Bowl 4033:Live from Under the Brooklyn Bridge 3256:Merriman, Sean (January 31, 2011). 2956:Peterson, Nate (February 4, 2018). 2609:Willman, Chris (February 7, 2002). 1680:Battista, Judy (February 2, 2002). 1646:Murphy, Austin (February 3, 2014). 1606:Carpenter, Les (January 30, 2013). 3314:"Top 10 Super Bowl Halftime shows" 3284:Mervis, Scott (January 30, 2014). 3200:Redmond, Lisa (February 1, 2018). 2563:Boedeker, Hal (February 4, 2002). 2503:Eklof, Cormac (January 31, 2011). 727:equipment, which consisted of ten 14: 4176:The Unforgettable Fire Collection 3341:Hanzus, Dan (November 13, 2017). 3086:from the original on May 25, 2022 2984:Weaver, Levi (February 9, 2024). 2458:Goodman, Tim (February 4, 2002). 1963:Young, Josh (February 15, 2002). 1924:(National ed.). sec. D, p. 9 1914:James, Caryn (February 4, 2002). 1011:The Best of 1990–2000/The B-Sides 4589: 4578: 4577: 4204:Elevation 2001: Live from Boston 2928:Trakin, Roy (February 1, 2018). 2691:Brooks, Matt (4 February 2021). 2430:Shales, Tom (February 4, 2002). 1773:. November 27, 2001. p. B8. 1033: 755: 484:and producer of U2's 1988 album 448: 437: 27: 4833:Final Packers game in Milwaukee 4473:We Will Follow: A Tribute to U2 4218:Vertigo 2005: Live from Chicago 3920:How to Dismantle an Atomic Bomb 3913:All That You Can't Leave Behind 2729:(National ed.). p. D4 2290:. February 1, 2002. p. 4C. 1869:. December 3, 2001. p. D5. 1787:Leuty, Ron (January 27, 2002). 1387:"Elevation! U2 Tops 2001 Tours" 983:All That You Can't Leave Behind 418:for a pregame performance, and 336:All That You Can't Leave Behind 287:All That You Can't Leave Behind 243:All That You Can't Leave Behind 4845:Miracle at the New Meadowlands 4399:Super Bowl XXXVI halftime show 4281:V-U2 An Immersive Concert Film 4197:PopMart: Live from Mexico City 3437:Assayas, Michka; Bono (2005). 2234:Garber, Natasha (March 2003). 1244:Where the Streets Have No Name 1205:Wake Me Up When September Ends 1070:ranked it seventh-best, while 837:Where the Streets Have No Name 235:The halftime show drew a 38.3 226:Where the Streets Have No Name 224:", and their 1987 hit single " 150:Super Bowl XXXVI Halftime Show 22:Super Bowl XXXVI halftime show 1: 4696:1994–1996 U.S. TV realignment 4123:Medium, Rare & Remastered 4067:Melon: Remixes for Propaganda 2762:"Billboard Top Pop Catalog". 2193:"A Heartfelt Halftime Show". 1512:. October 4, 2001. p. 3C 1372:McCormick (2006), pp. 308–309 1219:", and U2's "Beautiful Day". 961:background for a rock show." 721:front-of-house mixing station 533:in 2001 that was produced by 1794:San Francisco Business Times 416:Creedence Clearwater Revival 356:America: A Tribute to Heroes 317:On September 10, 2001, 5380:2002 in sports in Louisiana 5375:2002 in American television 4363:Experience + Innocence Tour 4353:Innocence + Experience Tour 4308:The Unforgettable Fire Tour 4225:Vertigo 05: Live from Milan 2349:Assayas (2005), pp. 298–299 2236:"The Soul of the Spectacle" 1209:The House of the Rising Sun 818:The on-field audience held 801:Pride (In the Name of Love) 604:Preparations and rehearsals 319:Clear Channel Entertainment 194:Clear Channel Entertainment 102:Clear Channel Entertainment 5428: 4893:1998 NFC Championship Game 4052:releases, and other albums 2838:"USA Home Entertainment". 2168:Staging Rentals Operations 1973:. No. 639. p. 12 1048:Rock and Roll Hall of Fame 715:were used, including a 48- 651:Stage design and equipment 616:, site of Super Bowl XXXVI 5405:Super Bowl halftime shows 5347: 4573: 4409:Glastonbury Festival 2011 4368:The Joshua Tree Tour 2019 4358:The Joshua Tree Tour 2017 4088:Live from the Point Depot 3795: 3560:Super Bowl halftime shows 3286:"Halftime Highs and Lows" 2087:McGee (2008), pp. 243–245 1410:The Philadelphia Inquirer 754: 627:University of New Orleans 345:chart and songs such as " 260:Super Bowl halftime shows 115: 26: 4526:The Million Dollar Hotel 4501:AHK-toong BAY-bi Covered 4394:1997 concert in Sarajevo 4190:Zoo TV: Live from Sydney 4019:Please: PopHeart Live EP 2340:McCormick (2006), p. 309 803:", and "Beautiful Day". 515:Super Bowl halftime show 464:NFL marketing executive 377:National Football League 254:' first home game since 210:National Football League 109:Super Bowl halftime show 4959:NFL on Thanksgiving Day 4758:Thursday Night Football 4670:Thursday Night Football 4260:U2360° at the Rose Bowl 3291:Pittsburgh Post-Gazette 2677:The Cincinnati Enquirer 2595:St. Louis Post-Dispatch 2465:San Francisco Chronicle 2307:Iowa City Press-Citizen 2151:St. Louis Post-Dispatch 2134:St. Louis Post-Dispatch 1816:Sports Business Journal 1766:The Cincinnati Enquirer 1749:St. Louis Post-Dispatch 1199:in August 2005, U2 and 1155:Pittsburgh Post-Gazette 1099:and Roisin O'Connor of 932:St. Louis Post-Dispatch 918:The Dallas Morning News 885:San Francisco Chronicle 713:digital mixing consoles 334:Following the attacks, 5370:2002 in American music 4760:results (2006–present) 4444:Awards and nominations 4074:Original Soundtracks 1 3927:No Line on the Horizon 3871:The Unforgettable Fire 2698:Edinburgh Evening News 2362:The Hollywood Reporter 2283:The Times (Shreveport) 2266:Telegram & Gazette 2021:Orange County Register 1763:"E Trade, NFL Agree". 1018:USA Home Entertainment 994:Top Pop Catalog Albums 815: 664: 617: 531:Super Bowl XXXV's show 278: 158:halftime entertainment 5385:Events in New Orleans 5351:Fox Sports - NFL News 4898:The Bert Emanuel Rule 4883:49ers–Cowboys rivalry 4855:Bears–Packers rivalry 4733:Super Bowl TV ratings 4060:Under a Blood Red Sky 4050:Live albums, fan-club 4012:Wide Awake in America 3973:The Best of 1990–2000 3966:The Best of 1980–1990 3172:(February 12, 2023). 2532:San Jose Mercury News 2399:The Indianapolis Star 2216:Entertainment Tonight 1286:"Super Bowl Update". 1217:The Saints Are Coming 1087:". Jim Harrington of 999:The Best of 1980–1990 911:San Jose Mercury News 866:The Indianapolis Star 809: 658: 611: 470:Madison Square Garden 408:America the Beautiful 284:'s 2000 studio album 273: 214:Madison Square Garden 5322:Fox College Football 4813:Bills Toronto Series 4318:The Joshua Tree Tour 4313:A Conspiracy of Hope 4040:Wide Awake in Europe 3460:McGee, Matt (2008). 3136:(January 28, 2014). 2878:Entertainment Weekly 2640:St. Petersburg Times 2616:Entertainment Weekly 2570:The Orlando Sentinel 2288:The Associated Press 2213:(January 29, 2002). 2196:Entertainment Design 1970:Entertainment Weekly 1848:. November 30, 2001. 1451:. sec. Encore, p. 2. 1363:McGee (2008), p. 237 1332:McGee (2008), p. 228 1306:McGee (2008), p. 220 1294:The Associated Press 1057:Entertainment Weekly 946:St. Petersburg Times 939:Entertainment Weekly 925:The Orlando Sentinel 908:Tim Kawakami of the 784:backing rhythm track 743:Performance synopsis 731:SKM 5000 microphone/ 568:2001–02 NFL playoffs 507:New England Patriots 328:September 11 attacks 190:September 11 attacks 176:. It featured Irish 4933:Minneapolis Miracle 4803:International games 4480:With or Without You 3941:Songs of Experience 3413:. September 6, 2006 3150:on January 31, 2014 2535:. February 4, 2002. 2489:New York Daily News 2437:The Washington Post 2060:. January 18, 2002. 1014:reached number 35. 892:New York Daily News 879:The Washington Post 725:wireless microphone 623:Tad Gormley Stadium 614:Louisiana Superdome 389:Louisiana Superdome 381:2001 regular season 166:Louisiana Superdome 72:Louisiana Superdome 23: 4130:Artificial Horizon 3948:Songs of Surrender 3934:Songs of Innocence 3372:(August 4, 2021). 3322:. February 3, 2013 2881:. February 1, 2019 2726:The New York Times 2327:Detroit Free Press 2074:The New York Times 1921:The New York Times 1687:The New York Times 1653:Sports Illustrated 1544:. pp. E1, E8. 1193:New Orleans Saints 1161:Sports Illustrated 977:episode featuring 860:Detroit Free Press 816: 665: 618: 482:Interscope Records 308:Record of the Year 279: 252:New Orleans Saints 220:", the 1984 song " 5357: 5356: 5336:Big Noon Saturday 5177: 5176: 4972: 4971: 4821: 4820: 4737:lead-out programs 4706:NFL on television 4605: 4604: 4565:Bram van den Berg 4267:From the Sky Down 3755: 3754: 3475:978-1-84772-108-2 3441:. New York City: 2385:. pp. E1–E2. 1752:. pp. B1–B2. 1564:. October 1, 2001 1488:. pp. C1–C2. 1448:The Post-Crescent 1289:The Tampa Tribune 1197:Hurricane Katrina 965:Commercial impact 775: 774: 323:SFX Entertainment 256:Hurricane Katrina 146: 145: 142: 141: 5417: 5329:Big Noon Kickoff 5117: 4913:The Helmet Catch 4873: 4850:River City Relay 4787:Postseason games 4784: 4689:Related articles 4632: 4625: 4618: 4609: 4593: 4592: 4581: 4580: 4161:Videos and films 4095:U2.Communication 3822:Larry Mullen Jr. 3782: 3775: 3768: 3759: 3553: 3546: 3539: 3530: 3524: 3518: 3510: 3494: 3479: 3456: 3423: 3422: 3420: 3418: 3411:Associated Press 3397: 3391: 3390: 3388: 3386: 3366: 3360: 3359: 3357: 3355: 3338: 3332: 3331: 3329: 3327: 3310: 3304: 3303: 3301: 3299: 3281: 3275: 3274: 3272: 3270: 3253: 3247: 3246: 3244: 3242: 3225: 3219: 3218: 3216: 3214: 3197: 3191: 3190: 3188: 3186: 3166: 3160: 3159: 3157: 3155: 3146:. 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p. A14. 2063: 2054:America Online 2044: 2027: 2001: 1984: 1955: 1949:The Desert Sun 1935: 1906: 1889: 1872: 1851: 1832: 1829: 1828: 1806: 1783: 1776: 1771:Bloomberg News 1755: 1725: 1701: 1667: 1631: 1575: 1547: 1527: 1522:Newspapers.com 1505:The Tennessean 1491: 1474: 1468:Calgary Herald 1454: 1434: 1419: 1416: 1415: 1404: 1381: 1374: 1365: 1351: 1334: 1325: 1308: 1299: 1278: 1260: 1259: 1252: 1249: 1248: 1247: 1240: 1233: 1224: 1221: 1211:", a cover of 1042: 1041: 1032: 1031: 1030: 1029: 1028: 1026: 1023: 966: 963: 949:said that the 844: 841: 773: 772: 752: 751: 744: 741: 652: 649: 635: 632: 605: 602: 574:America Online 546: 543: 499:Paul Tagliabue 487:Rattle and Hum 480:, chairman of 457: 456: 447: 446: 445: 436: 435: 434: 433: 432: 396: 393: 351:Peace on Earth 312:Elevation Tour 276:Elevation Tour 267: 264: 237:Nielsen rating 186:Elevation Tour 144: 143: 140: 139: 132: 125: 113: 112: 105: 104: 99: 95: 94: 89: 85: 84: 79: 75: 74: 69: 65: 64: 55: 51: 50: 47: 43: 42: 37: 33: 32: 15: 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Index


Super Bowl XXXVI
New Orleans
Louisiana
Louisiana Superdome
U2
E-Trade
Clear Channel Entertainment
Super Bowl halftime show
XXXV
XXXVII
halftime entertainment
Super Bowl XXXVI
Louisiana Superdome
New Orleans
Louisiana
rock
U2
Elevation Tour
September 11 attacks
Clear Channel Entertainment
Fox
Janet Jackson
National Football League
Madison Square Garden
Beautiful Day
MLK
Where the Streets Have No Name
Bono
Nielsen rating

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