353:(2009), and said "With no dialogue, the music almost replaces verbal expression as we watch the early life and romance of our aging hero. The animation combines perfectly with the florid piano score, which is not only the sort of bravura composition that will stay with you long after the film has ended, but an extremely dynamic accomplishment as well. Giacchino uses melody to create a sort of musical story, which becomes an equal part of the visual narrative instead of simply supporting it." Walber however felt that the film's score "has the kind of generic instrumentation and uninteresting structure that just seems uninspired in comparison".
297:, with some of the fullest sequences perhaps unintentionally matching the archival sound of early 1980's scores. If Giacchino ever wants to actually match the engrossing tone of Williams' classics, perhaps he and his crew should shift the time they spend on conjuring cute, ridiculous cue titles to instead reworking the recording and mixing of these muted and very dry scores. Still, there are great moments on this album and it will make for a thorough souvenir for fans of the film, but like any score that features a secondary theme far more impressive than its primary one, you can't help but walk away from
274:
deal of action music power and resonance, Super 8 is the first of his scores to combine all three elements together into a satisfying whole that has worked personally for me as a standalone listening experience. This, combined with the obvious inspiration he took from the story and its deeper meanings, as well as the clear and intentional illusions to the classic work of John
Williams, makes Super 8 a winner." James Christopher Monger of
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delayed on CD until after audiences lost interest in the film at the theatres as well, leaving something of a sour note over the entire affair. Sound quality remains an issue with
Giacchino's feature film scores, an incredibly flat and dull ambience making the music sound two rooms away and restraining the moments that should soar with vibrant energy. This issue is particularly pronounced in
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classic films of the ‘80’s, and the music here is not afraid to do the exact same thing. It is mysterious, it is reflective, and it manages what only the best scores do. It provides the perfect emotional connection between us and the experiences of the characters. This is one of the best scores of the year."
273:
Jonathan
Broxton wrote "this score is one of the most impressive cinematic works of Michael Giacchino’s career. While his TV score for Lost had the leitmotivic complexity to end all, and while his Oscar-winning score for Up had buckets of emotional pathos, and while scores like Star Trek had a great
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is this composer’s finest work to date. The 78-minute album (which includes as a bonus the wonderful music
Giacchino wrote for “The Case”, the film-within-a-film) doesn’t drag, is full of magical moments, has a handful of individual pieces of music of the highest order (not just the aforementioned
1051:
Violin – Alan
Grunfeld, Alexandr Shlifer, Alyssa Park, Anatoly Rosinsky, Armen Anassian, Barbra Porter, Belinda Broughton, Cameron Patrick, Carolyn Osborn, Charles Bisharat, Darius Campo, Galina Golovin, Haim Shtrum, Jim Sitterly, Joel Derouin, John Wittenberg, Josefina Vergara, Larry Greenfield,
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as a film had something special. It felt genuine. Capturing the feeling of that point between childhood and adolescence and the feelings that come with it. This was a true adventure movie that wasn’t afraid to slow down and get to know its characters first and foremost like the
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wrote "A significant number of the cues from
Giacchino's score could have been combined and shaved down to their highlights to create an outstanding 45 minute presentation. As it stands, none of the songs heard in the film is included and the score drags badly at several points. The product was
31:
313:“Letting Go” – which is worth mentioning again and again, to be honest, and worth listening to again and again – but several others – check out the fantastic, dynamic “The Evacuation of Lillian”) and while there are hints of Williams (most obviously the brilliant
1052:
Marina
Manukian, Mark Robertson, Miran Kojian, Norman Hughes, Peter Kent, Rafael Rishik, Razdan Kuyumjian, Rebecca Bunnell, Ron Clark, Shalini Vijayan, Shari Zippert, Sid Page, Sungil Lee, Tereza Stanislav, Terry Glenny, Tiffany Hu, Vladimir Polimatidi, Ken Yerke
343:(1982) "filling the soundtrack with aching violins and sad piano that makes sure there’s absolutely no way you can miss out on the intended emotion of a scene" which was both "grating and obnoxious". He cited several examples, including Giacchino's own score for
280:
wrote "Spielberg and
Williams' iconic themes may never find their match, but Abrams is wise to keep Giacchino as his right-hand man, as with each new collaboration, the pair inches closer and closer to greatness." The Joy of Movies wrote
202:) and was recorded in a short span of time. It received critical acclaim for the subtlety, minimalism, nostalgia factor and paying homage to Williams' with being considered as one of the film's best aspects. Giacchino won the
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Viola – Alan
Busteed, Caroline Buckman, Denyse Buffum, Evan Wilson, Harry Shirinian, Jennie Hansen, Jorge Moraga, Karen Elaine, Karie Prescott, Marda Todd, Maria Newman, Pam Goldsmith, Richard Rintoul, Darrin
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243:(2011) and with the completion of the film's scoring on May 2011, he began working on the film thereafter, although he written 90% of the themes prepared for recording. In an interview with
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Cello – Alexander
Zhiroff, Dane Little, John Acosta, Kevan Torfeh, Richard Naill, Stefanie Fife, Suzie Katayama, Timothy Landauer, Vahe Hayrikyan, Victor Lawrence, Steve Richards
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Additional orchestration – Andrea Datzman, Brad Dechter, Cameron Patrick, Chris Tilton, Ira Hearshen, Larry Kenton, Mark Gasbarro, Marshall Bowen, Norman Ludwin, Peter Boyer
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333:, analysed the subtlety of the film's music and the minimalistic nature it attributed to. He said the Giacchino had created the sweeping canvas on the lines of
319:), this is essentially pure Giacchino, and all the better for that. My only nit-pick is with the overly dry recording – otherwise this is an album to savour."
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French Horn – Brad Warnaar, Brian O'Connor, Joe Meyer, John Reynolds, Mark Adams (10), Steven Becknell, Steven Durnin, Rick Todd
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Although Giacchino had composed the track, it is credited on the liner notes to the character, Charles Kaznyk, played by
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Bass – Charles Nenneker, Karl Vincent, Nick Rosen, Norman Ludwin, Peter Doubrovsky, Richard Feves, Tim Emmons, Dave Stone
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directorials from the late-1970s and 1980s. The score was recorded at the Newman Scoring Stage at
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Michael Giacchino - Super 8 [Original Score] Album Reviews, Songs & More | AllMusic
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Percussion – Alex Neciosup-Acuna, Bernie Dresel, Emil Radocchia, Walter Rodriguez, Dan Greco
261:. The album featured 33 tracks from Giacchino's score, and was released on June 13, 2011 by
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featuring 33 tracks from Giacchino's orchestral score. The music featured influences of
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category, but failed to enter the longlist. Giacchino's score was even shortlisted for
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1403:"'Tinker Tailor Soldier Spy,' 'My Week With Marilyn Top BAFTA's Longlist"
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Trumpet – Jeff Bunnell, Jon Lewis, Larry Hall, Paul Salvo, Rick Baptist
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Stage manager – Greg Dennen, Jamie Olvera, Richard Wheeler, Tom Steel
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directorials (Spielberg also served as the film's producer, through
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Trombone – Alan Kaplan, Bill Reichenbach, Steven Holtman, Alex Iles
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Executive in charge of music (Paramount Pictures) – Randy Spendlove
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Soundtrack executive producer (Varèse Sarabande) – Robert Townson
1345:"Super 8 soundtrack review | Michael Giacchino | movie-wave.net"
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958:
Executive producer – Bryan Burk, J.J. Abrams, Steven Spielberg
1137:"On the Music of "Super 8": How Important Is Score Subtlety?"
1563:
Michael Giacchino - Super 8 (Music From The Motion Picture)
249:, Giacchino said that the score will have shades of early-
1002:
Bassoon – Allen Savedoff, Andrew Radford, Rose Corrigan
1432:
4th Annual Coming-of-Age Movie Awards Recipients Named
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Clarinet – Don Markese, John Mitchell, Michael Vaccaro
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submitted the film for several considerations for the
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Flute – Dick Mitchell, Steve Kujala, Bobby Shulgold
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916:Recording – Tim Lauber, Tom Hardisty, Dan Wallin
1452:"Nominations for the 38th Annual Saturn Awards"
910:Music composer and producer – Michael Giacchino
1542:2012 Golden Reel Award Nominees: Feature Films
1600:
1099:"Composer Michael Giacchino Interview CARS 2"
186:. The album was released on June 13, 2011 by
8:
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237:. Giacchino was simultaneously working on
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1315:"Filmtracks: Super 8 (Michael Giacchino)"
1044:Tuba – Douglas Tornquist, John Van Houten
940:Engineer – Denis St. Amand, Ryan Robinson
854:2011 Phoenix Film Critics Society Awards
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18:2011 film score by Michael Giacchino
1500:Phoenix Film Critics Applaud The Artist
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952:Soundtrack co-ordinator– Jason Richmond
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167:Super 8 (Music from the Motion Picture)
1981:Music of the Marvel Cinematic Universe
980:Orchestrator, conductor – Tim Simonec
977:Performer – Hollywood Studio Symphony
905:Credits adapted from CD liner notes.
767:In addition to the following awards,
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7:
1713:Mission: Impossible – Ghost Protocol
1490:, themovierat.com, January 11, 2012.
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937:Pro-tools operator – Vincent Cirelli
934:Music supervisor – George Drakoulias
931:Supervising music editor – Alex Levy
1570:from the original on April 18, 2023
1413:from the original on April 18, 2023
1382:from the original on April 18, 2023
1351:from the original on April 18, 2023
1325:from the original on April 18, 2023
1295:from the original on April 18, 2023
1266:from the original on April 18, 2023
1238:from the original on April 18, 2023
1208:from the original on April 18, 2023
1178:from the original on April 18, 2023
1166:Goldwasser, Dan (August 23, 2011).
1147:from the original on April 18, 2023
1109:from the original on April 18, 2023
1020:Harp – Eleanor Choate, Gayle Levant
949:Score co-ordinator – Andrea Datzman
922:Mixing assistance – Michael Aarvold
1168:"Michael Giacchino scores Super 8"
1032:Synthesizers, organ – Mark Le Vang
316:Close Encounters of the Third Kind
257:, with Tim Simonec conducting the
14:
946:Stage assistance – Mick Giacchino
913:Musical assistance – Dave Martina
1523:2011 International Press Academy
1401:Knegt, Peter (January 6, 2012).
1372:"BAFTAs 2011: Complete Longlist"
1135:Walber, Daniel (June 10, 2011).
1023:Oboe – Joseph Stone, John Yoakum
955:Music preparation – Booker White
809:4th Annual Coming of Age Awards
773:65th British Academy Film Awards
610:"Neighborhood Watch — Fail"
1833:Jurassic World: Fallen Kingdom
1809:War for the Planet of the Apes
1737:Dawn of the Planet of the Apes
1198:"'Super 8' Soundtrack Details"
1097:Chitwood, Adam (May 1, 2011).
1029:Piano, celesta – Mark Gasbarro
989:Concertmaster – Clayton Haslop
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1:
2023:Michael Giacchino soundtracks
1370:Derby, Gold (March 7, 2016).
1228:"SUPER 8 – Michael Giacchino"
73:Twentieth Century Fox Studios
2028:Varèse Sarabande soundtracks
1935:(episode: "Ephraim and Dot")
1285:"Soundtrack Review: Super 8"
928:Music editor – Paul Apelgren
456:"We'll Fix It in Post-Haste"
1505:September 23, 2015, at the
621:"The Evacuation of Lillian"
345:the film's opening sequence
204:Saturn Award for Best Music
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1841:Bad Times at the El Royale
1547:February 17, 2014, at the
1486:September 7, 2015, at the
986:Contractor – Reggie Wilson
687:"World's Worst Field Trip"
340:E.T. the Extra-Terrestrial
206:for his work in the film.
1849:Spider-Man: Far From Home
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1437:January 19, 2015, at the
967:Liner notes – J.J. Abrams
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301:strangely disappointed."
259:Hollywood Studio Symphony
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925:Mastering – Erick Labson
889:Music in a Feature Film
654:"Woodward's Home Movies"
632:"A Truckload of Trouble"
327:Writer Daniel Walber of
255:20th Century Fox Studios
1881:Jurassic World Dominion
1865:Spider-Man: No Way Home
1729:Star Trek Into Darkness
1657:Mission: Impossible III
1017:Guitar – George Doering
599:"Alice Projects on Joe"
500:"Breen There, Ate That"
220:Mission: Impossible III
2018:2011 soundtrack albums
1932:Star Trek: Short Treks
1897:Thor: Love and Thunder
1801:Spider-Man: Homecoming
1632:Awards and nominations
1481:2011 BAM Award Winners
1035:Timpani – Don Williams
698:"The Siege of Lillian"
676:"Air Force HQ or Bust"
489:"Circle Gets the Cube"
869:2011 Satellite Awards
70:Newman Scoring Stage,
1528:May 1, 2012, at the
1513:, December 27, 2011.
1347:. November 1, 2011.
873:Best Original Score
857:Best Original Score
566:"Shootus Interuptus"
445:"Thoughts of Cubism"
200:Amblin Entertainment
194:' score for earlier-
1913:Society of the Snow
1462:on January 22, 2013
1234:. August 21, 2011.
1202:Film Music Reporter
1172:ScoringSessions.com
919:Mixing – Dan Wallin
812:Special Soundtrack
791:
785:84th Academy Awards
781:Best Original Score
777:Best Original Music
709:"Creature Comforts"
588:"Woodward Bites It"
370:
233:to score music for
1566:, August 2, 2011,
1319:www.filmtracks.com
1291:. August 4, 2011.
885:Golden Reel Awards
876:Michael Giacchino
860:Michael Giacchino
846:Michael Giacchino
823:38th Saturn Awards
790:
769:Paramount Pictures
643:"Lambs on the Lam"
533:"Looking for Lucy"
478:"Train of Thought"
368:
304:James Southall of
178:for the 2011 film
2005:
2004:
1940:Werewolf by Night
1905:Werewolf by Night
1616:Michael Giacchino
1289:The Joy of Movies
898:
897:
831:Michael Giacchino
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577:"Thoughts of Mom"
511:"Dead Over Heels"
467:"Production Woes"
434:"Aftermath Class"
364:Michael Giacchino
231:Michael Giacchino
176:Michael Giacchino
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120:Michael Giacchino
44:Michael Giacchino
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1997:opening sequence
1777:Star Trek Beyond
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555:"Mom's Necklace"
412:"Model Painting"
401:"Family Matters"
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263:Varèse Sarabande
251:Steven Spielberg
229:(2009) composer
196:Steven Spielberg
188:Varèse Sarabande
180:of the same name
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801:Recipient(s)
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369:Track listing
366:
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357:Track listing
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335:John Williams
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192:John Williams
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54:June 13, 2011
53:
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32:
27:
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16:
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1745:Tomorrowland
1743:
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1719:
1711:
1704:
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1695:
1687:
1679:
1671:
1663:
1655:
1647:
1572:, retrieved
1562:
1556:
1537:
1518:
1511:Awards Daily
1495:
1476:
1466:February 29,
1464:. Retrieved
1460:the original
1455:
1446:
1427:
1415:. Retrieved
1406:
1396:
1384:. Retrieved
1375:
1365:
1353:. Retrieved
1339:
1327:. Retrieved
1318:
1309:
1297:. Retrieved
1288:
1279:
1268:, retrieved
1258:
1252:
1240:. Retrieved
1231:
1222:
1210:. Retrieved
1201:
1192:
1180:. Retrieved
1171:
1161:
1149:. Retrieved
1140:
1111:. Retrieved
1102:
1066:
904:
766:
720:"Letting Go"
544:"Radio Haze"
522:"Gas and Go"
361:
349:
338:
337:' music for
328:
326:
314:
309:
305:
303:
298:
294:
288:
282:
275:
272:
245:
238:
234:
225:
218:
215:J. J. Abrams
213:
184:J. J. Abrams
182:directed by
174:composed by
166:
165:
164:
149:
141:
140:
131:
15:
1857:Jojo Rabbit
1721:John Carter
1665:Ratatouille
1641:Soundtracks
1627:Discography
1551:, mpse.org.
994:Instruments
843:Best Score
827:Best Music
223:(2006) and
172:score album
151:Monte Carlo
2012:Categories
1873:The Batman
1761:Inside Out
1081:References
894:Nominated
879:Nominated
863:Nominated
775:including
742:"The Case"
210:Background
122:chronology
85:Film score
39:Film score
1975:Star Wars
1973:Music of
1967:Star Trek
1965:Music of
1957:Music of
1889:Lightyear
1793:Rogue One
1689:Let Me In
1673:Star Trek
1574:April 18,
1417:April 18,
1407:IndieWire
1386:April 18,
1376:GoldDerby
1355:April 18,
1329:April 18,
1299:April 18,
1270:April 18,
1242:April 18,
1212:April 18,
1182:April 18,
1151:April 18,
1141:IndieWire
1113:April 18,
972:Orchestra
798:Category
763:Accolades
390:"Super 8"
330:IndieWire
306:MovieWave
269:Reception
226:Star Trek
217:enlisted
1950:See also
1769:Zootopia
1568:archived
1545:Archived
1526:Archived
1503:Archived
1484:Archived
1435:Archived
1411:Archived
1380:Archived
1349:Archived
1323:Archived
1293:Archived
1264:archived
1236:Archived
1206:Archived
1176:Archived
1145:Archived
1107:Archived
1103:Collider
323:Analysis
277:AllMusic
246:Collider
59:Recorded
51:Released
41: by
1705:Super 8
901:Credits
804:Result
783:at the
310:Super 8
308:wrote "
299:Super 8
295:Super 8
283:Super 8
235:Super 8
170:is the
155:(2011)
146:(2011)
142:Super 8
137:(2011)
24:Super 8
1987:Batman
1916:(2023)
1908:(2022)
1900:(2022)
1892:(2022)
1884:(2022)
1876:(2022)
1868:(2021)
1860:(2019)
1852:(2019)
1844:(2018)
1836:(2018)
1828:(2018)
1820:(2017)
1812:(2017)
1804:(2017)
1796:(2016)
1788:(2016)
1780:(2016)
1772:(2016)
1764:(2015)
1756:(2015)
1748:(2015)
1740:(2014)
1732:(2013)
1724:(2012)
1716:(2011)
1708:(2011)
1700:(2011)
1697:Cars 2
1692:(2010)
1684:(2009)
1676:(2009)
1668:(2007)
1660:(2006)
1652:(2004)
1048:McCann
795:Award
382:Length
240:Cars 2
133:Cars 2
91:Length
67:Studio
1989:music
1058:Notes
755:77:19
712:10:10
379:Title
108:Label
80:Genre
1959:Lost
1817:Coco
1576:2023
1468:2012
1419:2023
1388:2023
1357:2023
1331:2023
1301:2023
1272:2023
1244:2023
1214:2023
1184:2023
1153:2023
1115:2023
849:Won
835:Won
817:Won
745:3:28
734:5:54
723:5:18
701:2:57
690:3:36
679:1:04
668:1:37
657:2:40
646:2:40
635:0:57
624:3:40
613:4:45
602:2:29
591:1:54
580:1:41
569:2:35
558:1:33
547:1:08
536:0:49
525:1:34
514:0:48
503:1:12
492:1:06
481:0:35
470:0:34
459:0:44
448:0:48
437:5:54
426:0:40
415:0:41
404:0:29
393:1:44
62:2011
739:33.
728:32.
717:31.
706:30.
695:29.
684:28.
673:27.
662:26.
651:25.
640:24.
629:23.
618:22.
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596:20.
585:19.
574:18.
563:17.
552:16.
541:15.
530:14.
519:13.
508:12.
497:11.
486:10.
375:No.
347:in
2014::
1995:Up
1681:Up
1509:,
1454:.
1409:.
1405:.
1378:.
1374:.
1321:.
1317:.
1287:.
1262:,
1230:.
1204:.
1200:.
1174:.
1170:.
1143:.
1139:.
1123:^
1105:.
1101:.
1089:^
787:.
475:9.
464:8.
453:7.
442:6.
431:5.
420:4.
409:3.
398:2.
387:1.
350:Up
100:19
96:77
1608:e
1601:t
1594:v
1470:.
1421:.
1390:.
1359:.
1333:.
1303:.
1246:.
1216:.
1186:.
1155:.
1117:.
281:"
98::
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