206:(also known as the 'Paris codex'), among the collection of other poems contained at the end, though the poem itself is dated earlier than the manuscript, either to 1320 or 1370. Its exact authorship is unknown, but some scholars associate it with the
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Structurally, it is an attestation of twelve-syllable verses being in use in these areas since at least the 14th century and its mature versification techniques point to an already existing practice of writing this kind of poetry.
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Literary historians state that the poem uses a demanding form and artistic skill to convey an "exceptional testimony of an intimate experience of a world sinking into darkness, suppressing known
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and style such as parts of verses "Obuje mi srce tuga" or "skot bi pasli i orali" which are reminiscent of
Octosyllabic verses from folk songs. Similarly, "krivo gleda drug na druga" is a folk
230:. It belongs to a group of medieval poems not intended for the common people, but seems to have been written with specific literary intent by the unknown author. Some authors describe it as
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222:. Because of this, the author strongly condemns the hypocrisy and deviation of the religious classes, from the lowest, right up to the
226:. Some analysts interpret the poem as a clash between two conflicting principles, as its characters are symbolic, rather than
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Ivan Grljušić, "Svit se konča : antologija hrvatskoga pjesništva od početaka do danas", ISBN 978-953-97481-9-5
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verses, it is regarded as the oldest and most prominent example of early
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The poem's subject matter deals with the corruption of the world caused by a fear of the impending
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The poem is said to have influenced later authors, most notably the
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notes that even more modern authors took influence from the poem, such as
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448:"Kriza i eshatološki motivi u starohrvatskoj pjesmi Svit se konča"
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418:"Odjeci najstarije hrvatske pjesmarice u Marulićevim stihovima"
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Croatian language. The poem is most commonly described as a
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332:. University of Zadar Institutional Repository
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362:Miroslav Krleža Institute of Lexicography
301:Journal of Croatian Studies Volumes 28-29
182:, criticizing the corruption within the
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198:. It is preserved in the 1380
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240:elements are present in its
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279:Ballads of Petrica Kerempuh
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38:Page from the songbook of
16:14th-century Croatian poem
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416:Malić, Dragica (2011).
256:Reception and influence
357:Croatian Encyclopedia
190:of 3-4 predominantly
210:literary tradition.
92:Paris songbook poems
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328:Tot, Anita (2016).
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490:Musical adaptation
330:"S(ve)t se kon'ča"
452:Biblijski Pogledi
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220:judgment day
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228:allegorical
224:Inquisition
214:Description
200:Glagolithic
196:Middle Ages
500:Categories
392:brb.irb.hr
286:References
208:začinjavci
152:apocalypse
144:Corruption
135:, 49 lines
118:Verse form
172:Chakavian
113:, dispute
84:1320-1370
67:Chakavian
52:Anonymous
48:Author(s)
461:29 April
431:29 April
394:. CROSBI
368:29 April
352:"satira"
336:28 April
308:28 April
58:Language
276:in his
246:syntagm
242:diction
188:stanzas
165:transl.
140:Subject
133:stanzas
73:dialect
71:Ikavian
364:. 2021
202:codex
180:clergy
176:satire
148:clergy
128:Length
89:Series
42:, 1380
398:9 May
107:Genre
463:2023
433:2023
400:2023
370:2023
338:2023
310:2023
238:Folk
78:Date
61:Old
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