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with swashes by Phil Martin, is considered a hallmark of 1970s design, and has never been issued digitally. It is considered to be a highly conflicted design, as
Helvetica is seen as a spare and rational typeface and swashes are ostentatious: font designer
74:
Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic.
20:
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in the late 19th to 20th centuries with the Caslon type were "based rather closely on François Guyot's italic of around 1557 ... found in
English printing until the early years of the eighteenth century."
223:
Some historical revivals add optional swashes to designs that did not originally have them to produce a more varied design. For example, Adobe
Garamond Pro's swash design is based not on the printing of
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1745:
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66:
in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France.
403:
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described it as "almost sacrilegious". Martin would later recall being accused of "typographic incest" by one German writer for creating it.
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252:. Swashes are used on capitals throughout and on many letters at the end of words too. This use would probably now be considered excessive.
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102:, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include
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307:
Printing: A Textbook For
Printers' Apprentices, Continuation Classes, And For General Use In Schools
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54:. The use of swash characters dates back to at least the 16th century, as they can be seen in
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173:. Classiq by Yamaoka Yasuhiro, based on Garamond, contains swash italic designs, as do
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Typographical flourish found on some letterforms, particularly in italics
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Sans-serif fonts with swashes are rarer, but some were released in the
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584:"Back with a flourish #5. Christian Schwartz on swaggering swashes"
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in capital letters in regular (1), italic (2) and swash (3) style
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232:. The original Caslon italic had swashes only on the letters
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others have been added since by revivals of his designs.
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Some revivals remove these, while others may add more.
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264:Helvetica Flair, a redesign of the sans-serif font
228:himself but on designs by his younger contemporary
310:. New York: John Wiley & Sons, Inc. p.
248:Extensive use of swashes in a 1560 edition of
188:, a sans-serif derivative of her serif family
1746:Intellectual property protection of typefaces
809:
8:
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204:As swashes are based on period handwriting,
353:Bulletin of the Printing Historical Society
50:, terminal, tail, entry stroke, etc., on a
1226:
950:
816:
802:
794:
678:"Helvetica Flair (photo of specimen book)"
351:Tracy, Walter (1991). "The Alternatives".
1772:Punctuation and other typographic symbols
749:(2000). "Caslon's punches and matrices".
772:
296:
238:
208:with swashes are common, and include
7:
371:(3 ed.). Adobe Systems. 2007.
720:Berkson, William (November 2010).
165:style of the 1930s, including for
125:'s original design has swashes on
14:
783:, the swash capitals sold by the
554:"ITC Bodoni 72 Swash Book Italic"
368:Adobe Type Library Reference Book
192:. Helvetica Flair, a redesign of
137:has a particularly large number.
46:flourish, such as an exaggerated
1785:
1784:
273:
257:
241:
56:Ludovico Vicentino degli Arrighi
676:Puckett, James (5 March 2012).
398:. David R. Godine. p. 91.
1:
1741:History of Western typography
62:which is dated 1522. As with
23:Swashes marked with red color
1588:traditional point-size names
652:"Interview with Phil Martin"
841:Canons of page construction
534:. Hoefler & Frere-Jones
143:fonts with swashes include
1829:
392:Lawson, Alexander (1990).
280:Flamboyant swashes in the
1780:
998:Subscript and superscript
420:"Adobe Caslon glyph list"
1756:Vox-ATypI classification
886:Intentionally blank page
438:"EB Garamond: Features"
304:Henry, Frank S (1917).
178:Sans Serif Light Italic
1289:
485:"My Design Philosophy"
327:"Back with a flourish"
70:Typefaces with swashes
35:
24:
395:Anatomy of a Typeface
325:Schwartz, Christian.
30:
22:
1626:Typographic features
696:"Adobe Garamond Pro"
532:"Surveyor: Overview"
1751:Technical lettering
1650:Typography in other
1391:Hanging punctuation
785:H.W. Caslon Company
631:Yasuhiro, Yamaoka.
608:Di Lena, Leonardo.
580:Schwartz, Christian
82:, some releases of
80:old-style typefaces
1714:Handwriting script
1641:Desktop publishing
1611:Character encoding
1604:Digital typography
1118:Horizontal aspects
1071:Visual distinction
929:Widows and orphans
163:Streamline Moderne
96:Adobe Garamond Pro
36:
25:
1798:
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1545:Typographic units
1463:For position only
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1214:
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726:I Love Typography
722:"Reviving Caslon"
405:978-0-87923-333-4
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1788:
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1765:Related template
1697:Related articles
1498:Phototypesetting
1352:reverse-contrast
1337:Display typeface
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1271:Blackletter type
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1164:Vertical aspects
1145:Sentence spacing
955:Typeface anatomy
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108:Robert Slimbach
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507:"Baskerville"
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110:and Nexus by
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44:typographical
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1736:Type foundry
1573:Metric units
1503:Punchcutting
1488:Movable type
1458:Font catalog
1418:Vertical bar
1155:Word spacing
1125:Figure space
1008:Text figures
1002:
851:Even working
781:Justin Howes
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741:
731:21 September
729:. Retrieved
725:
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703:. Retrieved
690:
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659:. Retrieved
656:Typographica
655:
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626:
614:. Retrieved
610:"SemplicitĂ "
603:
591:. Retrieved
587:
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562:. Retrieved
557:
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526:
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510:
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478:
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431:
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334:. Retrieved
331:Eye Magazine
330:
320:
306:
299:
268:with swashes
233:
222:
218:Hermann Zapf
203:
186:Zuzana Licko
156:
139:
130:
126:
119:transitional
116:
94:, including
88:Adobe Caslon
77:
73:
59:
39:
37:
1731:Type design
1726:Style guide
1719:Calligraphy
1709:Handwriting
1523:Type design
1473:Lorem ipsum
1468:Letterpress
1428:Typesetting
1368:Punctuation
1332:Record type
1303:Gaelic type
1291:Schwabacher
1181:Body height
1046:Letter case
914:Line length
564:1 September
538:1 September
516:1 September
123:Baskerville
121:typefaces,
100:EB Garamond
64:italic type
60:La Operina,
1811:Typography
1704:Penmanship
1676:East Asian
1518:Type color
1451:monospaced
1408:Interpunct
1401:minus sign
1325:Specialist
1261:Sans-serif
1254:slab serif
1231:Roman type
1186:Cap height
1150:Thin space
1109:Whitespace
1061:Title case
1056:Snake case
1051:Small caps
1036:Camel case
968:Diacritics
876:Pull quote
871:Pagination
866:Paper size
825:Typography
560:. Linotype
511:Font Slate
292:References
216:, both by
171:SemplicitĂ
135:Mrs. Eaves
86:, such as
32:Minion Pro
1201:Overshoot
1196:Mean line
1191:Descender
1104:Underline
946:Character
924:Runaround
904:Alignment
896:Paragraph
705:30 August
661:30 August
633:"Classiq"
490:30 August
468:30 August
443:30 August
266:Helvetica
194:Helvetica
190:Mrs Eaves
1805:Category
1790:Category
1669:PT Fonts
1664:Cyrillic
1528:Typeface
1446:computer
1347:fat face
1220:Typeface
1206:x-height
1176:Baseline
1171:Ascender
1031:All caps
993:Rotation
988:Ligature
983:Ink trap
616:18 April
593:31 March
459:"Minion"
425:. Adobe.
336:31 March
285:typeface
182:Mr Eaves
159:Art Deco
145:Surveyor
92:Garamond
1616:Hinting
1493:Pangram
1311:Insular
1284:Rotunda
1279:Fraktur
1244:Antiqua
1130:Kerning
1099:Oblique
1094:Italics
1041:Initial
973:Dingbat
963:Counter
909:Leading
701:. Adobe
637:YOFonts
558:MyFonts
282:Zapfino
214:Zapfino
175:Goudy's
127:J, N, Q
1659:Arabic
1558:Cicero
1396:Hyphen
1381:Bullet
1342:script
1316:Uncial
1249:Didone
1013:Tittle
856:Margin
846:Column
759:: 1–7.
752:Matrix
682:Flickr
402:
375:
250:Calvin
152:Bodoni
141:Didone
117:Among
104:Minion
90:, and
84:Caslon
78:Among
1583:Point
1553:Agate
1413:Space
1239:Serif
1140:Pitch
1003:Swash
978:Glyph
919:River
767:Notes
699:(PDF)
462:(PDF)
423:(PDF)
355:(30).
234:JQTY;
167:Tempo
52:glyph
48:serif
42:is a
40:swash
1681:Thai
1595:Twip
1578:Pica
1533:list
1513:Sort
1441:Font
1386:Dash
1372:List
1084:Bold
934:runt
833:Page
733:2014
707:2014
663:2014
618:2017
595:2018
566:2014
540:2014
518:2014
492:2014
470:2014
445:2014
400:ISBN
373:ISBN
338:2018
212:and
180:and
169:and
161:and
147:and
129:and
98:and
588:Eye
184:by
149:ITC
106:by
58:'s
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1568:En
1563:Em
757:20
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