142:, about his concept for the unfinished play. Bennett noted that Eliot wanted "to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with certain things in it accentuated by drum-beats.'" Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." Other critics, like Marjorie Lightfoot, associated the play with the "conventions of
822:
225:. Doone had all but Sweeney wear masks until an unmasking at the end. He also added a scene at the end where Sweeney raises a razor and chases a woman. A police whistle is blown and there is a pounding on the door. A woman's scream is heard as the stage lights go down. This production was seen by Eliot's wife,
210:. The cast was a mixture of students and local amateurs with a physician playing the part of Sweeney. Eliot, who was teaching at Harvard University at the time, managed to attend. He had had a correspondence with Flanagan prior to the performance giving her suggestions on presentation and a brief ending.
290:
In the essay "Sweeney and the Jazz Age," Carol H. Smith writes, "What Eliot expresses in this fragmentary play is both the agony of the saint and private anguish and rage of the man trapped in a world of demanding relationships with women. . .In
Sweeney's story of violence and horror, sexual love
175:, who introduces his war buddies whom he has brought along: Mr. Klipstein and Mr. Krumpacker (two American businessmen) and Captain Horsfall. All of these characters, plus Sweeney, also appear in "Fragment of an Agon" which also includes the minor characters of Swarts and Snow.
297:
in the essay '"HOO HOO HOO": Some
Episodes in the Construction of Modern Whiteness' calls attention to the repeated use of the word "hoo" towards the end of the 1927 "Fragment of an Agon" section and its relation to the use of the same word in
42:
112:
was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title
382:
Eliot, pp. 34–35. Sweeney, at a brothel, is shaving while one of the prostitutes is having an epileptic seizure. The women at the brothel worry that the screaming may be misunderstood but Doris enters the room bringing
287:, critics have perceived Christian themes but more as motifs than as underlying structure: the horror of spiritual awareness amidst modern ignorance, and the trepidation of the soul at the brink of salvation."
125:
listed under his "Unfinished Poems" with the "Fragments of an
Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an
168:(1922). Although Sweeney only appears briefly or as a character sketch in the poems and never speaks, in "Fragment of an Agon" he is the main character with most of the dialogue.
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178:
The character of Doris also appears with
Sweeney in the poem "Sweeney Erect" and Eliot used the name Doris in a collection of three poems published in November 1924 in
171:
The characters in "Fragment of a
Prologue" consist of the female prostitutes Doris Dorrance and Dusty who are visited by Sam Wauchope, a former soldier from the
251:, a wooden building still standing on Broadway at West 100th Street, in New York. It concluded their first financially successful production: a program called
1112:
400:
Gallup, pp. 210–11. The other of "Doris's Dream Songs", "Eyes that I last saw in tears" and "The wind sprang up at four o'clock" appear in Eliot's
158:
Sweeney, the title character, only appears in the second scene, "Fragment of an Agon." Eliot had used the character of
Sweeney in four poems prior to
291:
leads to spiritual purgation, and yet this theme is by definition incommunicable to a world terrified of death and unaware of anything beyond it."
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magazine. The third of "Doris's Dream Songs" ("This is the dead land/This is the cactus land") was later incorporated into Eliot's poem "
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The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to a friend, the writer
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229:(they were separated at this time,) who "wondered how she managed not to faint at the 'absolute horror of the thing'."
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162:: "Sweeney Among the Nightingales" (1918), "Mr. Eliot's Sunday Morning Service" (1918), "Sweeney Erect" (1919) and
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302:'s 1914 poem "Congo: (A Study of the Negro Race)," and how the word's use relates to issues of race and racism.
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was produced by The Living
Theatre on a very low budget: 35 dollars. It opened on March 2, 1952, at
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T. S. Eliot's
Dramatic Theory and Practice : From Sweeney Agonistes to The Elder Statesman
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521:(December 1995). ""HOO HOO HOO": Some Episodes in the Construction of Modern Whiteness".
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in 1978 that included Eliot's rendition of "A Fragment of an Agon" recorded at
Harvard's
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comedy," and she notes that Eliot never wrote another play with the musical rhythms of
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221:. The following year it was revived by the Group Theatre under the direction of
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Innes, Christopher (2011) . "Modernism in Drama". In
Michael Levenson (ed.).
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573:(A Revised and Extended ed.). New York: Harcourt, Brace & World.
316:
452:
Galef, David. "The Fragments of a Journey: The Drama in T.S. Eliot's
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117:. The scenes are frequently performed together as a one-act play.
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A six-cassette package called "The Poet's Voice" was released by
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689:
685:
360:
Lightfoot, Marjorie J. "Charting Eliot's Course in Drama."
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In "The Fragments of a Journey: The Drama in T. S. Eliot's
217:
in London with friends in a production by the experimental
682:. Princeton, N.J. : Princeton University Press, 1963.
115:
Sweeney Agonistes: Fragments of an Aristophanic Melodrama
18:
Sweeney Agonistes: Fragments of an Aristophanic Melodrama
305:
The title was probably inspired by Milton's tragic poem
243:
Directed by Judith Malina and designed by Julian Beck,
652:
Critical Essays on T.S. Eliot : The Sweeney Motif
604:(2nd. ed.). New York: Cambridge University Press.
660:"Old Times: Pinter's Meditation on Sweeney Agonistes"
469:. Ed. Kinley Roby. Boston: G.K. & Hall Co., 1985.
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845:The Awefull Battle of the Pekes and the Pollicles
613:Eliot's Dark Angel: Intersections of Life and Art
362:Critical Essays on T.S. Eliot: The Sweeney Motif
349:Critical Essays on T.S. Eliot: The Sweeney Motif
467:Critical Essay on T.S. Eliot: The Sweeney Motif
456:." English Studies. Taylor & Francis, 1988.
646:http://catalog.hathitrust.org/Record/001227509
701:
421:
419:
8:
465:Smith, Carol H. "Sweeney and the Jazz Age."
1113:T. S. Eliot Prize (Truman State University)
275:," David Galef writes, "Through the play's
121:is currently available in print in Eliot's
708:
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686:
40:
31:
545:. New York: Harcourt, Brace & World.
478:
658:Schmitt, Natalie Crohn (11 June 2008).
513:. Chicago: University of Chicago Press.
328:
7:
1057:Canticle IV: The Journey of the Magi
602:The Cambridge Companion to Modernism
564:. New York: Duell, Sloan and Pearce.
993:Tradition and the Individual Talent
838:Old Possum's Book of Practical Cats
741:The Love Song of J. Alfred Prufrock
351:. Boston: G.K. Hall and Co., 1985.
511:T.S. Eliot and the Cultural Divide
25:
494:: T. S. Eliot's Sweeney Agonistes
364:. Boston: G. K. & Hall, 1985.
27:1932 drama written by T. S. Eliot
820:
213:In November 1934 Eliot also saw
259:, preceded by Gertrude Stein's
654:. Boston, MA: G.K. Hall, 1985.
583:T. S. Eliot: An Imperfect Life
347:Roby, Kinley. "Introduction."
335:Gallup, pp. 50–51,213–214
253:An Evening of Bohemian Theatre
1:
642:, Edward Arnold, London, 1914
638:Cornford, Francis MacDonald.
404:in the section "Minor Poems".
173:Canadian Expeditionary Force
1041:Assassinio nella cattedrale
1007:A Choice of Kipling's Verse
617:. Oxford University Press.
571:T. S. Eliot: A Bibliography
1280:
1163:Vivienne Haigh-Wood Eliot
1015:The Frontiers of Criticism
979:Selected Essays, 1917–1932
640:The Origin of Attic Comedy
609:Schuchard, Ronald (1999).
585:. New York: W. W. Norton.
560:Flanagan, Haillie (1943).
541:Collected Poems, 1909–1962
509:Chinitz, David E. (2003).
257:Desire Trapped by the Tail
123:Collected Poems: 1909–1962
1187:Charlotte Champe Stearns
818:
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255:which included Picasso's
206:, under the direction of
194:The first performance of
39:
1195:William Greenleaf Eliot
1264:Faber & Faber books
1130:Portrait of T. S. Eliot
1049:Murder in the Cathedral
1033:Murder in the Cathedral
986:Hamlet and His Problems
933:Murder in the Cathedral
859:Growltiger's Last Stand
762:Whispers of Immortality
569:Gallup, Donald (1969).
954:The Confidential Clerk
519:DuPlessis, Rachel Blau
204:Poughkeepsie, New York
78:Poughkeepsie, New York
1254:Poetry by T. S. Eliot
650:Roby, Kinley E., ed.
295:Rachel Blau DuPlessis
238:Woodberry Poetry Room
198:was on 6 May 1933 at
1249:Plays by T. S. Eliot
1228:William Butler Yeats
852:Gus: The Theatre Cat
190:Notable performances
1223:Jean Jules Verdenal
961:The Elder Statesman
804:Journey of the Magi
523:American Literature
434:Gordon, p. 289
425:Gordon, p. 288
323:Notes and citations
281:religious symbolism
947:The Cocktail Party
940:The Family Reunion
866:The Naming of Cats
748:Portrait of a Lady
443:Innes, p. 141
234:Harvard University
46:First edition 1932
1236:
1235:
1213:John Davy Hayward
1198:
1190:
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1179:Henry Ware Eliot
1174:
1166:
1108:T. S. Eliot Prize
919:Sweeney Agonistes
811:A Song for Simeon
666:. Harold Pinter -
624:978-0-19-510417-2
492:A Dawn Miraculous
454:Sweeney Agonistes
273:Sweeney Agonistes
245:Sweeney Agonistes
196:Sweeney Agonistes
160:Sweeney Agonistes
119:Sweeney Agonistes
105:Sweeney Agonistes
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35:Sweeney Agonistes
16:(Redirected from
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1158:Eliot family
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1139:(1984 play,
1025:Adaptations
830:Later poems
797:Ariel Poems
733:Early poems
717:T. S. Eliot
277:Greek forms
134:Composition
110:T. S. Eliot
97:Doris' flat
56:T. S. Eliot
1259:1933 plays
1243:Categories
1218:Ezra Pound
1208:Emily Hale
1142:1994 film)
1089:Publishing
880:East Coker
644:Online at
552:0151189781
503:References
154:Characters
144:music-hall
65:6 May 1933
52:Written by
1078:2019 film
1073:1998 film
1051:(TV play)
769:Gerontion
240:in 1948.
1189:(mother)
1181:(father)
926:The Rock
755:Preludes
670:18 March
581:(2000).
537:(1963).
413:Flanagan
317:Champion
311:(1671, "
249:The Loft
227:Vivienne
180:Chapbook
1122:Related
1044:(opera)
215:Sweeney
148:Sweeney
92:Setting
87:English
1151:People
1035:(film)
1010:(1941)
664:Cycnos
621:
589:
562:Dynamo
549:
389:brandy
313:Samson
283:, and
971:Prose
911:Plays
1063:Cats
672:2012
619:ISBN
587:ISBN
547:ISBN
387:and
319:").
315:the
128:Agon
202:in
186:".
130:".
108:by
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391:.
20:)
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