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frequencies when other strings are sounded. In general, non-played strings respond in sympathy to other strings being played. Two tones of the same pitch will give maximum sympathetic resonance as all harmonics of both strings will overlap. Other harmonic combinations will cause sympathetic resonance
147:
is normally unable to produce effective sympathetic string resonance for tones other than E (resonance from the 6th and 5th strings, tuned to E and A, respectively), B (from the 6th string), D (from the 4th string), and A (from the 5th and 4th strings). (The treble strings are negligible in practice,
110:
family appeared in the middle of the 17th century that were fitted with an extra choir of thin wire strings running through a hollow chamber through the neck of the instrument, the head of which was then elongated to accommodate as many extra tuning pegs as necessary. These were generally called
139:
do not have additional strings, but make use of the effect by allowing their playing strings to vibrate sympathetically when they are not being played directly. In keyboard instruments like the piano, the string dampers can be raised to produce this effect.
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at the fifth, fourth and major third. For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (3 x 440 = 4 x 330 = 1320; third overtone of A and fourth overtone of E).
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instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of
174:, which resolves the imbalance of resonance on the guitar. By adding the abovementioned resonances and, of course, their fifths (the fifth being a strong
241:, so that when the corresponding note (or one an octave below it) is played on the main strings of the instrument, the sympathetic strings (called
518:
Yepes, Narciso. 1981 "Narciso Yepes and His 10-String Guitar". Interview-Article by Allan Kozinn. The New York Times, Nov. 22: p. D21
90:
Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the
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362:
507:
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Yepes, Narciso. 1978. "The 10-String Guitar: Overcoming the
Limitations of Six Strings". Interview by Larry Snitzler.
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Ramirez III, Jose. 1994. "The Ten-String Guitar" in Things About the Guitar. Bold
Strummer. pp. 137-141.
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scale, bringing the guitar's sound closer to the consistency and sustainability of the
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in Indian music) will vibrate in response, providing a lingering halo of sound.
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Detail of a sarangi, showing its sympathetic strings under three playing strings
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lower or higher than the catalyst note, although it can occur for other
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94:(pictured above right). Other instruments which have more include the
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as they are almost constantly being fingered.) However, the
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34:, showing sympathetic strings underneath playing strings
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The musician retunes the sympathetic strings for each
216:Strings or parts of strings may resonate at their
206:Sympathetic string resonance in music instruments
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66:. The resonance is most often heard when the
57:musical instruments, as well as some Western
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102:with 15 sympathetic strings, and the
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249:Instruments with sympathetic strings
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53:are auxiliary strings found on many
98:with 11-13 sympathetic strings and
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156:, adds four strings tuned to C, A
70:of the string is in unison or an
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531:12(3): pp. 26, 42, 46, 48, 52.
1:
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345:Some instruments of the
212:String resonance (music)
375:(with Palme diffuseur)
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585:Fundamental frequency
68:fundamental frequency
64:sympathetic resonance
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407:(stringed harmonium)
152:invented in 1963 by
82:, with less effect.
47:Sympathetic strings
18:Sympathetic strings
639:Sympathetic string
176:resonant frequency
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634:Spectral envelope
479:Aliquot stringing
456:Ten-string guitar
385:aliquot stringing
291:Fender Jazzmaster
150:ten-string guitar
51:resonance strings
16:(Redirected from
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383:Pianos that use
316:Hardanger fiddle
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92:Hardanger fiddle
32:Hardanger fiddle
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602:Microinflection
580:Colors of noise
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416:Saraswati Veena
390:Prepared guitar
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466:Viola d'amore
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286:Fender Jaguar
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154:Narciso Yepes
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113:viola d'amore
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670:Chordophones
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622:Rustle noise
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335:Harry Partch
321:Herati dutar
311:H'arpeggione
301:Gottuvadhyam
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78:, such as a
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46:
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368:Nyckelharpa
358:Moodswinger
353:Mohan veena
326:Hurdy-gurdy
218:fundamental
196:harpsichord
133:harpsichord
86:Description
664:Categories
508:8487969402
490:References
446:Tar (lute)
436:Springtime
363:Moonlander
405:Samvadini
379:Pencilina
192:chromatic
76:intervals
649:Waveform
644:Tonality
612:Overtone
597:Loudness
473:See also
266:Bazantar
222:harmonic
187:♯
181:♯
171:♯
165:♯
159:♯
441:Tambura
411:Sarangi
331:Kithara
296:Gadulka
276:Dilruba
261:Baryton
117:baryton
104:sarangi
59:Baroque
675:Timbre
628:Sawari
591:Jivari
569:Timbre
506:
461:Ukelin
349:family
243:tarabs
229:Tuning
145:guitar
135:, and
129:guitar
72:octave
55:Indian
617:Pitch
607:Noise
431:Sitar
426:Setar
421:Sarod
400:Rubab
306:Gudok
281:Esraj
271:Crwth
256:Banjo
200:piano
137:piano
108:viola
100:sarod
96:sitar
80:fifth
504:ISBN
451:Taus
347:lute
341:Koto
333:(of
239:raga
235:mode
198:and
143:The
125:lute
121:harp
237:or
220:or
184:, C
168:, F
162:, G
49:or
666::
202:.
131:,
127:,
123:,
561:e
554:t
547:v
337:)
20:)
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