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result, Abert concluded that K. 45a is archaic in style and, from an aesthetic point, "less good" symphony of
Leopold, who must have been the composer of the older, more conservative and less gifted K. 45a. Moreover, the comparison revealed similarities between formal and stylistic characteristics of the first movements of K. 45a and other symphonies by Leopold, and the first movements of "New Lambach" and other symphonies by Wolfgang. Furthermore, the fact that the first movement has only one theme and the large use of two-bar phrases making up sequences make it more likely to be written by Leopold, while the more continuous, spun and varied melodic ideas of the "New Lambach" symphony make it more likely to be written by Wolfgang. After this, the "New Lambach" symphony was subsequently published as a work of Mozart and was recorded as part of some complete recordings of Mozart's symphonies (most notably in
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published a new hypothesis that the title pages of the two
Lambach symphonies were accidentally reversed. Her theory was based on an extensive examination of both works, as well as comparisons between these and other symphonies known to be composed by Leopold and Wolfgang at about the same time. As a
183:
in Upper
Austria, among other places. As was customary for Bavarian and Austrian monasteries, the Lambach Abbey offered rooms and meals for travellers and maintained a small chapel for both the liturgy and entertainment. This stopover is not mentioned in the correspondence of the Mozart family and is
297:
It is unlikely that the pedantic
Leopold would have accepted the Salzburg copyists' accidental interchanging of the title pages, used the symphony for concerts and finally donated the manuscripts to the Lambach Abbey (where a monk could have subsequently written the date "1769") without correcting
352:
Neal Zaslaw: Symphony in G major, K. 45a ("Old
Lambach"). Wolfgang Amadeus Mozart: The Symphonies Vol VII. Recording of the Academy of Ancient Music , Jaap Schröder concertmaster, Continuo: Christopher Hogwood. Decca Record, London 1988. Decca Record, London
273:, implying that they must have been composed in Salzburg before the Mozarts left for Vienna in September 1767. However, the earlier the symphonies are dated, the more understandable Wolfgang's "archaic style" becomes.
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as K. 45a. This analysis was repeated in later editions of the Köchel catalogue. (The previous editions numbered the work as K. Anh. 221 as the work was then unknown apart from an incipit in the catalogue of
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assumed that the "Old
Lambach" symphony (the one attributed to Wolfgang) was composed by 1767-68 during the stay in Vienna (which fit with the date on the manuscript in Lambach) and entered it into the main
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on 11 March 1766. The
Mozarts then took the symphony along with them on their journeys; Wolfgang revised the symphony along the way by making a few changes, especially in the inner voices.
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191:) in the archives of the Lambach Abbey and were probably gifts from the Mozart family as thanks for the hospitality given to them. One (the "Old Lambach") had the title
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On the Mozart family's travels, Wolfgang learnt a lot of musical styles, and later
Wolfgang (rightly) claimed that he could compose in any style.
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Ascribing the "Old
Lambach" symphony to Leopold due to it being "less good" and "less gifted" underestimates Leopold's ability as a composer.
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325:" on the front page next to Wolfgang's name. This implies that K. 45a was composed by Wolfgang during their stay in
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In
February 1982, the original orchestral parts of K. 45a (in the handwriting of Leopold, Wolfgang's sister
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were all not composed in Vienna, it seems doubtful that this symphony was composed in Vienna.
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However, Zaslaw argues that the original assignment was correct, for the following reasons:
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In 1767, Leopold copied six early symphonies of Wolfgang and sent them to Prince Wenzel in
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These two manuscripts were found at the beginning of the 20th century as copies (not
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and revised in 1767. Both versions – the original and the revision – have survived.
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if they were available in the orchestra to reinforce the bass line and act as the
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Symphonies generally agreed to be spurious today, but included in either the
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55:. In contemporary orchestras, it was also usual to include
193:"Del Sigre: Wolfgango Mozart. Dono Authoris 4.ta Jan. 769"
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only known through the two manuscripts in the monastery.
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81:The symphony consists of the following movements:
266:The two manuscripts were copied by the Salzburg
313:and an unknown copyist) were discovered in the
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1382:List of symphonies by Wolfgang Amadeus Mozart
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67:. The duration is approximately 14 minutes.
1387:List of spurious/doubtful Mozart symphonies
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394:See the 1st movement, bars 8, 23 and 29.
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195:while the other (the "New Lambach", K.
305:. K. 45a was probably among these six.
282:As the contemporary Mozart symphonies
179:in January 1769, stopping over at the
32:Anh. 221/45a, was probably written by
1430:Symphonies by Wolfgang Amadeus Mozart
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1335:Symphonies of doubtful authenticity.
329:, possibly for the inauguration of
159:Lambach Abbey and surroundings, by
445:Sinfonie in G K. 45a (2nd version)
420:Sinfonie in G K. 45a (1st version)
14:
377:Bärenreiter-Verlag, Kassel 2005,
26:Symphony in G major "Old Lambach"
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726:Maria Anna Thekla Mozart (Bäsle)
843:Beethoven–Haydn–Mozart Memorial
43:The symphony is scored for two
1:
752:(paternal great-grandfather)
595:Concert arias, songs, canons
171:began their journey between
732:Franz Xaver Wolfgang Mozart
714:Maria Anna Mozart (Nannerl)
331:William V, Prince of Orange
236:The Complete Mozart Edition
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838:Mozart in popular culture
650:Relationship with G minor
408:Symphony, K. 45a (Mozart)
567:Appearance and character
298:the error at some point.
1445:Compositions in G major
919:Wolfgang Amadeus Mozart
853:Mozart Monument, Vienna
498:Wolfgang Amadeus Mozart
206:16) was attributed to "
151:History and attribution
132:in the first version),
34:Wolfgang Amadeus Mozart
1265:Adapted from serenades
746:(paternal grandfather)
315:Bavarian State Library
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224:Breitkopf & Härtel
212:" with the same date.
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945:K. 45a (Old Lambach)
645:Compositional method
625:Works for solo piano
1353:Carl Friedrich Abel
744:Johann Georg Mozart
679:Neue Mozart-Ausgabe
672:Alte Mozart-Ausgabe
461:Neue Mozart-Ausgabe
436:Neue Mozart-Ausgabe
365:Volker Scherliess:
1372:now attributed to
1366:complete editions.
1351:now attributed to
1341:now attributed to
738:Karl Thomas Mozart
385:, p. 277-278.
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1435:1766 compositions
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321:. Leopold wrote "
231:Anna Amalie Abert
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720:Constanze Mozart
666:Köchel catalogue
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640:Violin concertos
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410:: Scores at the
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1246:No. 40 (K. 550)
1241:No. 39 (K. 543)
1231:No. 38 (K. 504)
1226:No. 37 (K. 444)
1216:No. 36 (K. 425)
1206:No. 35 (K. 385)
1201:No. 34 (K. 338)
1196:No. 33 (K. 319)
1191:No. 32 (K. 318)
1181:No. 31 (K. 297)
1176:No. 30 (K. 202)
1171:No. 29 (K. 201)
1166:No. 28 (K. 200)
1161:No. 27 (K. 199)
1156:No. 26 (K. 184)
1151:No. 25 (K. 183)
1146:No. 24 (K. 182)
1141:No. 23 (K. 181)
1136:No. 22 (K. 162)
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1121:No. 19 (K. 132)
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1111:No. 17 (K. 129)
1106:No. 16 (K. 128)
1101:No. 15 (K. 124)
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935:K. 16a (Odense)
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782:(sister-in-law)
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130:Molto allegro
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750:Franz Mozart
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807:Freemasonry
532:Nationality
512:Biographies
456:(in German)
431:(in German)
61:harpsichord
1424:Categories
1015:K. 208+102
1010:K. 196+121
1005:K. 135+61h
990:K. 111+120
928:Unnumbered
913:Symphonies
790:Influences
635:Symphonies
522:Grand tour
517:Birthplace
373:(editor):
337:References
189:autographs
797:Beethoven
542:Scatology
537:Residence
505:Biography
327:The Hague
271:Estlinger
229:In 1964,
38:The Hague
1024:Numbered
871:Category
716:(sister)
710:(mother)
704:(father)
659:Editions
547:Smallpox
268:copyists
209:Leopoldo
173:Salzburg
65:continuo
57:bassoons
1255:Jupiter
1210:Haffner
826:Related
817:Salieri
630:Sonatas
458:in the
433:in the
311:Nannerl
257:Baroque
106:Andante
53:strings
1400:Portal
1370:No. 37
1313:K. 66e
1308:K. 66d
1303:K. 66c
1298:K. 19b
1282:K. 320
1277:K. 250
1272:K. 204
1235:Prague
1000:K. 161
960:K. 74g
955:K. 45b
940:K. 19a
722:(wife)
694:Family
615:Operas
610:Masses
600:Dances
562:Prague
557:Berlin
443:
418:
381:
319:Munich
263:style.
261:galant
177:Vienna
163:, 1649
126:Presto
47:, two
20:Mozart
1349:No. 3
1339:No. 2
1185:Paris
995:K. 96
985:K. 98
980:K. 75
975:K. 97
970:K. 95
965:K. 81
950:K. 76
812:Haydn
740:(son)
734:(son)
587:Music
577:Death
552:Italy
449:Score
424:Score
292:No. 8
288:No. 7
284:No. 6
201:Eisen
197:deest
49:horns
45:oboes
1291:Lost
1220:Linz
527:Name
451:and
426:and
379:ISBN
369:In:
353:1988
290:and
175:and
167:The
59:and
51:and
24:The
1364:new
1362:or
1360:old
915:by
317:in
238:).
226:.)
1426::
447::
422::
358:^
345:^
286:,
199:,
108:,
88:,
30:K.
28:,
1402::
1345:.
1257:)
1253:(
1237:)
1233:(
1222:)
1218:(
1212:)
1208:(
1187:)
1183:(
905:e
898:t
891:v
490:e
483:t
476:v
204:G
140:8
128:(
116:4
96:4
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