27:
774:
764:
182:
section is reminiscent of the style of
Shostakovich (who had died in the meantime, since the composition of Arnold's previous symphony), but this mood is contrasted by the return of the movement's opening theme in a cocktail-lounge percussive style. The symphony closes with confidence.
167:
The movement begins with a discordant martial flourish. A simple marching tune emerges on piccolo and harp, against a disquieting backdrop of dissonant strings. This develops over the course of the movement, which ends quietly and uncertainly with an almost inaudible tam-tam stroke.
149:
Shortly after writing this work, Arnold lapsed into a seven-year musical silence during which he was hospitalised and treated for depression. The work seems to reflect some of the bleakness in Arnold's life at the time.
191:
The symphony is scored for 2 flutes, piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, tam-tam, glockenspiel, vibraphone, harp and strings.
417:
142:
for a few years, and it prominently features an Irish march. The march is a rare example of Arnold re-using his earlier material: it originated from his score to the film "
56:
427:
276:
777:
767:
797:
524:
217:
78:
422:
178:
The final movement opens with a slightly crazed upbeat character, in the vein of Arnold's lighter orchestral pieces. The string
92:
604:
516:
716:
540:
628:
580:
484:
269:
206:
39:
556:
548:
49:
43:
35:
802:
588:
232:
708:
644:
500:
400:
143:
124:
60:
119:
The work was commissioned by the Rustam K. Kermani
Foundation and given its first performance on 5 May 1979 in
676:
379:
372:
360:
354:
348:
342:
336:
330:
324:
262:
734:
684:
492:
307:
692:
443:
386:
636:
612:
596:
393:
300:
750:
700:
660:
532:
468:
564:
159:
652:
460:
236:
249:
620:
572:
285:
202:
132:
120:
104:
791:
221:
108:
213:
128:
508:
476:
228:
91:
668:
224:
8.552001 (recorded 21–22 February 2000, in the presence of the composer)
139:
131:. It is the only Arnold symphony to have had its premiere outside the
254:
258:
209:
on
Conifer Records 74321-15005-2 (re-released on Decca 4765337)
20:
173:
An elegiac movement, which ends in a mood of hushed regret.
95:
Naxos recording of
Malcolm Arnold's Symphonies Nos 7 & 8
743:
727:
452:
436:
410:
317:
292:
48:but its sources remain unclear because it lacks
138:The work was written after Arnold had lived in
418:Concerto for Two Violins and String Orchestra
270:
8:
763:
277:
263:
255:
79:Learn how and when to remove this message
90:
778:Category:Compositions by Malcolm Arnold
768:List of compositions by Malcolm Arnold
7:
428:Concerto for Harmonica and Orchestra
14:
773:
772:
762:
250:Faber Music page on the symphony
25:
218:RTÉ National Symphony Orchestra
605:The Inn of the Sixth Happiness
1:
798:Symphonies by Malcolm Arnold
581:The Bridge on the River Kwai
207:Royal Philharmonic Orchestra
557:The Night My Number Came Up
549:The Sea Shall Not Have Them
819:
541:The Belles of St Trinian's
233:BBC Philharmonic Orchestra
16:Symphony by Malcolm Arnold
759:
525:You Know What Sailors Are
158:The symphony is in three
125:Albany Symphony Orchestra
107:was finished in November
34:This article includes a
423:Clarinet Concerto No. 2
63:more precise citations.
735:Malcolm Arnold Academy
685:The Heroes of Telemark
501:The Captain's Paradise
493:It Started in Paradise
401:Tam O'Shanter Overture
96:
629:Whistle Down The Wind
485:The Holly and the Ivy
196:Commercial recordings
94:
693:Sky West and Crooked
444:The River Kwai March
387:Four Scottish Dances
637:No Love for Johnnie
589:The Roots of Heaven
301:Homage to the Queen
751:Curse of the ninth
701:Africa Texas Style
661:Nine Hours to Rama
533:The Sleeping Tiger
97:
36:list of references
803:1978 compositions
785:
784:
717:David Copperfield
469:The Sound Barrier
89:
88:
81:
810:
776:
775:
766:
765:
744:Related articles
728:Named for Arnold
677:The Chalk Garden
318:Orchestral music
279:
272:
265:
256:
84:
77:
73:
70:
64:
59:this article by
50:inline citations
29:
28:
21:
818:
817:
813:
812:
811:
809:
808:
807:
788:
787:
786:
781:
755:
739:
723:
517:Hobson's Choice
461:Wings of Danger
448:
432:
406:
313:
288:
283:
246:
237:Chandos Records
198:
189:
187:Instrumentation
177:
172:
166:
156:
117:
85:
74:
68:
65:
54:
40:related reading
30:
26:
17:
12:
11:
5:
816:
814:
806:
805:
800:
790:
789:
783:
782:
760:
757:
756:
754:
753:
747:
745:
741:
740:
738:
737:
731:
729:
725:
724:
722:
721:
713:
705:
697:
689:
681:
673:
665:
657:
649:
641:
633:
625:
621:Tunes of Glory
617:
609:
601:
593:
585:
577:
569:
561:
553:
545:
537:
529:
521:
513:
505:
497:
489:
481:
473:
465:
456:
454:
450:
449:
447:
446:
440:
438:
434:
433:
431:
430:
425:
420:
414:
412:
408:
407:
405:
404:
397:
390:
383:
380:English Dances
376:
373:Symphony No. 9
370:
367:Symphony No. 8
364:
361:Symphony No. 7
358:
355:Symphony No. 6
352:
349:Symphony No. 5
346:
343:Symphony No. 4
340:
337:Symphony No. 3
334:
331:Symphony No. 2
328:
325:Symphony No. 1
321:
319:
315:
314:
312:
311:
304:
296:
294:
290:
289:
286:Malcolm Arnold
284:
282:
281:
274:
267:
259:
253:
252:
245:
242:
241:
240:
225:
210:
203:Vernon Handley
197:
194:
188:
185:
155:
152:
133:United Kingdom
121:Troy, New York
116:
113:
105:Malcolm Arnold
101:Symphony No. 8
87:
86:
44:external links
33:
31:
24:
15:
13:
10:
9:
6:
4:
3:
2:
815:
804:
801:
799:
796:
795:
793:
780:
779:
770:
769:
758:
752:
749:
748:
746:
742:
736:
733:
732:
730:
726:
719:
718:
714:
711:
710:
709:The Reckoning
706:
703:
702:
698:
695:
694:
690:
687:
686:
682:
679:
678:
674:
671:
670:
666:
663:
662:
658:
655:
654:
650:
647:
646:
645:The Inspector
642:
639:
638:
634:
631:
630:
626:
623:
622:
618:
615:
614:
610:
607:
606:
602:
599:
598:
594:
591:
590:
586:
583:
582:
578:
575:
574:
570:
567:
566:
562:
559:
558:
554:
551:
550:
546:
543:
542:
538:
535:
534:
530:
527:
526:
522:
519:
518:
514:
511:
510:
506:
503:
502:
498:
495:
494:
490:
487:
486:
482:
479:
478:
474:
471:
470:
466:
463:
462:
458:
457:
455:
451:
445:
442:
441:
439:
437:Miscellaneous
435:
429:
426:
424:
421:
419:
416:
415:
413:
409:
403:
402:
398:
396:
395:
391:
389:
388:
384:
382:
381:
377:
374:
371:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
322:
320:
316:
310:
309:
305:
303:
302:
298:
297:
295:
291:
287:
280:
275:
273:
268:
266:
261:
260:
257:
251:
248:
247:
243:
238:
234:
230:
226:
223:
222:Naxos Records
219:
215:
211:
208:
204:
200:
199:
195:
193:
186:
184:
181:
174:
171:II. Andantino
169:
163:
161:
153:
151:
147:
145:
144:The Reckoning
141:
136:
134:
130:
127:conducted by
126:
122:
114:
112:
110:
106:
103:, Op. 124 by
102:
93:
83:
80:
72:
62:
58:
52:
51:
45:
41:
37:
32:
23:
22:
19:
771:
761:
715:
707:
699:
691:
683:
675:
667:
659:
651:
643:
635:
627:
619:
611:
603:
595:
587:
579:
571:
563:
555:
547:
539:
531:
523:
515:
507:
499:
491:
483:
475:
467:
459:
399:
392:
385:
378:
366:
308:Sweeney Todd
306:
299:
214:Andrew Penny
190:
179:
175:
170:
164:
157:
148:
137:
129:Julius Hegyi
118:
100:
98:
75:
66:
55:Please help
47:
18:
509:Albert R.N.
477:Stolen Face
411:Concertante
229:Rumon Gamba
176:III. Vivace
123:, with the
69:August 2007
61:introducing
792:Categories
453:Film score
244:References
165:I. Allegro
146:" (1969).
115:Background
239:CHAN 9967
160:movements
154:Structure
669:Tamahine
653:The Lion
394:Peterloo
231:and the
216:and the
205:and the
613:The Key
597:Dunkirk
573:Trapeze
140:Ireland
57:improve
720:(1969)
712:(1969)
704:(1967)
696:(1966)
688:(1965)
680:(1964)
672:(1963)
664:(1963)
656:(1962)
648:(1962)
640:(1961)
632:(1961)
624:(1960)
616:(1958)
608:(1958)
600:(1958)
592:(1958)
584:(1957)
576:(1956)
568:(1956)
560:(1955)
552:(1954)
544:(1954)
536:(1954)
528:(1954)
520:(1954)
512:(1953)
504:(1953)
496:(1952)
488:(1952)
480:(1952)
472:(1952)
464:(1952)
375:(1986)
369:(1978)
363:(1973)
357:(1967)
351:(1961)
345:(1960)
339:(1957)
333:(1953)
327:(1949)
293:Ballet
180:fugato
227:2001
212:2001
201:1991
42:, or
565:1984
109:1978
99:The
235:on
220:on
794::
162::
135:.
111:.
46:,
38:,
278:e
271:t
264:v
82:)
76:(
71:)
67:(
53:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.