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This movement, in G major, opens with the main theme in the strings. After this, a brief episode highlighting A minor and D minor leads to a modified repeat of the main theme in both strings and bassoon. From here, a second section begins which modulates to various other keys, including G minor and
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Note that since the only notes used are the tonic and dominant, it is not clear whether the movement is in the major or minor key. This heralds a lengthy introduction in the minor key – in performance, the introduction is typically two minutes of the movement's overall nine-minute length. The
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major, but continues to feature the melody of the main theme. After arriving on the dominant of G major, the music of the first section returns. The rest of the movement consists of a modification of the first section of music, with several changes in rhythm and more prominence to the winds,
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major, and uses the oboe and bassoon extensively. Like in the minuet, this trio's B section emphasizes the relative minor (in this case, G minor). The trio ends with a transition back to dominant of the main key in preparation for the return to the minuet.
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and trio in D major. The minuet section consists of a rounded binary (A,B,A') form with an opening section emphasizing the tonic, while the second section visits the relative minor (B minor) and the dominant (A major). The trio is in
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on 4 May 1795, in a concert featuring exclusively Haydn's own compositions and directed by the composer. The premiere was a success; Haydn wrote in his diary "The whole company was thoroughly pleased and so was I. I made 4,000
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is in D major, with the strings playing the first theme. The theme goes straight into A major with the woodwinds to form a second theme. The exposition closes with a codetta and is followed by the
418:. The development section settles on the dominant of the main key, as is typical, but the recapitulation does not occur immediately. Instead, the development is extended with a section in F
61:, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon.
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Michael
Steinberg, "The Symphony: A Listeners Guide" (Oxford and New York: Oxford University Press, 1995), p. 246.
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and a theme often claimed to have originated as a
Croatian folk song; for details see
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476:. "The Symphony: a listeners guide". pp. 245–47. Oxford University Press, 1995.
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455:. "The Symphony: a listeners guide". p. 245. Oxford University Press, 1995.
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The exuberant finale, in fast tempo and in sonata form, opens in the mode of
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http://www.pointclassics.com/dl/2650902.4.Finale-%20spirituoso.48k.mp3
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minor, after which the recapitulation in D major follows immediately.
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introduction transitions to the main body of the movement in
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The autograph manuscript of the symphony is preserved in the
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while Haydn was living in London, and premiered there at the
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on this evening: such a thing is possible only in
England."
330:: the second theme is simply the first theme transposed to
507:: Haydn's autograph manuscript in the Berlin State Library
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The symphony opens with a slow and grand introduction in
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Opening theme of the main portion of the first movement
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410:(inspired by Haydn's experience in London) using a
45:'s final symphony. It is the last of the twelve
16:Musical work by Joseph Haydn, composed in 1795
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536:International Music Score Library Project
53:. In Germany it is commonly known as the
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490:. Main: B. Schott's Söhne. p. 221.
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295:, whose first two bars are as follows:
236:
7:
315:. Its opening theme is as follows:
402:Opening theme of the final movement
302:Opening bars of the first movement
237:Problems playing these files? See
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513:: Copyist's manuscript in the
194:III. Menuetto and Trio: Allegro
1:
486:Hoboken, Anthony van (1957).
228:Evergreen Symphony Orchestra
519:The Finale can be found on
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1338:Symphonies by Joseph Haydn
434:List of symphonies by name
92:The work is scored for 2
64:The work was composed in
378:The third movement is a
1348:Compositions in D major
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370:especially the flute.
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303:
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26:
527:Piano reduction (pdf)
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321:
301:
212:IV. Finale: Spiritoso
150:
24:
416:Haydn and folk music
82:Berlin State Library
59:Johann Peter Salomon
354:, also in D major.
158:I. Adagio – Allegro
1343:Music about London
1144:(In nomine Domini)
1014:(Tempora mutantur)
946:(The Schoolmaster)
474:Steinberg, Michael
453:Steinberg, Michael
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1353:1795 compositions
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1213:London symphonies
226:Performed by the
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47:London symphonies
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762:(Hermannstädter)
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534:: Scores at the
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43:Joseph Haydn
41:. 1/104) is
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25:Joseph Haydn
18:
1065:(La chasse)
340:development
313:sonata form
176:II. Andante
124:1 & 2,
1332:Categories
1286:(Drumroll)
1265:(Military)
1229:(Surprise)
1152:(La Reine)
1128:(The Bear)
881:(Farewell)
780:(Alleluia)
631:(Le matin)
572:Symphonies
440:References
412:drone bass
408:folk music
336:exposition
239:media help
1242:(Miracle)
1136:(The Hen)
865:(Mercury)
647:(Le soir)
639:(Le midi)
280:Spiritoso
273:: Allegro
140:Movements
102:clarinets
1294:(London)
1201:(Oxford)
1042:(Laudon)
873:(Trauer)
428:See also
421:♯
386:♭
366:♭
278:Finale:
267:Menuetto
114:trumpets
106:bassoons
104:in A, 2
1273:(Clock)
344:B minor
332:A major
309:D major
293:D minor
260:Andante
253:Allegro
122:violins
118:timpani
88:Scoring
35:D major
1308:Portal
969:(Fire)
826:(Echo)
380:minuet
334:. The
249:Adagio
132:, and
130:cellos
126:violas
116:in D,
94:flutes
75:gulden
57:after
1172:88–92
987:61–81
846:41–60
717:21–40
110:horns
98:oboes
1292:104
1284:103
1271:101
1263:100
587:A–20
352:coda
271:Trio
269:and
108:, 2
100:, 2
96:, 2
66:1795
29:The
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33:in
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251:–
136:.
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84:.
1310::
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604:1
599:B
594:A
564:e
557:t
550:v
383:B
363:B
241:.
39:H
37:(
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